I'm doing some changes and I'll upload both diffs and see what people prefer

Feel free to get back to me once you(you personally and not anybody else) are content with the changes and willing to push the set forward, then.

I got asked to leave an opinion on this map, but I'm too lazy to retype things, so here you go:


Seeing the current situation it might be useless to post tho, idk

MrSergio wrote:

I got asked to leave an opinion on this map, but I'm too lazy to retype things, so here you go:


Seeing the current situation it might be useless to post tho, idk

Yeah hold on I'm making a lot of changes

MrSergio wrote:

I got asked to leave an opinion on this map, but I'm too lazy to retype things, so here you go:


Seeing the current situation it might be useless to post tho, idk

So emphasizing a buildup for the end of the vocal part is not a thing?
They might be of the same intensity but that part is increasingly building suspense for the last word, I can't understand why it's wrong to increase spacing like that.. It's a buildup, come on.

Why is it okay to not increase spacing at vocal changes but not to do the opposite?

Also what the fuck does it mean "listening to the song" I am really tired of hearing this lately, there are MULTIPLE ways to perceive a song, not just how you hear it, for example I understand COMPLETELY what Natsu is doing with those jumps.
I would have done the same because for me it's not random words of same intensity with same instruments, it's as I said a buildup before the last vocal which is spaced most of all the jumps so where is it wrong?

I have seen lots of examples that do the opposite, when the song is intense and switching tones and having indicators that increasing spacing would work, people tend to have the same spacing and when the last biggest change comes there's suddenly a jump that's half the spacing of everything before?

As some say we are not listening to the song, I think you are not listening to us, and are deluded that there is only your way of perceiving the song in your mind. There are more. And before you say it is not like that, it is clear to not only me but others that the methods and logic of the map has been explained several times yet you insist that sometihng is wrong because your views clash with Natsu's.

Please, be reasonable, understand that there are more than one or two ways to LISTEN to a song, I know I repeat it but apparently it is necessary.

Mao wrote:

Let me explain the instances I have mentioned here:

01:39:856 (1,2,3,4) - This one is the example I gave for the lack of emphasis. I don't think the pattern fits the music well due to the seemingly random usage of spacing emphasis. Have a look: You have used a rather big jump between 01:39:856 (1,2) - which would be fine as both drums are quite emphasized. But then you have 01:40:156 (3,4) - I barely hear a sound corresponding to that concept on 01:40:156 - yet the jump is much bigger than 01:39:856 (1,2) - . Also then you have got the really strong cymbal and vocal sound on 01:40:456 (1) - which has go fewer spacing than 01:40:156 (3,4) - even though there's less emphasis on 01:40:306 - . My suggestion would be to lower the general spacing, keep the spacing between 1,2 and 3,4 equal as the emphasis doesn't really build up and drastically reduce the jump between 2,3 as 3 lacks a strong sound. Moreover the distance to 4 should be increased for proper emphasis. Fixed

02:33:856 - This pattern just seems like there is not really a concept behind it. I mean I get that it increases spacing first because of the drum buildup and then decreases it again because of the slowdown. That's fine so far. On one hand I don't think that it works well seperating the pattern itself at 02:34:756 (1,2) - because the drums still buildup. I get that the split can also be seen as the vocals but here were are again at what Cryptic said:

Ranking Criteria Guideline wrote:

Avoid following multiple layers of the song if it is unclear what rhythm is prioritizing. Players should be able to discern what part of the song is being followed.

This is handeled way better in the Collab as there you have used sliders to seperate it which make it clear what you are doing there but here it's just messy.
Second issue I have with the pattern is the actual design of it. While in the Collab you kept it very simple with geometric shapes, but here I don't really see a logic behind it. Just look at all the notes of the first half together: Click!
You could either see 2,3 and 4,5 as groups of 2 each and 1,6 seperate similar to the design of 01:39:856 (1,2,3,4) - (which wouldn't make much sense musically) or as groups of two for 1,2; 3,4 and 5,6. In the latter case the patterning could at least be polished to be something likethis as a similar pattern to the one you have made in the Collab.

