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senya - Zankyou wa Nariyamazu [CatchTheBeat]

posted 2017-06-11T14:52:38+00:00

Total Posts

Absolute Zero

Joined August 2014

Topic Starter

Absolute Zero 2017-06-11T14:52:38+00:00

This beatmap was submitted using in-game submission on Friday, May 31, 2019 at 2:12:06 PM

Artist: senya
Title: Zankyou wa Nariyamazu
Source: 東方紅魔郷　～ the Embodiment of Scarlet Devil.
Tags: 幽閉サテライト Touhou Shanghai Teahouse ~ Chinese Tea Stage 3 OST Vol 2 Track 18 音霊 ZUN Kamase-tora Iceon JBHyperion JBH Magic Girl piku p_i_k_u Zankyō Zankyo Tōhō Toho Kōmakyō Komakyo Koumakyou Project Shrine Maiden Kōchakan Kochakan Kouchakan 14thアルバム Album C86 Comiket Comic Market 86 森永真由美 Mayumi Morinaga かませ虎 Onryo Starving Trancer Yusuke Ceo 太田顺也 Ōta Ota Jun'ya Junya Team Alice 同人 Dōjin Dojin Doujin Indie Trance Videogame Video Game Japanese Yuuhei Satellite
BPM: 130
Filesize: 5345kb
Play Time: 01:37
Difficulties Available:

Cup (1.29 stars, 118 notes)
Hyperion's Overdose (4.75 stars, 365 notes)
Magic Girl's Overdose (4.16 stars, 303 notes)
Piku's Rain (3.5 stars, 261 notes)
Platter (2.74 stars, 230 notes)
Rain (3.5 stars, 274 notes)
Salad (1.89 stars, 156 notes)

Download: senya - Zankyou wa Nariyamazu
Information: Scores/Beatmap Listing
---------------
Last #3: Ranked Next

Times JBH has asked me to rank Zankyou: 30 and counting...

Difficulties

Cup: 100% by me

Salad: 100% by me

Platter: 100% by me

Piku's Rain: 100% by P i k u

Rain: 100% by me

Magic Girl's Rain: 100% by - Magic Girl -

Hyperion's Overdose: 100% by JBHyperion

People I should probably thank

TomTheWizard
Mao
JBHyperion
WildOne94
- Magic Girl -
Rocma
iDu5t

Last edited by Absolute Zero 2019-11-23T18:11:07+00:00, edited 55 times in total.

JBHyperion

osu!catch Paragon

3,922 posts

Joined September 2014

JBHyperion 2017-06-19T15:02:19+00:00

Make mapset for mentorship program > get 10 free mods

ez win

Absolute Zero

595 posts

Joined August 2014

Topic Starter

Absolute Zero 2017-06-26T03:17:51+00:00

JBHyperion wrote:
Make mapset for mentorship program > get 10 free mods

ez win

tfw you get exposed

P i k u

189 posts

Joined June 2013

P i k u 2017-11-27T15:59:27+00:00

Hello, /me drops fruits

Piku's Rain

osu file format v14

[General]
AudioFilename: Touhou - The Scarlet Mist Incident OST Vol.2 - 18.~ED ver.  Chinese Tea.mp3
AudioLeadIn: 0
PreviewTime: 62521
Countdown: 0
SampleSet: Soft
StackLeniency: 0.7
Mode: 2
LetterboxInBreaks: 1
WidescreenStoryboard: 1

[Editor]
DistanceSpacing: 1
BeatDivisor: 4
GridSize: 8
TimelineZoom: 2.999999

[Metadata]
Title:Zankyou wa Nariyamazu
TitleUnicode:残響は鳴り止まず
Artist:Yuuhei Satellite
ArtistUnicode:幽閉サテライト
Creator:Absolute Zero
Version:Piku's Rain
Source:Memories of the Phantasm
Tags:幽閉サテライト Touhou Shanghai Teahouse ~ Chinese Tea Stage 3 OST Vol 2 Track 18 senya 音霊 ZUN Kamase-tora Iceon
BeatmapID:0
BeatmapSetID:-1

[Difficulty]
HPDrainRate:6
CircleSize:4
OverallDifficulty:9
ApproachRate:9
SliderMultiplier:2.24
SliderTickRate:2

[Events]
//Background and Video events
0,0,"teahouse.jpg",0,0
//Break Periods
//Storyboard Layer 0 (Background)
//Storyboard Layer 1 (Fail)
//Storyboard Layer 2 (Pass)
//Storyboard Layer 3 (Foreground)
//Storyboard Sound Samples

[TimingPoints]
1599,461.538461538462,4,2,0,25,1,0
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16368,-100,4,2,0,25,0,0
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77291,-100,4,2,0,40,0,1
92060,-100,4,2,0,30,0,0
95291,-100,4,2,0,25,0,0
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96214,-100,4,2,0,15,0,0
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Combo2 : 255,179,0
Combo3 : 216,27,96

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JBHyperion

osu!catch Paragon

3,922 posts

Joined September 2014

JBHyperion 2017-11-30T19:01:08+00:00

zankyou for reviving this, diff as promised

boop

osu file format v14



[General]

AudioFilename: Touhou - The Scarlet Mist Incident OST Vol.2 - 18.~ED ver.  Chinese Tea.mp3

AudioLeadIn: 0

PreviewTime: 62521

Countdown: 0

SampleSet: Soft

StackLeniency: 0.7

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LetterboxInBreaks: 0

WidescreenStoryboard: 0



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[Metadata]

Title:Zankyou wa Nariyamazu

TitleUnicode:残響は鳴り止まず

Artist:Yuuhei Satellite

ArtistUnicode:幽閉サテライト

Creator:Absolute Zero

Version:Hyperion's Overdose

Source:Memories of the Phantasm

Tags:幽閉サテライト Touhou Shanghai Teahouse ~ Chinese Tea Stage 3 OST Vol 2 Track 18 senya 音霊 ZUN Kamase-tora Iceon

BeatmapID:0

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361,253,63214,1,0,0:0:0:0:

307,219,63329,1,0,0:0:0:0:

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64,108,67137,2,0,L|4:136,2,65.9999979858399

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384,160,68060,6,0,B|324:192|324:192|256:192,1,131.99999597168

340,264,68406,1,0,0:0:0:0:

140,264,68522,2,0,L|136:336,1,65.9999979858399

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392,264,68983,2,0,P|448:244|480:176,1,131.99999597168

400,180,69329,1,0,0:0:0:0:

264,180,69445,1,0,0:0:0:0:

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156,72,69906,6,0,L|24:72,1,131.99999597168

104,72,70252,1,0,0:0:0:0:

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192,132,72099,1,0,0:0:0:0:

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356,84,72560,1,0,0:0:0:0:

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324,148,73137,1,0,0:0:0:0:

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188,248,74060,2,0,L|176:312,1,65.9999979858399

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296,74,81329,1,0,0:0:0:0:

164,170,81445,2,0,L|98:132,1,65.9999979858399

240,170,81675,2,0,L|302:134,1,65.9999979858399

84,270,81906,2,0,L|12:270,2,65.9999979858399

304,382,82252,2,0,P|340:334|304:282,1,131.99999597168

164,282,82599,2,0,L|236:282,1,65.9999979858399

376,190,82829,6,0,B|316:158|316:158|248:158,1,131.99999597168

172,158,83175,1,0,0:0:0:0:

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104,242,84099,1,0,0:0:0:0:

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404,242,84445,2,0,L|336:242,1,65.9999979858399

112,114,84675,6,0,L|244:114,1,131.99999597168

324,114,85022,1,0,0:0:0:0:

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348,190,85368,2,0,L|280:190,1,65.9999979858399

68,224,85599,2,0,B|108:280|108:280|172:280,1,131.99999597168

384,280,85945,2,0,B|344:336|344:336|280:336,1,131.99999597168

496,192,86291,2,0,L|428:192,1,65.9999979858399

156,248,86522,6,0,P|108:192|156:128,1,165.000006294251

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440,132,86983,2,0,L|316:80,1,131.99999597168

392,84,87329,1,0,0:0:0:0:

168,80,87445,2,0,L|240:80,1,65.9999979858399

148,80,87675,2,0,L|140:148,1,65.9999979858399

360,148,87906,2,0,L|380:220,1,65.9999979858399

152,212,88137,2,0,L|80:212,1,65.9999979858399

320,308,88368,6,0,L|456:308,1,131.99999597168

264,308,88829,2,0,L|256:240,1,65.9999979858399

388,192,89060,2,0,L|448:156,1,65.9999979858399

216,64,89291,2,0,P|176:116|212:164,1,131.99999597168

344,192,89637,2,0,P|384:244|348:292,1,131.99999597168

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224,128,90560,1,0,0:0:0:0:

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144,328,91483,1,0,0:0:0:0:

412,192,91599,2,0,L|424:128,1,65.9999979858399

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452,128,92060,5,0,0:0:0:0:

296,128,92291,1,0,0:0:0:0:

428,128,92522,1,0,0:0:0:0:

232,128,92752,2,0,L|184:96,1,55

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260,216,93329,2,0,L|212:188,2,55

384,216,93675,2,0,L|336:188,1,55

136,188,93906,6,0,L|24:188,1,110

248,188,94368,1,0,0:0:0:0:

116,188,94599,1,0,0:0:0:0:

392,188,94714,1,0,0:0:0:0:

256,192,94829,12,0,97599,0:0:0:0:

Absolute Zero

595 posts

Joined August 2014

Topic Starter

Absolute Zero 2017-12-15T21:12:31+00:00

placeholder

JierYagtama

716 posts

Joined November 2015

JierYagtama 2017-12-16T09:08:19+00:00

Absolute Zero wrote:
mod placeholder

Mao

Elite Mapper II

2,963 posts

Joined December 2012

Mao 2017-12-21T20:41:06+00:00

I have no idea how to mod osu!catch nor have I ever played it, please have mercy. Take this as a warning that this mod is bad.

[General]

Please hitsound all the difficulties. It's unrankable to have unhitsounded difficulties!
I wonder if there's a reason why the spinners at the end start on different positions in all difficulties.
Your timing bugs in some fancy ways, e.g. Platter has the offset one ms early but only if you look in the timing setup panel. You should probably go over all of that.

[Hyperion's Overdose]

00:06:214 (3,4,5,6) - There's not really anything in the music justifying this as 1/4 other than some pretty weak vocals which are neglectable as the section is so calm in general.
00:27:906 (3,4) - From looking at it, I found the spacing here quite underwhelming in comparison to something like 00:29:752 (3,4) - . Obviously that one is stronger but still as the section is coming to its end, you could use just a little bit more spacing for emphasis there.
00:38:983 (2,3,4,5,6) - Maybe something I don't really get because I'm not familiar with catch but I don't really get the rhythm here. It's not really different from 00:31:368 (2,3) - which you have mapped with sliders and you even differentiate (6) with larger spacing.
01:02:060 (9,10,11,12) - Not sure if this is a thing in catch, but it would be cool to have the spacing a bit higher for these to express the buildup.

[Rain]

00:06:214 (3,4,5,1) - I wonder why this pattern's hyperdash placement is so different 00:02:522 (3,4,5,1) - . I'd rather place that to (1) in the first instance.
00:14:291 (7,1) - I'd go for a hyperdash here as currently there's barely any impact on (1).
00:33:445 (2,3) - Reduce the distance between those two, the music does not really anything to emphasize (3) that much.
00:31:137 - Not sure how much of a problem this is in catch but in standard it would be quite boring to have such slider only sections. I'd recommend some more variety, put in some circles.
00:39:906 (3,4,1,2,3,4,5,6) - The rhythm here is quite weird because you switch between instrument and vocals so much. For example at 00:40:368 (1) - you ignore the instrument on the red tick but then you ignore blue tick vocals on 00:41:752 (5) - again. (Also that hyperdash is huge)
00:47:752 (1,2,3,4,5) - Probably some lack of catch knowledge but I'd rather continue the zigzag with 00:48:675 (5) - as this is still part of the same pattern in the music. Same goes for similar patterns.
01:26:522 (1,2,3,4) - This pattern would represent the music better if you did it like 00:10:829 (1,2,3,4) - as the vocals are very similar for both halves of the pattern and just get more intense.

[Piku's Rain]

You should probably use the same combo colors as the other diffs on the set. After all it's still the same background.
00:31:137 - You should probably find a way to hitsound this whole section consistently. It sounds weird that the beginning is so empty and that once the vocals are over you suddenly start hitsounding what was there all the time.
01:32:060 - This section to me feels like it still has the intensity of the kiai due to the large spacing. You should probably tone that down.

[Platter]

The timing thing I mentioned in general causes this difficulty to have some weird 1ms unsnaps too.
01:11:752 (1,2) - I have no idea how this plays but isn't the movement difference between those two quite big considering the sounds are not that different and this is only Platter? I'd rather do it like 01:26:521 (1,2) - .

[Salad]

00:12:676 (1,2,3) - I'd recommend to still follow vocals here. Something like http://puu.sh/yLhQo/6b93fa9cf1.jpg sounds pretty nice to me.
00:25:599 (1) - Probably a faster movement like 00:18:215 (1) - wouuld work better here because you have used it for all the other ones. Also I'd swap 00:18:215 (1,2) - and 00:21:907 (1,1) - as the latter ones use slower movement which would be nice as a introduction to the section.
00:31:138 - Similar thing as above, I'd rather go for slower movement at the beginning of the section with the more condensed sliders and let them slowly extend into the faster movement.
01:32:060 (1) - Two green lines here, it's unrankable.

[Cup]

00:27:445 (1) - This slider goes against your concept of always having them go inwards and then outwards again.
01:00:675 (1) - I'm not sure if this is the case in catch as well but in standard you have to have a certain "recovery time" after spinners and I'd imagine if a newbie hops around wildley over the whole screen he could take a little time in order to adjust to the next objects.
01:11:752 (1,2) - I'd swap these two direction wise to have a cool direction change for emphasis between 01:10:829 (2,1) - . (Same with 01:28:368 (1,2) - )
01:32:060 (1,2,3,4,1) - You should probably simplify this, it's more complex than in Salad.

