NO KUDOSU! Recheck on Platter and Rain.
General: Rework your NCs please, they should be on every downbeat (= on every big white tick)
Platter
- 00:04:050 (2,3,4) - There is no strict definition of what antiflow is, but for me that's antiflow. I also talked with Benny- about it and he agreed that the distance between 00:04:500 (3) - and 00:04:800 (4) - is too far. Therefore I recommend you to move 00:04:800 (4) - more to the right, I think x:288 should be enough. Make sure to move 00:05:400 (6) - to x:288 as well so that the distances in 00:04:500 (3,4,5,6,7) - are consistent. The same suggestion goes for 00:32:850 (2,3,4,5,6,7) - .
- 00:07:200 (4) - This slider covers really minor sounds in comparison to the previous two sliders but provides the exact same gameplay which feels weird. Moving 00:07:200 (4) - to x:64 and flipping the whole map that comes after that slider emphasizes the music much better and provides nice gameplay as well. The same suggestion goes for 00:36:000 (4) - .
- 00:08:250 (6,1,2) - That is hyperdash into antiflow for me as well, moving 00:08:700 (2) - to x:224 should seal the deal here.
- 00:15:150 (7,8,1) - I don't like the emphasizing choice here, making a big gap from 00:15:150 (7) - to 00:15:450 (8) - and no gap at all from 00:15:450 (8) - to 00:15:600 (1) - even though 00:15:600 (1) - is a downbeat. I think it would make rhythm-wise much more sense to make the first gap small and the second one big so that you have the dash to the downbeat instead to the note before the downbeat.
- 00:20:100 (8) - Should be snapped to 00:20:250 - to land on the important sound. You did the same at 00:15:450 (8) - . You can make then a hyperdash to 00:20:400 (1) - , fits the start of the kiai well.
- 00:20:400 (1) - Is inconsistent with the rest of the kiai, there should be a gap at 00:20:550 - like you did everywhere else afterwards, so make 00:20:400 (1) - a single note and start the next object at 00:20:700 - to fix that. In general I think it would be better to be more consistent in the kiai with your usage of 1/2 sliders and repeat sliders, it is not 100% consistent with that.
- 00:21:300 (3,4,1) - Plays weird imo, because you need to slow down after the hyperdash because otherwise you move to far right to catch the next fruit.
It is also inconsistent with the rest of the kiai since in the whole kiai you've made a direction of movement change right after a hyper but not here. Therefore I recommend you to flip 00:21:900 (1) - and move it to x:176 to create a better flow and to keep consistency with the rest of the kiai. - 00:22:500 (3,4,1) - Hyperdash into antiflow again, you need to move 00:23:100 (1) - to x:288 to fix that.
- 00:25:200 (4,1,2,3) - You move the whole time from left to right, which is boring and inconsistent with previous parts at the same time. Please make some movement changes in this section like you did every time beforehand.
- 00:26:700 (1) - Please move it to x:336 to avoid antiflow after a hyperdash again.
- 00:27:900 (1) - Same here, move it to x:176.
- 00:28:800 (4,5) - Distance is way to big this time, you need to move 00:29:100 (5) - to x:320 to avoid antiflow.
Rain
General: The Rain itself has huge problems with emphasis in my opinion. I personally think that reworking it again (or searching for a guest diff) is the way to go. Since it would take forever to point out everything, I will just point out some major stuff with one example each. The things that I will point out has to be fixed in the whole diff though (and not only at the spot I used as an example), so it is your job to go through the whole song/diff and search for similar problems. If you need any help or have any questions don't hesitate to ask me!
Hope that I could help again!General: The Rain itself has huge problems with emphasis in my opinion. I personally think that reworking it again (or searching for a guest diff) is the way to go. Since it would take forever to point out everything, I will just point out some major stuff with one example each. The things that I will point out has to be fixed in the whole diff though (and not only at the spot I used as an example), so it is your job to go through the whole song/diff and search for similar problems. If you need any help or have any questions don't hesitate to ask me!
- 00:02:400 - Is a strong sound which is a downbeat as well and you put it on a sliderend which is a clear emphasis and rhythm problem at the same time. This sound needs to be a single note or the start of a slider, it would even make sense to make a hyperdash to that sound.
- Let's take look at the very first sounds (from 00:01:200 - to 00:02:250 - ): When you listen closely to this section (with 50% or 25% speed), you can hear pretty well that the sounds in this section are divided in two groups: From 00:01:200 - to 00:01:650 - and from 00:01:800 - to 00:02:250 - with 00:01:650 -
being a minor sound compared to all other sounds in this section. With this knowledge, a new object needs to start at 00:01:800 - to divide the two groups of sounds and the sound on 00:01:650 - don't necessarily needs to be mapped because it is so minor (still can be mapped though, mappers preference here). As it is right now you start a new object on the most unimportant sound (00:01:650 - ) and you put 00:01:800 - as a sliderend which is a complete fail with our knowledge now. - 00:04:650 (1,2,3,4,5) - Listen to them, they need to be all 1/2 later as well (and 4 instead of 5 sliders)
- 00:09:600 (4,5) - 1/2 off as well and the hyper is questionable anyways because the sound isn't that important.
- 00:12:600 (6,7) - Listen again. The sliderend is a way more important sound than the single note, but you made the slider 1/1 and a hyper to the less important sound instead of 1/2 and a hyper to the important sound.