Well I reworked the pattern, I used 4 objects combos instead to make it somehow consistent and yes is geometric now

Extras

00:37:456 (1,2,3,4) - 1 and 2 are the jumps now and 3 and 4 has a lower spacing as you suggested

00:50:506 (1,2,3,4,5,5,6,7,8) - now 1 - 5 the layer that follow the vocals keeps the horizontal thing, but 6 7 and 8 are a triangle which would be intuitive to the drums change, I guess is a nice compromise

Reworked the previous kiai patterns, so the sliders has more spacing and it does make the jumps more balanced in the later parts, since the player already is playing an overall higher spacing

mmm I reworked the overall spacing of the slow sections now should be more balanced with the rest of the map, also I almost fully reworked the kiais and now they are balanced, also worked some more on patternings, specially the one you pointed out.

mmmm personnally I like the changes, even tho I really wanted to keep the horizontal pattern, anyways hope the things are better now o.o

Changes look good now, #1

Umm... sooo just my opinion but on the last diff i think the offset should be 332 instead of 256. When i changed the offset it seemed to match the ryhthm of the song more so than the offset u have currently but again thats my opinion. Don't know if you were messing with offsets currently or not so i wanted to mention it just in case

I'll check the other diffs and there offset timing and edit this post if i find anymore "offset issues" (again just my opinion)

No you need to redownload I added video and new MP3 a few days ado

Ooooo oops I'm an idiot. x.x
And here I thought I helped but instead you helped me XD
Thanks

Natsu, after the changes I think it lost some uniqueness but it's fine, the jumps reflect well on the vocals and the contrasts are more suitable, I still wish you could keep that back and forth pattern because I understand the logic behind it and it is more fitting to the map than this imo.
The jumps you put there now still reflect the song well at the change of the vocal spine and the spacing you reduced in some parts and adjusted also looks nice.

I hope this can move forward without further ado.

everyone getting that problem just delete and redownload, I changed the mp3 to fit the video better a few days ago

Talked with alacat a bit about the map:



Also I already pm Mao and Irre, so let's see what they say o:

Edit:

from Okorin:

01:05:956 (2,3,4) - 02:08:356 (2,3) - 02:56:356 (2,3) - increased the spacing

Increased the spacing a bit at the cymbals in the end

01:36:256 (1) - improved the slider shape

00:18:856 (1,2) - increased the SV and changed the slider shape

from Irre:

03:02:056 (1,2,3,4,5,1) - nerfed

00:51:406 (7) - fixed a hitsound

00:51:556 (8,1) - about this one I talked with a few players and they said the flow was OK

Full log with Okorin

2017-05-16 23:29 Natsu: Hi Okorin, Irre told me that you have an issue with some jumps at the end of my map and also Mao told me to talk with you before asking BNs~
2017-05-16 23:32 Okorin: btw while playing i thought that 01:05:956 (2,3) -  should stand out more through spacing 02:08:356 (2,3) - same, they seem really same-ish for what the vocals and stuff provide
2017-05-16 23:32 Okorin: i dont remember if there's one like that at the end of the last kiai or not
2017-05-16 23:33 Okorin: and for the ending i was just confused why you ignored cymbals from 03:03:106 - in terms of spacing
2017-05-16 23:35 Natsu: okay gonna fix these
2017-05-16 23:35 Okorin: also really minor but the two segments of 01:36:256 (1) - aren't parallel and it's bothering me so much that i have to write something about it
2017-05-16 23:35 Okorin: ok
2017-05-16 23:36 Natsu: any other thing?
2017-05-16 23:37 Okorin: not from my end, i was just asked to give my opinion about the diffspike jumps which you seem to have adressed in a way that makes sense, at least to me?
2017-05-16 23:38 Natsu: yeah, just Mao wanted me to ask to every one in the thread
2017-05-16 23:39 Okorin: btw why did you do nothing special for 00:18:856 (1,2) -
2017-05-16 23:39 Okorin: i mean you even have 02:38:656 (1,2) - being something special because it's the song title
2017-05-16 23:40 Natsu: mmm higher sv would work or a different slider shape?
2017-05-16 23:41 Okorin: anything that makes them stand out in comparison i think that would align with how you did this on most other instances of the song title
2017-05-16 23:41 Okorin: so
2017-05-16 23:42 Natsu: kk

what happened to the back and forths

obviously each kiai has three main intense parts
00:50:506 (1,2,3,4,5,6,7,8) - the singer goes back and forth between two notes, so the notes should also be back and forth, right up to 8.
01:00:106 (1,2,3,4,5,6,7,8) - this is the second intense part because the singer again goes back and forth between two notes rapidly
01:02:656 (1,2,3,1,2,3,1,2,3,4,1,2,1,2,3,1,2,3,4,1,2,3,4,5,6,7,1) - last part of the kiai, you can clearly hear the rise in intensity

why are those first two parts intense? not only because the density of the vocals is higher (sing more notes per second) but because the singer alternates between two notes, which is very very noticeable, hence the back and forth pattern.