I'm sorry. Please don't call me back.

Sorceress

332 posts

Joined September 2012

Sorceress 2017-12-22T04:42:38+00:00

An actual Absolute Zero mapset I can't believe it!
Here to mod as requested in PM, sniped by Mao so I'll try to avoid conflicting suggestions and such but might have missed a couple

[

General]

Background: Image quality is lacking a bit, try this higher res version
Difficulty Spread: AR settings are a bit odd, the raised AR on the Salad, Platter and Rain seems unnecessary considering the low BPM. Probably best to revisit these across the board

[

Cup]

00:03:445 (1,2,3) - This movement is a bit uninteresting, it's just a stuttery movement in the same direction for a few beats and does nothing for the piano sound of 00:04:368 (3) - . A direction change in here would be top stuff, try a quick ctrl+h on 00:04:368 (3) - and then again on all of 00:01:599 (1,1,2,3) - to add a direction change and preserve distancing
00:34:829 (1,1) - I think the timeline here is a bit too simplified, it doesn't feel like it's following much and it's quite bare, might help to add a note in 00:36:214 -
00:47:752 (1) - Could swap the direction of this slider, this hits some nice vocals but as it currently is the movement is quite shallow. I think similar movement but coupled with a direction change would be a nice fit, same with 00:55:137 (1) -
00:58:829 (1) - Stronger vocals here but still little movement, a good direction change would fit well but it would be a little dense with direction changes in this short section (00:56:983 (1,2,3,4,1) - ). Could be worthwhile to simplify 00:56:983 (1,2,3,4) - and a direction change on this
01:34:829 (1) - I'd follow the same timeline as you did in the Salad here regarding this spinner. Piano sound at 01:34:714 - is worth mapping and I think starting the spinner later is a better compromise than not mapping this at all

[

Salad]

00:10:830 (1,2) - Not the biggest fan of dashing in to this slider shape, very easy to miss droplets. Consider curving these
00:12:676 (1) - Not so sure about the repeat on this, muddies the rhythm a little. Sounds better without the repeat, emphasises the vocals better
00:41:753 (4,1) - I think a dash here would feel at home in this difficulty
00:51:445 (1) - Too easy to catch this without any movement, could do with being more defined
01:11:752 (1) - This slider shape makes for a nasty droplet pattern to dash in to, I'd use a more typical curve instead
01:22:829 (1,2) - Big scary 1/1 dash, you've normally used about 1.66x DS for these so this is noticeably higher. It's not too difficult but I think it would be better to be more consistent on these distances, easy to be caught out by this jump and dash too late
01:32:060 - Timelining of the outro in the cup felt like a better fit as it hits all the prominent piano sounds where as this misses quite a few like 01:32:060 (1) - and 01:33:675 -. However unlike the cup it does hit 01:34:714 - which is nice

[

Platter]

00:10:252 (4,5) - This low distance is a real flow killer, i'd look to make this distance at least properly walkable and potentially consider a hyper to 00:10:829 (1) -
00:18:906 (4,5) - Not sure about dashing here, this lone vocal feels weaker than the surrounding piano sounds. Might be best to follow the same timeline as the combos before and after this
00:22:598 (4) - Would expect to see a slider here like previous for the held piano sound, either to 00:23:291 (5) - or the red tick just before
00:37:598 (3,4) - Distance between these is low making it awkward to confidently walk breaking flow with a stuttery movement. Try curving out 00:37:598 (3) - some more so it's further from 00:38:291 (4) -
00:40:137 (4) - Double dash around this feels odd and the distances a little ambiguous, I think it would be better to walk in to this and dash out of it
00:42:906 (4) - Similar here only this is tricker due to the antiflow dash
00:48:214 (2) - I'd tilt this some more, it has very weak movement
00:51:445 (1) - Timeline choice is a little odd, something like 00:47:752 (1,2) - would be more consistent with this difficulty
00:53:060 (1) - Vertical b o y e. Would really help to get this away from the wall and add more movement to this
01:16:252 (3,4) - 1/4 movement like this isn't too great, if you want some emphasis here I'd make this a proper dash without a direction change

[

Piku's Rain]

00:52:368 (3,4,5,6) - These feel very similar to 00:51:445 (1,2) - just before it. They're individual circles but they play just like the 1/2 sliders before them. Bit more variety here would be great, possibly more antiflow or such so these notes feel different
01:32:060 - Would agree with Mao about the outro here, might help to remove the hyper at 01:33:329 (4,1) - and make 01:33:906 (1,2,3) - walkable

[

Rain]

00:12:906 (2,3,4) - Varying the movement speed needed in the same direction like this doesn't feel too great to play. Would play nicer if 00:13:137 (3) - was fully horizontal
00:31:137 - - 00:38:291 - That's a lot of 1/2 sliders with little variation between them. Slider speeds are all very similar and distances too. I think it would really help to include some 1/1 sliders on the stronger vocals like in the Platter and Piku's Rain
00:40:252 (4,1) - This distance is a bit huge, I'd bring 00:40:252 (4) - over to x:144 or so to bring this distance down
00:48:675 (5,6) - Would be better to hyper between 00:49:368 (6,1) - instead, nothing too special about 00:49:368 (6) -
00:58:368 (4,1) - Hyper would work well here for this strong vocal

[

Hyperion's Overdose]

00:18:214 (1,2,3) - Low movement here catches me out a lot, looks like a curve across these but at this BPM it isn't too apparent. I'd space this out a bit more or use a slider for 00:18:214 (1,2) - as a visual aid so it's easier to read this pattern
00:18:906 (4,5) - Not the biggest fan of emphasising this vocal with a dash, it's not particularly strong and there's no instrumentals either
00:44:983 (5,6,7,8) - I like this pattern but playing this initially I couldn't hear anything that justified it. Listening closely the sound are there but they're somewhat quiet for what's a very intense pattern. I'd certainly wait and see if others take issue with this before changing anything but I personally feel this just isn't quite justified by the song

Merry Christmas

JBHyperion

osu!catch Paragon

3,922 posts

Joined September 2014

JBHyperion 2017-12-22T10:34:37+00:00

Mao wrote:
I have no idea how to mod osu!catch nor have I ever played it, please have mercy. Take this as a warning that this mod is bad.

[General]
I wonder if there's a reason why the spinners at the end start on different positions in all difficulties. To ensure readability, the minimum required time between objects and spinners varies with difficulty (more distance on easier diffs, less on higher diffs). The only weird one is Rain imo, which has a 5/4 gap instead of a 3/4 like Piku's diff
[Hyperion's Overdose]
00:06:214 (3,4,5,6) - There's not really anything in the music justifying this as 1/4 other than some pretty weak vocals which are neglectable as the section is so calm in general. Following both piano and vocals here, but I removed the tail note on 00:06:675 (5) - to simplify this weaker sound
00:27:906 (3,4) - From looking at it, I found the spacing here quite underwhelming in comparison to something like 00:29:752 (3,4) - . Obviously that one is stronger but still as the section is coming to its end, you could use just a little bit more spacing for emphasis there. Increased 00:27:906 (3,4) - slightly to 2.1x, don't want to go too close to an overly strong dash though
00:38:983 (2,3,4,5,6) - Maybe something I don't really get because I'm not familiar with catch but I don't really get the rhythm here. It's not really different from 00:31:368 (2,3) - which you have mapped with sliders and you even differentiate (6) with larger spacing. Vocal pitch and intensity was increasing there, so I used sliders to add some small jumps. Here it's decreasing, so I made a stream with less spacing instead
01:02:060 (9,10,11,12) - Not sure if this is a thing in catch, but it would be cool to have the spacing a bit higher for these to express the buildup. Good idea, split these into two sliders and made a small jump
I'm sorry. Please don't call me back.

Sorcerer wrote:
An actual Absolute Zero mapset I can't believe it!
Here to mod as requested in PM, sniped by Mao so I'll try to avoid conflicting suggestions and such but might have missed a couple

[ Hyperion's Overdose]
00:18:214 (1,2,3) - Low movement here catches me out a lot, looks like a curve across these but at this BPM it isn't too apparent. I'd space this out a bit more or use a slider for 00:18:214 (1,2) - as a visual aid so it's easier to read this pattern Tried spacing them out a bit more and making (1,2) a slider, let me know if it's any better
00:18:906 (4,5) - Not the biggest fan of emphasising this vocal with a dash, it's not particularly strong and there's no instrumentals either Vocal felt important enough for me here, but I ended up changing this with the suggestion above anyway and it works too, so done I guess
00:44:983 (5,6,7,8) - I like this pattern but playing this initially I couldn't hear anything that justified it. Listening closely the sound are there but they're somewhat quiet for what's a very intense pattern. I'd certainly wait and see if others take issue with this before changing anything but I personally feel this just isn't quite justified by the song Decided to reduce the wiggle to a walk instead of a dash, so it shouldn't dominate over the following pattern now

Merry Christmas

Thanks for the suggestions! (:

diff

osu file format v14

[General]
AudioFilename: Touhou - The Scarlet Mist Incident OST Vol.2 - 18.~ED ver.  Chinese Tea.mp3
AudioLeadIn: 0
PreviewTime: 62521
Countdown: 0
SampleSet: Soft
StackLeniency: 0.7
Mode: 2
LetterboxInBreaks: 0
WidescreenStoryboard: 0

[Editor]
Bookmarks: 1599,16368,31137,45906,62522,77291,92060,97599
DistanceSpacing: 1.2
BeatDivisor: 4
GridSize: 4
TimelineZoom: 1

[Metadata]
Title:Zankyou wa Nariyamazu
TitleUnicode:残響は鳴り止まず
Artist:Yuuhei Satellite
ArtistUnicode:幽閉サテライト
Creator:Absolute Zero
Version:Hyperion's Overdose
Source:Memories of the Phantasm
Tags:幽閉サテライト Touhou Shanghai Teahouse ~ Chinese Tea Stage 3 OST Vol 2 Track 18 senya 音霊 ZUN Kamase-tora Iceon
BeatmapID:1484298
BeatmapSetID:625519

[Difficulty]
HPDrainRate:7
CircleSize:4.3
OverallDifficulty:9
ApproachRate:9
SliderMultiplier:2.2
SliderTickRate:2

[Events]
//Background and Video events
0,0,"teahouse.jpg",0,0
//Break Periods
//Storyboard Layer 0 (Background)
//Storyboard Layer 1 (Fail)
//Storyboard Layer 2 (Pass)
//Storyboard Layer 3 (Foreground)
//Storyboard Sound Samples

[TimingPoints]
1599,461.538461538462,4,2,2,35,1,0
8522,-80,4,2,2,35,0,0
8983,-100,4,2,2,65,0,0
11291,-100,4,2,2,65,0,0
16368,-100,4,2,2,40,0,0
19137,-90.9090909090909,4,2,2,40,0,0
19829,-100,4,2,2,40,0,0
20752,-200,4,2,2,40,0,0
21675,-100,4,2,2,40,0,0
26291,-80,4,2,2,40,0,0
26752,-100,4,2,2,40,0,0
31136,-100,4,2,2,50,0,0
37599,-80,4,2,2,50,0,0
37945,-100,4,2,2,50,0,0
41868,-80,4,2,2,50,0,0
42099,-100,4,2,2,50,0,0
45905,-100,4,2,2,75,0,0
53291,-66.6666666666667,4,2,2,75,0,0
53522,-100,4,2,2,75,0,0
59637,-80,4,2,2,75,0,0
59983,-100,4,2,2,75,0,0
60674,-100,4,2,2,55,0,0
62522,-83.3333333333333,4,2,2,85,0,1
71752,-66.6666666666667,4,2,2,85,0,1
71983,-83.3333333333333,4,2,2,85,0,1
76368,-57.1428571428571,4,2,2,85,0,0
76599,-83.3333333333333,4,2,2,85,0,0
77291,-83.3333333333333,4,2,2,85,0,1
80060,-66.6666666666667,4,2,2,85,0,1
80291,-83.3333333333333,4,2,2,85,0,1
86522,-66.6666666666667,4,2,2,85,0,1
86752,-83.3333333333333,4,2,2,85,0,1
92060,-100,4,2,2,35,0,0
94829,-100,4,2,2,40,0,0
95291,-100,4,2,2,30,0,0
95752,-100,4,2,2,25,0,0
96214,-100,4,2,2,20,0,0
96675,-100,4,2,2,15,0,0
97137,-100,4,2,2,10,0,0
97599,-100,4,2,2,5,0,0


[Colours]
Combo1 : 255,128,192
Combo2 : 255,128,128
Combo3 : 255,128,64
Combo4 : 255,255,128
Combo5 : 128,255,128
Combo6 : 128,128,255

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P i k u

189 posts

Joined June 2013

P i k u 2017-12-22T11:48:33+00:00

Mao wrote:
I have no idea how to mod osu!catch nor have I ever played it, please have mercy. Take this as a warning that this mod is bad.

[Piku's Rain]
You should probably use the same combo colors as the other diffs on the set. After all it's still the same background. | Meh okay
00:31:137 - You should probably find a way to hitsound this whole section consistently. It sounds weird that the beginning is so empty and that once the vocals are over you suddenly start hitsounding what was there all the time. | Oh right I didn't notice
01:32:060 - This section to me feels like it still has the intensity of the kiai due to the large spacing. You should probably tone that down. | Decreased the general intensity by removing HDashes, but I wanna keep the back and forth jumps they way they are nvm
I'm sorry. Please don't call me back.

Thanks Mao!

Sorcerer wrote:
00:52:368 (3,4,5,6) - These feel very similar to 00:51:445 (1,2) - just before it. They're individual circles but they play just like the 1/2 sliders before them. Bit more variety here would be great, possibly more antiflow or such so these notes feel different | Changed the patterns
01:32:060 - Would agree with Mao about the outro here, might help to remove the hyper at 01:33:329 (4,1) - and make 01:33:906 (1,2,3) - walkable | Already done

Thanks Sorcerer!

