toara_fict wrote:

Hi :3
[ Oni]

1. 00:20:491 - add k here :3 ( have a bass-drum sound. good catch, changed! * 00:20:813 - some sound checked in 0.25x and 0.50x, no sound here)
   
2. 00:25:956 - ~ 00:27:884 - change it ? https://osu.ppy.sh/ss/8037743 ( follow bass-drum put d :3 ) yup, good idea! changed!
   
   
3. 00:30:777 - add k here. have kat sound. changed! & 00:30:670 (110) - change kat. ( if you want ) sounds better with a d here.
   
   
4. 00:35:384 - 00:35:491 - 00:37:098 - 00:37:206 - add d here :3 ( follow vocal ' te~ ' ) my goal on this section was to follow the drum strictly. no change
   
   
5. 00:44:706 - dk kkd -> dkkd d ( ~ 00:45:027 (186) - follow melody. 00:45:027 (186) - ~ follow drum ? ) yeah, changed.
   
   
6. 00:54:777 (236,237) - swap is better i think :3 swapped and changed the pattern to dkddddk

- - - - - - - - - - - - - - - - - - - - - - - - -

moe song moe bg :3 ute!

I think that 10 to 20 notes can be added ( Oni )

picking up many sounds and fit it better.　I think you can do it



Good Luck :3 thanks! :d

Nifty wrote:

Hey I'm pushin a saradisk set as well (not a plug or anything haha) :d good luck!

- Oni -

00:28:313 (94) - This is a higher pitch and the same drums as the k before, so why is it d? Apply this to the rest of them, I understand flow between k's and d's but I think there's another way to stick to mapping these pitches while not just mapping k d k d k d k d k Was kinda reluctant but in the end I agree. Changed.

00:30:884 (105) - moving this to 00:30:991 - here sounds better with the song. I added a d there instead.

00:31:206 - heck maybe even put a d here, feels good There is no sound there, so nope.

With the whole section leading up to the kiai there isn't a real repeated pattern or recurring rhythm mapped, but the song stays the same almost the entire time. I would map this in the form of "A B A C A B A D" for both the section leading to the kiai and the kiai itself. Section A repeating, interluded by the consecutive sections B/C/D, so that there's a familiar pattern with an unfamiliar twist after every repetition. Right now it's more like "A B C D E F G H" cause nothing is repeated. I mean repeated not just rhythmically but even the same notes, since the song repeats the exact same phrase over and over. My intent here was to avoid repeating too much so that there could be room for more variations later on, as I didn't want the map to be too repetitive although the song stays the same. I can change that, however I want another opinion on this before I do anything.

These svs are pretty bad. I recommend doing what SK did in his Inner Oni and having a smooth transition into 00:27:884 - with 4 points at 1/4 spacing with 0.2 intervals going to 1.1x at the time I highlighted. The you can make the direct cut to 1.2x at the kiai. I definitely agree lol, the sv change there is just terrible. Changed to something else!

00:41:384 (153) - Remove this note if you're going to keep in that direct cut to the 1.2/1.25 sv since it just clutters that area. It would also give better emphasis to the first note of the kiai. Done.

That's all I'm gonna do for this song, good luck ^^

1. I love the BG but are you sure it's currently rankable? Dimensions are kinda strange since I've seen lot of 1920x1200 and it's currently 1697x1199 (so talking about proportion, is strange :p)
2. Add 'Skull Kid' to tags since he made GD
3. Why not using 00:41:598 - as preview point? It's way same as you're currently using but slightly more high :d
4. Current OD and HP's through the diff's are abekobe. I suggest you for example (will write them in order):
   
   1. Futsuu: 4, 7/8
   2. Muzu: 5, 5
   3. Oni: Not using the same as Inner so 5, 6 could be fine
5. Also I think current mapset isn't rankable currently: http://puu.sh/wBWz0/cd183d6fd7.png. The lowest difficulty must be below 2.0 stars. (From Ranking Criteria)
6. 00:27:884 - what about adding a little volume increase? Really sligh so from 85% -> 90% could be enough :3
7. 00:00:456 - delete this greenline and change volume to redline :d

