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posted
こんばんは、半年以上前の基準で見たんで今そこランカブルだよとかあったらスルーでお願いします

[General]
Twitterでリプしましたけど密度が濃くても遅いから大丈夫との事ですがBPM145が遅いのか遅くないのかは僕の判断には負えないので誰かに聞いてください。
KantanしかModしなかったんでSpread関係きつかったりしたらFutsuuまでその内見るかもしれません。

[Kantan]
ー全体
変拍子の曲なので特に同じメロディなら叩きやすい同じ様な配置にする事をオススメします。曲のリズムが一定でない事自体がKantanプレイヤーにとっては難関です。
変拍子周りは1/1を詰めすぎない方が良いと思います。(例えば00:09:065 (10,11,12,13,14,15,16) - や00:22:721 (4,5,6,7,8,9,10) -)
1/1で詰めると自然と1/1の4連が出来てしまい、サビには最後にしかない4分4連が前半にドカドカと来るのはプレイ感的にも難易度的にもバランスが取れてない感じがあります。 00:32:651 (1,2,3,4) - 辺り程度の密度をサビより前の前半にもう一つ増やすと緩急が付くかもしれません。

ー細部
・00:11:962 - を00:12:376 - に、4分4連を3連の直後に最初から持ってくるのはきついと思います。
・00:25:203 - 削除、4分4連を消すべきというのと直前の配置と合わせるためです。
以上を踏まえると一番左が00:20:238 -開始でこんな感じにするのがパターンも見えやすくていいんじゃないでしょうか?難易度も高過ぎず4分4連も使ってなくて私は良いと思います。(色はご自由に)

もしくは次の小節の1/1を裏拍で開始してもよいならこうでもよいかもしれません

何にせよこの地帯は4小節同じリズムですので統一感を持たせるのは必須だと思います。

・00:52:927 - add k 00:53:341 - change k 00:53:755 - delete
00:54:169 - ココ前後のノーツが密集しすぎな気がします。00:38:445 (6,7,8,9,10,11,12,13,1,2,3,4,5,6,7) - が4分3連を2回連続で配置したので統一してたのでここも同じようにして00:52:927 -にスペースを入れるべきだと思います。
・01:01:617 (13,14,15) - kkd
サビの前半とココだけ違うのはなぜですか?同じにするか反転にするかにした方が良いと思います。
osu file format v14

[General]
AudioFilename: audio.mp3
AudioLeadIn: 0
PreviewTime: 52513
Countdown: 0
SampleSet: Normal
StackLeniency: 0.7
Mode: 1
LetterboxInBreaks: 0
WidescreenStoryboard: 1

[Editor]
Bookmarks: 789,13201,20234,32645,44229,54169,60789,75677
DistanceSpacing: 2.5
BeatDivisor: 1
GridSize: 32
TimelineZoom: 0.2999995

[Metadata]
Title:A E I U E O Ao!!
TitleUnicode:あ・え・い・う・え・お・あお!!
Artist:Gekidan Hitotose
ArtistUnicode:劇団ひととせ
Creator:_yu68
Version:みすたーりいちのkantan
Source:ひなこのーと
Tags:anime hinako note aeiueoao
BeatmapID:0
BeatmapSetID:-1

[Difficulty]
HPDrainRate:8
CircleSize:5
OverallDifficulty:3
ApproachRate:5
SliderMultiplier:1.4
SliderTickRate:1

[Events]
//Background and Video events
0,0,"BG.jpg",0,0
//Break Periods
//Storyboard Layer 0 (Background)
//Storyboard Layer 1 (Fail)
//Storyboard Layer 2 (Pass)
//Storyboard Layer 3 (Foreground)
//Storyboard Sound Samples

[TimingPoints]
790,413.793103448276,4,1,0,80,1,0
9066,413.793103448276,4,1,0,80,1,0
10721,413.793103448276,6,1,0,80,1,0
13203,413.793103448276,4,1,0,80,1,0
14859,413.793103448276,5,1,0,80,1,0
16928,413.793103448276,4,1,0,80,1,0
23548,413.793103448276,5,1,0,80,1,0
25617,413.793103448276,4,1,0,80,1,0
28928,413.793103448276,5,1,0,80,1,0
30996,413.793103448276,4,1,0,80,1,0
32547,-100,4,1,0,70,0,0
32652,413.793103448276,3,1,0,70,1,0
36377,413.793103448276,5,1,0,70,1,0
38342,-100,5,1,0,80,0,0
38446,413.793103448276,4,1,0,80,1,0
41756,413.793103448276,3,1,0,80,1,0
44238,413.793103448276,4,1,0,80,1,0
54065,-100,4,1,0,90,0,0
54169,-100,4,1,0,90,0,1
75582,-100,4,1,0,80,0,1
75686,-100,4,1,0,80,0,0
77341,413.793103448276,5,1,0,80,1,0
79409,413.793103448276,4,1,0,80,1,0
82720,413.793103448276,3,1,0,80,1,0
85202,413.793103448276,4,1,0,80,1,0
85305,-100,4,1,0,50,0,0