Piku's Rain

osu file format v14

[General]
AudioFilename: Touhou - The Scarlet Mist Incident OST Vol.2 - 18.~ED ver.  Chinese Tea.mp3
AudioLeadIn: 0
PreviewTime: 62521
Countdown: 0
SampleSet: Soft
StackLeniency: 0.7
Mode: 2
LetterboxInBreaks: 1
WidescreenStoryboard: 1

[Editor]
DistanceSpacing: 1
BeatDivisor: 4
GridSize: 8
TimelineZoom: 2.999999

[Metadata]
Title:Zankyou wa Nariyamazu
TitleUnicode:残響は鳴り止まず
Artist:Yuuhei Satellite
ArtistUnicode:幽閉サテライト
Creator:Absolute Zero
Version:Piku's Rain
Source:Memories of the Phantasm
Tags:幽閉サテライト Touhou Shanghai Teahouse ~ Chinese Tea Stage 3 OST Vol 2 Track 18 senya 音霊 ZUN Kamase-tora Iceon
BeatmapID:1484299
BeatmapSetID:625519

[Difficulty]
HPDrainRate:6
CircleSize:4
OverallDifficulty:9
ApproachRate:9
SliderMultiplier:2.24
SliderTickRate:2

[Events]
//Background and Video events
0,0,"teahouse.jpg",0,0
//Break Periods
//Storyboard Layer 0 (Background)
//Storyboard Layer 1 (Fail)
//Storyboard Layer 2 (Pass)
//Storyboard Layer 3 (Foreground)
//Storyboard Sound Samples

[TimingPoints]
1599,461.538461538462,4,2,0,25,1,0
8983,-100,4,2,0,35,0,0
16368,-100,4,2,0,25,0,0
31136,-100,4,2,2,30,0,0
31368,-100,4,2,0,30,0,0
45905,-100,4,2,0,40,0,0
62522,-100,4,2,0,40,0,1
76368,-100,4,2,0,40,0,0
77291,-100,4,2,0,40,0,1
92060,-100,4,2,0,30,0,0
95291,-100,4,2,0,25,0,0
95752,-100,4,2,0,20,0,0
96214,-100,4,2,0,15,0,0
96675,-100,4,2,0,10,0,0


[Colours]
Combo1 : 255,128,192
Combo2 : 255,128,128
Combo3 : 255,128,64
Combo4 : 255,255,128
Combo5 : 128,255,128
Combo6 : 128,128,255

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264,96,65522,2,0,L|152:96,2,112,0|2|0,0:0|0:0|0:0,0:0:0:0:
488,48,66214,6,0,L|376:48,1,112,0|0,1:0|0:0,0:0:0:0:
208,192,66675,2,0,L|336:192,1,112,2|0,0:0|0:0,0:0:0:0:
16,96,67137,2,0,L|184:96,1,168,0|0,1:0|0:0,0:0:0:0:
296,96,67599,2,0,L|184:96,1,112,2|0,0:0|0:0,0:0:0:0:
16,200,68060,6,0,L|240:200,1,224,0|2,1:0|0:0,0:0:0:0:
72,112,68752,1,0,0:0:0:0:
384,176,68983,2,0,L|376:64,1,112,0|0,1:0|0:0,0:0:0:0:
64,304,69445,2,0,L|72:192,1,112,2|0,0:0|1:0,0:0:0:0:
384,264,69906,6,0,L|160:264,1,224,4|2,1:0|0:0,0:0:0:0:
328,176,70599,1,0,0:0:0:0:
16,112,70829,2,0,L|184:112,2,168,0|0|0,1:0|0:0|0:0,0:0:0:0:
328,112,71752,6,0,L|440:112,1,112,0|0,1:0|0:0,0:0:0:0:
216,264,72214,2,0,L|104:264,1,112,2|0,0:0|0:0,0:0:0:0:
328,192,72675,2,0,L|440:192,1,112,0|0,1:0|0:0,0:0:0:0:
128,104,73137,2,0,L|16:104,1,112,2|0,0:0|0:0,0:0:0:0:
328,88,73599,1,4,1:0:0:0:
160,288,73829,6,0,P|80:240|159:191,1,224
216,240,74406,1,0,0:0:0:0:
440,88,74522,1,4,1:0:0:0:
272,96,74868,1,0,0:0:0:0:
440,88,75214,1,0,0:0:0:0:
128,88,75445,6,0,L|16:88,2,112,4|0|2,1:0|0:0|0:0,0:0:0:0:
328,176,76137,2,0,L|384:176,1,56
160,272,76368,2,0,L|144:160,1,112,4|0,1:0|0:0,0:0:0:0:
344,240,76829,1,4,0:3:0:0:
384,200,76945,1,4,0:3:0:0:
384,144,77060,1,4,0:3:0:0:
344,104,77175,1,4,0:3:0:0:
120,256,77291,6,0,P|144:152|248:128,1,224,4|2,1:0|0:0,0:0:0:0:
80,96,77983,1,0,0:0:0:0:
392,232,78214,2,0,L|224:232,2,168,0|0|0,1:0|0:0|0:0,0:0:0:0:
168,136,79137,5,0,1:0:0:0:
336,120,79368,1,0,0:0:0:0:
168,136,79599,1,2,0:0:0:0:
392,176,79829,2,0,L|448:176,2,56,0|0|0,0:0|0:0|1:0,0:0:0:0:
168,216,80291,1,0,0:0:0:0:
392,248,80522,2,0,L|280:248,1,112,2|0,0:0|0:0,0:0:0:0:
56,56,80983,6,0,L|168:56,1,112,0|0,1:0|0:0,0:0:0:0:
280,120,81445,1,2,0:0:0:0:
64,152,81675,1,0,0:0:0:0:
376,120,81906,2,0,L|208:120,1,168,0|0,1:0|0:0,0:0:0:0:
320,40,82368,2,0,L|432:40,1,112,2|0,0:0|0:0,0:0:0:0:
208,296,82829,6,0,P|128:248|208:200,1,224,0|2,1:0|0:0,0:0:0:0:
376,176,83522,1,0,0:0:0:0:
64,136,83752,2,0,L|72:24,1,112,2|0,1:0|0:0,0:0:0:0:
384,304,84214,2,0,L|376:192,1,112,2|0,0:0|1:0,0:0:0:0:
64,208,84675,6,0,L|288:208,1,224,4|2,1:0|0:0,0:0:0:0:
120,112,85368,1,0,0:0:0:0:
432,128,85599,1,0,1:0:0:0:
264,112,85829,2,0,L|208:112,2,56,0|0|2,0:0|0:0|0:0,0:0:0:0:
432,64,86291,1,0,0:0:0:0:
120,192,86522,6,0,L|232:192,1,112,0|0,1:0|0:0,0:0:0:0:
456,184,86983,2,0,L|344:184,1,112,2|0,0:0|0:0,0:0:0:0:
120,104,87445,2,0,L|8:104,1,112,0|0,1:0|0:0,0:0:0:0:
320,112,87906,2,0,L|432:112,1,112,2|0,0:0|0:0,0:0:0:0:
120,304,88368,1,4,1:0:0:0:
288,224,88599,6,0,L|64:224,1,224,2|0,0:0|0:0,0:0:0:0:
120,152,89175,1,0,0:0:0:0:
344,296,89291,2,0,P|448:264|480:216,2,168,4|0|2,1:0|0:0|0:0,0:0:0:0:
32,104,90214,6,0,L|144:104,1,112,4|0,1:0|0:0,0:0:0:0:
456,112,90675,1,4,1:0:0:0:
288,176,90906,2,0,L|232:176,1,56
456,112,91137,1,4,1:0:0:0:
456,32,91368,1,0,0:0:0:0:
144,304,91599,1,4,1:0:0:0:
96,272,91714,1,4,0:3:0:0:
96,216,91829,1,4,0:3:0:0:
144,184,91945,1,4,0:3:0:0:
368,184,92060,6,0,L|488:184,2,112,2|0|0,0:0|0:0|0:0,0:0:0:0:
232,128,92752,2,0,L|240:72,1,56,0|2,0:0|0:0,0:0:0:0:
352,320,92983,2,0,L|464:320,1,112,2|0,0:0|0:0,0:0:0:0:
352,240,93329,2,0,L|184:240,1,168,2|0,0:0|0:0,0:0:0:0:
352,136,93906,5,2,0:0:0:0:
240,120,94137,1,0,0:0:0:0:
352,136,94368,1,2,0:0:0:0:
40,168,94599,2,0,L|40:112,1,56,0|2,0:0|0:0,0:0:0:0:
256,192,95060,12,0,97599,0:0:0:0:

Prophecy

1,794 posts

Joined December 2013

Prophecy 2017-12-25T12:07:42+00:00

Metadata:

Artist : senya
Sources: 東方Project

Reference:

http://www.yuuhei-satellite.jp
http://www.yuuhei-satellite.jp/10366

Great choice! Good luck~

Absolute Zero

595 posts

Joined August 2014

Topic Starter

Absolute Zero 2018-01-03T01:17:13+00:00

MaOwO

Mao wrote:
I have no idea how to mod osu!catch nor have I ever played it, please have mercy. Take this as a warning that this mod is bad.

[General]
Please hitsound all the difficulties. It's unrankable to have unhitsounded difficulties! will do that later because i'm lazy
I wonder if there's a reason why the spinners at the end start on different positions in all difficulties. that's fine, it just has to do with spinner spacing rules, along with considering GDs.
Your timing bugs in some fancy ways, e.g. Platter has the offset one ms early but only if you look in the timing setup panel. You should probably go over all of that. oh dear, let's check this out.
[Rain]
00:06:214 (3,4,5,1) - I wonder why this pattern's hyperdash placement is so different 00:02:522 (3,4,5,1) - . I'd rather place that to (1) in the first instance. Vocals are different here; I want to emphasize that.
00:14:291 (7,1) - I'd go for a hyperdash here as currently there's barely any impact on (1). Vocal phrase doesn't support it imo.
00:33:445 (2,3) - Reduce the distance between those two, the music does not really anything to emphasize (3) that much. Sure, lowered.
00:31:137 - Not sure how much of a problem this is in catch but in standard it would be quite boring to have such slider only sections. I'd recommend some more variety, put in some circles. Tbh I feel that here it works better with the background music to follow the phrase.
00:39:906 (3,4,1,2,3,4,5,6) - The rhythm here is quite weird because you switch between instrument and vocals so much. For example at 00:40:368 (1) - you ignore the instrument on the red tick but then you ignore blue tick vocals on 00:41:752 (5) - again. (Also that hyperdash is huge) Lowered hyper a shit ton--I see that now. For now though I'd rather follow both unless someone else has a problem with it.
00:47:752 (1,2,3,4,5) - Probably some lack of catch knowledge but I'd rather continue the zigzag with 00:48:675 (5) - as this is still part of the same pattern in the music. Same goes for similar patterns. Variety is the spice of life.
01:26:522 (1,2,3,4) - This pattern would represent the music better if you did it like 00:10:829 (1,2,3,4) - as the vocals are very similar for both halves of the pattern and just get more intense. Whoops! Nice catch.
[Platter]
The timing thing I mentioned in general causes this difficulty to have some weird 1ms unsnaps too. What the fuck happened on this diff.
01:11:752 (1,2) - I have no idea how this plays but isn't the movement difference between those two quite big considering the sounds are not that different and this is only Platter? I'd rather do it like 01:26:521 (1,2) - . Done[/color]
[Salad]
00:12:676 (1,2,3) - I'd recommend to still follow vocals here. Something like http://puu.sh/yLhQo/6b93fa9cf1.jpg sounds pretty nice to me. Ok, did something of the sort.
00:25:599 (1) - Probably a faster movement like 00:18:215 (1) - wouuld work better here because you have used it for all the other ones. Also I'd swap 00:18:215 (1,2) - and 00:21:907 (1,1) - as the latter ones use slower movement which would be nice as a introduction to the section.
00:31:138 - Similar thing as above, I'd rather go for slower movement at the beginning of the section with the more condensed sliders and let them slowly extend into the faster movement.
01:32:060 (1) - Two green lines here, it's unrankable. Shiet forgot to fix that from the puzzle
[Cup]
00:27:445 (1) - This slider goes against your concept of always having them go inwards and then outwards again. Wanted to keep a fluid movement on the cup.
01:00:675 (1) - I'm not sure if this is the case in catch as well but in standard you have to have a certain "recovery time" after spinners and I'd imagine if a newbie hops around wildley over the whole screen he could take a little time in order to adjust to the next objects. This follows spinner rules,
though.
01:11:752 (1,2) - I'd swap these two direction wise to have a cool direction change for emphasis between 01:10:829 (2,1) - . (Same with 01:28:368 (1,2) - ) I don't really want to cram the player into the left side of the playing screen and I feel it's a nice contrast in movement.
01:32:060 (1,2,3,4,1) - You should probably simplify this, it's more complex than in Salad. Made the salad more complex, instead!
I'm sorry. Please don't call me back.fuck

TomTheWizard

Sorcerer wrote:
An actual Absolute Zero mapset I can't believe it!ikr LUL
Here to mod as requested in PM, sniped by Mao so I'll try to avoid conflicting suggestions and such but might have missed a couple