well, 01:00:106 (1,2,3,4,5,6,7,8) - is also back and forth, so why aren't the hitcircles perfect back and forth, like the other pattern? well, the first back and forth notes, the singer sings at an interval of a 3rd, with 1 note between them. also, the background instruments are playing at the tonic key, which is the main key of the song. this is why the song sounds so stable. hence, the flat back and forths to express the stability of the song at this time.

the second back and forth at 01:00:106 (1,2,3,4,5,6,7,8) - is NOT at the tonic key, and the singer sings at an interval of a 2nd, which is why the song sounds a little more unstable. this instability is expressed by the rotating back and forths instead of linear back and forths

finally, at the last part of the kiai we see some harmonic planing, which just means that the song is continually rising in key, this is very clearly heard. the map should be increasing in intensity again throughout this section, which it is, and nobody complained about it. i'm just mentioning it here so we get a better view of the bigger picture

in otherwords, the kiai is characterized by increasing instability, which is expressed by the stability of the first back-and-forths, and then the more unstable second back-and-forths, and finally the harmonic planing section which is not a single pattern at all.

the lynchpins of this progression are the three sections i have mentioned. just because they are not louder does not mean they aren't more intense. intensity isn't determined only by volume, but by the notes the singer is singing, the density of the vocals, the chord which the song is played at at that moment, and how this fits into the context of the entire song. please do not decrease the intensity of those jumps, and don't hesitate to revert the first section to purely back and forths, if you wish to.

mapping is not just about providing justification for every pattern, mapping is about expressing the feeling of a song. sometimes a mapper maps something he feels is right, and just because he can't provide 100% convincing justification does not mean he is wrong. don't hesitate to criticize, but please have some trust in experienced mappers.

Thanks for understand my map

I didn't have any more arguments to keep the pattern after 5 pages of discussion, that's why I changed the back and forth, the current pattern also work, so I hope I can get a compromise with it.
Oh and maybe I'll add the previous diff to the description or something.

well i gave you another argument just now. if you want, maybe you can try that and they will accept it ^^

melloe wrote:

well i gave you another argument just now. if you want, maybe you can try that and they will accept it ^^

Well if you read from here p/6002818 until the end, you'll notice that we said everything we could to keep the pattern, but it didn't convince the like 3 persons who complained about it and to be honest I'm really tired of arguing with people about it, since we discussed it too much, even I explained to Irre before it was even bubbled: p/5988334

and yeah, I really love my map and I want it to be ranked, after all the work I did for it, so I just decide to change it.

yeah, i read that. many of the QAT seem to not understand that how easily the patterns play is exactly the same thing as if the pattern makes sense... really stupid. why is exaggerated spacing bad? because it's too hard to play and thus does not reflect the song. but if it plays well then it does reflect the song, and there is no problem, it doesn't matter at all what the distance spacing number on the top right says. the only QAT who said anything good was mao...

but well, since you've decided to change it that's okay. the pattern you have now works anyway. good luck

I fell in love with the map when it got qualified and when updating just now I right away noticed the side to side/back and forth jumps are gone from the hardest difficulty.I came here to comment that but I see it's a big issue here somehow... The jumps played absolutely fine and were super fun + gave the difficulty that unique ''something I remembered strongly after the first play'' -thing to it.

.. but nuuu it has to be changed to something literally every map has because reasons lulz

I hope this map gets ranked soon anyhow, it totally deserves it. This is such an amazing mapset Natsu! Well done!