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320,192,4100,1,0,0:0:0:0:
320,192,5755,1,0,0:0:0:0:
320,192,7410,1,0,0:0:0:0:
320,192,8238,1,0,0:0:0:0:
288,192,9065,1,0,0:0:0:0:
224,160,9893,2,0,L|512:160,2,280
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32,224,21065,1,2,0:0:0:0:
32,224,21893,1,0,0:0:0:0:
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160,160,45893,1,2,0:0:0:0:
160,160,46720,1,2,0:0:0:0:
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160,160,47548,1,0,0:0:0:0:
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160,192,50031,1,2,0:0:0:0:
160,192,50858,1,0,0:0:0:0:
160,192,51686,1,0,0:0:0:0:
160,192,52513,1,2,0:0:0:0:
160,192,52927,1,2,0:0:0:0:
160,192,53341,1,6,0:0:0:0:
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320,224,56651,1,0,0:0:0:0:
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320,224,58306,1,0,0:0:0:0:
320,224,58720,1,0,0:0:0:0:
320,224,59134,1,2,0:0:0:0:
320,224,59962,1,2,0:0:0:0:
320,224,60789,1,0,0:0:0:0:
320,224,61617,1,2,0:0:0:0:
320,224,62031,1,2,0:0:0:0:
320,224,62444,1,0,0:0:0:0:
320,224,63272,1,0,0:0:0:0:
320,224,64100,1,2,0:0:0:0:
320,224,64927,1,0,0:0:0:0:
224,224,65341,1,0,0:0:0:0:
224,224,65755,1,2,0:0:0:0:
224,224,66582,1,2,0:0:0:0:
224,224,67410,1,0,0:0:0:0:
224,224,67824,1,0,0:0:0:0:
224,224,68238,1,0,0:0:0:0:
224,224,68651,1,0,0:0:0:0:
224,224,69065,1,0,0:0:0:0:
224,224,70720,1,0,0:0:0:0:
224,224,71548,1,0,0:0:0:0:
224,128,72375,2,0,P|416:160|416:160,4,140
160,128,74858,1,6,0:0:0:0:
32,224,75686,1,2,0:0:0:0:
32,224,76513,1,0,0:0:0:0:
32,224,77341,1,2,0:0:0:0:
32,224,77755,1,2,0:0:0:0:
32,224,78169,1,0,0:0:0:0:
32,224,79411,1,0,0:0:0:0:
32,224,80238,1,2,0:0:0:0:
32,224,81066,1,0,0:0:0:0:
32,224,81479,1,0,0:0:0:0:
32,224,81893,1,2,0:0:0:0:
224,256,82719,1,0,0:0:0:0:
224,256,83961,1,0,0:0:0:0:
224,256,85202,1,6,0:0:0:0:


とりあえず以上で、上記の通りFutsuuはその内やります。
posted
blue=change
red=keep

Mrriichi wrote:

こんばんは、半年以上前の基準で見たんで今そこランカブルだよとかあったらスルーでお願いします

[General]
Twitterでリプしましたけど密度が濃くても遅いから大丈夫との事ですがBPM145が遅いのか遅くないのかは僕の判断には負えないので誰かに聞いてください。 SR的にも多分大丈夫だと思います
KantanしかModしなかったんでSpread関係きつかったりしたらFutsuuまでその内見るかもしれません。

[Kantan]
ー全体
変拍子の曲なので特に同じメロディなら叩きやすい同じ様な配置にする事をオススメします。曲のリズムが一定でない事自体がKantanプレイヤーにとっては難関です。 たしかに
変拍子周りは1/1を詰めすぎない方が良いと思います。(例えば00:09:065 (10,11,12,13,14,15,16) - や00:22:721 (4,5,6,7,8,9,10) -
1/1で詰めると自然と1/1の4連が出来てしまい、サビには最後にしかない4分4連が前半にドカドカと来るのはプレイ感的にも難易度的にもバランスが取れてない感じがあります。 00:32:651 (1,2,3,4) - 辺り程度の密度をサビより前の前半にもう一つ増やすと緩急が付くかもしれません。

ー細部
・00:11:962 - を00:12:376 - に、4分4連を3連の直後に最初から持ってくるのはきついと思います。 :arrow:裏拍で音が途切れているのであまりそこにはノーツを置きたくないです 00:09:479 - 00:11:134 - を削除することで易化しました
・00:25:203 - 削除、4分4連を消すべきというのと直前の配置と合わせるためです。 :arrow:上記同様音に合わせたいので 00:24:789 - を削除
以上を踏まえると一番左が00:20:238 -開始でこんな感じにするのがパターンも見えやすくていいんじゃないでしょうか?難易度も高過ぎず4分4連も使ってなくて私は良いと思います。(色はご自由に)

