OK SORRY FOR THE DELAY
a small return for my malformed map :^)))
Good shit sir, I like this a lot and good luck!╭( ・ㅂ・)و
a small return for my malformed map :^)))
General:
u have touhou twice in tags xd
add: team shanghai alice boss
volume is pretty quiet, you can go 100% in kiais
[Dissembler]
00:15:251 - don, dkk emphasizes the piano better than just kk
00:15:692 (65,66,67,68) - D K K D? i think this flows more smoothly and emphasizes the pitch of cymbals better
00:49:369 (326) - I'd suggest a k here to keep abekobe triplets consistent and to maintain a nice flow (applies to 06:18:774 (582) - too)
01:11:771 (503,505) - ctrl+g for the synth?
01:58:778 (168) - kat? sounds more natural with the melody as it is at its peak pitch before the finish. yes i saw you did it consistently so this is a suggestion for all points like 02:02:896 (204) - and in the next part too, i guess you know what i mean
03:36:277 (514) - aaa every crash is finish but not this one, this is super awkward with your concept of making cymbal crashes stand out whenever possible
03:50:395 (39) - i'd make this k to accompany with the guitar, even if the difference in pitch is not strongly noticeable i think it sounds neat
03:52:748 (54) - same finish thing
04:09:439 (140,141,142) - i've listened to this damn sound for a few minutes and i'm pretty sure the triplet should be moved to 04:09:512 - as it matches with the weird synth thing most accurately to my ears like this (on lower speed, on 100% / 75% both versions sound p much the same)
05:27:966 (203) - i dunno why but i feel like kdkkk could be a nice mixup to avoid repetitive kdk thingies as it still goes along nicely with the melody
05:37:304 - intentionally left out note?
u have touhou twice in tags xd
add: team shanghai alice boss
volume is pretty quiet, you can go 100% in kiais
[Dissembler]
00:15:251 - don, dkk emphasizes the piano better than just kk
00:15:692 (65,66,67,68) - D K K D? i think this flows more smoothly and emphasizes the pitch of cymbals better
00:49:369 (326) - I'd suggest a k here to keep abekobe triplets consistent and to maintain a nice flow (applies to 06:18:774 (582) - too)
01:11:771 (503,505) - ctrl+g for the synth?
01:58:778 (168) - kat? sounds more natural with the melody as it is at its peak pitch before the finish. yes i saw you did it consistently so this is a suggestion for all points like 02:02:896 (204) - and in the next part too, i guess you know what i mean
03:36:277 (514) - aaa every crash is finish but not this one, this is super awkward with your concept of making cymbal crashes stand out whenever possible
03:50:395 (39) - i'd make this k to accompany with the guitar, even if the difference in pitch is not strongly noticeable i think it sounds neat
03:52:748 (54) - same finish thing
04:09:439 (140,141,142) - i've listened to this damn sound for a few minutes and i'm pretty sure the triplet should be moved to 04:09:512 - as it matches with the weird synth thing most accurately to my ears like this (on lower speed, on 100% / 75% both versions sound p much the same)
05:27:966 (203) - i dunno why but i feel like kdkkk could be a nice mixup to avoid repetitive kdk thingies as it still goes along nicely with the melody
05:37:304 - intentionally left out note?
Good shit sir, I like this a lot and good luck!╭( ・ㅂ・)و