1. Well overall diff is currently nice, but even it's low bpm (140) and you're using 1/2 notes (doubles specially) I think you should let some 2/1 breaks. An idea you can give a try is for example notes like: 00:12:884 (27) - , 00:26:598 (60) - Idk
2. Also I think you could use some variations on doubles before Kiai instead making it full of dk's (kk could be fine since k is more accurate than don imo)

1. Avoid using dkd/kdk patterns. Try to stuck at ddd or kkk since they're most acceptable on muzu diff (as I said even it's 140bpm)
2. Well it depends most of you, but you could add some big notes on section beggining. I got you're only mapping them when they're really neccesary but if you add they could create a good difference between the pitches on first note than next ones
3. 00:20:491 - adding a k here could be fine considering it's Muzu
4. 00:27:456 (82,83) - if you're currently following vocals both should be kat, otherwise you should make them don since they have way the same pitch. Even a ctrl+g here could be fine
5. 00:31:313 (94) - don since it's descendant melody
6. 00:38:170 (113) - ^
7. You should have a consistency through the whole Kiai. Current one is really different on first half than second half even it's way similar

1. 00:05:600 (17) - unsnapped note!
2. I think you could add somenotes and not neccesarily making it harder, it's way so similar to Muzu on someparts; specially before 00:26:170 -
3. 00:26:170 - ^also from here it completely starts being so hard compared to first part so... you could make it a little more equal (you can notice it on diff difference SR)
4. Same problem about consistency on Kiai tho

1. You should try to use same volumes as other diffs :d
2. 00:13:741 (59,60,61,62) - I think these should be kdkd currently according to pitches, so next note could depend on you (depends on which pitch you pref to start)
3. 00:26:170 (149) - I think this one should deserve a kat so using dkkk ddkk or dddk depends totally on you (According to ascendant melody)
4. Didn't notice you're using different Kiai than other diffs too D:
5. Overall diff is currently nice, I just feel some patterns can be better structured, for example by following vocals with kat on 00:46:741 (303,307,311,315) - . I don't know

xfraczynho wrote:

Heey, there's my mod as requested ^^ hope this can help you!

[General]

1. I love the BG but are you sure it's currently rankable? Dimensions are kinda strange since I've seen lot of 1920x1200 and it's currently 1697x1199 (so talking about proportion, is strange :p) Huh, when I found it it was showing as 1920x1200. Strange. Yeah, I'll fix it.
2. Add 'Skull Kid' to tags since he made GD Sure.
3. Why not using 00:41:598 - as preview point? It's way same as you're currently using but slightly more high :d Eh, I like this one better tbh. xP
4. Current OD and HP's through the diff's are abekobe. I suggest you for example (will write them in order):
   
   1. Futsuu: 4, 7/8 Sure for all.
   2. Muzu: 5, 5
   3. Oni: Not using the same as Inner so 5, 6 could be fine
5. Also I think current mapset isn't rankable currently: http://puu.sh/wBWz0/cd183d6fd7.png. The lowest difficulty must be below 2.0 stars. (From Ranking Criteria) Well I've seen some taiko sets get ranked with their lowest diff as 2.04*, so I don't think this should be a problem - especially since it's 2.01* after changing it over.
6. 00:27:884 - what about adding a little volume increase? Really sligh so from 85% -> 90% could be enough :3 Changed mine to match Skull Kid's diff's.
7. 00:00:456 - delete this greenline and change volume to redline :d Sure.

[Futsuu]

1. Well overall diff is currently nice, but even it's low bpm (140) and you're using 1/2 notes (doubles specially) I think you should let some 2/1 breaks. An idea you can give a try is for example notes like: 00:12:884 (27) - , 00:26:598 (60) - Idk I changed quite a lot of them, and changed some patterns from kdk to ddk
2. Also I think you could use some variations on doubles before Kiai instead making it full of dk's (kk could be fine since k is more accurate than don imo)Since I changed/removed a lot of doubles, I most likely fixed this.