もしくは次の小節の1/1を裏拍で開始してもよいならこうでもよいかもしれません

何にせよこの地帯は4小節同じリズムですので統一感を持たせるのは必須だと思います。2小節ループのコピペでも統一は図れると思います

・00:52:927 - add k 00:53:341 - change k 00:53:755 - delete
00:54:169 - ココ前後のノーツが密集しすぎな気がします。00:38:445 (6,7,8,9,10,11,12,13,1,2,3,4,5,6,7) - が4分3連を2回連続で配置したので統一してたのでここも同じようにして00:52:927 -にスペースを入れるべきだと思います。 :arrow:changed
・01:01:617 (13,14,15) - kkd
サビの前半とココだけ違うのはなぜですか?同じにするか反転にするかにした方が良いと思います。 :arrow:ボーカルの微妙な差異を口実にパターンに多様性を持たせたいので 01:02:444 - をdへ変更 反転するよりはプレイ感に与える影響が少なく済むと思います kkd と
kdd

osu file format v14

[General]
AudioFilename: audio.mp3
AudioLeadIn: 0
PreviewTime: 52513
Countdown: 0
SampleSet: Normal
StackLeniency: 0.7
Mode: 1
LetterboxInBreaks: 0
WidescreenStoryboard: 1

[Editor]
Bookmarks: 789,13201,20234,32645,44229,54169,60789,75677
DistanceSpacing: 2.5
BeatDivisor: 1
GridSize: 32
TimelineZoom: 0.2999995

[Metadata]
Title:A E I U E O Ao!!
TitleUnicode:あ・え・い・う・え・お・あお!!
Artist:Gekidan Hitotose
ArtistUnicode:劇団ひととせ
Creator:_yu68
Version:みすたーりいちのkantan
Source:ひなこのーと
Tags:anime hinako note aeiueoao
BeatmapID:0
BeatmapSetID:-1

[Difficulty]
HPDrainRate:8
CircleSize:5
OverallDifficulty:3
ApproachRate:5
SliderMultiplier:1.4
SliderTickRate:1

[Events]
//Background and Video events
0,0,"BG.jpg",0,0
//Break Periods
//Storyboard Layer 0 (Background)
//Storyboard Layer 1 (Fail)
//Storyboard Layer 2 (Pass)
//Storyboard Layer 3 (Foreground)
//Storyboard Sound Samples

[TimingPoints]
790,413.793103448276,4,1,0,80,1,0
9066,413.793103448276,4,1,0,80,1,0
10721,413.793103448276,6,1,0,80,1,0
13203,413.793103448276,4,1,0,80,1,0
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28928,413.793103448276,5,1,0,80,1,0
30996,413.793103448276,4,1,0,80,1,0
32547,-100,4,1,0,70,0,0
32652,413.793103448276,3,1,0,70,1,0
36377,413.793103448276,5,1,0,70,1,0
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38446,413.793103448276,4,1,0,80,1,0
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75686,-100,4,1,0,80,0,0
77341,413.793103448276,5,1,0,80,1,0
79409,413.793103448276,4,1,0,80,1,0
82720,413.793103448276,3,1,0,80,1,0
85202,413.793103448276,4,1,0,80,1,0
85305,-100,4,1,0,50,0,0


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320,192,3272,1,6,0:0:0:0:
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32,224,21893,1,0,0:0:0:0:
32,224,22307,1,2,0:0:0:0:
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192,192,24375,1,2,0:0:0:0:
224,224,24789,1,0,0:0:0:0:
192,192,25203,1,2,0:0:0:0:
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192,192,27272,1,0,0:0:0:0:
192,192,27685,1,2,0:0:0:0:
192,192,28099,1,0,0:0:0:0:
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192,160,33893,1,2,0:0:0:0:
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320,224,59962,1,2,0:0:0:0:
320,224,60789,1,0,0:0:0:0:
320,224,61617,1,2,0:0:0:0:
320,224,62031,1,2,0:0:0:0:
320,224,62444,1,0,0:0:0:0:
320,224,63272,1,0,0:0:0:0:
320,224,64100,1,2,0:0:0:0:
320,224,64927,1,0,0:0:0:0:
224,224,65341,1,0,0:0:0:0:
224,224,65755,1,2,0:0:0:0:
224,224,66582,1,2,0:0:0:0:
224,224,67410,1,0,0:0:0:0:
224,224,67824,1,0,0:0:0:0:
224,224,68238,1,0,0:0:0:0:
224,224,68651,1,0,0:0:0:0:
224,224,69065,1,0,0:0:0:0:
224,224,70720,1,0,0:0:0:0:
224,224,71548,1,0,0:0:0:0:
224,128,72375,2,0,P|416:160|416:160,4,140
160,128,74858,1,6,0:0:0:0:
32,224,75686,1,2,0:0:0:0:
32,224,76513,1,0,0:0:0:0:
32,224,77341,1,2,0:0:0:0:
32,224,77755,1,2,0:0:0:0:
32,224,78169,1,0,0:0:0:0:
32,224,79411,1,0,0:0:0:0:
32,224,80238,1,2,0:0:0:0:
32,224,81066,1,0,0:0:0:0:
32,224,81479,1,0,0:0:0:0:
32,224,81893,1,2,0:0:0:0:
224,256,82719,1,0,0:0:0:0:
224,256,83961,1,0,0:0:0:0:
224,256,85202,1,6,0:0:0:0:


とりあえず以上で、上記の通りFutsuuはその内やります。
ありがとうございました!
posted
via M4M

[ about]
  1. d is don note
  2. k is kat note
  3. D is big don note
  4. K is big kat note


[ General]


  • BGの顔を誰に焦点に当てているかわかりませんが、今のままで大丈夫なら問題ないです。



[ Kantan]


  • * 00:45:479 - 削除。xxx-xxxよりx-x-xxxの方が流れが良いと感じました。

    Kiai Timeの1/1-3連が多い気がしますが、許容範囲かと思います。(提案はあるので気になるようでしたらin-gameでお願いします。)



[ Futsuu]


  • * 00:54:996 - 00:59:962 - 易化させたほうが良いです。1/1+1/2のパターンが長く、1/2の3連→5連は難しく感じます。

    * 01:05:341 - 削除。01:05:962 - dへ変更。 01:07:203 - kへ変更。間に休憩挟むほうがFutsuuに適してると感じました。



[ Muzukashii]


  • * 00:41:549 - 削除して1/3を独立させたほうが、Muzukashiiでは良いと思います。

    * 00:49:617 - 削除してよりVocalを強調するのはどうですか? 配色は好みで



[ Oni]


  • * 00:19:307 - Oniなら削除するべきです。

    * 00:37:514 (21,22,23,24) - Muzukashii同様kkk or 00:37:825 - 1/4右 + 00:38:032 - add dでvocal合わせ。

    * 00:49:824 (34,35,36) - dkd or kkd

    * 01:12:893 - を 01:13:100 - へ移動、01:13:203 - 削除。vocalのくら くらにより合います。

    * 01:21:788 - 削除。

posted
blue=change
red=keep

Charlotte wrote:

via M4M

[ about]
  1. d is don note
  2. k is kat note
  3. D is big don note
  4. K is big kat note


[ General]


  • BGの顔を誰に焦点に当てているかわかりませんが、今のままで大丈夫なら問題ないです。 :arrow:全員を頭だけでもフレームインさせたかった 今のままで大丈夫です



[ Kantan]


  • * 00:45:479 - 削除。xxx-xxxよりx-x-xxxの方が流れが良いと感じました。 :arrow:changed

    Kiai Timeの1/1-3連が多い気がしますが、許容範囲かと思います。(提案はあるので気になるようでしたらin-gameでお願いします。) :arrow:気になったら聞きに行きます



[ Futsuu]


  • * 00:54:996 - 00:59:962 - 易化させたほうが良いです。1/1+1/2のパターンが長く、1/2の3連→5連は難しく感じます。 :arrow: 00:58:927 - を削除

    * 01:05:341 - 削除。01:05:962 - dへ変更。 01:07:203 - kへ変更。間に休憩挟むほうがFutsuuに適してると感じました。 :arrow:changed



[ Muzukashii]


  • * 00:41:549 - 削除して1/3を独立させたほうが、Muzukashiiでは良いと思います。 :arrow:deleted

    * 00:49:617 - 削除してよりVocalを強調するのはどうですか? 配色は好みで :arrow:このパートでは打楽器のリズムに焦点を合わせ、そのついでにvocalになんとなく合わせる...といった方向で作っているつもりです ここだけvocalのリズムに忠実に沿わせるのも違和感があるように感じます



[ Oni]


  • * 00:19:307 - Oniなら削除するべきです。 :arrow:叩きやすさも考え、 00:19:514 - を削除

    * 00:37:514 (21,22,23,24) - Muzukashii同様kkk or 00:37:825 - 1/4右 + 00:38:032 - add dでvocal合わせ。 :arrow: 00:33:789 (4,5) - のような流れを作りたい+このパートではvocalに焦点を寄せていないためkeep

