From that Christmas Queue
Kantan
Futsuu
Muzukashii
Oni
it is alright
◾ I don't really enjoy the beginning of the song being mapped, especially in taiko. None of anything feels or sounds like it should be mapped, that's why the standard sets don't map it, and that's why I don't think you should start the map until 00:10:023 - .
◽ 00:12:795 (6) - This is misleading since the drums are on offbeats, there's no noise here (besides the cymbal which you aren't mapping), should delete.
◾ 03:11:001 (3) - This would be way easier to read and play if it were on the second beat, since the vocal lands on that beat and also the chorus comes in then. IMO, the guitar is less important when it comes to right here.
◽ 00:12:795 (6) - This is misleading since the drums are on offbeats, there's no noise here (besides the cymbal which you aren't mapping), should delete.
◾ 03:11:001 (3) - This would be way easier to read and play if it were on the second beat, since the vocal lands on that beat and also the chorus comes in then. IMO, the guitar is less important when it comes to right here.
◾ From 00:31:708 - to 00:42:143 - you're mapping pretty strict to the voice, ignoring obvious spots like 00:36:273 - and 00:38:556 - , but then all of a sudden you switch to mapping to drums, using k every 1 and 3. Maybe map the first half of this section to the drums as well, or map the second half more to the voice.
◽ 00:52:251 (27) - I don't see why this note is here, remove it to put more emphasis on the K after it, right now it's needlessly removing emphasis. If you must keep it, put it on the beginning of the drumroll instead of the middle.
◾ 01:04:969 - There's a note here in the kantan and oni, but none in the futsuu or muzu. Perhaps move 01:04:643 (7) - this note to that beat, or just make a 2/1 break.
◽ I don't know if you care, but the whole map feels about 4ms ahead of where the beat lands. Not unrankable, but it bothers me, especially in spots like 03:05:625 - which is more like 16ms ahead.
◽ 00:52:251 (27) - I don't see why this note is here, remove it to put more emphasis on the K after it, right now it's needlessly removing emphasis. If you must keep it, put it on the beginning of the drumroll instead of the middle.
◾ 01:04:969 - There's a note here in the kantan and oni, but none in the futsuu or muzu. Perhaps move 01:04:643 (7) - this note to that beat, or just make a 2/1 break.
◽ I don't know if you care, but the whole map feels about 4ms ahead of where the beat lands. Not unrankable, but it bothers me, especially in spots like 03:05:625 - which is more like 16ms ahead.
◾ 00:10:675 - I would remove the note here, as it removes emphasis from the D, and there's no notable sounds in this area besides a tiny little jingle.
◽ 01:04:969 - Don't forget.
◾ 02:49:969 - This here sounds better with a k here and a d before it, dunno why you mapped it all weird-like.
◽ 01:04:969 - Don't forget.
◾ 02:49:969 - This here sounds better with a k here and a d before it, dunno why you mapped it all weird-like.
◾ Grr improv mapping, at least it's consistent.
◽ 00:10:349 (4,5,6,7) - This is like what you did with the muzu but x5, there's no s o u n d, not even implied rhythm here.
◾ 00:20:784 - The run doesn't start until here, not really appreciating the unnecessary length of this pattern.
◽ 00:30:485 (115,116) - These are mapped to nothing and remove emphasis from the K. Also the weird male voice in the background here is spooky, this is a halloween map now.
◾ 00:52:496 - You can put a d here, if you're evil like me.
◽ 01:02:686 (263,264,265) - These should be d, since there is a bass there and there isn't even a snare hit there.
◾ 01:04:643 (12,13,14) - I would make all of these finisher'd, and D K K D to follow the voice, since every voice hit is the same intensity.
◽ The issues I brought up above repeat within their respected sections of the song.
◾ 02:52:088 - I really wish you could just use ddkkddk sometimes, especially here since the last violin pitch matches that of the next K.
◽ 03:04:072 (14) - Suggest deleting this note to add emphasis on 03:04:317 (1) - since you didn't finisher it.
◾ 03:25:186 - Found the spike in the retry graph. Just letting you know this is a pain in the ass to play for people at the upper 4* level (like meee).
◽ 00:10:349 (4,5,6,7) - This is like what you did with the muzu but x5, there's no s o u n d, not even implied rhythm here.
◾ 00:20:784 - The run doesn't start until here, not really appreciating the unnecessary length of this pattern.
◽ 00:30:485 (115,116) - These are mapped to nothing and remove emphasis from the K. Also the weird male voice in the background here is spooky, this is a halloween map now.
◾ 00:52:496 - You can put a d here, if you're evil like me.
◽ 01:02:686 (263,264,265) - These should be d, since there is a bass there and there isn't even a snare hit there.
◾ 01:04:643 (12,13,14) - I would make all of these finisher'd, and D K K D to follow the voice, since every voice hit is the same intensity.
◽ The issues I brought up above repeat within their respected sections of the song.
◾ 02:52:088 - I really wish you could just use ddkkddk sometimes, especially here since the last violin pitch matches that of the next K.
◽ 03:04:072 (14) - Suggest deleting this note to add emphasis on 03:04:317 (1) - since you didn't finisher it.
◾ 03:25:186 - Found the spike in the retry graph. Just letting you know this is a pain in the ass to play for people at the upper 4* level (like meee).
it is alright