Kira Kira
your 1/6s aren't exactly 1/6 in the first place.
00:03:677 (14,15,16,17) - main concern with this pattern is 00:03:870 (15,16) - where 00:04:064 (16) really doesn't work that well as a k, especially when the music here starts descending. If you change 00:04:064 (16) to d, it would be better. Other variations can be like k d d d which you did at 00:09:871 (42,43,44,45) -
00:14:904 (69,70,71) - having the triplet here is kinda excessive
00:18:194 (94) - the held vocals at 00:18:097 is pretty critical, could stop with the music, shift this beat to 00:18:291 and change it to d
00:19:936 (107,108) - swap k d to d k? 00:20:129 (108) higher than 00:19:742 (106) -
00:22:452 (124,125,126,127,128) - break them apart, remove 00:22:549 (125) - once again a little bit too dense here
00:29:291 (4,5,6) - this is 1/8 at 00:29:323 - 00:29:371 and 00:29:420
00:30:452 (17,18,19) - ^
Aside from that, 00:29:032 (1,2,3,4,5,6,7,8,9,10,11,12,13,14,15,16,17,18,19) - the colour pattern for this part doesn't really seem to match very distinctively to the song, at least for the following part 00:30:678 (20,21,22,23,24,25,26,27,28,29) does more so, I think some change in the pattern would help that
00:31:839 (32,33) - with how low the pitch goes at 00:31:839 (32) - swap this with 00:31:936 (33) so that it is d k rather than k d
00:32:387 (38,39,40) - this is not 1/6 but 1/8 in the music
00:35:484 (72,73,74) -
00:35:710 (75,76,77) - k on the lowest pitch of them all here, try and switch the colours
00:36:388 (82) - k instead? the rising intonation is still pretty prominent here, alternate from the others
00:36:645 (85,86,87) - other than the 1/8, 00:36:774 ends with a rather low tone, k does not seem to really match up. Also note 00:37:065 (90) - as well, the k doesn't allow it to differentiate itself from 00:36:968 (89) -
00:37:549 (95) - tone goes lower yet it still matches 00:37:355 (93) -
00:37:936 (99,100,101,102) - why give these more prominence than 00:37:646 (96,97,98) - the tone goes lower
00:38:581 (106,107,108) -
00:38:903 (110,111,112) -
00:39:742 (120,121,122) -
00:41:033 (134,135,136,137) -
00:41:678 (4,5,6) -
00:42:839 (17,18,19) -
00:44:774 (38,39,40) -
00:45:936 (51,52,53) -
00:47:871 (72,73,74) -
00:49:032 (85,86,87) -
00:52:129 (118,119,120) -
Also till 00:52:355 - look at the patterns in continuous 1/4s, could better align with the music
00:59:613 (159,160,161,162,163,164,165) - 1/8, not 1/6
01:00:387 (167,168) - it's the same music as 00:58:839 (155,156) - though, same as 01:01:935 (175,176) - and 01:03:484 (183,184) - so why does the first differ or vice versa?
01:03:870 (185,186,187,188,189,190,191) - not 1/6, 1/8. Also it will only start at 01:03:968 as well
Kiai is kinda overmapped as well, you don't really need the notes at places like 01:20:032 (273) - 01:19:257 (266) - also 01:27:096 (327,328,329,330,331,332,333,334,335,336,337,338,339) should not be one whole phrase. If anything, only 01:27:871 (335,336,337,338,339) - deserves the 5 notes
01:19:935 (272,273,274,275,276,277,278,279,280,281,282,283) - just one example but it applies to the rest of the kiais too, in terms of the patterning, 3 of them follow each other, but then one of them, which so happens to be the third one, differs. Aside from my previous mention of removing 01:20:032 (273) - the pattern at 01:20:322 (275,276,277,278,279,280,281,282,283) - should be similar, the music is increasing steadily in pitch here, or you split such that 01:20:709 (278,279,280,281,282,283) - are the same, and not having the middle one be the one different. A lot of the patterning variation just doesn't seem to stem from the music, but just happens, I think you can look through again and match better
01:32:128 (371,372,373,374) - also not 1/6, applies to everything else after
Of course, variation should not be stifled or be too rigid alongside music, but some better blending and matching will really help make things more stabilised, rather than being very random at times. Try and keep the 1/4 patterns more structured and less spammy in a sense, there are a lot of rather long patterns right now which feel like they drag the song more than it should, where it really isn't that high intense, it also does take away the melody that the vocals and instrumentals bring in the song, masked by the continuous streams when there are certain parts that break in between for the emphasis, like at 02:43:549 (207,208,209) - 02:47:323 (241,242,243,244,245) - where the vocals do cut off abruptly but then is lost in the current pattern.
Good Luck and I hope this progresses further in the right direction