[Muzukashii]

1. Avoid using dkd/kdk patterns. Try to stuck at ddd or kkk since they're most acceptable on muzu diff (as I said even it's 140bpm) Sure,
   except on one or two certain patterns which have a different pitch.
2. Well it depends most of you, but you could add some big notes on section beggining. I got you're only mapping them when they're really neccesary but if you add they could create a good difference between the pitches on first note than next ones Nah, there really isn't much of a need since there are no sounds strong enough to grant the use of a finish, and there isn't that big of difference between such pitches.
3. 00:20:491 - adding a k here could be fine considering it's Muzu Eh.. Doesn't really fit, otherwise I'd have to put a triple. I'm following the squeaks here.
4. 00:27:456 (82,83) - if you're currently following vocals both should be kat, otherwise you should make them don since they have way the same pitch. Even a ctrl+g here could be fine Added a k.
5. 00:31:313 (94) - don since it's descendant melody Following the vocals here, not the melody.
6. 00:38:170 (113) - ^ I want to keep consistency with the other doubles.
7. You should have a consistency through the whole Kiai. Current one is really different on first half than second half even it's way similar Kinda changed it? I'm mostly following the vocals through the whole kiai, and there really aren't any major changes.

[Oni]

1. 00:05:600 (17) - unsnapped note! Whoops! Good catch!
2. I think you could add somenotes and not neccesarily making it harder, it's way so similar to Muzu on someparts; specially before 00:26:170 - Added stuff. Hopefully didn't completely destroy the spread, haha.
3. 00:26:170 - ^also from here it completely starts being so hard compared to first part so... you could make it a little more equal (you can notice it on diff difference SR) Honestly, there isn't quite much I can do here because it's in this second calm part that there is a triple spam along with some pentas. I did change the triples before to quads though and added doubles.
4. Same problem about consistency on Kiai tho Was just waiting on another opinion for this. Fixed.

I hope this can be really helpful for you, best of lucks boy! Thanks, best of luck with your maps aswell!

Nyan wrote:

[General]

Unify tags.
kancolle kantai collection remix Skull Kid Skull_Kid (Kantan)
kancolle kantai collection remix (other diffs) I forgot it doesn't change for every diff, it has to be one at a time. Don't rush things, kids! Will do.

[Futsuu]

better change endless d d k patterns into other pattern. not changing beat Changed up a bit.

[Muzukasii]

HP 5 -> 7 (for maps less than 1min) I'll settle at 6.

[Oni]

SliderMultiplier:2.74399990653992 -> 1.4 (can change on .osu file) I messed something up here didn't I lol. Will do.
00:41:170 (185) - remove finish
00:41:598 (187) - add Finish All done for this diff.

General

Futsuu

Muzukashii

Oni

Vyiuri wrote:

queue request!

General

fix last end-kiai-sv to the value that every kiai-sv has in every diff I'm not sure what you mean here but I did something.

Futsuu

those 1/2 00:49:098 (90,93,96) - are confusing, try all this together:
- 00:49:098 (90) - move to 00:48:884 (90) -
- 00:49:741 (91) - move to 00:49:313 (91) -
- 00:50:813 (93) - move to 00:50:598 (93) - and change to d
- 00:51:456 (94) - move to 00:51:027 (94) -
- 00:52:527 (96) - move to 00:52:313 (96) -
- 00:53:170 (97) - move to 00:52:741 (97) -
- 00:53:384 (98) - add d
- 00:53:598 (99) - change to k
No change, they're all mapped to vocals here.

I think is more enjoyable like that

love this diff

Muzukashii

00:55:098 (177) - consider delete because there is no sound there There actually is a sound here if you listen closely, which is what this is mapped to.

Oni

00:31:206 (134) - move to 00:30:991 (133) - and change to d
- 00:31:741 (136) - you can change it to k if you changed the above Nah to both, doesn't really fit here.

when sv is increasing before the kiai part, I think those doubles in 1/2 are not necesary because you have this ones very close 00:37:312 (163,164,165,166,167) - so try this below:
- 00:38:813 (172,173) - Ctrl G
- 00:39:241 (174,175) - Ctrl G No to both, since the suggested changes don't really fit the pitch there.
- 00:39:563 (176) - move to 00:39:456 (176) - and change to k Makes more sense, changed.

00:55:098 (269) - same as Muzu Same as Muzu.

nice map, gl Idealism Thanks!

Ataraxia wrote:

ai eu nem jogo taiko mas o bn e meu amigo e eu vou tentar dar um empurrao

Todo o mod eu vou pega o que você fez mas tentar ver onde voce se perdeu na parada, encontra coisas que vc fez em 2 parte iguais mas uso pattens diferentes, so, lets go

Futsuu

perfeitinha

Muzukashii

00:46:741 (142,143,144,145,146,147,148,149,150,151,152,153) - sinto que esses triples são muitos repentino, como no STD as vezes fazemos um jump com uma distancia igual a de uma stream seguinte, "preparando" o player, então, aqui, eu faria algo Assim Sem as 2 primeiras triples, fica inconsistente. Além disso, não é muito bom usar ddk/kkd em Muzukashiis.

