JUDYDANNY wrote:

Hello, via M4M Queue.
[Kantan]

1. 00:33:047 - , 00:40:211 - remove, its really surprised than 00:58:122 (1,2) - .Players become cool down. Seems fine to me

[Muzukashii]

1. 00:18:271 - change to k? to follow the high synthesizer. Keeping ddk because considering 00:18:047 (1,2,1) where the last note is significantly higher pitched
   
   Made some pattern changes on 01:10:435 and 02:07:748

[Oni]

1. 01:09:316 (1,1) - change to dk? to follow the vocal waves.. I think I get your argument. But I prefer keeping kdd to 1. keep a lower-pitched contrast with kkd at 01:08:420, and 2. show pitch difference at 01:09:316 (1,2) -
   
   Also made minor hitsound changes for consistency

The set seems to be your style as usual, and cleaned the set as usual lol.
Nice mapset! Call me back after solved them(¦3[___]
Nice to hear that (¦3[___]

Tyistiana wrote:

Hi~
No excuse for the late. Sorry ;;w;; At least you're in time before rank =w=

[ Overall]

1. A finisher color on 00:44:913 aren't related. Kantan and Futsuu used K meanwhile Muzukashii and Oni used D. I think that the dominate point like this should make it same on all difficulty. To not make the player confused. It's because note at 00:45:137 is absent in kantan and futsuu, where K alone serves as a better approximation to the vocal. While in muzu and oni, I want to show the rise of pitch when that note is present, hence D k 00:44:913 (1,1) - are used.

[ Kantan]
00:33:271 - Why not d? , it's not match to the other difficulty in this point. Seems nice

[ Futsuu]
01:42:674 - How about change this one to k to emphasize the vocal here , just like the thing you've done at this point in Muzukashii I guess. Seems good to me

[ Muzukashii]
02:15:584 - The vocal here is powerful. Shouldn't miss a note here imo. Powerful, but it's better to keep the pattern consistency with 02:01:256.

Here is only my opinion so you might rejected it all, your map is really flawless right now! Thx :3
Good luck! :3

Nardoxyribonucleic wrote:

Hi, here comes the mod as requested.

• [Kantan]

1. 00:58:122 (1,2) - consider removing these notes for a 4/1 break before the kiai ? Currently the pattern chain is too long from 00:39:539 to 01:27:898 - , which is rather tiring and demanding for beginners. Is it fine to make 00:57:450 (1,1,2) - a slider instead? Other sliders like 01:09:987 (3,4)
   - should be a reasonable rest of notes for beginners as well, and hence I don't think rests are completely absent.
2. 01:55:435 (1,2) - similar to ^ , I would strongly recommend you to remove these as well for a rest. ^

• [Futsuu]

1. 00:57:786 (2) - you may want to delete this note to make a better spread with Muzukashii at this spot. Then 00:58:122 (2) - could be changed to k as 1/2 variation. Compared with muzu futsuu already has shorter 1/1.5 section since 00:56:554 (2,3,1) - has 1/1 used. Also given the frequent use of multi-colored 1/2 at kiai, I think current setup can be kept for better representation of vocal? After all these 4 notes 00:57:450 (1,2,3,1) - are quite important
2. 01:55:099 (2) and 01:55:435 - same as ^ ^

• [Muzukashii]

1. 01:22:077 - maybe add k here to form a longer chain ? I think this would enhance contrast with the intensity 01:06:405 (1,1,1,2,1,1,2,3,1,2,3,1,1,1,1,2,1,2) - possesses. Did the other way instead by adding d at 01:22:301, which fits closest to the vocal while adding reasonable difficulty
2. 02:19:390 - same as ^ ^

• [Oni]

1. 01:31:816 - consider adding d here to accompany the vocal ? This could also differentiate a bit from Muzukashii. Valid point, but I think keeping this empty is better. This is to keep 01:30:584 (1,2,1) - not to have sudden density change because (2) is still part of stance 49 and should remain a more constant rhythm. In current case, (2,1) still keeps a rather big spacing which I think fits the density transition better
2. 01:38:980 - same as ^ ^, the difference between oni and muzu can be seen at 01:40:435

You may call me back after that~ :3