AKIRYU or something NEXT YEAR COMPLETE THE FOUR SEASONS GOGOGOGOGOGOGcrystalsuicune wrote:
http://taikoblog.namco-ch.net/blog/2014/07/post_377.html
WE KARYU NOW
OH GOD I'M DIGGING THAT MUSIC STYLE
AYU WHY SO BASED
karyu so guuuuuuuuuuuudddddcrystalsuicune wrote:
AUDIO RIPS HO!!!
I won't put this as samba,it's still more contempory to me
OMG ALREADYAxelHino wrote:
https://osu.ppy.sh/s/195165
Ranked! >w<
That was really fast.
I'll try>渚tetsutaro wrote:
http://taikoblog.namco-ch.net/blog/2014/08/828_1.html
All your Nagisa no Koakuma needs (idk really looks like a thing though
Also livestream
idk i'm pretty stuck with the genre for that one lol (i've considered 電波SWING though)crystalsuicune wrote:
>Tsundere cafe
>Hard Swing
>Hard
>Swing
What?
It's pretty much your usual J-Pop denpa stuff to me
but obviously Chinatsu is way more times better than this thingLokamp wrote:
Nice genre-labeling, but eh maybe the chara choice could have been a lil' bit better (yea I know this is mainly a subjective aspect, but aside Reviver I would have more fitting roles ^^")
Aside from MEU MEU PETANTAN,we could either go for Minit like aqua suggested or the character for Nagisa no Koakuma on PnMLokamp wrote:
^ ... what the hell is even that thin-oh right BE4U oddball
No for that I was more thinking of that girl from Girlwood. I don't know- it just matches Onna's voice better to me
But while this is just a suggestion, serious changes would have been for other songs (again, just for my personal opinion). Either フォーゲル椀田 or the Scottish guy from Bubble Bagpipe Hour would have been better candidates for Oozora, while that abysmal atroicity of CF song's chara would be none other than 芽兎めう, as both the song heavilly rely on moe talk and talking instead of singing (or at least trying to follow the instrumental part of the song in any kind whatsoever) in most parts, two tropes that I really despice in songs :s