I like modding marathons.
[4k Nozomu]
Nice job. Good luck with this map!
[4k Nozomu]
🙟▼🙝
- She says "na" here 00:15:269 - instead of where you snapped it.
- 00:17:513 - vocal is snapped here
- 00:33:905 - I think either turn that single note into a short LN, or just add a short LN somewhere here, for the vocal.
- I think it would work better if you put this 00:37:093 (37093|1) - on the same column as 00:36:718 (36718|3) - , but start the LN at 00:37:186 -, just because it's the same pitch. You'll need to reshuffle some notes to fit.
- 00:38:405 (38405|0) - this starts at 00:38:499 (38499|1) -
- 00:43:667 (43667|2,43855|1) - and 00:44:417 (44417|0,44605|2) - and 00:45:167 (45167|1,45355|0) - and etc etc. I wish these would be on the same column. You have so much room to work with pitch relevancy but you don't really seem to utilise it, so at the moment it's kinda just randomly mapped LN with a single note every beat. I feel like you could make this whole area a lot more interesting if you paid more attention to pitch. (Especially given that there's keysounds to work with too). I love the areas where you've clearly used pitch for your LN, and I think that plays really nicely. It's just the areas where it kinda falls apart.
- 01:06:261 (66261|2,66823|1) - These two need to be doubles, given that you're mapping the snare to doubles here.
- 01:05:886 (65886|0,66026|1,66167|0) - Not sure what you're mapping here. It doesn't feel right to play this whole pattern with these notes, because the player is focusing on only the drums and vocals (as that's almost all that's been mapped so far), but then suddenly there's this emphasis on these other things? Idk, I'd take a look at this part a bit more to make you're you really know what you want to emphasize for this buildup.
- 01:14:605 (74605|2) - hi hat here
- 01:16:292 (76292|1) - and here
- 01:17:605 (77605|1) - and here and etc in this section. I see you might be leaving these blank on purpose for some variation, but just remember to be consistent with whether you're mapping it, or whether you aren't.
- 01:24:263 (84263|2) - double
- 01:24:545 (84545|3,84545|2) - could get away with this being a single
- 02:04:011 (124011|0,124105|0) - This is abused a lot in maps like these where it really doesn't need to be. You can easily make this 02:04:105 (124105|2,124105|0,124105|3) - a double, or 02:04:011 (124011|1,124011|0) - a single (I like this option better as the drumroll kinda fades a bit anyway).
- 02:36:917 (156917|0) - PERFECT opportunity for a long note here for the vocal. At the moment it's just a weird gap.
- 02:44:980 (164980|2,165542|2,166105|2,166667|2) - I'd make these short LN's
- 02:47:605 - Did we just give up mapping the guitar here? It's a good opportunity to give this part some life, because it makes this section unique from the others. I highly recommend continuing the guitar from here.
- From 02:53:605 - to 03:02:230 - I'm not a fan of the fact that a lot of things are ignored in this area. There's some nice piano chords that could be turned into doubles, or even a bit of vocal mapping. Just something to break up the fact that it's a random 1/2 stream that doesn't really feel like it's connected to the song. Consider revising this section.
- 03:06:730 (186730|2) - Hi hat
- 03:08:230 (188230|2) - Hi hat
- 03:12:355 (192355|2) - Here too
- 03:13:855 (193855|1) - And here
- 03:49:667 (229667|1) - Double
- 03:56:511 (236511|0,236605|1) - Consider swapping these two columns.
- 03:58:292 (238292|2) - Make this into a double. It's that whole double hit thing that you mapped elsewhere. Idk how to explain this lmao.
- 04:29:511 (269511|0,269605|0) - Again, this feels out of place in a map with no minijacks anywhere else.
- 04:34:105 (274105|3,274105|2,274292|2,274480|1,274480|3,274480|0,274667|1,274855|3,274855|0,275042|2,275042|0,275230|2,275230|1,275230|3,275417|0) - You could put more emphasis on these repeated piano chords. Maybe having each pair share two columns of notes or something.
- 04:36:167 (276167|3) - Big piano chord hit! Map this! Triple please! Or at least a double!
- 04:37:105 (277105|3,277105|1,277667|2) - Same here ^
- 04:40:480 (280480|2,280480|1,280667|3,280667|0,280667|1,280855|2,280855|3,281042|1,281042|2,281230|0,281230|1,281417|2,281417|3) - The double chord thing here too. you know what I mean.
- 05:07:148 (307148|2) - Piano around here.
- 05:07:642 (307642|2) - What is this mapped to.
- 05:08:772 (308772|1,308772|3,309267|2,309267|0,309902|0,309902|3) - I know you're just putting emphasis on this, but it feels really weird to play two notes in place of a single piano note. You could probably just make these singles and it'll feel just fine.