[notice][ General]
Background: Image quality is lacking a bit, try this higher res version
Difficulty Spread: AR settings are a bit odd, the raised AR on the Salad, Platter and Rain seems unnecessary considering the low BPM. Probably best to revisit these across the board
[ Cup]
00:03:445 (1,2,3) - This movement is a bit uninteresting, it's just a stuttery movement in the same direction for a few beats and does nothing for the piano sound of 00:04:368 (3) - . A direction change in here would be top stuff, try a quick ctrl+h on 00:04:368 (3) - and then again on all of 00:01:599 (1,1,2,3) - to add a direction change and preserve distancing Seems like a splendid idea. Done.
00:34:829 (1,1) - I think the timeline here is a bit too simplified, it doesn't feel like it's following much and it's quite bare, might help to add a note in 00:36:214 - Wanted to keep a bit of rhythmic variety, but point taken.
00:47:752 (1) - Could swap the direction of this slider, this hits some nice vocals but as it currently is the movement is quite shallow. I think similar movement but coupled with a direction change would be a nice fit, same with 00:55:137 (1) - Sure my dude, s p i c e d i t u p !
00:58:829 (1) - Stronger vocals here but still little movement, a good direction change would fit well but it would be a little dense with direction changes in this short section (00:56:983 (1,2,3,4,1) - ). Could be worthwhile to simplify 00:56:983 (1,2,3,4) - and a direction change on this Changed around but I still like at least 2 directional changes.
01:34:829 (1) - I'd follow the same timeline as you did in the Salad here regarding this spinner. Piano sound at 01:34:714 - is worth mapping and I think starting the spinner later is a better compromise than not mapping this at all Modified in Mao's mod.
[ Salad]
00:10:830 (1,2) - Not the biggest fan of dashing in to this slider shape, very easy to miss droplets. Consider curving these Fine. But NO ONE'S changing it back, since I had to curve the OTHER SLIDER AS WELL! :angery:
00:12:676 (1) - Not so sure about the repeat on this, muddies the rhythm a little. Sounds better without the repeat, emphasises the vocals better Hits the piano and the voice, which I think are pretty important in this case.
00:41:753 (4,1) - I think a dash here would feel at home in this difficulty I thought you said HDash and was about to ask a few questions there. Sure.
00:51:445 (1) - Too easy to catch this without any movement, could do with being more defined Not quite sure what I was thinking when I made this slider so standstill. It's still tilted since the vocals are low and quiet, but yeah, straightened.
01:11:752 (1) - This slider shape makes for a nasty droplet pattern to dash in to, I'd use a more typical curve instead Changed, but I can't seem to avoid that terrible weird droplet at the edge. Fuck randomization.
01:22:829 (1,2) - Big scary 1/1 dash, you've normally used about 1.66x DS for these so this is noticeably higher. It's not too difficult but I think it would be better to be more consistent on these distances, easy to be caught out by this jump and dash too late Tried to do sort of a fix. Noticed that (2) doesn't hit something significant anyways.
01:32:060 - Timelining of the outro in the cup felt like a better fit as it hits all the prominent piano sounds where as this misses quite a few like 01:32:060 (1) - and 01:33:675 -. However unlike the cup it does hit 01:34:714 - which is nice Modified with Mao's mod.
[ Platter]
00:10:252 (4,5) - This low distance is a real flow killer, i'd look to make this distance at least properly walkable and potentially consider a hyper to 00:10:829 (1) - Okay, gave it a shot.
00:18:906 (4,5) - Not sure about dashing here, this lone vocal feels weaker than the surrounding piano sounds. Might be best to follow the same timeline as the combos before and after this TBH I think the vocals are actually stronger than the piano sounds. If someone else points it out I'm willing to change it, though.
00:22:598 (4) - Would expect to see a slider here like previous for the held piano sound, either to 00:23:291 (5) - or the red tick just before Did the red tick before.
00:37:598 (3,4) - Distance between these is low making it awkward to confidently walk breaking flow with a stuttery movement. Try curving out 00:37:598 (3) - some more so it's further from 00:38:291 (4) - Sure, used the stagnant nature of the slider to allow a gentler walk, as well.
00:40:137 (4) - Double dash around this feels odd and the distances a little ambiguous, I think it would be better to walk in to this and dash out of it Tried a fix.
00:42:906 (4) - Similar here only this is tricker due to the antiflow dash Changed it, but I actually did the opposite due to the fact that (5)
doesn't hit a particularly strong sound compared to (4) or (6).
00:48:214 (2) - I'd tilt this some more, it has very weak movement Sure.
00:51:445 (1) - Timeline choice is a little odd, something like 00:47:752 (1,2) - would be more consistent with this difficulty OK, made patterning similar as well.
00:53:060 (1) - Vertical b o y e. Would really help to get this away from the wall and add more movement to this Done.
01:16:252 (3,4) - 1/4 movement like this isn't too great, if you want some emphasis here I'd make this a proper dash without a direction change Done.
[Rain]
00:12:906 (2,3,4) - Varying the movement speed needed in the same direction like this doesn't feel too great to play. Would play nicer if 00:13:137 (3) - was fully horizontal Standardized movement distance.
00:31:137 - - 00:38:291 - That's a lot of 1/2 sliders with little variation between them. Slider speeds are all very similar and distances too. I think it would really help to include some 1/1 sliders on the stronger vocals like in the Platter and Piku's Rain Hmmph. If two people are saying it, then it's probably something I should address.
00:40:252 (4,1) - This distance is a bit huge, I'd bring 00:40:252 (4) - over to x:144 or so to bring this distance down ok
00:48:675 (5,6) - Would be better to hyper between 00:49:368 (6,1) - instead, nothing too special about 00:49:368 (6) - Okay.
00:58:368 (4,1) - Hyper would work well here for this strong vocalCheck.

Merry Christmas you too

Prophecy wrote:
Metadata:
Artist : senya ok
Sources: 東方Project changed but did eosd
Reference:
http://www.yuuhei-satellite.jp
http://www.yuuhei-satellite.jp/10366
Thanks--was gonna check it again but
Great choice! Good luck~

JBHyperion

osu!catch Paragon

3,922 posts

Joined September 2014

JBHyperion 2018-01-18T20:23:55+00:00

Might as well mod the other diffs I guess

Cup

00:10:829 (1,2,1) - Needs more spacing to reflect the increase in vocal intensity from 00:09:906 (2,1) - imo, these could be spaced out quite a bit more
00:18:214 (1) - Would be nice as 2 1/1 sliders to hit both strong vocal sounds, and adds a bit of variety in the calm section
00:23:291 (2,1) - Direction change here, (1) flipped to the left, provides cool emphasis to the downbeat if you don't want added spacing
00:25:599 (1,2) - Flows better with (2) on the left or as a smooth curve, right now you have sharp direction changes back to back
00:28:599 (2) - Antiflow fits nicely here with the pitch change if you invert this slider
00:29:291 (1) - 1/1 slider and circle to reflect both strong piano sounds maybe?
00:31:137 - Too much regular flow here makes this section very repetitive, try flipping 00:33:906 (2,1,2,1,2) - and changing the curve of 00:34:829 (1) - to fit stuff back in, this gives you two direction changes on emphasis-worthy vocal and instrument sounds
00:41:291 (3,4) - Quite anticlimactic, would increase this a little since the vocal is comparable in strength to those around it
00:44:983 (3,4) - Strong vocal sound really deserves more emphasis imo, 00:44:060 (1,2,3) - further left works nicely
00:51:445 (1) - Squashed curve makes it easy to miss droplets here, bring the centre anchor further right so that the start of the slider is effectively vertical
00:58:829 (1) - Remove 1/1 repeat and add 3/4 circle for the vocal, as long as you don't go overboard on distance this should be readable enough and sounds much better
01:31:137 (3) - I guess you wanted to leave a rest period here, but missing that last piano sound when you mapped the others seems strange. Try a low-movement slider to get the best of both
01:34:599 - Mapping the 1/4 double as a stack here is justified, the 1/2 spacing is perfectly readable and both notes are equally prominent

Salad

00:08:061 (2,3,1) - Personally I'd remove the weak 1/2 sound here to try and allow your first dash introduction as a simple 1/1. If you want to keep the 1/2 though, spacing is deceptively low and can be walked, so try beefing it up a bit - 00:09:907 (3,1) - is a better example, c. 2.5x
00:11:752 (2,1) - More spacing here would clarify the dash better
00:13:369 (2,3) - Direction change would be nice to vary the flow and draw out the vocal change better
00:14:522 (1,2,3) - Weirdly high walkable distance, I'd keep these lower and equally spaced, and focus on emphasising the dash to 00:15:446 (3,1) - better instead, since it's more important and more expected by the player
00:20:060 (1,1) - Could opt for 1/2 circles / repeat slider here for variety, you have the pauses after so some more density is offset nicely. The piano sounds are all fairly equal here so I think you could fairly justify them as circles
00:23:522 (4,1) - Bit more distance here please (and any similar if you have sub-2.4x dashes)
00:26:292 (2,3) - Should probably be combined into a single slider for the vocal, the white tick has no especial sound worth mapping as a new object
00:26:522 (3,1) - Dash here for the strong vocal would be cool
00:29:291 (1) - Same as 00:20:060 (1,1) -
00:43:137 (2,1,2) - Tight walkable spacing, you could probably reduce these a little by bringing (1) further left
00:55:137 (1) - I'd flip this for variety on the stronger vocal, since you have pmuch the same pattern at 00:51:445 (1) - right before it
01:13:599 (1,2) - Tight walkable spacing after strong dash, please reduce this a little
01:25:599 (3,1,2) - Suggest flipping these, again adds some antiflow emphasis and a bit of needed variety to the kiai climax
01:32:983 (2) - Shouldn't this be a 3/4 repeat slider for the piano and not 1/2?

Platter

00:10:252 (4,5,1) - Nothing really calls for the antiflow here, and since it leads into a hyper it's kind of a pain to play. Better to start out simple with regular flow and flip 00:10:252 (4,5,1) -, saving more complex movement til later
00:11:291 (2,3,4) - Spacing can be beefed here, the vocals are stronger than anything else to this point
00:13:598 (4) - I'd flip this in place, the vocal is strong enough to warrant more emphasis and since you can't 1/4 hyper, a direction change might do the trick
00:26:060 (3,4) - More spacing for the strong vocal please, this is very similar to 00:25:598 (1,2,3) - so doesn't stand out much
00:30:906 (6,1) - Beware hypers into antiflow, Making (1) a curved slider with a vertical start would aid flow and avoid overshooting
00:47:752 (1,2) - Vocal is still kinda strong here, I'd buff spacing and make (2) more horizontal for better flow
00:57:445 (2,4) - Could invert both of these for antiflow, adds emphasis going into the kiai and helps with the point below a bit
00:58:368 (4,1) - Strange for this not to be a hyper when 00:47:291 (4,1) - was despite being weaker, I'd add one here to aid the buildup into the kiai
00:59:752 (4) - This note doesn't really do anything for me, extending 00:59:637 (3) - for the vocal fits better, optionally also add a 1/2 slider at 01:00:214 - to avoid a breaking pause right before the kiai
01:01:598 (3) - Try as a linear circle pattern for variety since pitch doesn't revert on this triplet, but keeps increasing unlike 01:00:675 (1,2) -
01:07:598 (5,1) - More spacing here to clarify this jump thanks. Also 01:08:983 (2) - is kinda arbitrarily pasted over a more interesting synth rhythm, consider 1/2 slider > 1/4 circle > 1/2 slider here - also facilitates a hdash to 01:09:906 (1) -
01:11:752 (1,2) - Similar idea here with 1/2 circles potentially
01:14:291 (2,3) - Following vocal sounds better here, join the current repeat of (2) and the head of (3) with a slider instead

Apply same stuff in the second kiai as well

Piku's Rain

00:05:983 (2,3,4,5) - (3) is the best candidate for emphasis here since the stronger vocal is here, but it has the lowest spacing and all the others are dashes for weaker sounds lol, I'd flip the spacings here
00:18:906 (4) - Should really be circle + 3/2 slider to catch the vocal that starts at 00:19:137 - imo
00:39:906 (3,1) - Feels like there should be more of a jump here or between (2,3) for the vocal, they're about walkable but a dash somewhere is probably expected so it's easy to overshoot
00:45:560 (8) - What is this circle doing on 1/4 ? The vocal is on the white tick and the drum on the red tick, so unless you want to map a stream of some kind here, a 1/2 slider surely is a better fit
00:50:060 (3,4) - Unfitting hdash for me, (3) is a much stronger sound but even still both of these are not that important, I'd stick to regular dashes
00:52:368 (3,4) - Same deal here, don't see the justification for a hyper to this

Rain

00:05:291 (1) - Feels pretty squashed here, I'd go for a curve / more horizontal repeat slider here for maintaining flow
00:05:983 (2,3) - Expected dash for the strong vocal? Feels kind of underwhelming
00:13:137 (3,4,5) - Yuck ugly spacing, looks better if these are consistent (unless you want a 1/4 jump here I guess)
00:22:368 (3,4) - Direction change here mirrors 00:20:522 (3,4) - and emphasises the held sound better
00:34:599 (4,1) - Jump is expected here for the downbeat, especially since you also use one at 00:36:214 (4,1) - for the same sound
00:47:752 (1,3,5) - Odds are stronger than evens here, so you can afford to add a bit more distance to them imo
00:59:637 (3,4) - No distinct white tick sound here, better as a 3/4 slider. You could afford to add a 1/4 hyper here also since the vocal is strong, and it builds nicely into the kiai
01:09:329 - Circle here would follow the piano nicely and add a cool jump spot if you want a bit more spice
01:11:175 (4,5,1) - Hdash to (1) is more fitting here than to (5) due to the stronger vocal
01:17:983 (2) - Odd parity choice when the white tick is a strong vocal sound, circle + 1/2 slider fits better
01:25:368 (2) - Similar to the above, tail has a strong vocal so you might wanna consider two circles here instead
01:26:291 (4,1,2) - Definitely strong enough for hypers, antiflow or some kind of emphasis here, this is a real anticlimax at the end of the kiai atm
01:29:175 (3,4) - Hyper here for the strong vocal adds a bit more oomph to the kiai end
01:30:214 (1,4,1) - Try hypering to these too if you can also
01:33:675 (10,1,2) - Could do with some small dashes and 01:34:368 (2,1) - a hyper, the part is calm sure but there are still some strong sounds to pay attention to
01:35:291 (1) - Spinner should probably start on the red tick here, as it did in the Platter, there's no need for so much of a gap imo

Tried to buff Rain a bit to balance spread, you might need to go at it a bit more with the streams and 1/4 hypers but might just be me.