    * 00:49:824 (34,35,36) - dkd or kkd :arrow:kkdへ変更

    * 01:12:893 - を 01:13:100 - へ移動、01:13:203 - 削除。vocalのくら くらにより合います。 :arrow:changed 直後の1/4をdkkdへ変更

    * 01:21:788 - 削除。 :arrow: 01:21:995 - を削除

ありがとうございました!
posted
hi m4m

[Oni]
00:42:997 - : 01:23:961 - これと同じようにすればいいと思います。音はあってるし、00:41:756 - と違うし

それ以外のこと見つかれなかったw
譜面はめっちゃ良い感じです!
[Muzukashii]
00:42:583 - : 01:23:547 - と同じようにdにすればいいと思います。音は 00:43:824 - と違いますから。

それ以外はいいけど、dk/kdのdoubletはちょっと難しいかもしれません。
Oniも難しい方のパターン使ってるからspreadのために大丈夫かなーって気がするけど、BNとかに相談した方がいいと思います。

[Futsuu]
01:10:513 - ここにkを入れるといいと思います。
01:12:375 - これはクライマックスだからちょっと難しくしてもいいです。このようなパターンがいいと思います。


それ以外は良い感じです

[Kantan]
00:13:203 - ここのパートで休憩が足りないと思います。

それ以外は大丈夫です

譜面が良くてポイントが少なくなったww

good luck! :D
posted
blue=change
red=keep

Chromoxx wrote:

hi m4m

[Oni]
00:42:997 - : 01:23:961 - これと同じようにすればいいと思います。音はあってるし、00:41:756 - と違うし :arrow:changed

それ以外のこと見つかれなかったw
譜面はめっちゃ良い感じです!
[Muzukashii]
00:42:583 - : 01:23:547 - と同じようにdにすればいいと思います。音は 00:43:824 - と違いますから。 :arrow:changed

それ以外はいいけど、dk/kdのdoubletはちょっと難しいかもしれません。
Oniも難しい方のパターン使ってるからspreadのために大丈夫かなーって気がするけど、BNとかに相談した方がいいと思います。そうします。

[Futsuu]
01:10:513 - ここにkを入れるといいと思います。 :arrow: 01:11:134 (47,48) - ここと同じような流れを作りたいので、 01:10:100 - ここにkを入れました。
01:12:375 - これはクライマックスだからちょっと難しくしてもいいです。このようなパターンがいいと思います。

:arrow:3/4が多くてちょっと難しいと思います。なので 01:12:996 - ここだけにdを入れました

それ以外は良い感じです

[Kantan]
00:13:203 - ここのパートで休憩が足りないと思います。 :arrow: 00:15:272 - 01:17:754 - を削除しました。

それ以外は大丈夫です

譜面が良くてポイントが少なくなったww

good luck! :D
Thank you for modding!
posted
hi~ my mod (as request), hope it can help a little, remember they're suggestions so feel free to deny everything you want to :P

[Kantan]
00:00:790 (1,2) - I've listened like 10 times this part and I think you should ctrl+g them because first pitch is higher than second
00:02:858 (4) - what about don? makes a good emphasis on next note and new section :P
00:29:755 (15) - try a don here and 00:31:823 (17) - kat here, sounds great for section change
00:57:065 (6) - maybe you could delete this and give a little break for that part. I think it's already good but I don't feel any hard sound for a kat here
not any other comment, really good :D

[Futsuu]
same first two comments than Kantan. 00:02:858 (5) - this one sounds better at D because it makes a great 'low' sound through this part
00:07:824 (13) - try kat here, sounds similar as 00:08:238 (14) -
00:28:927 (27) - I think this deserves a D since it's almost the same pitch as 00:30:583 (31,32) -
01:21:064 - I think here using d d k d k sounds better than triple kat considering it's increasing
Really good too!

[Muzukashii]
well the same comment; here is strange, you're using both dons... maybe use 00:00:790 (1) - K here?
00:03:479 - why that break on the following vocal?
not any other comment, flows really well for me :D

[Oni]
same xD
00:30:583 (66,67) - on every diffs you're using K K here... why D D on this? I think K K sounds better
01:13:513 (129,130) - try ctrl+g here, sounds better :P
nothing more


It's really fine for me :D hope to see it ranked soon and star ~
posted
☆ミ
posted
blue=change
red

xfraczynho wrote:

hi~ my mod (as request), hope it can help a little, remember they're suggestions so feel free to deny everything you want to :P

[Kantan]
00:00:790 (1,2) - I've listened like 10 times this part and I think you should ctrl+g them because first pitch is higher than second :arrow:I feel that using K at the first will make a strange flow because the first sound is strong. -> 00:01:617 (2) - changed to D
00:02:858 (4) - what about don? makes a good emphasis on next note and new section :P:arrow:changed
00:29:755 (15) - try a don here and 00:31:823 (17) - kat here, sounds great for section change :arrow:I have applied former
and keep latter because sound is diffrent from 00:32:237 - .
00:57:065 (6) - maybe you could delete this and give a little break for that part. I think it's already good but I don't feel any hard sound for a kat here :arrow: 00:55:410 - deleted
not any other comment, really good :D