- 00:17:513 - vocal is snapped here
- 00:33:905 - I think either turn that single note into a short LN, or just add a short LN somewhere here, for the vocal.
- I think it would work better if you put this 00:37:093 (37093|1) - on the same column as 00:36:718 (36718|3) - , but start the LN at 00:37:186 -, just because it's the same pitch. You'll need to reshuffle some notes to fit.
- 00:38:405 (38405|0) - this starts at 00:38:499 (38499|1) -
- 00:43:667 (43667|2,43855|1) - and 00:44:417 (44417|0,44605|2) - and 00:45:167 (45167|1,45355|0) - and etc etc. I wish these would be on the same column. You have so much room to work with pitch relevancy but you don't really seem to utilise it, so at the moment it's kinda just randomly mapped LN with a single note every beat. I feel like you could make this whole area a lot more interesting if you paid more attention to pitch. (Especially given that there's keysounds to work with too). I love the areas where you've clearly used pitch for your LN, and I think that plays really nicely. It's just the areas where it kinda falls apart.
- 01:06:261 (66261|2,66823|1) - These two need to be doubles, given that you're mapping the snare to doubles here.
- 01:05:886 (65886|0,66026|1,66167|0) - Not sure what you're mapping here. It doesn't feel right to play this whole pattern with these notes, because the player is focusing on only the drums and vocals (as that's almost all that's been mapped so far), but then suddenly there's this emphasis on these other things? Idk, I'd take a look at this part a bit more to make you're you really know what you want to emphasize for this buildup.
- 01:14:605 (74605|2) - hi hat here
- 01:16:292 (76292|1) - and here
- 01:17:605 (77605|1) - and here and etc in this section. I see you might be leaving these blank on purpose for some variation, but just remember to be consistent with whether you're mapping it, or whether you aren't.
- 01:24:263 (84263|2) - double
- 01:24:545 (84545|3,84545|2) - could get away with this being a single
- 02:04:011 (124011|0,124105|0) - This is abused a lot in maps like these where it really doesn't need to be. You can easily make this 02:04:105 (124105|2,124105|0,124105|3) - a double, or 02:04:011 (124011|1,124011|0) - a single (I like this option better as the drumroll kinda fades a bit anyway).
- 02:36:917 (156917|0) - PERFECT opportunity for a long note here for the vocal. At the moment it's just a weird gap.
- 02:44:980 (164980|2,165542|2,166105|2,166667|2) - I'd make these short LN's
- 02:47:605 - Did we just give up mapping the guitar here? It's a good opportunity to give this part some life, because it makes this section unique from the others. I highly recommend continuing the guitar from here.
- From 02:53:605 - to 03:02:230 - I'm not a fan of the fact that a lot of things are ignored in this area. There's some nice piano chords that could be turned into doubles, or even a bit of vocal mapping. Just something to break up the fact that it's a random 1/2 stream that doesn't really feel like it's connected to the song. Consider revising this section.
- 03:06:730 (186730|2) - Hi hat
- 03:08:230 (188230|2) - Hi hat
- 03:12:355 (192355|2) - Here too
- 03:13:855 (193855|1) - And here
- 03:49:667 (229667|1) - Double
- 03:56:511 (236511|0,236605|1) - Consider swapping these two columns.
- 03:58:292 (238292|2) - Make this into a double. It's that whole double hit thing that you mapped elsewhere. Idk how to explain this lmao.
- 04:29:511 (269511|0,269605|0) - Again, this feels out of place in a map with no minijacks anywhere else.
- 04:34:105 (274105|3,274105|2,274292|2,274480|1,274480|3,274480|0,274667|1,274855|3,274855|0,275042|2,275042|0,275230|2,275230|1,275230|3,275417|0) - You could put more emphasis on these repeated piano chords. Maybe having each pair share two columns of notes or something.
- 04:36:167 (276167|3) - Big piano chord hit! Map this! Triple please! Or at least a double!
- 04:37:105 (277105|3,277105|1,277667|2) - Same here ^
- 04:40:480 (280480|2,280480|1,280667|3,280667|0,280667|1,280855|2,280855|3,281042|1,281042|2,281230|0,281230|1,281417|2,281417|3) - The double chord thing here too. you know what I mean.
- 05:07:148 (307148|2) - Piano around here.
- 05:07:642 (307642|2) - What is this mapped to.
- 05:08:772 (308772|1,308772|3,309267|2,309267|0,309902|0,309902|3) - I know you're just putting emphasis on this, but it feels really weird to play two notes in place of a single piano note. You could probably just make these singles and it'll feel just fine.
Nice job. Good luck with this map!