Oni

00:30:670 (130,131,132,133,134,135) - acho que fazendo Isso fica muito melhor e mais divertido, como é oni, deve ser algum tipo de "meio" termo entre hard~insane. entao sem pegar leve qq Concordo, mudado.

00:54:456 (264,265,266,267,268) - acho que desse jeito nao ficou la aquela coisa que eu esperava para um final, eu tive uma ideia, voce poderia pegar esse 00:52:741 (255,256,257,258,259) - e copiar nessa parte e fazer ao contrario (onde tem azul vira vermelho e etc) Mudei.

Skull Kid's Inner Oni EAE PORRA

n da pra modda ta bom pra min

eu nem jogo taiko mas eu vi mtas patten daora

boa sorte ideatop Vlw fera!

1. create a kantan?
2. flip the bg horizontally if you want to see the girl's face on the menu
   
   owo

   

1. from here forward, you have no 2/1 breaks, making the patterns seem continuous and difficult. Please include one or so 2/1 breaks after this point to avoid having continuous patterns
2. 00:29:063 (87) - I think this is an ascending pitch, please switch to k if possible
3. 00:32:491 (97) - ^, same, imo having these as a d makes them too similar to the pattern 00:30:455 (91,92,93,94) - here, where it's descending
   if you agree keep fixing it 00:39:348 (116) - / 00:42:777 (128) - / 00:46:206 (140) - /
4. 00:46:741 (142,143,144,145,146,147,148,149,150,151,152,153) - this is muzukashii, please don't use 4 triplets in a row even if they're the same color, especially if you used a much easier pattern over here 00:33:027 (99,100,101,102) -
   Please change to ddd d d ddd d d or d d ddd d d ddd
5. 00:55:098 - consider removing this, it's unnecessary because there's just a trigger there

1. 00:20:598 - imo this follows the instruments better because there's nothing 00:20:598 - here but there is something 00:20:920 - here, and it's consistent with your previous patterns
   
   owo

   
2. 00:26:813 (109) - switch to k to keep consistent, same for 00:27:027 (110,111,112,113) - these?

1. 00:03:563 (17,18,19,20) - This seems like it should be dkdk based on the patterns you follow, but I can see why kkdk works because of the back/forth patterns...
2. 00:13:741 (59,60,61,62) - similar, I think what you're following would call for kdkd
3. 00:17:277 (84,85,86,87) - dkdk because it marks the k as the loud kicks consistently, and it's not blocking any back/forth patterns here
4. 00:24:134 (133,134,135,136) - same here if you agree
5. 00:26:063 (148,149,150) - this streams shifts its focus right around 00:26:063 (148,149,150) - here. It follows the melodic drums for 00:25:848 (146,147,148,149) - here, but then it continues, probably because of the click drums. Consider separating the stream so that both the kicky drums and the click drums have their own stream.
6. 00:33:027 - / 00:34:313 - this is problematic because this section is significantly easier than the same section in Oni, even with the finishers. Consider swapping the rhythms, or nerfing the Oni in this section.
7. 00:37:848 - / 00:41:170 - this is quite a difficulty spike from Oni. Also, the streams changes its focus 00:38:170 - here and 00:39:884 - here. Please nerf this, and possibly buff the oni section here.
8. 00:46:420 - / 00:48:456 - again, a big spike from Oni, but also a spike from the previous occurrence of this pattern.
9. 00:51:563 - same as 00:37:848 - there

Jonawaga wrote:

waaaaaaaaaard

[general]

1. create a kantan? When I tried it, it came out as garbage, honestly. LOL I might give it a shot again but ehh. I'll wait a bit till I have an idea on how to make it.
2. flip the bg horizontally if you want to see the girl's face on the menu I plan on flipping the bg when I map ikazuchi_B lol
   
   owo

   

[futsuu]
ok, seems repetitive but it works :v
[Muzukashii]