Hope these suggestions help! (:

Absolute Zero

595 posts

Joined August 2014

Topic Starter

Absolute Zero 2018-02-10T01:37:58+00:00

JBHyperion wrote:
Might as well mod the other diffs I guess

Cup
00:10:829 (1,2,1) - Needs more spacing to reflect the increase in vocal intensity from 00:09:906 (2,1) - imo, these could be spaced out quite a bit more Kept the directional change and increased.
00:18:214 (1) - Would be nice as 2 1/1 sliders to hit both strong vocal sounds, and adds a bit of variety in the calm section ok.
00:23:291 (2,1) - Direction change here, (1) flipped to the left, provides cool emphasis to the downbeat if you don't want added spacing fair enough.
00:25:599 (1,2) - Flows better with (2) on the left or as a smooth curve, right now you have sharp direction changes back to back Smooth curve it is.
00:28:599 (2) - Antiflow fits nicely here with the pitch change if you invert this slider Sure.
00:29:291 (1) - 1/1 slider and circle to reflect both strong piano sounds maybe? Want to keep it consistent as before as well as the fact that there are four sounds and ignoring just one would be strange.
00:31:137 - Too much regular flow here makes this section very repetitive, try flipping 00:33:906 (2,1,2,1,2) - and changing the curve of 00:34:829 (1) - to fit stuff back in, this gives you two direction changes on emphasis-worthy vocal and instrument sounds Did my best to follow your instructions.
00:41:291 (3,4) - Quite anticlimactic, would increase this a little since the vocal is comparable in strength to those around it Sure.
00:44:983 (3,4) - Strong vocal sound really deserves more emphasis imo, 00:44:060 (1,2,3) - further left works nicely Done.
00:51:445 (1) - Squashed curve makes it easy to miss droplets here, bring the centre anchor further right so that the start of the slider is effectively vertical Done.
00:58:829 (1) - Remove 1/1 repeat and add 3/4 circle for the vocal, as long as you don't go overboard on distance this should be readable enough and sounds much better OK, I think I did what you suggested(???)
01:31:137 (3) - I guess you wanted to leave a rest period here, but missing that last piano sound when you mapped the others seems strange. Try a low-movement slider to get the best of both whoops, gotcha
01:34:599 - Mapping the 1/4 double as a stack here is justified, the 1/2 spacing is perfectly readable and both notes are equally prominent ok.

Salad
00:08:061 (2,3,1) - Personally I'd remove the weak 1/2 sound here to try and allow your first dash introduction as a simple 1/1. If you want to keep the 1/2 though, spacing is deceptively low and can be walked, so try beefing it up a bit - 00:09:907 (3,1) - is a better example, c. 2.5x Curved (2)
slightly less and removed (3)
00:11:752 (2,1) - More spacing here would clarify the dash better Had to drag it out a bit, but sure.
00:13:369 (2,3) - Direction change would be nice to vary the flow and draw out the vocal change better OK
00:14:522 (1,2,3) - Weirdly high walkable distance, I'd keep these lower and equally spaced, and focus on emphasising the dash to 00:15:446 (3,1) - better instead, since it's more important and more expected by the player Sure. Done.
00:20:060 (1,1) - Could opt for 1/2 circles / repeat slider here for variety, you have the pauses after so some more density is offset nicely. The piano sounds are all fairly equal here so I think you could fairly justify them as circles Changed around the pattern a bit to accommodate this as well.
00:23:522 (4,1) - Bit more distance here please (and any similar if you have sub-2.4x dashes) Did it for this one but not sure what you mean by similar...?
00:26:292 (2,3) - Should probably be combined into a single slider for the vocal, the white tick has no especial sound worth mapping as a new object Fair enough.
00:26:522 (3,1) - Dash here for the strong vocal would be cool Repatterned a bit to accommodate that.
00:29:291 (1) - Same as 00:20:060 (1,1) - Sure. Repatterned some as well.
00:43:137 (2,1,2) - Tight walkable spacing, you could probably reduce these a little by bringing (1) further left Done.
00:55:137 (1) - I'd flip this for variety on the stronger vocal, since you have pmuch the same pattern at 00:51:445 (1) - right before it Done.
01:13:599 (1,2) - Tight walkable spacing after strong dash, please reduce this a little Tried something of the sort.
01:25:599 (3,1,2) - Suggest flipping these, again adds some antiflow emphasis and a bit of needed variety to the kiai climax OK
01:32:983 (2) - Shouldn't this be a 3/4 repeat slider for the piano and not 1/2? OK enough people have asked about following the more prominent layer that I'll change it.

Platter
00:10:252 (4,5,1) - Nothing really calls for the antiflow here, and since it leads into a hyper it's kind of a pain to play. Better to start out simple with regular flow and flip 00:10:252 (4,5,1) -, saving more complex movement til lateryay I get to flip it back
00:11:291 (2,3,4) - Spacing can be beefed here, the vocals are stronger than anything else to this point Took some beef.
00:13:598 (4) - I'd flip this in place, the vocal is strong enough to warrant more emphasis and since you can't 1/4 hyper, a direction change might do the trick Sure.
00:26:060 (3,4) - More spacing for the strong vocal please, this is very similar to 00:25:598 (1,2,3) - so doesn't stand out much Yeah, sure.
00:30:906 (6,1) - Beware hypers into antiflow, Making (1) a curved slider with a vertical start would aid flow and avoid overshooting Sure.
00:47:752 (1,2) - Vocal is still kinda strong here, I'd buff spacing and make (2) more horizontal for better flow ok
00:57:445 (2,4) - Could invert both of these for antiflow, adds emphasis going into the kiai and helps with the point below a bit Sure.
00:58:368 (4,1) - Strange for this not to be a hyper when 00:47:291 (4,1) - was despite being weaker, I'd add one here to aid the buildup into the kiai Got modified with the change before.
00:59:752 (4) - This note doesn't really do anything for me, extending 00:59:637 (3) - for the vocal fits better, optionally also add a 1/2 slider at 01:00:214 - to avoid a breaking pause right before the kiai Did the first thing.
01:01:598 (3) - Try as a linear circle pattern for variety since pitch doesn't revert on this triplet, but keeps increasing unlike 01:00:675 (1,2) - Yeah sure--put all the things as triplets for consistency.
01:07:598 (5,1) - More spacing here to clarify this jump thanks. Also 01:08:983 (2) - is kinda arbitrarily pasted over a more interesting synth rhythm, consider 1/2 slider > 1/4 circle > 1/2 slider here - also facilitates a hdash to 01:09:906 (1) - Hopefully that does it.
01:11:752 (1,2) - Similar idea here with 1/2 circles potentially I think there are much stronger vocals here to follow instead--this was applied at the second.
01:14:291 (2,3) - Following vocal sounds better here, join the current repeat of (2) and the head of (3) with a slider instead
ok.
Apply same stuff in the second kiai as wellDone!

Rain
00:05:291 (1) - Feels pretty squashed here, I'd go for a curve / more horizontal repeat slider here for maintaining flow ok.
00:05:983 (2,3) - Expected dash for the strong vocal? Feels kind of underwhelming MMMM ok.
00:13:137 (3,4,5) - Yuck ugly spacing, looks better if these are consistent (unless you want a 1/4 jump here I guess) OK, fair enough. I won't be edgy.
00:22:368 (3,4) - Direction change here mirrors 00:20:522 (3,4) - and emphasises the held sound better Sure, gotcha.
00:34:599 (4,1) - Jump is expected here for the downbeat, especially since you also use one at 00:36:214 (4,1) - for the same sound Played around with distancing some.
00:47:752 (1,3,5) - Odds are stronger than evens here, so you can afford to add a bit more distance to them imo Done twice (once later cuz the same music)
00:59:637 (3,4) - No distinct white tick sound here, better as a 3/4 slider. You could afford to add a 1/4 hyper here also since the vocal is strong, and it builds nicely into the kiai Was trying to do for beat but that's true.
01:09:329 - Circle here would follow the piano nicely and add a cool jump spot if you want a bit more spice S P I C Y. Did the same with the second kiai.
01:11:175 (4,5,1) - Hdash to (1) is more fitting here than to (5) due to the stronger vocal Done. Also flows better.
01:17:983 (2) - Odd parity choice when the white tick is a strong vocal sound, circle + 1/2 slider fits better Done.
01:25:368 (2) - Similar to the above, tail has a strong vocal so you might wanna consider two circles here instead Yeah, and also increased distancing.
01:26:291 (4,1,2) - Definitely strong enough for hypers, antiflow or some kind of emphasis here, this is a real anticlimax at the end of the kiai atm Sure. I hope I did this right.
01:29:175 (3,4) - Hyper here for the strong vocal adds a bit more oomph to the kiai end OK. It's getting kinda crammed with hypers, though.
01:30:214 (1,4,1) - Try hypering to these too if you can also I think a dash is fine because the voice is decreasing and the dash is still decently strong, along with a directional change.
01:33:675 (10,1,2) - Could do with some small dashes and 01:34:368 (2,1) - a hyper, the part is calm sure but there are still some strong sounds to pay attention to OK.
01:35:291 (1) - Spinner should probably start on the red tick here, as it did in the Platter, there's no need for so much of a gap imo Done.
Tried to buff Rain a bit to balance spread, you might need to go at it a bit more with the streams and 1/4 hypers but might just be me.

Hope these suggestions help! (:

P i k u

189 posts

Joined June 2013

P i k u 2018-02-10T13:07:25+00:00

JBHyperion wrote:
Might as well mod the other diffs I guess

Piku's Rain
00:05:983 (2,3,4,5) - (3) is the best candidate for emphasis here since the stronger vocal is here, but it has the lowest spacing and all the others are dashes for weaker sounds lol, I'd flip the spacings here | Not sure how I should go on about fixing this, since there's no space left to increase the spacing for (3), so I just decreased the spacing of everything else
00:18:906 (4) - Should really be circle + 3/2 slider to catch the vocal that starts at 00:19:137 - imo | You're right
00:39:906 (3,1) - Feels like there should be more of a jump here or between (2,3) for the vocal, they're about walkable but a dash somewhere is probably expected so it's easy to overshoot | Fixed!
00:45:560 (8) - What is this circle doing on 1/4 ? The vocal is on the white tick and the drum on the red tick, so unless you want to map a stream of some kind here, a 1/2 slider surely is a better fit | Wait, are you sure? I'm pretty positive that the drum sound is on the blue tick
00:50:060 (3,4) - Unfitting hdash for me, (3) is a much stronger sound but even still both of these are not that important, I'd stick to regular dashes | I feel like they fit though : (
00:52:368 (3,4) - Same deal here, don't see the justification for a hyper to this | I really wanna keep them like this

Hope these suggestions help! (:

Thank you!