[Futsuu]
same first two comments than Kantan. :arrow:changed like same
00:02:858 (5) - this one sounds better at D because it makes a great 'low' sound through this part :arrow:changed
00:07:824 (13) - try kat here, sounds similar as 00:08:238 (14) - :arrow:changed
00:28:927 (27) - I think this deserves a D since it's almost the same pitch as 00:30:583 (31,32) - :arrow:I think not necessary since sound is not strong.
01:21:064 - I think here using d d k d k sounds better than triple kat considering it's increasing :arrow:changed
Really good too!

[Muzukashii]
well the same comment; here is strange, you're using both dons... maybe use 00:00:790 (1) - K here? :arrow:It's same reason as Kantan.
00:03:479 - why that break on the following vocal? :arrow:It for difficulty spread.
not any other comment, flows really well for me :D

[Oni]
same xD :arrow:same
00:30:583 (66,67) - on every diffs you're using K K here... why D D on this? I think K K sounds better :arrow:Just before of this notes is k, so I think putting here D can emphasize sound.
01:13:513 (129,130) - try ctrl+g here, sounds better :P:arrow:I think this note matched back sound.
nothing more


It's really fine for me :D hope to see it ranked soon and star ~
Thank you for modding!
posted

404 AccNotFound wrote:

☆ミ
Thanks <3
posted
hi~
thanks for accepting m4m xD
noob at modding, and include personal feeling, so roughly refer my opinion.
If my modding affect your style, feel free to ignore :)


[ Kantan ]

00:09:065 (10,11,12,13,14) - little awkward to me, tabun boku ga kantan diff no tsukurikata wo yoku wakaranaikara to omoundesu.

00:50:858 (9,10,11) - dkd? not enough flat sound that use ddd imo.

01:10:720 (25,26,27,28,29,30) - same 00:09:065.


[ Futsuu ]

00:19:203 (19) - k. ddkdk seems little difficult in futsuu, even 1/2.

00:41:756 (24,26) - finish? 1/3 no kawari ni.

01:13:203 (52) - delete? even muzukashii don't have circle in here.

01:22:719 (21,23) - same 00:41:756.


[ Muzukashii ]

00:39:066 (21) - k, so same with 00:39:273 (22,23,24,25) , focusing balanced staccato.

01:08:858 (72) - delete? so pursue more new start kanji that started from 01:09:065 (73).


[ Oni ]

00:00:790 (1) - K. because you used D at 00:01:617 (6). here is more high pitch and summative sound is same against 00:01:617 (6) imo.

00:14:237 (8,9,10,11) - dk kk? fit vocal pitch.

00:15:893 (19,20) - kk? melody is going down from 'sol' to 'fa#', and 00:15:893 (19) here no strong sound like drum bass.

00:16:928 (27) - um....k? even never don't fit in sound.

00:17:962 (34,35,36,37) - same 00:14:237.

01:00:996 - add circle to catch beat little more easily.

01:02:444 (56,57,58,59,60,61,62,63,64) - for more fit with vocal imo, https://osu.ppy.sh/ss/8160024.

01:25:202 (66,1) - fusion? no new started sound at 01:25:408. same all diff.



so when rank :thinking:
posted
blue=change
red=keep

404 AccNotFound wrote:

hi~
thanks for accepting m4m xD
noob at modding, and include personal feeling, so roughly refer my opinion.
If my modding affect your style, feel free to ignore :)


[ Kantan ]

00:09:065 (10,11,12,13,14) - little awkward to me, tabun boku ga kantan diff no tsukurikata wo yoku wakaranaikara to omoundesu. :arrow:tabun daijoubu

00:50:858 (9,10,11) - dkd? not enough flat sound that use ddd imo. :arrow:changed

01:10:720 (25,26,27,28,29,30) - same 00:09:065. :arrow:same


[ Futsuu ]

00:19:203 (19) - k. ddkdk seems little difficult in futsuu, even 1/2. :arrow:I think it's no problem since bpm is not high.

00:41:756 (24,26) - finish? 1/3 no kawari ni. :arrow:I keep to emphasize 00:44:238 (1) -

01:13:203 (52) - delete? even muzukashii don't have circle in here. :arrow:I want to make simpler rhythm than Muzukashii like Kantan.

01:22:719 (21,23) - same 00:41:756. :arrow:same


[ Muzukashii ]

00:39:066 (21) - k, so same with 00:39:273 (22,23,24,25) , focusing balanced staccato. :arrow:It is focusing on diversity.

