bbj0920 wrote:

nice song

why od6.3 just cut it off to 6

better mp3 from https://osu.ppy.sh/s/596704

00:01:946 (3) - 00:03:400 (6) - 00:04:855 (9) - 00:07:764 (13) - 00:09:218 (16) - 00:10:673 (19) - k, I get why you emphasize 00:09:764 (17,18) - kinda sounds but these 6 aren't as prominent, they just don't call for finishers. they sound somewhat ~lighter~, so k fits much better (imo)
^They are actually at same volume so it is ok to emphasis those 6 fxs
shouldn't you swap 00:15:037 (11,12) - and 00:17:946 (23,24) - , 00:20:855 (35,36) - and 00:23:764 (47,48) - too, fits the trumpet
^It will reduce the emphasis of d (13,37)
00:46:855 (162,163,164,165,166) - ddkkd fits better, dkdkd sounds kinda off
00:54:309 (203,204) - just make these a slider, K K sounds too stiff for this kinda sound
01:02:127 (251,252,253,254,255) - 01:13:763 (323,324,325,326,327) - d ddk d d?? why make these patterns feel empty out of nowhere
^ 3ok
01:15:945 (336) - This has to be a finisher imo, not having finisher here makes 01:16:673 (339,341,343,345,1) - sound too unnatural. so yeah 01:15:854 (335) - delete this too i guess
ok, remapped that bar in additional.
01:23:037 ~ 01:23:764 - what about ddkdddk k here? would make a nice buildup for 01:23:946 (38) - , fits the trumpet at 01:23:218 - imo
^ Breaks fml
01:26:855 - why not an ending finisher here
^01:28:218 has to be emphasis because strong fx. A spinner end can do the job.

1. 將BG往下移 因為白毛的頭被切半了:3

1. 把HP改成 5.5 或 6?
   因為這樣感覺比較順?A? (8-->7-->5-->6) 7突然變成5似乎犯了SM的強迫症
   另外, 因為這是TV版(而且Note數和其他的Muzukashii比算是很少的), 所以HP高一點感覺是可被允許的
   
   
2. 00:11:278 (1) - Finisher? 因為前面的Slider也是BIGBIG的那種 (較無關緊要:3)
3. 00:14:006 (6,7,8,9) - k k d k like Oni?
4. 00:19:824 (24,25,26,27) - ^
5. 00:59:278 (143,144) - Ctrl+G to follow the ring? 我個人感覺 dk 和 kd 在這邊都能不錯的跟到人聲, 所以改一下, 讓鈴聲也可被跟到?
6. 00:59:824 (146,147) - Ctrl+G if u 有意跟人聲
7. 01:05:097 (169,170,171,172) - Ctrl+G because their pitches sound like that :3
8. 01:10:914 (195,196) - Ctrl+G Reason same as 00:59:278
9. 01:11:460 (198,199) - Ctrl+G Reason same as 00:59:824
10. 01:16:005 (218) - k 或許你是想保持一致性? 但這裡放k比較好.
    人聲高於前個歌詞, 且有鈴聲在此:3 (若你這樣改, 也可以和後面的DkDkDkD起到映襯的效果)

1. Agree iloveyou4ever, why OD is 6.3 ?O?
   
   
2. 00:11:278 (1) - Finisher? 因為你前面的Slider也是BIGBIG的:3
3. 00:29:460 (76) - I think this one move to 00:30:006 will have better effect
   再怎麼說, 原本地方的鼓點和 00:30:006 的喇叭聲比起來 還是喇叭比較好被跟
4. 00:35:278 (105) - Move to 00:35:824 ^
5. 00:41:006 (125) - 我不知道你是不是為了好打些才加這顆, 如果不是就移除吧, 這裡沒聲音:3
6. 01:05:824 - 增加don來連結兩個段落? 這裡是有聲音的, 感覺加了也OK

Smallwu wrote:

Hola!
Quick mod from in-game request
[General]

1. 將BG往下移 因為白毛的頭被切半了:3 I changed the BG

[Muzukashii]

1. 把HP改成 5.5 或 6?
   因為這樣感覺比較順?A? (8-->7-->5-->6) 7突然變成5似乎犯了SM的強迫症 Not a reason for me to change HP, also I want to be generous on HP this time.
   另外, 因為這是TV版(而且Note數和其他的Muzukashii比算是很少的), 所以HP高一點感覺是可被允許的
   
   
2. 00:11:278 (1) - Finisher? 因為前面的Slider也是BIGBIG的那種 (較無關緊要:3) This fx is different to the previous 3 because it is a continuous effect.
3. 00:14:006 (6,7,8,9) - k k d k like Oni?
4. 00:19:824 (24,25,26,27) - ^ All 2 fixed
5. 00:59:278 (143,144) - Ctrl+G to follow the ring? 我個人感覺 dk 和 kd 在這邊都能不錯的跟到人聲, 所以改一下, 讓鈴聲也可被跟到? No, rip overall structure, I start all bars with d.
6. 00:59:824 (146,147) - Ctrl+G if u 有意跟人聲 ok
7. 01:05:097 (169,170,171,172) - Ctrl+G because their pitches sound like that :3 ^^
8. 01:10:914 (195,196) - Ctrl+G Reason same as 00:59:278
9. 01:11:460 (198,199) - Ctrl+G Reason same as 00:59:824
10. 01:16:005 (218) - k 或許你是想保持一致性? 但這裡放k比較好.
    人聲高於前個歌詞, 且有鈴聲在此:3 (若你這樣改, 也可以和後面的DkDkDkD起到映襯的效果)
    ^fixed in my own way

[Oni]

1. Agree iloveyou4ever, why OD is 6.3 ?O?
   Reason mentioned, I want to make error allowance +-30.5ms
   
2. 00:11:278 (1) - Finisher? 因為你前面的Slider也是BIGBIG的:3
3. 00:29:460 (76) - I think this one move to 00:30:006 will have better effect
   再怎麼說, 原本地方的鼓點和 00:30:006 的喇叭聲比起來 還是喇叭比較好被跟 lost impact on emphasizing 00:30:187 (79) - finisher
4. 00:35:278 (105) - Move to 00:35:824 ^ ^
5. 00:41:006 (125) - 我不知道你是不是為了好打些才加這顆, 如果不是就移除吧, 這裡沒聲音:3 vocal has a long voice here, another d can fit in this slot, but I will seek for more opinion.
6. 01:05:824 - 增加don來連結兩個段落? 這裡是有聲音的, 感覺加了也OK It will reduce the emphasis on showing another identical parts incoming.

=====
Good Luck! >3<

sing216 wrote:

　　　　　　　/
新手之mod (:3 _ )=
Hi dalao Orz

Kantan

00:46:187 (38) - change to d? not consistent with 00:52:006 (48) -

gogotime :
00:56:733 (56) - move to 00:57:460 (57) -
00:59:642 (61) - move to 01:00:369 (62) -
^好似後面有音好啲 (如果接受既話後半part都跟番咁樣改) will reduce the impact from finishers.

01:17:824 (92) - Delete vocal

Futsuu

00:52:187 (89) - move to 00:51:460 (87) - ok

gogotime :
00:57:097 (103) - delete and 00:57:460 (103) - add k
01:00:006 (112) - move to 01:00:369 (112) -
^比較明確follow緊邊到既音樂 (如果接受既話後半part都跟番咁樣改)

01:23:642 (18) - change to k

Muzukishii

00:25:460 (40) - d
00:28:369 (48) - d
00:31:278 (56) - d
00:34:187 (64) - d
^呢part冇左呢粒音有啲奇怪, 而且冇左好似都太疏
For breaks
gogotime :
01:23:824 (260) - k 跟番前3個pattern kkk之後冇k, 後3個kkk有k
^ lost impact from 01:24:006 (257) -

Oni

00:29:460 (76) - change to d 更加突顯之後粒藍音
00:47:006 (163) - delete
^ok
00:47:642 (168) - D? Seek for more opinion.