Neptune wrote:

I fell in love with the map when it got qualified and when updating just now I right away noticed the side to side/back and forth jumps are gone from the hardest difficulity. I came here to comment that but I see it's a big issue here somehow... The jumps played absolutely fine and were super fun + gave the difficulty that unique ''something I remembered strongly after the first play'' -thing to it. .. but nuuu it has to be changed to something literally every map has because reasons lulz

I hope this map gets ranked soon anyhow, it totally deserves it, this is such an amazing mapset.

thank you ! and sorry I had to change them T-T, anyways the changes I made also work xd

Rebubble since discussion has wrapped up and all 3 QAT's associated with this discussion have given the green light to rebubble now. Sorry I wasn't able to participate in this discussion, was quite busy irl. But I'm glad it got resolved without too much drama.

wew the bubble is back

Let's goooooooo finally

2 minutes after i played the pantsu diff it got re-qualified...coincidence? :thinking:

anyway regratz, song is addicting as hell

Monstrata wrote:

Rebubble since discussion has wrapped up and all 3 QAT's associated with this discussion have given the green light to rebubble now. Sorry I wasn't able to participate in this discussion, was quite busy irl. But I'm glad it got resolved without too much drama.

Gero wrote:

I'm glad that everything has been resolved now. So, since all QATs that were involved in the discussion are okay with the set, and the things were addressed by the Mapper, this should be good to go now.

We've changed some hitsounds through the difficulties to make them consistent, due that some of them were missed.

~ Requalified ~

Correct me if I'm wrong, but I spoke with Mao a bit during the whole thing, and from that discussion he said:

16:38 Mao: Something I want to clarify again is that the only actual QAT action in the thread was the disqualification in order to halt the ranking process so that we can discuss the issues that were addressed without rushing it
16:38 Mao: everything a QAT posted in there is their own opinion
16:38 Mao: which isn't worth more than any other opinion in the thread
16:39 Mao: nobody ever said that we force Natsu to do this
16:39 Mao: he can just find 2 more BNs and get it requalified

but from the way both of you write your posts, it seems like the QAT's opinions are indeed held higher than anyone else in the discussion. It might not be the case, it might not be supposed to be the case, it might be a misunderstanding between BN/QAT, or something else, but I just wanted to point it out since the impression I get from BNs and what Mao told me seems to not really match up.

Also, grats on the requalification!

Thanks everyone~

00:50:506 (1,2,3,4,5,6,7,8) - idk why this is more emphasized now but
01:00:106 (1,2,3,4,5,6,7,8) - ^ this one stayed the same though, if you're gonna emphasize the latter portions more might as well just do it with all of them, right?

02:33:856 (1,2,1,2,1,2,1,2,1,2,1,2,1,2,1,2,3,4) - this pattern is actually a lot better than the previous one, while i'm not really too big of a fan of the fullscreen at first the spacing reduction makes sense now

idk I'm still not fully behind these fullscreen jumps in the kiai, everything else makes a lot more sense now though

fieryrage wrote:

00:50:506 (1,2,3,4,5,6,7,8) - idk why this is more emphasized now but
01:00:106 (1,2,3,4,5,6,7,8) - ^ this one stayed the same though, if you're gonna emphasize the latter portions more might as well just do it with all of them, right?

02:33:856 (1,2,1,2,1,2,1,2,1,2,1,2,1,2,1,2,3,4) - this pattern is actually a lot better than the previous one, while i'm not really too big of a fan of the fullscreen at first the spacing reduction makes sense now

idk I'm still not fully behind these fullscreen jumps in the kiai, everything else makes a lot more sense now though

01:00:106 (1,2,3,4,5,6,7,8) - vocals here are different as I explained before, thats why-
02:33:856 (1,2,1,2,1,2,1,2,1,2,1,2,1,2,1,2,3,4) - and yeah this is really cool

Not even straight

09simp wrote:

Not even straight

lool

grats

@CXu: They were able to requalify it because we got to an agreement. It has nothing to do with us being QAT but rather us being the ones who criticised the map. That's why we had to agree on it in order to have the initial nominators nominate it again.

btw, shouldn't romanized artist be Dream Catcher? If we check their official website we can see that they call themselves "Dream Catcher" instead of "Dreamcatcher": http://www.dreamcatcher7.com/# I think that would be better if we use the artist from the official website.

In the website it's just an style thing the same for being all in caps, if you check their other official sites such as twitter youtube naver Facebook or instagram they are using it together as Dreamcatcher, ex https://mobile.twitter.com/hf_dreamcatcher

probably worth to add as online tags

I agree with Sieg that "Dream Catcher" might be added as tag and that would be better

it can be added to online tags, but I really doubt someone would search for it

Well, it's up to you (: