mod as requested
Inner Oni
dont forget my kudosu.ctrl+a and move all notes to trash can
forum
Yokomin feat. Yuzuki Yukari - Story In Everlasting Princess
posted
Total Posts
24
WKOWKOWKOwkowkOKWOkwokwowpuxtu wrote:
:V
(o-o)b
edt:
fvck2 mappin piano like mappin drumdrum x_x
so is this the other shitranking?
Topic Starter
thx for modding!Grimbow wrote:
o/
My mods are heavily based on the relation of the notes to the music, feel free to decline everything if your mapping style doesn't follow my style of modding!
d - Small don (red note)
D - Big don (red note with a finish)
k - Small kat (blue note)
K - Big kat (blue note with a finish)
Black means something that I think needs changed
Orange is just a suggestion
Blue is a comment
[General]
You could change out the last note on all the diffs (03:05:789 (56) - ) with a spinner that ends at 03:19:030 - and I think it'd fit pretty well! Only a suggestion because it's not really necessary but it would fill the rest of the music out! i'd rather end it on a crash than a spinner tbh... the rest of the fadeout provides some good audio for the score screen too
[Kantan]
00:11:582 (11) - Change this to a k, the synth pretty much peaks here and there is also a snare hit played on the drums here so the k would better match these two things and it would keep things consistent with 00:08:272 (8) - sure
00:25:237 (28) - Maybe change this to a k too? The synth here is much higher than it was at 00:23:582 (27) - so I think it could be changed to match this. The reason this is only a suggestion is because the synth is pretty faint so it isn't too much of a priority sure
00:31:858 (37) - Same as above, could possibly change to k? this one is actually a pretty low pitch so i'm keeping it d
00:51:720 (55) - If you want to have a finish on this note I'd suggest changing it to a K, the K sound follows the sound of a heavy snare clap like this much better whereas a D would probably be more suited to a heavy floor tom hit (Like the one at 00:52:961 - ) made it d d K
00:58:341 (66) - Change to K to add a little variation into this section? There's also a cymbal crash played on the drums so the K would be matching something in the music too. This is only a suggestion because I do understand having monotone patterns is easier to play for beginners, I just thought this suggestion could spice it up a littlesure
01:04:961 (77) - Same as above, change to K? sure
01:15:720 (87) - aaaaaaaaaa! You map all the non-snare hits as k's here and the only prominent snare clap as a d! I'd suggest changing this to a k since it's on a snare hit and the vocals here are stressed, and changing the other notes in these patterns (01:12:410 (83) - and 01:19:030 (91) - ) to d's ye changed some stuff around
01:26:478 (100) - Change to K? Would match the cymbal crash sound pretty well as a K. This is only a suggestion because k d K might be a bit too hard for Kantan, so it's up to you whether you want to make this change or noti feel like D matches the sinister vocal atmosphere better
02:06:203 (3) - Add a finish to this note, it's the end of the kiai and a pretty big section transition with cymbal crashes on the drums so I feel like the emphasis is warranted here ye
02:12:823 (6) - Add a finish to this note too, you have one at 02:19:444 (9) - so I don't see why this one doesn't have a finish on it no strong crash there, 9 is the start of a new section where there is basically a 1/1 strong drum spam going on so i mapped it there, mapping it on 6 would take away all emphasis on 3 and 9
[Futsuu]
00:11:582 (19) - Same as Kantan, change it to a k since the snare is the most prominent thing played here and a k better follows this sound in this diff i wanna leave it as d to have more emphasis on the high piano sound on the note before, going for more emphasis on the melody in the lower diffs
00:24:823 (50,51,52) - Ctrl+g this, the note at 00:25:237 (52) - is the highest on the synth played so ctrl+g will swap the notes round so the k lands on this and the pattern increases in pitch to match the music. (I know you know what ctrl+g does already, I just feel like I should explain every suggestion properly
00:51:720 (99) - Same as in Kantan, if any note in this song needs to be a K it's this one! Snare clap is so strong and prominent here and the K matches the feel nicely done
01:09:927 (136) - I really like how this section is mapped, good job!ty lol
01:43:444 (202,203) - Okay, I know how much you hate k d d d k patterns but come onwould not flow interestingly and the current pattern goes well with the vocals too
01:50:065 (218,219) - Same as above, please ctrl+g these two notes ^
02:06:203 (250) - Same as in Kantan, add a finish to this note since it is at the end of the kiai and a pretty big section change too added
02:12:823 (256) - Same as in Kantan, you have a finish on 02:19:444 (262) - so you should add one here for consistency same as in kantan
02:43:030 (299,300) - Same as last kiai, please ctrl+g these two notes same
02:49:651 (315,316) - Same here, please ctrl+g these same
[Muzukashii]
00:51:720 (179) - !!!!!!!! Change to a k (or a K if you want it to be consistent with the other diffs, assuming you accepted those changes.)ye
00:52:961 (180) - Change this to a d or a D, this is a deep-sounding tom hit and d much better follows this kind of sound would kill all emphasis on the next note
01:34:754 (321) - Why is this slider straight when the sliders on the other diffs were repeats?
01:39:720 (323) - I'll be honest I don't really like how the kiai is mapped with the d's and k's not following the drums properly and the entire first half being all finishers so I'll chalk it up to your mapping style and not attempt to change it since I don't think I would give very good feedback on it. I apologisemapping the strong synth sounds in the background with finishers, not focusing on drums here
02:12:823 (422) - Add a finish here, you have one at 02:19:444 (432) - so I'm not sure why this note doesn't have one when there are also cymbals played where this note lands same as in the other diffs
[oko's Oni]
01:52:340 (506) - Change to 1/6? You have it at 01:45:719 (472) - too so it would be consistent with that! You also have it in the second kiai here: 02:51:926 (785) - This is only a suggestion because there is a kdk before it and kdk (dddk) might be a bit difficult for the first kiai
02:33:306 (699) - Why no 1/6 here?
I really really like this diff, good job!
[Inner Oni]
00:24:616 (151) - Change to k since there is a snare hit in the music here! If you also want to keep with the variation then maybe you could add a note after it (a k maybe, it would follow the synth pattern)? synth is a lower sound here
00:37:858 (246) - Same here, change to a k (and if you want extra variation also add the k after again!) same
00:46:143 - I suggest adding a k here and one after, then changing 00:46:341 (282) - to a d to make this a kkdkk pattern since the drums here play a little pattern on the cymbal bells and your triplet currently lands after this is played way too quiet to have a 5plet here
00:51:513 (298,299,300) - Change this to a ddk or a dkk so that the k lands on the snare, it feels strange playing this as a kkd since the d lands on the snare and you've had the k's landing on snare's the whole song until now D plays better and also fits the low sound pretty well, also fits the flow of what i mapped more, for the lower diffs i changed it but here it's really better as a D
00:52:961 (301) - Change this to a d too, it's a deep-sounding tom hit and the d better maps this sound synth sound is high
00:54:203 (308) - Change this to a k so that it maps the snare and adds some variation to this section (Like you have at 00:59:168 (340) - and 00:59:582 (344) - ) the main sound i am mapping to stays the same, also the plain d spam feels more natural here
00:57:513 (331) - Change to k, same as above
01:00:823 (351) - Change to k, same as above
01:02:478 (362) - Change to k, same as above
01:04:134 (374) - Change to k, same as above all same
01:14:892 (428) - Add a finish to this note, you have one at 01:21:513 (459) - and it's the same sound played in the music not strong enough to warrant a finisher for me
01:26:065 (479) - Why does this snare not have a finish but all the others do? to add more emphasis onto the D and to prepare to the change
02:12:823 (733) - Add a finish to this note since you also have one at 02:19:444 (756) - it would make them consistent same as in the other diffs
02:36:410 (860) - Change this to a k, it's a snare hit and you have all the other snare hits in this section mapped as k's changed
03:04:134 (1022) - You could also change this to a K since it's at the end of a bunch of monocolour notes but I totally understand why you didn't. Just a suggestion!
I really like the song, taiko needs more songs like this with a heavy drumline!All the best with ranking! o/
weff
[General]
I honestly believe that right now the hitsounds are too loud. I have music and sound balanced since I have osu and especially on this map the hitsounds dominated the song far too much. 80-85% should be sufficient enough.
[Kantan]
00:14:892 (15) - 00:22:341 (25) - to unify their rhythm I would suggest to move these two notes to 00:16:547 - / 00:23:168 - , it seems weird to have one triplet starting on the 3rd beat while the other starts on the first.
> 00:28:134 (33) - 00:35:582 (43) - ^
01:10:341 - 01:13:651 - try adding notes in these spots. It doesn't make the Kantan too dense and it makes the following two notes flow nicer as they build a good rhythm (dk kd).
Following that, 01:13:237 (84) - to don simply to make that rhythm work
Additionally, 01:12:410 (83) - could possibly be removed to make 01:15:720 (87) - stand out more (strong drums).
01:16:547 - repeat stuff
01:29:789 (103) - Considering 01:26:478 (100) - is a big don too, I would suggest changing this too. This also makes this part not seem as undense compared to the previous part because finishers require more effort to play.
drum roll heavy Kantan nomnom
[Futsuu]
00:03:099 (5) - I think this is somewhat awkward to play, also rhythm-wise. To me it sounds like this drum sound would at least need 00:02:478 - to function good, but that would make the Futsuu too dense. However, having a note 00:02:478 - here and removing 00:03:099 (5) - can fit to snare and also to the melody (00:03:306 - ). If applied: Repeat in obvious spots.
01:27:306 (176) - I don't really get the placement of this note. Neither vocals nor drums suggest having a note there instead of 01:26:892 - here. Seems inconsistent with 01:23:582 (168,169) - (or it's inconsistent the other way around). I also do not think this is comparable to 01:30:616 - as the vocals and the other instruments here do differ quite a bit.
01:41:789 (198) - Try changing this to kat. It should fit to the vocals going up here, 01:42:203 (199) - seems to not achieve that as it comes too late imo.
> 01:48:410 (214) - ^
01:43:444 (202,203) - Swap these? Emphasizing 202 over 203 seems weird, as both snare and vocals happen on 203.
> 01:50:065 (218,219) - ^
01:55:444 - Could add a don here for variation.
01:58:754 - ^
02:00:823 (244) - Move this 02:01:237 - here to fit this together with vocals and to also map the downbeat.
Repeat in 2nd kiai.
[Muzukashii]
01:08:892 (234) - To make this slightly easier to play, could be a kat. Also highlights the dons more.
01:14:892 (254) - y u no big not, inconsistent with Kantan/Footshoe
01:40:134 (324,325) - 01:41:789 (328,329) - I would suggest to change these to DK/KD for similar reasons as Futsuu, to repeat: For the first, highlights snare and vocal start; for the second, has a don on the snare but emphasizes 01:42:616 (330,331) - more.
> Repeat this in all relevant spots if applied, starting with 01:43:444 (333,334) - .
02:04:341 (402) - Highly advice to remove this note. This is a huge difficulty spike and the Futsuu lacks something comparable. While I find the spread quite interesting with its big gaps, I think this is just too much.
> 02:59:892 (547) - 03:01:547 (557) - are the same, kinda.
02:25:651 - Considering other spots like this which have kats, is this missing a note?
[oko's Oni]
Why not Oko's Oni?
Generally the diff is fine but in my opinion it is a little bit too close to the Inner Oni in some spots
00:20:065 (41) - Here for example you could consider to remove the note to have a 1/1 gap that Inner Oni doesn't have. Seems like a good spot to me as here the melody repeats from the beginning.
> 00:26:685 (81) - 00:33:306 (122) - ^
01:22:340 (356) - Maybe remove this as there is no nothing here.
01:34:754 - While I find the 1/6 usage in general questionable for an Oni, I think three 1/6 quads so close to each other are just too much, creating a huuuuge difficulty spike (similar to Muzukashii's kiai end). something like this might be more lenient and more appropriate instead. Alternatively, adapt to 02:31:030 -
01:42:823 (459,460) - Could swap these two notes to let the vocals end on a lower note, as the vocals go down.
01:44:892 - I find this break very awkwardly placed, if there is no breaks in other, similar spots like 01:41:582 - (and possibly even 01:39:927 - 01:43:237 - ). I do however believe a break is very appropriate, considering Muzukashii only is 1/1 finishers and also to not make it as dense as Inner Oni.
Repeat for 2nd kiai
02:03:513 (564,565,566,567,568,569,570) - Doesn't seem to fit to drums that well. Try either ddkkddk or dkkkddk instead, this oxxoxxo rhythm only really occurs 03:02:478 - here.
02:29:789 (678,679,680,681) - doublets seem odd, maybe just move 02:29:892 (679) - to 02:29:996 -
[Inner Oni]
I KNOW I MENTIONED THIS LONG TIME AGO BUT please reconsider the SV. Keeping this at 1.4 SV for majority of the map (possibly you can use a few SV changes for more upbeat parts like 00:13:651 - or the finisher parts) makes it harder and more interesting to read, something that is hardly challenged in ranked maps.
