Hi, it's Gaston! From my modding queue.
[General]
> Tag suggestion:
- '千葉 直樹' can be added since he's literally the real name of 'naotyu-'
- 'アニメマシテ' can be also be added since in this radio prog., Tsukinami was used as the main theme song in 2015 Jan.
Source:
http://tower.jp/item/3763719/%E3%83%84% ... 4%EF%BC%9Ehttps://ja.wikipedia.org/wiki/%E3%82%A2 ... 7%E3%83%86https://ja.wikipedia.org/wiki/%E3%83%84 ... A%E3%83%9F! REMOVE ALL SV CHANGES in all difficulties except Oni. Check Kantan's mod for detail.
[Kantan]
> 00:32:329 - / 01:57:662 - How about adding Finish here? There's a strong guitar chord as a new start of section (the 16th bar). A Finisher should match the dynamic well.
> From 00:37:662 - to 00:40:329 - , it's too porous and the density does not match with the patterns before. k k d d k should be sth expeceted.
> 01:11:162 - I would like this note shifted back 1/2 beat to match the strong piano sound at the on-beat. It sounds more comfortable and matches back to the melody in stead of following the drum set too stubbornly.
> From 01:30:995 - to 01:33:662 - , these SV changes should be removed. Kantan level players are likely unable to handle them. In case you want to show a gradual increase of intensity, you may just simply add a SVx1.0 at 01:30:995 - because the previous session from 01:14:995 - is SVx0.9. Simple SV change is acceptable, but not a complicated one.
> 01:33:662 - This should be a Finish due to the existence of loud cymbal crash.
> 01:35:162 - similar case at 01:11:162 - , same suggestion too.
> 01:35:662 - this can also be filled up with a kat because of the intensity of music in vocal and instrumental parts.
> 01:45:829 - / 01:46:329 - same case in 01:35:162 - and 01:35:662 -
> 01:55:662 - kat can be added here as well, similar to 00:39:662 -
> 02:04:995 - ummm, I think the 2nd and 4th (i.e. 02:04:662 - / 02:05:329 - ) beat should be mapped as k, there are also melody falling on them. 02:04:995 - can be emptyed then. A more rhythmic (jumpy) pattern is used here which looks less monotonus.
> 02:14:329 - end the spinner here. This is the timing where the melody stops.
[Futsuu]
> 00:20:329 - it is a strange note since the melody fall on its back and front. Using a structure like 00:25:662 - at 00:20:162 - , mapping as k dk k in 1/2 beat should fit the melody and match the consistency well.
> 00:29:995 - / 00:30:662 - filling/ emptying them up would be a better choice than the current half-half situation (in terms of mapping style and consistency). I prefer filling them up though.
> 00:31:495 - how about shift this don to 00:31:162 - ? It matches those 1/2 drum hits well, instead of leaving 00:31:162 - empty. Also, the note at 00:31:495 - sounds like masking the upcoming vocal too!
> 00:51:995 - shift it 1/2 forward to 00:52:162 - in order to match the melody better. Isolating 00:51:829 - is another benefit for this suggestion. This little stacato melody should be emphasized by isolation imo.
> 00:52:829 - k sounds better due to the relatively high pitch
> 01:00:829 - / 01:06:162 - how about matching these notes in order to get rid of boring 1/1 triplet patterns along these bars?
> 01:18:995 - how about d d k here? I can see a mirror pattern at 01:21:662 - & 01:24:329 - , you should also do so at 01:16:329 - & 01:18:995 - .
~ From 01:50:162 - to 01:52:329 - , I think you've noticed that the vocal and instrumental part are not in the same phrase lol. As you follow vocal part before, I expect you are going to the same here, though the base drum is very outstanding. It depends on you, I just wanna state this point out anyway.
[Muzukashii]
> 00:28:495 - It sounds like another note worthy for a Finish, comparing with 00:26:995 (65,67,69) -
> 00:29:162 (74,75) - K K? the instrumental sounds interesting originally and I think the note should also reflect it.
> 00:42:329 - there's a cymbal crash here and it's okay to use D k in 1/2 beat in Muzukashii. Consider adding a kat at 00:42:329 - and remaining the don at 00:42:495 - . The comparison of notes sound well.
> 00:42:995 - a new start of a session, Finish is preferred.
> 00:51:329 - / 00:51:495 - swap them for consistency along all difficulties, also for the sake of pitch of these two notes.
> 00:53:329 - / 00:53:662 - another pair for swapping as well: 00:53:329 - falls on the third kick although there's not really much at the background, k is still preferable and is expected by the players; 00:53:662 - changing it to d can match the mapping style according to the upcoming similar pace at 00:54:995 - / 00:56:329 - / ...
> 01:00:829 - / 01:06:162 - same stuff in Futsuu: how about matching these notes in order to get rid of boring 1/1 triplet patterns along these bars? Yay, in Muzukashii you can definitely do so.
> 01:12:329 - Finish missing, the vocal dynamic is euivalent to that of 01:09:662 - .
> 01:26:162 - / 01:28:829 - / 01:54:495 - don can be put at these two timings to enrich the patterns there. Leaving such 1/1 gap is quite weird because you did not do so in the previous mapping style.
* But it's fine here 01:30:995 - , I can see a building up phrase so it's alright.
> 01:42:829 - another Finish note missing...
> 01:57:329 - change it to k can show a huger contrast with the upcoming DON at 01:57:662 - , and again for every 3rd beat, it's commonly considered and expected of a kat. In this circumstance, kat also matches the bass guitar and the bass drum set too.
> 02:07:329 - umm.... It's about style again: look at 02:06:495 - , you used d k d k. Then how about another set of alternative colour from 02:07:329 - to 02:08:162 - ? i.e. k ddd kkk d
[Lite Oni]
> Basically it's a similar case as of Muzukashii, just refer to Muzukashii for some major parts. It's quite good already.
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I am very busy and I can see a bunch of updates of your map, so some of my points may be no longer valid. Sorry for such delay as well!