加油, Good luck ah

Arrival wrote:

Hey

[Kantan]

00:54:006 (52) - Delete the slider for a complete 4/1 break before the kiai. ok
01:00:733 (63) - Put this as a finisher and delete 01:01:460 (64) - so you can have a 4/1 break while still having a good emphasis.
01:12:369 (83,84) - ^
^ For break time, I used another method to fix.
[Futsuu]

01:06:187 (127) - Delete this for a slightly longer break at the half of the kiai ok

[Muzukashii]

00:41:460 (77) - You need to put this as a don, this is a pretty compex rhythm that uses both hands. This would reduce the contrast between 00:41:460 (77,78) - tho. Since 00:41:824 (78) - d act as a signal on starting new section of the song. Plus, this 1/3 isn't the hardest part of the difficulty.

[Oni]
Od 6.3 ? Is there a particular reason ? I'd have put 6 or 5.5 considering the spread and the BPM. I want to make it with +-30ms error allowance.

00:41:006 (125) - Are you sure you want to keep this note ? It's not in the song and it makes a pretty big difficulty spike compared to the difficulty overall. I'd suggest to remove it to not overmap and to be coherent with the rest of your diff. >Well, since you are the 2nd modder that told me about the same issue, I guess it is better to follow modder's advice. Deleted this note for easier pattern switching

Call me back

Aloda wrote:

Hm

General

A few of your tags are redundant - Eromanga, Sensei, ero, manga and tv are all included elsewhere in the metadata/tags.
^ it is necessery because the ranked version of this song has all of these tags

Your offset might be a little off, I found myself consistently hitting a little late. Could just be me though.
>Will check with BNs on this issue.

Kantan

The 1/1 at 00:52:733 (49,50,51) feels a little out of place to me. The vocals here don't have the same inflection as the ones you've mapped 1/1 to previously in the section (00:44:006 (34,35,36) - 00:46:915 (39,40,41) etc) so using the same pattern here don't play well imo. I suggest removing 00:53:097 (50). moved that note to 00:52:369 (49) -

The 4/1 breaks in the Kiai section are very not good to play. Compare 00:56:369 - 00:57:824 to 00:59:278 - 01:00:733. The first is mapped very densely (for a Kantan) which is good, since this is the most intense part of the song. But then the second is just empty, it it makes a very stark and jarring contrast going from one to the other. The bpm is low enough that you don't need to leave huge gaps like this. >BPM does not affect whether you need breaks or not, they are independent

Futsuu

00:02:006 (3) - 00:03:460 (6) - 00:04:915 (9) etc feel very strange as finishers imo. Try kats instead, which contrast nicely with the rest of the finishers here. >But the trumpet pitch are actually the same for the same bar.

Muzukashii

00:02:006 (3) - 00:03:460 (6) - 00:04:915 (9) etc feel very strange as finishers imo. Try kats instead, which contrast nicely with the rest of the finishers here. same as futsuu

In the Kiai, many of the 1/4 patterns you've used sound really weird, since the red tick following them has a strong vocal sound that you've completely ignored. This gives a weird impression as the strong mapping ends right before the strong vocal, and it's not nice to play. I suggest adding notes on these red ticks. Although your concern is correct, adding notes on those places will reduce the emphasis of finishers on each bar tho.