1. from here forward, you have no 2/1 breaks, making the patterns seem continuous and difficult. Please include one or so 2/1 breaks after this point to avoid having continuous patterns It's a short low BPM song which really doesn't allow for any 2/1 breaks in it, mostly 1/1s. I'll see what I can do.
2. 00:29:063 (87) - I think this is an ascending pitch, please switch to k if possible Yup, you're right, changed.
3. 00:32:491 (97) - ^, same, imo having these as a d makes them too similar to the pattern 00:30:455 (91,92,93,94) - here, where it's descending
   if you agree keep fixing it 00:39:348 (116) - / 00:42:777 (128) - / 00:46:206 (140) - / All fixed.
4. 00:46:741 (142,143,144,145,146,147,148,149,150,151,152,153) - this is muzukashii, please don't use 4 triplets in a row even if they're the same color, especially if you used a much easier pattern over here 00:33:027 (99,100,101,102) -
   Please change to ddd d d ddd d d or d d ddd d d ddd Sure.
5. 00:55:098 - consider removing this, it's unnecessary because there's just a trigger there

I wanted to originally keep it, but since it's such a minor change then why not. Applied on Muzu and on Oni.
[Oni]

1. 00:20:598 - imo this follows the instruments better because there's nothing 00:20:598 - here but there is something 00:20:920 - here, and it's consistent with your previous patterns In this pattern my goal was to primarily follow the squeaks, and your change follows only the instruments instead of the squeaks, so I won't be changing it.
   
   owo

   
2. 00:26:813 (109) - switch to k to keep consistent, same for 00:27:027 (110,111,112,113) - these? I switched the previous penta to follow the pitch better instead.

best of luck o7 Thanks!

Jonawaga wrote:

ok ok I think I forgot to say call me back...
(recheck no kds)

[General]
your mapset can survive without a kantan, but I think it would make things better
if you'd like, I can make you a Kantan, but then I cannot nominate it, and I will ask you to find another BN...

[Futsuu]
00:13:741 (21,22,23) - spread confusion, this intro is in Futsuu but not Muzukashii or Oni, please remove it in Futsuu and perhaps add it in later difficulties

[Muzukashii]
00:25:313 - / 00:27:884 - Please reduce the difficulty here, it's quite a spike, and it's a jump from futsuu
00:45:884 - / 00:48:456 - same as above

make kantan and call me back if you can

1. 00:12:027 (13) - this is incinsistent with the reasoning you've been following, please remove it
2. 00:18:456 (20) - ^ again please
3. 00:24:456 (5,6,7,8) - 4 1/1 objects seems to be a little much for here
4. 00:28:313 - / 00:38:170 - what are you following in this section? It doesn't match well to either the melody, as represented better in the section afterward, or the deep bass noise, as represented in the section before
5. 00:48:884 - / 00:53:598 - your kiai section is unbalanced, the second half is more dense than your first half, which consists of almost entirely 2/1 patterns
6. I understand that you're placing more notes to emphasize sections, which is a great strategy in higher diffs
   however, in a kantan you should place 2/1 ~ 4/1 breaks after the notes you want to emphasize, then you will have a Kantan that aligns with the Futsuu's difficulty
   you're not doing bad though, keep trying and you'll get it quick

Jonawaga wrote:

hi back for more, no kd
[Marm's Kantan]

1. 00:12:027 (13) - this is incinsistent with the reasoning you've been following, please remove it done
2. 00:18:456 (20) - ^ again please mhm
3. 00:24:456 (5,6,7,8) - 4 1/1 objects seems to be a little much for here deleted note here 00:24:884 -
4. 00:28:313 - / 00:38:170 - what are you following in this section? It doesn't match well to either the melody, as represented better in the section afterward, or the deep bass noise, as represented in the section before moved the slider before this part 1/1 backwards and began following the melody like the following part.
5. 00:48:884 - / 00:53:598 - your kiai section is unbalanced, the second half is more dense than your first half, which consists of almost entirely 2/1 patterns ok, kind of mirrored the kiai sections doing a 2/1 to 1/1 transition on both. Also deleted the 1/2 but kept 4 1/1 since it's kiai and has higher intensity
6. I understand that you're placing more notes to emphasize sections, which is a great strategy in higher diffs
   however, in a kantan you should place 2/1 ~ 4/1 breaks after the notes you want to emphasize, then you will have a Kantan that aligns with the Futsuu's difficulty
   you're not doing bad though, keep trying and you'll get it quick learning how to map lower diffs will come in handy later for my sets :p