01:08:858 (72) - delete? so pursue more new start kanji that started from 01:09:065 (73). :arrow:deleted and added d at 01:08:444 - .


[ Oni ]

00:00:790 (1) - K. because you used D at 00:01:617 (6). here is more high pitch and summative sound is same against 00:01:617 (6) imo. :arrow:I'd like to focus on sound intensity than pitch.

00:14:237 (8,9,10,11) - dk kk? fit vocal pitch. :arrow:I keep it in order to make pattern that easy to play.

00:15:893 (19,20) - kk? melody is going down from 'sol' to 'fa#', and 00:15:893 (19) here no strong sound like drum bass. :arrow:keep(same reason as ^)

00:16:928 (27) - um....k? even never don't fit in sound. :arrow:I feel it is similar to 00:13:203 - .

00:17:962 (34,35,36,37) - same 00:14:237. :arrow:same

01:00:996 - add circle to catch beat little more easily. :arrow:I don't think that's necessary because it's an upsurge of the song.

01:02:444 (56,57,58,59,60,61,62,63,64) - for more fit with vocal imo, https://osu.ppy.sh/ss/8160024. :arrow:I keep it in order to fit drum.

01:25:202 (66,1) - fusion? no new started sound at 01:25:408. same all diff. :arrow:I want to emphasize starting point of vocal.



so when rank :thinking:
Thanks~!
posted
:)

[Muzukashii]

00:21:272 (5,12) - I'd suggest putting these notes on the following blue tick, and deleting 00:22:100 (8) - . It will fit better with the vocals and not be too hard. (If you do this maybe put this one as a kat 00:22:307 (8) - )

00:39:894 (25) - This note feels a bit ff in the muzu, deleting it will be better, also considering that you didnt put one at 00:41:549 - .

00:49:824 (25) - Delete this one ? There is no note at 00:48:996 - so it feels weird to hear.

In the kiai : Avoid using 2 triplets in the same pattern like 00:57:065 (14,15,16,17,18,19,20,21,22) - , or 01:01:410 (35,36,37,38,39,40,41,42,43,44,45) - if you want to keep the pattern, kill one of the triplets.

[Oni]

00:41:032 - Maybe add a kat here to emphasize a bit the measure

00:41:549 (43) - Putting this as a kat could help reading a bit and flow better

01:03:272 (61,62,63,64,65,66,67) - What about ? It will flow and emphasize better.

01:19:512 (29) - I think you can remove this note for a little break, there is a lot of 1/4 in this part and this note isn't really necessary

call me back ~
posted
blue=change
red=keep

Arrival wrote:

:)

[Muzukashii]

00:21:272 (5,12) - I'd suggest putting these notes on the following blue tick, and deleting 00:22:100 (8) - . It will fit better with the vocals and not be too hard. (If you do this maybe put this one as a kat 00:22:307 (8) - ) :arrow:I want to suppress 3/4 in order to not to be difficult in here.


00:39:894 (25) - This note feels a bit ff in the muzu, deleting it will be better, also considering that you didnt put one at 00:41:549 - . :arrow:deleted

00:49:824 (25) - Delete this one ? There is no note at 00:48:996 - so it feels weird to hear. :arrow:deleted

In the kiai : Avoid using 2 triplets in the same pattern like 00:57:065 (14,15,16,17,18,19,20,21,22) - , or 01:01:410 (35,36,37,38,39,40,41,42,43,44,45) - if you want to keep the pattern, kill one of the triplets. :arrow:deleted some notes

[Oni]

00:41:032 - Maybe add a kat here to emphasize a bit the measure :arrow:I didn't think need to emphasize it

00:41:549 (43) - Putting this as a kat could help reading a bit and flow better :arrow:changed

01:03:272 (61,62,63,64,65,66,67) - What about ? It will flow and emphasize better. :arrow:It's matching drums as well as vocals

01:19:512 (29) - I think you can remove this note for a little break, there is a lot of 1/4 in this part and this note isn't really necessary :arrow:deleted

call me back ~
Thank you! :)
posted
aeiueoao !
posted

Arrival wrote:

aeiueoao !
Thanks!
posted
Oni

00:10:100 - You could add a d here since there is also a vocal and it would stay consistent with the other doublets.
01:04:100 - 01:05:755 - Mmm... how about making these 2 triplets different from each other since the vocals sound different too

Muzukashii

00:21:272 - I would try moving this to 00:21:376 - to emphasize the vocal better
00:21:686 - k instead to emphasize the pitch change on 00:21:893 - ?
00:22:928 - Same as earlier, move to 00:23:031 - to emphasize the vocal better?
01:02:238 - Maybe make this a ddd triplet since there is a vocal on 01:02:341 - which isn't there for the other patterns
01:10:617 - Idk... I don't really see any reason for the doublets to be here since there is no strong sound on the blue tick, maybe move these notes to 01:10:410 - etc. to emphasize the vocals?