Oni

00:02:006 (3) - 00:03:460 (6) - 00:04:915 (9) etc feel very strange as finishers imo. Try kats instead, which contrast nicely with the rest of the finishers here. ^

Throughout the 00:24:369 - 00:36:006 section, your mapping almost always coincides with the vocals, so the couple of times it doesn't sound pretty weird. I suggest adding notes at 00:30:006 and 00:33:642 , though you might have to remove a couple of other notes to preserve the flow. Will reduce the effect of finisher emphasizing.

gl

JUDYDANNY wrote:

Here’s a mod as just 1 modder

[Kantan]

1. 00:14:558 - , 00:14:922 - add notes? Refer to Introduction-Opinions.
2. 00:20:376 - , 00:20:740 - same as above.
3. 00:23:649 - can add k , to follow the cymbals (Its the different point on 00:17:831 - .). Its good variation to avoid the monotone.
   
4. 00:29:831 - add k for plays with vocals ?(refer to new suggestion on Futsuu and Muzukashii too) Its too simple for vocal part.
5. 00:35:649 - same as above.
   
   00:36:013 (1,2,3,4,5,6) - I think it can make more large less dense. Its same the mount 00:24:376 (1,2,3,4,5,6) - , try to remove the begins mount ,so how about　↓?
   
   1. 00:36:740 - remove, 00:37:467 - change to k.
   2. Same, 00:39:649 - remove ,00:40:376 - change to k? >Keep 00:39:649 - for variation compared to 00:36:013 (32,33) -
   3. 00:41:104 - add k ? (to follow the many drum sounds (Its the different point on 00:38:194 - .)
   >Struggling on this point, this is a good spot to have break tho.
   Comparing with 00:41:831 - ~ 00:41:831 - and 00:54:922 - ~ 01:15:285 - .
   It’s not consistent the length. Formar part can make the easier.
   
   1. 00:42:558 - , 00:45:467 - , 00:48:376 - remove?
6. 00:53:467 - seems K fits better to lead the next Don.
7. 01:00:013 - , 01:00:376 - add k for plays? Vocal sounds not stopped, I think its not enough the length.
8. 01:02:558 - not d? just opinion.
9. 01:04:376 (63,64) - kd? for the wave of pitch @vocal, and 01:05:104 - change to finisher to follow the bass accent? >not intended to do so
10. 01:11:649 - , 01:12:013 - add k? same as ^^^.
11. 01:14:194 - not d? same as ^^^.
12. 01:16:013 - same as ^^^, change to K?
    
13. 01:17:104 - , 01:17:831 - either remove? Its a over power.

[Futsuu]

1. 00:02:013 - , 00:03:467 - ,00:04:922 - remove? Its better to kind to play as Futsuu users, (lack 2/1 breaks too).
2. 00:07:831 - , 00:09:285 - , 00:10:740 - same as above. >Futsuu player should be capable on playing the current pattern tho. Moreover these fxs are of same volume to the DDs so it shouldn't be ignored because of lacking breaks.
   
3. 00:26:922 - , 00:32:740 - add k ? it plays good to me with vocal and trumpet.
4. From 00:27:285 - ~ and from 00:33:104 - ~, how about this rhythm? http://puu.sh/vNL5B/082bf49ef4.jpg Its not enough to follow the vocal and Instrumental. >Better to snap with main ticks, this pattern is not friendly imo.
   
5. 00:36:740 - move to 00:38:194 - ?
   *-1 for making a short rest.
   *-2 for variation with plays(the gap with 00:41:104 - (appeared the ⅓ sounds or not)).
   
   From 00:42:194 - , same as Kantan. 00:41:831 (1,2,3,4,5,6,7,8,9) - I think it needs the high mount at the ending, not begining. Music sounds build up to up.
   ①00:42:194 - or 00:42:740 (1,2) - should cut(remove) at once,
   ②00:44:376 - add and around 00:44:013 - can make ½ instead.
   From the above, I suggest some patterns. Try to make the some patterns. :3
   (d-k-d-()-d-k-ddk-)
   (d-()-d-k-d-d-k-kk)
6. 00:44:740 - ~ , 00:47:649 - ~ same.
   ^Couldn't catch up here, remapped.
7. 00:53:467 (1,2) - same as Kantan. KK? >refer to the intro
8. 01:02:013 - add k to follow the vocal?
9. 01:13:649 - same as above. >I refuse to use 5-plet here, it is not friendly
10. 01:16:013 - K? Aaa~~ →Aaa~~↑ lol
11. 01:19:285 - remove and 01:19:649 (1,2,3,4,5,6) - change to d-k-d-kkd? Its more kind to play imo. >No, this lost the focus on instrument.
12. 01:23:104 - move to 01:23:467 - ? If you prefer to refer the Muzukashii kat sounds.
13. 01:25:104 - remove and 01:25:467 (1,2,3,4,5) - change to d-k-d-kk? same as above? ^^

[Muzukashii]

1. 00:24:740 - move to 00:25:467 - for plays with vocal. Iits very shorter pattern… refer to Oni suggestion too( 00:24:558 - removing suggestion)
2. 00:26:922 - add k too? still lack of hitsounds with Instrumental and vocals imo.
3. 00:27:649 - same as ^^.
4. 00:29:104 (50,51) - how about move to ½ right and 00:29:831 - add k? dk-d-dk?
   It seems to nice to follow the Instrumental and vocals well.
5. 00:30:558 - , 00:32:740 - ,00:33:467 - ,00:34:922 - ~~ same. >same what?
   
6. 00:38:558 - , 00:40:013 - add k ? seems a bit airy imo.
7. 00:40:740 (81,82,83,84,85) - how about change to k-dddd? for more easier plays ⅓ .
   
8. 00:41:831 (86,87,88,89,90,91,92,93,94,95,96) - playing from dkdkd (00:43:285 - ~~ ), its suddenly intensional flows. I think you should follow the 1/1 double same as 00:41:831 (86,87) - .
   I suggest 1 patterns , how about “d-d-ddk-d-d-dk-kd”? http://osu.ppy.sh/ss/8042638
   
9. From 00:46:194 - ~~ same as above.. (d-k-dk-kd?)
10. From 00:49:104 - ~~ same as above.. (d-k-ddkkd? *the variation cuz of 00:50:194 - sounds trumpet)
    
11. 00:53:467 - same as other diffs, KK?
12. 00:57:104 - move to 00:57:649 - ? refer to Introduction Opinion.
13. 01:00:013 - move to 01:00:558 - ? (and change to k?) same.
14. 01:02:376 - move to 01:02:013 - ? (and change to k?) I think its cleaned and nice to play 1/2-4plet vocal same as 00:56:376 (134,135,136,137) - .
15. 01:03:104 (1,2) - change to (d,remove) ? ¼ seems not need imo (refer to Futsuu, comparing with the power balance)
16. 01:06:376 - no add k?
17. 00:57:831 - , 01:00:740 - no need to put the finisher imo for emphasized to next impact( 01:03:649 - )
18. 01:08:740 - , 01:11:649 - , 01:14:013 - , 01:14:740 - same.
19. 01:09:467 - , 01:12:376 - same as above.
20. 01:15:831 - remove and 01:16:376 - and 01:16:558 - remove for the… making rest (no rest from 00:39:285 - ) and refer to next suggestion too.
    From 01:16:558 - ~~, Its over powered comparing with the overall. remove the normal joined the finisher, so … 01:15:285 - ~~(D-k-D-()-D-K-D-kkD?)
    
21. 01:19:104 (1,2) - remove? similar as Futsuu, It can make more easier.
22. 01:20:194 - move to 01:20:922 - and 01:20:558 (1,2) - change to (d,remove) ? same reason.
23. 01:22:013 (1,2) - remove and 01:24:922 (1,2) - remove, 01:25:285 - remove too? same reason.

[Oni]

• 
  Will edit.

Will post the Oni mod　(¦3[___]

1. 00:52:740 - add k? seems a little variation , it plays good emphashized for next finish.
2. about the color 01:07:285 (76,82) - and 00:55:649 (56,62) -, unify either ?

1. 00:43:649 (96,97,98,99,100,101) - kd-dk-d seems to weird, you dont agree k-dk-kd?
2. 00:46:558 (106,107,108,109,110) - same.
3. 00:49:467 (116,117,118,119,120) - same.
4. 01:02:194 - ~~~making like... d-d-k-d-ddd-k or d-d-k-ddd-d-k? not smooth with Instrument and vocal.
5. 01:13:830 (217,218,219,220,221,222,223,224) - same as above.
6. 01:20:649 - surprised ddk, remove one or move to 01:20:467 - instead?
7. about 01:23:558 - and 01:23:831 -, it seems a bit over, remove them?

1. 00:29:104 - and 00:29:467 - remove ? + 00:30:013 - add k there? like Muzukashi flow.
2. 00:34:922 - and 00:35:285 - remove ? + 00:35:831 - add k there? same as above.
3. 00:40:922 - move to 00:40:194 - and change to k ? not well followed the clear. I think the suggestion seems better flow.
4. 00:38:013 - move to 00:37:285 - and change to k ? same as above.
5. 00:44:558 - , 00:47:467 - 00:50:376 - add k ? to follow the trumpet.
6. 01:16:740 (141,142,143,144,145,146,147,148,1) - making like Muzukashii?
7. 01:18:376 - remove , ,01:21:285 - move to 01:20:922 - ,and 01:24:194 - move to 01:26:740 - ? not well following the vocal and instrumental.

JUDYDANNY wrote:

2nd, sorry for late

[Kantan]

1. 00:52:740 - add k? seems a little variation , it plays good emphashized for next finish. OK
2. about the color 01:07:285 (76,82) - and 00:55:649 (56,62) -, unify either ? But why?

[Muzukashii]

1. 00:43:649 (96,97,98,99,100,101) - kd-dk-d seems to weird, you dont agree k-dk-kd?
2. 00:46:558 (106,107,108,109,110) - same.
3. 00:49:467 (116,117,118,119,120) - same.
   ^ I am actually making the 2nd tick as k for this part, changing this pattern would ruin the rhythm brought by k
4. 01:02:194 - ~~~making like... d-d-k-d-ddd-k or d-d-k-ddd-d-k? not smooth with Instrument and vocal. That was what I mapped on it before mods tho... Also I am changing all similar session for consistency
5. 01:13:830 (217,218,219,220,221,222,223,224) - same as above. ^
6. 01:20:649 - surprised ddk, remove one or move to 01:20:467 - instead?
7. about 01:23:558 - and 01:23:831 -, it seems a bit over, remove them?
   ^removed 1 only, I need some density here because kiai.

[Oni]

1. 00:29:104 - and 00:29:467 - remove ? + 00:30:013 - add k there? like Muzukashi flow.
2. 00:34:922 - and 00:35:285 - remove ? + 00:35:831 - add k there? same as above. >applied, but you want to follow vocal instead?
3. 00:40:922 - move to 00:40:194 - and change to k ? not well followed the clear. I think the suggestion seems better flow.
4. 00:38:013 - move to 00:37:285 - and change to k ? same as above.
5. 00:44:558 - , 00:47:467 - 00:50:376 - add k ? to follow the trumpet.
   ^ok
6. 01:16:740 (141,142,143,144,145,146,147,148,1) - making like Muzukashii? >Spread rip, also D can emphasis the vocal
7. 01:18:376 - remove , ,01:21:285 - move to 01:20:922 - ,and 01:24:194 - move to 01:26:740 - ? not well following the vocal and instrumental. >It is following the vocal/instrumental, but nvm, changed for better finisher emphasizing.

Arrival wrote:

Muzukashii :

There isnt a single 2/1 break from 01:06:013 (184,185,186,187) - to the end

id suggest to do something like this 01:05:104 (180,181,182,183,184,185,186) -