I hope I helped

Marm wrote:

SR is now 1.14, idk if that's a problem for the spread. It's not

Skylish wrote:

Hi, I am here to pop the bubble due to the issues below mainly:

[General]

! SV changes in Kantan and Futsuu can cause discomfort in reading the maps for those levels players. They are strongly discouraged to use unless there're sufficient reasons. I do not think this map worths any SV changes anyway. The SV changes were used as a buildup to the kiai,
which is the most intense part of the song and deserves some reinforcement, done via the slightly higher sv. The transition is very smooth so that new players won't have much difficulty reading the svs, and why I also think that they should be kept.

[Futsuu]

! Patterns are too repetitive. Even in Futsuu, a simple variation aside from d d k could be done, such as d k k / k d k / k k k / d ddk / d kdk etc.. Tried something to make the patterns somewhat less repetitive on certain spots.

> 00:21:027 (35,36,37,38,39,40,41,42,43) - they could be 3 d k k or k d k due to the over all high pitch vocal comparing to 00:14:170 - . Simple variation can already enhance the overall playability by flavouring it. Agreed, changed.

> 00:29:598 (51) - for example, it can be k due to the high-pitch sound at the backgound music. Same could be applied at 00:33:027 - Yup.

> Fix the whole diff. by yourselves when you have come up to some idea I did some remapping. Still somewhat repetitive, but that's the song's nature itself, however I allowed space for more variations.

[Oni]

! Basically the same case of Futsuu, in Oni, such kind of few variations and a lot of copy and paste work is not really accepted. A lot of repeated k k k dk dk / k k k dk dkkk are used without any single variations. This should be enhanced. Made a few changes here and there.

> 00:27:884 - As a very strong start of new section, it is worthy for being an isolated Finisher to indicate the presence of snare and a clear put between two sections. The linked stream is pretty too long for Oni as well (when there's an Inner Oni). Split to ddd kdkdk.

> 00:33:991 - / 00:47:920 - it can be moved to 00:34:206 - to create a different feeling, while matching to the density of vocal part at 00:34:206 - Done for both sections.

> 00:54:884 - the Finisher should be put at 00:55:313 - . nnnnN looks and plays weirdly, while 00:55:313 - is a strong finishing note. That was actually an accident, the finisher was meant to be at the latter. Whoops.

> 00:43:313 - / 00:45:027 - / 00:50:170 - / 00:51:884 - there is no way to empty the dominant metronome esp.ly when there are melodies. Please fill them up and create some rests in other places instead of them. Done.

[]

Perhaps Muzukashii faces the same situation, please check all difficulties again by yourself. The deal about Muzukashii is that since I mostly tried to follow the vocals, there really isn't much room for variation on the patterns. I'm trying to change things up by following the background a bit more, but this could go either very right or very wrong, oh man.

Skylish wrote:

Hi, I am here to pop the bubble due to the issues below mainly:

[General]

! SV changes in Kantan and Futsuu can cause discomfort in reading the maps for those levels players. They are strongly discouraged to use unless there're sufficient reasons. I do not think this map worths any SV changes anyway. I'm neutral on this one, going with what Idealism wants.

[Marm's Kantan]

> 00:05:598 - compare with 00:07:313 - , the latter is worthy for a Finisher much more due to the presence of snare. Finishers can make the simple patterns less boring (1 key v.s. 2 keys hit).ok removed finisher from 00:05:598 and added to 00:07:313

> 00:14:170 - / 00:21:027 - Finisher as well if you adopt the change at 00:07:313 - yes

! 00:16:313 (17) - This note outstands from the overall balanced patterns. Expectedly it should be at 00:15:884 - . Kantan should have a very consistent pattern with easy snapping so players can play as they expect in a simple and easy way. ok simplified it. also added a note at 00:18:456 - to make it flow better with the following note.

> 00:18:884 - same case as above added a note before, read above.