Piku's Rain

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Title:Zankyou wa Nariyamazu
TitleUnicode:残響は鳴り止まず
Artist:senya
ArtistUnicode:senya
Creator:Absolute Zero
Version:Piku's Rain
Source:東方紅魔郷　～ the Embodiment of Scarlet Devil.
Tags:幽閉サテライト Touhou Shanghai Teahouse ~ Chinese Tea Stage 3 OST Vol 2 Track 18 音霊 ZUN Kamase-tora Iceon
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200,248,44983,2,0,L|88:248,1,112,0|0,1:0|1:0,0:0:0:0:
424,80,45560,1,0,1:0:0:0:
8,88,45906,6,0,L|152:88,1,112,6|0,0:0|0:0,0:0:0:0:
320,144,46368,1,0,1:0:0:0:
208,168,46599,1,0,0:0:0:0:
408,240,46829,2,0,L|296:240,1,112,2|0,0:0|0:0,0:0:0:0:
96,88,47291,2,0,L|208:88,1,112,0|0,1:0|0:0,0:0:0:0:
376,128,47752,5,2,0:0:0:0:
176,168,47983,1,0,0:0:0:0:
376,104,48214,1,0,1:0:0:0:
176,192,48445,1,0,0:0:0:0:
376,264,48675,2,0,L|208:264,1,168,2|0,0:0|0:0,0:0:0:0:
120,192,49137,2,0,L|232:192,1,112,0|0,1:2|0:0,0:0:0:0:
32,184,49599,5,2,0:0:0:0:
232,176,49829,1,0,0:0:0:0:
32,256,50060,1,0,1:0:0:0:
376,208,50291,1,0,0:0:0:0:
176,88,50522,2,0,L|288:88,1,112,2|0,0:0|0:0,0:0:0:0:
88,192,50983,2,0,L|208:192,1,112,0|0,1:0|0:0,0:0:0:0:
424,264,51445,6,0,L|400:152,1,112,2|0,0:0|0:0,0:0:0:0:
176,248,51906,2,0,L|208:136,1,112,0|0,1:0|0:0,0:0:0:0:
408,96,52368,1,2,0:0:0:0:
96,40,52599,1,0,0:0:0:0:
296,80,52829,1,4,1:3:0:0:
96,160,53060,1,4,0:3:0:0:
432,80,53291,6,0,L|320:80,1,112,6|0,0:0|0:0,0:0:0:0:
120,112,53752,1,0,1:0:0:0:
232,144,53983,1,0,0:0:0:0:
32,208,54214,2,0,L|144:208,1,112,2|0,0:0|0:0,0:0:0:0:
312,240,54675,2,0,L|424:240,1,112,0|0,1:0|0:0,0:0:0:0:
224,120,55137,5,2,0:0:0:0:
424,112,55368,1,0,0:0:0:0:
224,136,55599,1,0,1:0:0:0:
424,96,55829,1,0,0:0:0:0:
224,216,56060,2,0,L|392:216,1,168,2|0,0:0|0:0,0:0:0:0:
280,64,56522,2,0,L|168:64,1,112,0|0,1:0|0:0,0:0:0:0:
480,64,56983,6,0,L|368:64,3,112,6|0|0|0,0:0|0:0|1:0|0:0,0:0:0:0:
168,176,57906,2,0,L|280:176,1,112,2|0,0:0|0:0,0:0:0:0:
480,152,58368,2,0,L|368:152,1,112,0|0,1:0|1:0,0:0:0:0:
56,104,58829,1,4,1:0:0:0:
224,112,59060,1,0,0:0:0:0:
56,104,59291,1,0,1:0:0:0:
368,128,59522,2,0,L|360:72,1,56,2|0,0:0|1:0,0:0:0:0:
104,72,59983,5,0,0:0:0:0:
216,80,60214,1,0,1:0:0:0:
104,72,60445,1,0,0:0:0:0:
416,264,60675,6,0,L|432:208,3,56,4|0|0|0,3:0|3:0|3:0|3:0,3:0:0:0:
296,296,61137,1,2,3:0:0:0:
248,264,61252,1,0,3:0:0:0:
248,208,61368,1,0,3:0:0:0:
296,176,61483,1,0,3:0:0:0:
432,120,61599,6,0,L|424:64,1,56,4|0,3:0|3:0,3:0:0:0:
312,80,61829,2,0,L|320:24,1,56,6|0,3:0|3:0,3:0:0:0:
432,240,62060,1,8,3:0:0:0:
480,208,62175,1,4,3:0:0:0:
480,152,62291,1,4,3:0:0:0:
432,120,62406,1,4,3:0:0:0:
184,288,62522,6,0,P|104:240|184:192,1,224,4|2,1:0|0:0,0:0:0:0:
352,168,63214,1,0,0:0:0:0:
40,104,63445,2,0,L|208:104,2,168,0|0|0,1:0|0:0|0:0,0:0:0:0:
264,192,64368,5,0,1:0:0:0:
96,184,64599,1,0,0:0:0:0:
264,192,64829,1,2,0:0:0:0:
40,112,65060,2,0,L|32:56,2,56,0|0|0,0:0|0:0|1:0,0:0:0:0:
264,96,65522,2,0,L|152:96,2,112,0|2|0,0:0|0:0|0:0,0:0:0:0:
488,48,66214,6,0,L|376:48,1,112,0|0,1:0|0:0,0:0:0:0:
208,192,66675,2,0,L|336:192,1,112,2|0,0:0|0:0,0:0:0:0:
16,96,67137,2,0,L|184:96,1,168,0|0,1:0|0:0,0:0:0:0:
296,96,67599,2,0,L|184:96,1,112,2|0,0:0|0:0,0:0:0:0:
16,200,68060,6,0,L|240:200,1,224,0|2,1:0|0:0,0:0:0:0:
72,112,68752,1,0,0:0:0:0:
384,176,68983,2,0,L|376:64,1,112,0|0,1:0|0:0,0:0:0:0:
64,304,69445,2,0,L|72:192,1,112,2|0,0:0|1:0,0:0:0:0:
384,264,69906,6,0,L|160:264,1,224,4|2,1:0|0:0,0:0:0:0:
328,176,70599,1,0,0:0:0:0:
16,112,70829,2,0,L|184:112,2,168,0|0|0,1:0|0:0|0:0,0:0:0:0:
328,112,71752,6,0,L|440:112,1,112,0|0,1:0|0:0,0:0:0:0:
216,264,72214,2,0,L|104:264,1,112,2|0,0:0|0:0,0:0:0:0:
328,192,72675,2,0,L|440:192,1,112,0|0,1:0|0:0,0:0:0:0:
128,104,73137,2,0,L|16:104,1,112,2|0,0:0|0:0,0:0:0:0:
328,88,73599,1,4,1:0:0:0:
160,288,73829,6,0,P|80:240|159:191,1,224
216,240,74406,1,0,0:0:0:0:
440,88,74522,1,4,1:0:0:0:
272,96,74868,1,0,0:0:0:0:
440,88,75214,1,0,0:0:0:0:
128,88,75445,6,0,L|16:88,2,112,4|0|2,1:0|0:0|0:0,0:0:0:0:
328,176,76137,2,0,L|384:176,1,56
160,272,76368,2,0,L|144:160,1,112,4|0,1:0|0:0,0:0:0:0:
344,240,76829,1,4,0:3:0:0:
384,200,76945,1,4,0:3:0:0:
384,144,77060,1,4,0:3:0:0:
344,104,77175,1,4,0:3:0:0:
120,256,77291,6,0,P|144:152|248:128,1,224,4|2,1:0|0:0,0:0:0:0:
80,96,77983,1,0,0:0:0:0:
392,232,78214,2,0,L|224:232,2,168,0|0|0,1:0|0:0|0:0,0:0:0:0:
168,136,79137,5,0,1:0:0:0:
336,120,79368,1,0,0:0:0:0:
168,136,79599,1,2,0:0:0:0:
392,176,79829,2,0,L|448:176,2,56,0|0|0,0:0|0:0|1:0,0:0:0:0:
168,216,80291,1,0,0:0:0:0:
392,248,80522,2,0,L|280:248,1,112,2|0,0:0|0:0,0:0:0:0:
56,56,80983,6,0,L|168:56,1,112,0|0,1:0|0:0,0:0:0:0:
280,120,81445,1,2,0:0:0:0:
64,152,81675,1,0,0:0:0:0:
376,120,81906,2,0,L|208:120,1,168,0|0,1:0|0:0,0:0:0:0:
320,40,82368,2,0,L|432:40,1,112,2|0,0:0|0:0,0:0:0:0:
208,296,82829,6,0,P|128:248|208:200,1,224,0|2,1:0|0:0,0:0:0:0:
376,176,83522,1,0,0:0:0:0:
64,136,83752,2,0,L|72:24,1,112,2|0,1:0|0:0,0:0:0:0:
384,304,84214,2,0,L|376:192,1,112,2|0,0:0|1:0,0:0:0:0:
64,208,84675,6,0,L|288:208,1,224,4|2,1:0|0:0,0:0:0:0:
120,112,85368,1,0,0:0:0:0:
432,128,85599,1,0,1:0:0:0:
264,112,85829,2,0,L|208:112,2,56,0|0|2,0:0|0:0|0:0,0:0:0:0:
432,64,86291,1,0,0:0:0:0:
120,192,86522,6,0,L|232:192,1,112,0|0,1:0|0:0,0:0:0:0:
456,184,86983,2,0,L|344:184,1,112,2|0,0:0|0:0,0:0:0:0:
120,104,87445,2,0,L|8:104,1,112,0|0,1:0|0:0,0:0:0:0:
320,112,87906,2,0,L|432:112,1,112,2|0,0:0|0:0,0:0:0:0:
120,304,88368,1,4,1:0:0:0:
288,224,88599,6,0,L|64:224,1,224,2|0,0:0|0:0,0:0:0:0:
120,152,89175,1,0,0:0:0:0:
344,296,89291,2,0,P|448:264|480:216,2,168,4|0|2,1:0|0:0|0:0,0:0:0:0:
32,104,90214,6,0,L|144:104,1,112,4|0,1:0|0:0,0:0:0:0:
456,112,90675,1,4,1:0:0:0:
288,176,90906,2,0,L|232:176,1,56
456,112,91137,1,4,1:0:0:0:
456,32,91368,1,0,0:0:0:0:
144,304,91599,1,4,1:0:0:0:
96,272,91714,1,4,0:3:0:0:
96,216,91829,1,4,0:3:0:0:
144,184,91945,1,4,0:3:0:0:
368,184,92060,6,0,L|488:184,2,112,2|0|0,0:0|0:0|0:0,0:0:0:0:
232,128,92752,2,0,L|240:72,1,56,0|2,0:0|0:0,0:0:0:0:
352,320,92983,2,0,L|464:320,1,112,2|0,0:0|0:0,0:0:0:0:
352,240,93329,2,0,L|184:240,1,168,2|0,0:0|0:0,0:0:0:0:
352,136,93906,5,2,0:0:0:0:
240,120,94137,1,0,0:0:0:0:
352,136,94368,1,2,0:0:0:0:
40,168,94599,2,0,L|40:112,1,56,0|2,0:0|0:0,0:0:0:0:
256,192,95060,12,0,97599,0:0:0:0:

Tokufi

117 posts

Joined July 2013

Tokufi 2018-02-23T21:42:34+00:00

Tokufi's Hitsound and Metadata Mods~!

[General]

Add Piku and JBHyperion to tags!

[Cup]

Still need to hitsound!

[Salad]

00:04:829 (4) - Remove whistle
00:10:829 (1) - Add whistle + finish
00:12:675 (1) - Add whistle
00:13:599 (3) - Add whistle + finish + clap
00:14:522 (1) - Add clap
00:14:983 (1) - Add finish
00:15:445 (3) - Add whistle + finish + clap
00:15:906 (3) - Remove whistle, add finish
00:16:369 (1) - Remove clap
00:17:753 (3) - Add whistle
00:20:060 (1) - ^
00:26:983 (3) - ^
00:28:599 (3) - Remove whistle
00:28:829 (3) - Add whistle
00:30:675 (3) - ^
00:32:060 (2) - Add clap
00:40:369 (1) - Add whistle
00:42:215 (1) - Remove whistle, add finish + clap
Don't forget to finish the rest of the hitsounds in this diff!

[Platter]

00:04:829 (5) - Remove whistle
00:10:829 (1) - Add whistle
00:11:752 (3) - Remove finish
00:12:675 (1) - Add whistle
00:13:599 (4) - Add whistle
00:14:521 (1) - Add clap
00:14:983 (2) - Add finish
00:15:329 (3) - ^
00:16:368 (1) - Remove clap
00:17:752 (4) - Add whistle
00:26:983 (4) - ^
00:28:599 (3) - Remove whistle
00:28:829 (3) - Add whistle
00:40:368 (1) - Add finish
00:42:214 (1) - Remove whistle, add finish + clap
00:43:137 (5) - Add finish + clap
00:44:060 (1) - ^
00:44:983 (3) - ^
Don't forget to finish the rest of the hitsounds in this diff!

[Piku's Rain]

Please use the same hitsounds as the other difficulties for consistency (Unless you have already discussed this)

[Rain]

Still need to hitsound!

[Hyperion's Overdose]

Still need to hitsound!

I will come back to mod again once all hitsounds are done :3

Absolute Zero

595 posts

Joined August 2014

Topic Starter

Absolute Zero 2018-04-25T15:23:34+00:00

she back with a brand-spankin' new difficulty

WildOne94

581 posts

Joined October 2013

WildOne94 2018-04-29T21:43:48+00:00

Hey ! Vsauce. WildOne here :^)

Here for a m4m for Big Jet Plane

General

Letterbox settings conflict with Piku's Rain

Cup

00:05:291 (1) - Wouldn't it be nicer to flip this so it mirrors 00:01:599 (1) - ? As it is so far it could feel same old same old. Could alter some previous notes if don't want that direction change.

00:18:214 (1) - Shouldn't this be the same length as 00:16:368 (1) - for consistency (as well as others) ?

00:28:599 (2) - I would suggest you CTRL + G this to not a have direction change here for the quieter part. These are not really recommended but I see them working in more intense sections and not this quiet part.

00:40:368 (1,2,3) - what's the reason here for the notes being different space sizes ? They're all pretty much the same notes so I would move 00:40:829 (2) - in the middle at x:192. (Should be like 00:56:983 (1,2,3,4) - Imo).

00:51:445 (1) - I do like the slider for what you have done here with the music but I think it's a little too close to the left wall. Suggest moving all 00:49:599 (1,2,1) - right a bit more to like x:360.

01:08:060 (1,2,3,4) - Maybe CTRL + H these to mirror previous 01:04:368 (1,2,3,4) - ? Would require next note to maybe be moved a little left too. (01:19:137 (1,2,3,4) - looks good for this example).

01:33:675 (4,1,2) - I suggest ending this last section like this. Be nice to end on a 1/4 as you used one before at 00:59:522 (2) -

Salad

00:10:829 (1) - I would maybe just nudge this right a little more to something like x:376 because I wasn't sure if to jump or not due to the time gap (to the next note and not previous one).

00:25:368 (4,1) - Can catch easy with walking. perhaps make the distance at least 2.40x ?

00:41:753 (4,1) - Same here ^

00:53:060 (3,1) - ^ (won't mention anymore of these).

01:01:368 (2) - I think to reduce density you could remove this note.

01:02:291 (5,1) - Hmmm for the kiai start it's not THAT big of a jump compared to previous ones. Suggest moving 01:01:599 (2,3,4,5) - more to the right like to x:208 at least. (Probably more now I look back).

01:28:137 (3,1) - You had somewhat of a jump last time at 01:13:368 (3,1) - but not here. Suggest increasing to a dash like before (but more since last one was a bit questionable if to dash or not).

01:31:137 (4,1) - No dash here either for the kiai ending :O ?

01:32:060 (1) - I think this should be a 1/1 instead for simplifying the salad better.

Platter

00:04:829 (5,1) - Ehhh is it really needed for hypers at the start here ? It's really quiet. I would suggest a dash instead.

00:14:983 (2,3) - Be nice for a dash here for the build up.

00:23:521 (6,1) - Again I don't really think a hyper is needed here. A simple dash would be better imo.

00:24:214 (3,4) - Maybe reduce distance here ? Although still walk-able it's quite confusing why the spacing is A LOT larger than the other previous ones and could come quite unexpected for players. Even just a little bit like at x:152 works.

00:41:752 (4) - Could turn this into a triplet instead to get that vocal sound on the blue tick maybe ?

00:52:829 (3,1) - Hmmmm I don't know about this. I would have imagined a hyper going to the sound at 00:53:291 - instead of the red... The vocal seems better for this too. Suggest something like this on the timeline.

00:55:829 (4,5) - I think this was meant to be a dash right ? Well it's pretty easy to catch by walking. Increase plz.

01:07:598 (5,1) - ^ (and anymore)

01:08:983 (2,3,4) - Seems a bit of a movement stopper which is unexpected here. I would move (3) more left like to x:88 for at least a bit of movement.

01:09:445 (4,1) - Hyper here ? Sounds like a good new stanza hyper jump.

01:19:945 (3,4) - Dunno if spacing meant to be for a dash. If so then probably move (4) to the middle of the screen. at x:256

01:31:598 (5,1) - Waaaaaaaa no hyper here

Piku's Rain

Imo the 1.50x walk distances are quite big at times to try maintain all the way. I would reduce this a bit. Maybe also go through and increase dash sizes where intended too. (I will call out a few but not all of them).

00:04:829 (4,1) - Would be cool to have a little dash here for the new stanza. Nothing too big though. Could move 00:05:291 (1,2,3,4,5) - left a bit to x:208

00:12:675 (1,2) - Quite big spacing after the hyper jump and is confusing if to walk or dash. My suggestion would be to move 00:12:906 (2,3) - right more.

00:16:137 (7,1) - Wait what why no hyper here ? it will end this stanza well.

00:18:214 (1,2,3,4,5) - I would maybe move this over to the left one or 2 snaps to make the 00:17:752 (5,1) - dash seem more intended.

00:29:752 (5,1) - I personally think this is a bit too weak of a sound to be a hyper. I personally would make the hyper here instead 00:30:445 (5,6) -

00:48:445 (4,5) - A hyper here would be nice for that vocal imo.

00:55:829 (4,5) - ^

01:01:483 (5,1) - ^ maybe try something like this ? (Or maybe a hyper at 01:01:829 (2,3) - since that's when the drums pick up)

01:05:522 (5,1) - I really imagined a hyper here too.

01:20:522 (6,1) - ^

01:32:983 (3,4) - Don't know if to dash here or not. Since it's the quiet ending part I would suggest reduce distance so it walks easier.

Rain

Just my opinion but I find the intro has quite a number of hypers when it's pretty quiet. I would try match something to the quiet section starting at 00:16:368 (1) - but that's just me.

00:16:829 (3,4) - I would make this jump a bit larger if it was intended to dash. As it's quite a short jump and confusing if to walk or not.

00:18:906 (4,5) - ^ (if it was intended for a walk then why is the distances different from 00:18:214 (1,2,3,4) - ?)

00:26:291 (2,3) - The end of 2 doesn't really end on anything. Imo I would end 2 where 3 is.

00:34:599 (4,1) - Expected a hyper here O-o.

00:36:214 (4,1) - Maybe a hyper here too ? Feels like it went a bit long without a hyper on a bigger sounding part of the song.

00:47:291 (4,1) - ^

00:52:829 (7,8,9,10) - If you do want to keep this pattern I would suggest making them into sliders instead because there's not really a sound on 00:53:175 (10) - for a circle note but could get away with a slider end as it's not quite as prompt then if that makes sense ? (Or just remove it xd).

00:56:752 (6,1) - Strong here. Hyper ? Been a while since one too.

01:04:137 (5,1) - ^ Maybe here too ?

01:13:137 (4,1) - I feel the hyper should really be here instead of 01:13:599 (1,2) -. Or infact maybe you could try a double hyper and see if that works out for you ?

01:22:368 (5,1) - Hyper here too ?

01:29:983 (6,1) - ^ Highly recommend here for drum beats

01:31:137 (4,5) - ^

01:31:599 (5,1) - ^ and here yeah. Would make a nice style for the climax

Magic San's Rain

00:03:906 (2,3,4) - 00:03:906 (2,3) - hyper dash doesn't really hyper to anything here that's loud. I think there shouldn't really be a hyper here or at least hyper 3 to 4 instead because not much sound on 3 to be hypered to.

00:04:829 (5,1) - Wouldn't it be best to have a hyper here ? It would be good because it then will hyper in consistency for the next stanza at 00:08:522 (5,1) -

00:06:214 (3,4) - If you fixed 00:03:906 (2,3,4) - by removing the hyper then I suggest you remove this one too. It's a bit too many hypers for this quiet intro IMO.

00:13:368 (3,4) - Maybe could move these notes right a bit for a little dash to keep the movement of this section going. Perhaps move to x:336 ?

00:16:829 (3,4) - Was this meant to be a dash ? If so it's quite easy to walk to. Suggest increasing distance here.

00:17:752 (5,1) - ^ (And anymore in this quiet section).

00:31:483 (2,3) - There's a hyper at 00:33:329 (2,3) - but not here. Seems pretty similar in sound here so maybe keep either both dash or both hyper ?

00:34:599 (5,1) - Waaaaa where's the hyper here! Not even a dash is here D: (Or if preferred at 00:34:829 (1,2) - due to that synth sound being strong).

00:41:752 (5,6) - This is just my opinion but I find swapping these 2 notes around on the timeline would work nicer. The repeat could focus more on the vocals then which feels better suited here imo. Or I feel it could be changed differently in some other way with different patterns.

00:45:213 (4) - I find it would be a cool idea if you leaned this slider left more like this maybe ? Feels cooler imo

00:48:675 (5,6,7,8) - I'm not really hearing a strong sound on 6. I personally either suggest deleting that note or changing 5 so it's a slider as Imo slider ends cover up quieter places better. If that makes sense.

00:50:868 (4,5) - Felt like the hypers stopped a bit here so maybe a hyper here ?

01:02:060 (1,2,3,4) - I feel these should be somewhat like 01:01:137 (5,6) - to keep consistency with the different pitched sounds in this build up.

01:22:599 (7) - There's quite a few of these notes that are almost stacked on top of the previous slider. Not saying it's anything really to change in such but Imo I find these a little bit annoying with flow and some are made to wait around for awkward hyper jumps. I suggest changing at least some of these and check the others you have too.

01:25:137 (2,3) - Was this meant to hyper XD? Long jump if not. Suggest moving 01:24:675 (1,2) - to x:176.

01:34:368 (5,6) - Maybe a hyper here like some other diffs did ? Could be a nice finishing move. Or at least if you tried to make this a dash then make it more clearer.

Hyperion's Overdose

As you already know. I ain't the best with overdoses so sorry if I can't spot everything ;w;.

00:04:829 (5,1) - Tbf I kind of expected a hyper here mostly due to the new short stanza. Mainly heard by the piano.

00:19:137 (4,1) - I think I see what you were going for here buy making it a dash but I think this should match 00:20:752 (3,1) - because it's the exact same sounding piano. Or in fact this one is even louder due to the vocals still covering this part.

00:29:983 (4) - I personal opinion for me here would be to map the drums instead of covering it all with one big slider as I think it would be better for the overdose.

00:32:522 (7) - I think moving this to x:388 would be a nice mini hyper for the vocal which I find quite intense here to me.

00:35:522 (4,5) - I feel the hypers stop for a short while in this section. Perhaps add one here ?

00:37:368 (4,5) - ^ maybe here too

00:42:906 (4) - I would maybe split this up so that the white tick on the timeline has a circle note on it because the reverse end doesn't sound strong enough to justify this piano sound.

00:48:099 (2,3) - Imo I find a hyper here and at 00:48:560 (4,5) - would be far suited to this part with the vocals. Like this maybe ?

00:55:483 (2,3) - ^

01:06:099 (7,1) - Why no hyper here D: ? It sounds very fitting here.

01:07:829 (7,1) - ^

01:22:599 (7,1) - ^

01:30:675 (3,4,5,6) - Honestly not really a problem with what you have but I feel like it could be better if these were something like 01:31:599 (9,10) - for the climax. Missing those opportunities for those drum sounds to either dash or hyper to is anti-climatic imo.

HOLY THIS TOOK ME A WEEK. 1 DIFF A DAY

Hope this helps ya'll out!
Best of luck

Last edited by WildOne94 2018-05-07T02:06:46+00:00, edited 2 times in total.

Magic Girl

224 posts

Joined August 2013

Magic Girl 2018-05-03T00:32:16+00:00

Halfsmashed wrote:
she back with a brand-spankin' new difficulty

ay waddup its ya girl dumbass bitch

P i k u

189 posts

Joined June 2013

P i k u 2018-05-04T19:44:38+00:00

WildOne94 wrote:
Hey ! Vsauce. WildOne here :^)

Imo the 1.50x walk distances are quite big at times to try maintain all the way. I would reduce this a bit. Maybe also go through and increase dash sizes where intended too. (I will call out a few but not all of them).

00:04:829 (4,1) - Would be cool to have a little dash here for the new stanza. Nothing too big though. Could move 00:05:291 (1,2,3,4,5) - left a bit to x:208 | Fixed

00:12:675 (1,2) - Quite big spacing after the hyper jump and is confusing if to walk or dash. My suggestion would be to move 00:12:906 (2,3) - right more. | Moved a bit to the right

00:16:137 (7,1) - Wait what why no hyper here ? it will end this stanza well. | Oh wow oops

00:18:214 (1,2,3,4,5) - I would maybe move this over to the left one or 2 snaps to make the 00:17:752 (5,1) - dash seem more intended. | Agreed

00:29:752 (5,1) - I personally think this is a bit too weak of a sound to be a hyper. I personally would make the hyper here instead 00:30:445 (5,6) - | Yes yes, I had to flip the whole map afterwards as a result tho

00:48:445 (4,5) - A hyper here would be nice for that vocal imo. | Your wish will be granted

00:55:829 (4,5) - ^ | ^ (By adding those hypers some new hypers appeared, I hope it's not an issue now)

01:01:483 (5,1) - ^ maybe try something like this ? (Or maybe a hyper at 01:01:829 (2,3) - since that's when the drums pick up) | Hey that's cool

01:05:522 (5,1) - I really imagined a hyper here too. | There it is!

01:20:522 (6,1) - ^ | ^

01:32:983 (3,4) - Don't know if to dash here or not. Since it's the quiet ending part I would suggest reduce distance so it walks easier. | Aaa, should be a dash. Increased spacing a little

Letterbox removed as well btw
Thanks!

Piku's Rain

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Title:Zankyou wa Nariyamazu
TitleUnicode:残響は鳴り止まず
Artist:senya
ArtistUnicode:senya
Creator:Halfsmashed
Version:Piku's Rain
Source:東方紅魔郷　～ the Embodiment of Scarlet Devil.
Tags:幽閉サテライト Touhou Shanghai Teahouse ~ Chinese Tea Stage 3 OST Vol 2 Track 18 音霊 ZUN Kamase-tora Iceon
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JBHyperion

osu!catch Paragon

3,922 posts

Joined September 2014

JBHyperion 2018-05-08T12:45:39+00:00

WildOne94 wrote:
Hyperion's Overdose
As you already know. I ain't the best with overdoses so sorry if I can't spot everything ;w;.

00:04:829 (5,1) - Tbf I kind of expected a hyper here mostly due to the new short stanza. Mainly heard by the piano. Don't want to use a hyper here because the piano and vocal pitches are both low and also to ensure the calm intro has good contrast with the more intense section following

00:19:137 (4,1) - I think I see what you were going for here buy making it a dash but I think this should match 00:20:752 (3,1) - because it's the exact same sounding piano. Or in fact this one is even louder due to the vocals still covering this part. Made them both regular dashes instead, it's not that intense here now I listen to it again

00:29:983 (4) - I personal opinion for me here would be to map the drums instead of covering it all with one big slider as I think it would be better for the overdose. I can barely hear the background drums here, would prefer the simpler, more obvious slider option here in terms of clearly identifying what is being followed

00:32:522 (7) - I think moving this to x:388 would be a nice mini hyper for the vocal which I find quite intense here to me. Nice idea, changed

00:35:522 (4,5) - I feel the hypers stop for a short while in this section. Perhaps add one here ? I'm putting hypers on 00:35:060 (2,2) - only for the strong synth sounds, everything else is quite low pitch and weak here to justify hypers

00:37:368 (4,5) - ^ maybe here too

00:42:906 (4) - I would maybe split this up so that the white tick on the timeline has a circle note on it because the reverse end doesn't sound strong enough to justify this piano sound. I don't see how splitting this up would make a positive difference, neither of the latter two sounds are particularly strong so making them a new object is counter-intuitive to emphasis

00:48:099 (2,3) - Imo I find a hyper here and at 00:48:560 (4,5) - would be far suited to this part with the vocals. Like this maybe ? (4,5) I can agree to for the strong piano sound, but (2,3) is very similar to previous 1/4 dash spacings in intensity and I feel a hyper would be overbearing here

00:55:483 (2,3) - ^ Declined for consistency with the above

01:06:099 (7,1) - Why no hyper here D: ? It sounds very fitting here. Low pitch, soft vocal and little instrument emphasis make a regular dash more appropriate here

01:07:829 (7,1) - ^ Does fit here though for the stronger vocal and instrument, changed

01:22:599 (7,1) - ^ Done

01:30:675 (3,4,5,6) - Honestly not really a problem with what you have but I feel like it could be better if these were something like 01:31:599 (9,10) - for the climax. Missing those opportunities for those drum sounds to either dash or hyper to is anti-climatic imo. That's exactly why they aren't like (9,10) though, so as not to take away that climax emphasis when there are no stong cymbal sounds

Hope this helps ya'll out!
Best of luck

Thanks for the suggestions!

diff

osu file format v14

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AudioLeadIn: 0
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Countdown: 0
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[Metadata]
Title:Zankyou wa Nariyamazu
TitleUnicode:残響は鳴り止まず
Artist:senya
ArtistUnicode:senya
Creator:Halfsmashed
Version:Hyperion's Overdose
Source:東方紅魔郷　～ the Embodiment of Scarlet Devil.
Tags:幽閉サテライト Touhou Shanghai Teahouse ~ Chinese Tea Stage 3 OST Vol 2 Track 18 音霊 ZUN Kamase-tora Iceon
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Magic Girl

224 posts

Joined August 2013

Magic Girl 2018-05-12T05:12:14+00:00

WildOne94 wrote:
Hey ! Vsauce. WildOne here :^) - oh boy my favourite youtuber WildOne94 :^)

Magic San's Rain
00:03:906 (2,3,4) - 00:03:906 (2,3) - hyper dash doesn't really hyper to anything here that's loud. I think there shouldn't really be a hyper here or at least hyper 3 to 4 instead because not much sound on 3 to be hypered to. - oof i misheard the sounds here thats my bad. fixed

00:04:829 (5,1) - Wouldn't it be best to have a hyper here ? It would be good because it then will hyper in consistency for the next stanza at 00:08:522 (5,1) - - I actually fixed this while fixing the first point yay me

00:06:214 (3,4) - If you fixed 00:03:906 (2,3,4) - by removing the hyper then I suggest you remove this one too. It's a bit too many hypers for this quiet intro IMO.- Also done in sequence to the previous two im on a roll

00:13:368 (3,4) - Maybe could move these notes right a bit for a little dash to keep the movement of this section going. Perhaps move to x:336 ? - sure thing hopefully this doesnt make it too dense with hypers

00:16:829 (3,4) - Was this meant to be a dash ? If so it's quite easy to walk to. Suggest increasing distance here. - Should be good now

00:17:752 (5,1) - ^ (And anymore in this quiet section). - waved my stronk wand over them

00:31:483 (2,3) - There's a hyper at 00:33:329 (2,3) - but not here. Seems pretty similar in sound here so maybe keep either both dash or both hyper ? - I was aiming for more of a buildup but because this would take some time to change I'll wait and see what others say about it

00:34:599 (5,1) - Waaaaa where's the hyper here! Not even a dash is here D: (Or if preferred at 00:34:829 (1,2) - due to that synth sound being strong). - Left as the dash since the rest of these jumps are all just regular dashes

00:41:752 (5,6) - This is just my opinion but I find swapping these 2 notes around on the timeline would work nicer. The repeat could focus more on the vocals then which feels better suited here imo. Or I feel it could be changed differently in some other way with different patterns. - I just changed the reverse to a regular 1/4 slider and made it hyper to a single note to emphasize the increase in..well emphasis in vocals.

00:45:213 (4) - I find it would be a cool idea if you leaned this slider left more like this maybe ? Feels cooler imo - leaned slightly left

00:48:675 (5,6,7,8) - I'm not really hearing a strong sound on 6. I personally either suggest deleting that note or changing 5 so it's a slider as Imo slider ends cover up quieter places better. If that makes sense. - Changed to a slider

00:50:868 (4,5) - Felt like the hypers stopped a bit here so maybe a hyper here ? - Nah i really go wild with hypers later on and if i add one here it just feels cluttered to me

01:02:060 (1,2,3,4) - I feel these should be somewhat like 01:01:137 (5,6) - to keep consistency with the different pitched sounds in this build up. - I mapped this part in a way where the pattern changes with every second change on purpose, I really don't want to add any more sight jumps or walks than needed

01:22:599 (7) - There's quite a few of these notes that are almost stacked on top of the previous slider. Not saying it's anything really to change in such but Imo I find these a little bit annoying with flow and some are made to wait around for awkward hyper jumps. I suggest changing at least some of these and check the others you have too. - Oops, fiddled a bit with them

01:25:137 (2,3) - Was this meant to hyper XD? Long jump if not. Suggest moving 01:24:675 (1,2) - to x:176. - Not x:176 but its a hyper now

01:34:368 (5,6) - Maybe a hyper here like some other diffs did ? Could be a nice finishing move. Or at least if you tried to make this a dash then make it more clearer. - I don't like last note hypers but I hypered.

HOLY THIS TOOK ME A WEEK. 1 DIFF A DAY

Hope this helps ya'll out!
Best of luck

Thanks for modding!

Magic Girl's Rain

osu file format v14

[General]
AudioFilename: Touhou - The Scarlet Mist Incident OST Vol.2 - 18.~ED ver.  Chinese Tea.mp3
AudioLeadIn: 0
PreviewTime: 62521
Countdown: 0
SampleSet: Soft
StackLeniency: 0.7
Mode: 2
LetterboxInBreaks: 0
WidescreenStoryboard: 1

[Editor]
DistanceSpacing: 0.8
BeatDivisor: 4
GridSize: 4
TimelineZoom: 2.3

[Metadata]
Title:Zankyou wa Nariyamazu
TitleUnicode:残響は鳴り止まず
Artist:senya
ArtistUnicode:senya
Creator:Halfsmashed
Version:Magic Girl's Rain
Source:東方紅魔郷　～ the Embodiment of Scarlet Devil.
Tags:幽閉サテライト Touhou Shanghai Teahouse ~ Chinese Tea Stage 3 OST Vol 2 Track 18 音霊 ZUN Kamase-tora Iceon
BeatmapID:1620159
BeatmapSetID:625519

[Difficulty]
HPDrainRate:6
CircleSize:4
OverallDifficulty:9
ApproachRate:9
SliderMultiplier:2.2
SliderTickRate:1

[Events]
//Background and Video events
0,0,"teahouse.png",0,0
//Break Periods
//Storyboard Layer 0 (Background)
//Storyboard Layer 1 (Fail)
//Storyboard Layer 2 (Pass)
//Storyboard Layer 3 (Foreground)
//Storyboard Sound Samples

[TimingPoints]
1599,461.538461538462,4,2,2,35,1,0
8522,-66.6666666666667,4,2,2,35,0,0
8983,-100,4,2,2,65,0,0
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16368,-100,4,2,2,40,0,0
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95291,-100,4,2,2,25,0,0
95752,-100,4,2,2,20,0,0
96214,-100,4,2,2,15,0,0
96675,-100,4,2,2,10,0,0


[Colours]
Combo1 : 255,128,192
Combo2 : 255,128,128
Combo3 : 255,128,64
Combo4 : 255,255,128
Combo5 : 128,255,128
Combo6 : 128,128,255

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Absolute Zero

595 posts

Joined August 2014

Topic Starter

Absolute Zero 2018-05-12T06:29:30+00:00

WildOne94 wrote:
Hey ! Vsauce. WildOne here :^)

Here for a m4m for Big Jet Plane

General

Letterbox settings conflict with Piku's Rain

Cup
00:05:291 (1) - Wouldn't it be nicer to flip this so it mirrors 00:01:599 (1) - ? As it is so far it could feel same old same old. Could alter some previous notes if don't want that direction change. Tried something. Not quite fond as the pattern which direction changes on the strong beat is now a bit strange but it works.

00:18:214 (1) - Shouldn't this be the same length as 00:16:368 (1) - for consistency (as well as others) ? Felt a bit weird following the piano only here as it would make some strange gaps in density compared to later on, so I filled in voice.
00:28:599 (2) - I would suggest you CTRL + G this to not a have direction change here for the quieter part. These are not really recommended but I see them working in more intense sections and not this quiet part. Fair enough. Ctrl+G'd and moved.

00:40:368 (1,2,3) - what's the reason here for the notes being different space sizes ? They're all pretty much the same notes so I would move 00:40:829 (2) - in the middle at x:192. (Should be like 00:56:983 (1,2,3,4) - Imo). Thought it was a nice change in distance, as well as a dip in the overall tone--changed anyways. Doesn't change that much in movement, anyways.

00:51:445 (1) - I do like the slider for what you have done here with the music but I think it's a little too close to the left wall. Suggest moving all 00:49:599 (1,2,1) - right a bit more to like x:360. Just moved (1).

01:08:060 (1,2,3,4) - Maybe CTRL + H these to mirror previous 01:04:368 (1,2,3,4) - ? Would require next note to maybe be moved a little left too. (01:19:137 (1,2,3,4) - looks good for this example). In the next iteration of the chorus, this pattern flips. I think it flows nicely as it is.

01:33:675 (4,1,2) - I suggest ending this last section like this. Be nice to end on a 1/4 as you used one before at 00:59:522 (2) - Wanted to make a distinction in simplification for the cup here as every other difficulty does the same thing.

Salad
00:10:829 (1) - I would maybe just nudge this right a little more to something like x:376 because I wasn't sure if to jump or not due to the time gap (to the next note and not previous one). Sure. Not sure how far I can make it without it being strong as the kiai.

00:25:368 (4,1) - Can catch easy with walking. perhaps make the distance at least 2.40x ? Looking at it, it works better as a dash. I can't seem to make it a specific dash without going through the wall, unfortunately, so i turned it up some.

00:41:753 (4,1) - Same here ^ Increased distancing but it's extremely hard to make a dash here and I didn't exactly mean to make this a strong movement--more a contrasting walk as there's nothing in the voice or music to indicate such--I want 00:45:446 (3,1) to stand out.

00:53:060 (3,1) - ^ (won't mention anymore of these). Direction change and 1/2 doesn't exactly make it easily walkable. Easily dashable, yes.
Increased a few instances but kept some the same as they were just increased walking distances.

01:01:368 (2) - I think to reduce density you could remove this note. ok.

01:02:291 (5,1) - Hmmm for the kiai start it's not THAT big of a jump compared to previous ones. Suggest moving 01:01:599 (2,3,4,5) - more to the right like to x:208 at least. (Probably more now I look back). I moved (1) rather than the pattern. Didn't jam it across the wall.

01:28:137 (3,1) - You had somewhat of a jump last time at 01:13:368 (3,1) - but not here. Suggest increasing to a dash like before (but more since last one was a bit questionable if to dash or not). Wait but this is supposed to be a walk

01:31:137 (4,1) - No dash here either for the kiai ending :O ? Tried making a 1/1 dash and it didn't really work out--the pitch difference goes down, not up.

01:32:060 (1) - I think this should be a 1/1 instead for simplifying the salad better. I want to hit the piano and the melody piano.

Platter
00:04:829 (5,1) - Ehhh is it really needed for hypers at the start here ? It's really quiet. I would suggest a dash instead. Sure, repatterned.

00:14:983 (2,3) - Be nice for a dash here for the build up. I don't exactly hear a valid buildup to make a 1/4 dash.

00:23:521 (6,1) - Again I don't really think a hyper is needed here. A simple dash would be better imo. Yeah, true. Greatly reduced.

00:24:214 (3,4) - Maybe reduce distance here ? Although still walk-able it's quite confusing why the spacing is A LOT larger than the other previous ones and could come quite unexpected for players. Even just a little bit like at x:152 works. Fixed when doing the comment above. Everything is equivalent distancing (approximately)

00:41:752 (4) - Could turn this into a triplet instead to get that vocal sound on the blue tick maybe ? Sure, why not.

00:52:829 (3,1) - Hmmmm I don't know about this. I would have imagined a hyper going to the sound at 00:53:291 - instead of the red... The vocal seems better for this too. Suggest something like this on the timeline. It's following the vocals directly. The hyper leads to the strong sound in the vocal--would rather not change this.

00:55:829 (4,5) - I think this was meant to be a dash right ? Well it's pretty easy to catch by walking. Increase plz. Was meant to be an increased walk.

01:07:598 (5,1) - ^ (and anymore) Direction change but I didn't mean to make this a dash as the voice doesn't really increase in volume.

01:08:983 (2,3,4) - Seems a bit of a movement stopper which is unexpected here. I would move (3) more left like to x:88 for at least a bit of movement. Sure.

01:09:445 (4,1) - Hyper here ? Sounds like a good new stanza hyper jump. Made a hyper.

01:19:945 (3,4) - Dunno if spacing meant to be for a dash. If so then probably move (4) to the middle of the screen. at x:256 Increased distancing slightly but I feel it's not completely necessary for a dash here.

01:31:598 (5,1) - Waaaaaaaa no hyper here .

Rain
Just my opinion but I find the intro has quite a number of hypers when it's pretty quiet. I would try match something to the quiet section starting at 00:16:368 (1) - but that's just me. Voice has some significant pitch changes, but I tried lowering something like 00:06:906 (5,1).

00:16:829 (3,4) - I would make this jump a bit larger if it was intended to dash. As it's quite a short jump and confusing if to walk or not. Made it a more clear dash.

00:18:906 (4,5) - ^ (if it was intended for a walk then why is the distances different from 00:18:214 (1,2,3,4) - ?) Done as well.

00:26:291 (2,3) - The end of 2 doesn't really end on anything. Imo I would end 2 where 3 is. Done.

00:34:599 (4,1) - Expected a hyper here O-o. Didn't make it a hyper but increased. The pitch change is strange in that it goes to something strong that doesn't exactly justify a hyper.

00:36:214 (4,1) - Maybe a hyper here too ? Feels like it went a bit long without a hyper on a bigger sounding part of the song. There's antiflow here. The music/vocals don't change at all in intensity, so there's no need for a hyper.

00:47:291 (4,1) - ^ ^

00:52:829 (7,8,9,10) - If you do want to keep this pattern I would suggest making them into sliders instead because there's not really a sound on 00:53:175 (10) - for a circle note but could get away with a slider end as it's not quite as prompt then if that makes sense ? (Or just remove it xd). I tried.

00:56:752 (6,1) - Strong here. Hyper ? Been a while since one too. Don't see a reason why to do more than a dash here. The song doesn't call for a consistent hyper density here.

01:04:137 (5,1) - ^ Maybe here too ? Increased distancing.

01:13:137 (4,1) - I feel the hyper should really be here instead of 01:13:599 (1,2) -. Or infact maybe you could try a double hyper and see if that works out for you ? OK changed hyper position

01:22:368 (5,1) - Hyper here too ? No, dash + direction change is enough.

01:29:983 (6,1) - ^ Highly recommend here for drum beats OK, done.

01:31:137 (4,5) - ^ ^

01:31:599 (5,1) - ^ and here yeah. Would make a nice style for the climax Had to repattern so this automatically was accommodated.

Hope this helps ya'll out! Thanks!
Best of luck

BanchoBot

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Here since the beginning

BanchoBot 2018-06-14T04:23:54+00:00

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senya - Zankyou wa Nariyamazu [CatchTheBeat]

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senya - Zankyou wa Nariyamazu [CatchTheBeat]

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