Futsuu

00:52:513 (23,24,25,26) - I would change this to D D K K to be consistent with 00:02:445 (4,5,6,7) -

Kantan

00:10:307 - You could add a d to emphasize the rise in intensity in the vocals
00:21:065 - Idk... I would just delete this note for a small break and a better transition into the next part tbh
00:26:444 - ^Same
01:04:100 - The vocals here get more intense but the map gets calmer... maybe shift the triplets a bit to emphasize the vocals in this part a bit more?

[]

You can poke me for heart~
posted
Took long enough for me to try modding again


Muzukashii

00:02:445 (6,7,8,9,10,11) - Something like this will do to emphasize "a e i u e o ao!"

00:09:893 (29,30,31,32,33,34,35) - The dk patterns in 00:10:721 (33,34,35,36) may be hard to read, maybe just leave out the dons

00:52:513 (36,37,38,39,40,41) - That pattern may be a bit hard to read so I'm suggesting the same pattern shown in the top image

00:57:272 (15) - Remove this if possible

01:04:100 (47,48,49,50,51,52,53,54) - Swap 01:04:513 (50) into a kat, 01:04:720 (51,52,53) into triplet dons, and insert another don in 01:05:134

01:05:341 (54,55,56,57,58,59,60,61,62,63,64,65) - Something like this might do the trick

I'm looking forward to seeing the entire mapset become ranked
posted
blue=change
red=keep

Monstrata wrote:

Oni

00:10:100 - You could add a d here since there is also a vocal and it would stay consistent with the other doublets. :arrow:I think it's monotonous because doublets will too continuous.
01:04:100 - 01:05:755 - Mmm... how about making these 2 triplets different from each other since the vocals sound different too :arrow:changed the latter triplet to dkd, and 01:06:479 (83,84) - changed to dk in order to make different color scheme from 01:05:755 (78,79,80) -

Muzukashii

00:21:272 - I would try moving this to 00:21:376 - to emphasize the vocal better :arrow:I want to avoid using 3/4 in this part.
00:21:686 - k instead to emphasize the pitch change on 00:21:893 - ? :arrow:changed
00:22:928 - Same as earlier, move to 00:23:031 - to emphasize the vocal better? :arrow:I keep it because of same reason.
01:02:238 - Maybe make this a ddd triplet since there is a vocal on 01:02:341 - which isn't there for the other patterns :arrow:added
01:10:617 - Idk... I don't really see any reason for the doublets to be here since there is no strong sound on the blue tick, maybe move these notes to 01:10:410 - etc. to emphasize the vocals? :arrow:moved

Futsuu

00:52:513 (23,24,25,26) - I would change this to D D K K to be consistent with 00:02:445 (4,5,6,7) - :arrow:changed

Kantan

00:10:307 - You could add a d to emphasize the rise in intensity in the vocals :arrow:added
00:21:065 - Idk... I would just delete this note for a small break and a better transition into the next part tbh :arrow:deleted
00:26:444 - ^Same :arrow:deleted
01:04:100 - The vocals here get more intense but the map gets calmer... maybe shift the triplets a bit to emphasize the vocals in this part a bit more? :arrow:I keep it to show the changing of flow and in order to unify 01:04:100 (17,18) - and 01:05:755 (19,20) - as well.

[]

You can poke me for heart~

XYousoro wrote:

Took long enough for me to try modding again


Muzukashii

00:02:445 (6,7,8,9,10,11) - Something like this will do to emphasize "a e i u e o ao!"
:arrow:putted same pattern as oni

00:09:893 (29,30,31,32,33,34,35) - The dk patterns in 00:10:721 (33,34,35,36) may be hard to read, maybe just leave out the dons
:arrow:changed dk to kk and 00:10:514 - changed to d

00:52:513 (36,37,38,39,40,41) - That pattern may be a bit hard to read so I'm suggesting the same pattern shown in the top image
:arrow:I keep it to show the percussion difference from top image part

00:57:272 (15) - Remove this if possible :arrow:deleted

01:04:100 (47,48,49,50,51,52,53,54) - Swap 01:04:513 (50) into a kat, 01:04:720 (51,52,53) into triplet dons, and insert another don in 01:05:134
:arrow:I didn't swap it in order to show the difference of vocal from 01:05:755 (56,57,58,59,60,61,62) - . Also,I want to make many 1/1s since 1/4s are many a little.

01:05:341 (54,55,56,57,58,59,60,61,62,63,64,65) - Something like this might do the trick
:arrow:I keep it because of same reason.

I'm looking forward to seeing the entire mapset become ranked
Thanks a lot!
posted
Doublechecked metadata. Looks good. Qualified ^^
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