! 00:35:170 (19,20,21,22) - a very awkward 4 x 1/1 offbeat patterns used which is basically unnecessary. Just shifting all of them 1/1 backwards to fit the on-beats is fine. done.

osu file format v14

[General]
AudioFilename: audio.mp3
AudioLeadIn: 0
PreviewTime: 28313
Countdown: 0
SampleSet: Normal
StackLeniency: 0.7
Mode: 1
LetterboxInBreaks: 0
WidescreenStoryboard: 1

[Editor]
Bookmarks: 7313,14170
DistanceSpacing: 0.5
BeatDivisor: 1
GridSize: 32
TimelineZoom: 1.3

[Metadata]
Title:176 - ikazuchi
TitleUnicode:176 - ikazuchi
Artist:saradisk
ArtistUnicode:saradisk
Creator:Idealism
Version:Marm's Kantan
Source:艦隊これくしょん -艦これ-
Tags:kancolle kantai collection remix Skull Kid Skull_Kid Marm
BeatmapID:1406749
BeatmapSetID:604944

[Difficulty]
HPDrainRate:8
CircleSize:2
OverallDifficulty:3.5
ApproachRate:0
SliderMultiplier:1.4
SliderTickRate:1

[Events]
//Background and Video events
0,0,"ute!.jpg",0,0
//Break Periods
//Storyboard Layer 0 (Background)
//Storyboard Layer 1 (Fail)
//Storyboard Layer 2 (Pass)
//Storyboard Layer 3 (Foreground)
//Storyboard Sound Samples

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Surono wrote:

school kit return unlik my motivation looooO

kantan has unsnapped sliders fixed

00:20:384 - add something on muzu to balance the density of this set don

00:27:027 - add ddd 1/4 for muzu and 00:27:241 - kat for futsuu, muzu seems monotone with that loong kat.. ur write

00:46:741 - i belive muzu is pf diff in da world, but this seems hell yeh doganfors... aat least don kat don kat don this long donz :don::kat:

ehh... ripu, do I think its? zz idk, a journey has begon.. find spam modderz good luck not ripu just lazy n working on sumting else lolz

Rhytoly wrote:

no kd
00:27:456 preview point here is betterdont rlly see why tbh, gonna keep this one

alunv wrote:

Hello!
I'm from your M4M queue.

Inner Oni

Ending 1/4 patterns with big notes often doesn't feel natural. Please delete finishers from these. Most of my rhythms aren't fully conventional anyway, so I'm fine with having them as they are already owo

Also, AiMod shows tags and preview time incompatibility with other diffs. I'll tell Idealism to fix that c:

00:08:384 (46,59,72,57,70,83) - K for all patterns like that? It feels better to play. 00:15:241 (8) - it would force me to do it on places like this too due to how my rhythm is structured, and I don't feel like it sounds very good :c

00:27:455 (96) - K new sound, also makes the pattern's length more obvious. agree, switched color on 00:27:455 (96,97,98,99,1) -

00:35:813 (59) - K, same as before. still disagree xd
00:39:134 (85) - delete to seperate this into 2 easier streams it's there because of the background noise getting stronger - it goes in 1/4 for that entire stream, and when 00:39:884 - comes along, the main rhythm is stronger again, thus I "ignore" that background noise
00:49:527 (160,174,187) - ^ still not an issue c:, if it's consistently done throughout the whole map it's most likely a thing I want to do

00:54:670 (198) - K, there is a snare drum sound It's barely noticeable, sounds very similar to the others dons

That's all. Hope your mapset gets ranked, good luck!

alunv wrote:

Hello!
I'm from your M4M queue.

Kantan

00:02:598 (3) - move to 00:01:741 (2)? It feels better in gameplay. I think you gave the wrong timing points, there's notes in both of them.
00:04:313 (5) - ^ same answer as above.

00:13:741 (14) - K, because of similarity to the next sound seems fair, changed.

00:33:456 (16,18) - delete? to improve readability no here. 1/1 notes are still easy to read even on kantan. Removing would make this part less emphatic which I don't want.
00:33:884 (16) - K to keep consistency with the previous part This is the first part where the song plays this. Also it's contradicting with the previous suggestion (?).

alunv wrote:

Hello! o/
I'm from your M4M queue.

Futsuu

00:21:027 (35) - D to make it different from the previous pattern sure.

00:54:884 (102) - D to make it easier? nah, doesn't go with the squeal.

Muzukashii

00:07:313 (18) - D because a new sound is introduced very high pitched sound though, so i'm keeping it as a k.

00:26:813 (79) - delete it's too difficult it's a muzu, so it's fine, plus would break consistency with patterns such as 00:24:242 (69,70) -

00:29:063 (87) - change to D to keep flow? sure.

00:30:241 (92) - K so it matches other patterns the song doesn't justify the use of a k here, since it's very low.
00:30:670 (94) - delete to shorten the pattern keeping it to follow through the entire sound
00:30:884 (94) - move to 00:30:777 (94) not changing because of the above

00:43:206 (132) - delete to reduce difficulty would break consistency with the previous similar pattern which was just mentioned, plus as i said earlier, it's a muzu, so it's fine
00:43:527 (134) - D to keep consistency with the previous long pattern above
00:43:741 (135,136) - K because there is a different sound following the "voice" here
00:44:813 (140) - replace kkk with a single k, too difficult for muzu also not too difficult for a muzu, since it allows for mono triples to be used. plus, the bpm is so low it's not too stamina draining.

Oni

00:14:598 (52) - D so it's like the first pattern on the map trying to go for pattern variety here

00:26:491 (109) - K because the difficult dkkdk pops out all of a sudden... keeping to follow the song better, plus its not really too difficult of a pattern for an oni since the bpm is low
00:26:813 (111) - K to improve flow ye
00:27:777 (118) - delete, because a 1/4 pattern mustn't end with a big note deleted the previous note instead

That's all. Hope your mapset gets ranked, good luck! thanks!

1. Source metadata is inconsistent between other difficulties
2. 00:15:027 (16,17,18,19,20) - why do you just change the rhythm that you used before to something a lot different? The song is the same so use the rhythm like this 00:07:313 (7,8,9,10,11,12) - there's no real reason to be inconsistent
3. 00:18:884 (20) - maybe best to just delete this and just have the spinner, since you dont really use circles on this beat in this section.
4. i think for the intro you are trying to represent the same rhythm in too many different ways, and well it would make sense if you switched depending on the kind of music like the high pitch, but this current way doesnt work well
5. 00:35:170 (19,20,21) - why use the same patterns as before but just off beat?

1. 00:10:528 (28,29) - i think you can use a triple here to help vary it from the part before since it is actually a clap triple, and adding it doesnt make it too hard
2. 00:25:956 (74,75,76,77,78,79,80,81,82,83,84,85) - i think this pattern can work just as well deleting 00:26:813 (79) - cos its kinda long especially considering 00:27:456 (83,84) - isnt mapped as a 1 beat break.
3. 00:30:455 (93,94,95,96,97) - this seems like really boring 1/2 spam, you should really map the 3/4 beat rhythm here like you do in other parts of the map, basically goes for any long string of 1/2 beat you have in the end of this, could be made a lot more interesting by adding some other rhythm cos it seems mapped to nothing in particular. (00:46:741 (149,150,151,152,153,154,155,156,157) - apart from this one)

1. 00:10:420 (37,38,39,40) - doesnt it make a lot more sense to put the dkkk pattern here instead of 00:08:706 (29,30,31,32) - cos then it matches the claps, i get its dkdk for the vocals but that also applies for 00:08:706 (29,30,31,32) - so switching the 2 makes a lot more sense than it is now
2. 00:20:170 (77,78,79,80,81,82) - https://puu.sh/zyeCh/6df893a1d1.png rhythm suggestion to better emphasise the claps, not that you need to map the squeak noise as it isnt doing anything rhythmic emphasis in the current 1/4 pattern.
3. 00:30:670 (130,131,132,133,134,135) - kkd ddk could work better
4. 00:34:098 (149,150,151,152,153) - kkddk to have some better fitting variation?
5. 00:38:384 (170) - the timing point here is at 00:38:386 meaning that this object is unaffected by it, you should snap the timing point

Jory wrote:

spork diff fine i guess even tho it looks like it was made in 30 min with copy paste abuse missing out on a lot of opportunity, i think it would go a long way to just add some variation to match the song, even tho the song is that way this map seems too repetitive.

I'm the type of guy that prefers sections that are the same/very similar mapping wise, when a song presents you with mostly similar sections. I rarely agree with concepts in maps that use completely different rhythms and color changes when the sounds are the same, 'cause to me it doesn't make the pattern/concept you use recognizable enough for that specific part c:

cute set