00:24:616 (151) - Don't fully get why this isn't a kat. Snare rhythm stays and the melody actually needs this note too, not just 00:24:823 (152) - . To me it seems that it would help to emphasize both if this were a kat.
> 00:37:858 (246) - ^
00:38:478 (250,251,252,253,254,255,256,257) - cruel, I approve
monocolor section is love
01:10:341 (409) - Big kat just to annoy people and for score v2 please thanks
01:14:892 (428) - Should probably be a big don, considering Kantan/Futsuu and 01:21:513 (459) -
01:26:065 (479) - Not a big kat on purpose? I don't fully get why the big kat rhythm wasn't continued for this. I don't fully support the big kat rhythm to begin with, but breaking it seems even more weird.
weff
[General]
I honestly believe that right now the hitsounds are too loud. I have music and sound balanced since I have osu and especially on this map the hitsounds dominated the song far too much. 80-85% should be sufficient enough.
[Kantan]
00:14:892 (15) - 00:22:341 (25) - to unify their rhythm I would suggest to move these two notes to 00:16:547 - / 00:23:168 - , it seems weird to have one triplet starting on the 3rd beat while the other starts on the first.
> 00:28:134 (33) - 00:35:582 (43) - ^
01:10:341 - 01:13:651 - try adding notes in these spots. It doesn't make the Kantan too dense and it makes the following two notes flow nicer as they build a good rhythm (dk kd).
Following that, 01:13:237 (84) - to don simply to make that rhythm work
Additionally, 01:12:410 (83) - could possibly be removed to make 01:15:720 (87) - stand out more (strong drums).
01:16:547 - repeat stuff
01:29:789 (103) - Considering 01:26:478 (100) - is a big don too, I would suggest changing this too. This also makes this part not seem as undense compared to the previous part because finishers require more effort to play.
drum roll heavy Kantan nomnom
[Futsuu]
00:03:099 (5) - I think this is somewhat awkward to play, also rhythm-wise. To me it sounds like this drum sound would at least need 00:02:478 - to function good, but that would make the Futsuu too dense. However, having a note 00:02:478 - here and removing 00:03:099 (5) - can fit to snare and also to the melody (00:03:306 - ). If applied: Repeat in obvious spots.
01:27:306 (176) - I don't really get the placement of this note. Neither vocals nor drums suggest having a note there instead of 01:26:892 - here. Seems inconsistent with 01:23:582 (168,169) - (or it's inconsistent the other way around). I also do not think this is comparable to 01:30:616 - as the vocals and the other instruments here do differ quite a bit.
01:41:789 (198) - Try changing this to kat. It should fit to the vocals going up here, 01:42:203 (199) - seems to not achieve that as it comes too late imo.
> 01:48:410 (214) - ^
01:43:444 (202,203) - Swap these? Emphasizing 202 over 203 seems weird, as both snare and vocals happen on 203.
> 01:50:065 (218,219) - ^
01:55:444 - Could add a don here for variation.
01:58:754 - ^
02:00:823 (244) - Move this 02:01:237 - here to fit this together with vocals and to also map the downbeat.
Repeat in 2nd kiai.
[Muzukashii]
01:08:892 (234) - To make this slightly easier to play, could be a kat. Also highlights the dons more.
01:14:892 (254) - y u no big not, inconsistent with Kantan/Footshoe
01:40:134 (324,325) - 01:41:789 (328,329) - I would suggest to change these to DK/KD for similar reasons as Futsuu, to repeat: For the first, highlights snare and vocal start; for the second, has a don on the snare but emphasizes 01:42:616 (330,331) - more.
> Repeat this in all relevant spots if applied, starting with 01:43:444 (333,334) - .
02:04:341 (402) - Highly advice to remove this note. This is a huge difficulty spike and the Futsuu lacks something comparable. While I find the spread quite interesting with its big gaps, I think this is just too much.
> 02:59:892 (547) - 03:01:547 (557) - are the same, kinda.
02:25:651 - Considering other spots like this which have kats, is this missing a note?
[oko's Oni]
Why not Oko's Oni?
Generally the diff is fine but in my opinion it is a little bit too close to the Inner Oni in some spots
00:20:065 (41) - Here for example you could consider to remove the note to have a 1/1 gap that Inner Oni doesn't have. Seems like a good spot to me as here the melody repeats from the beginning.
> 00:26:685 (81) - 00:33:306 (122) - ^
01:22:340 (356) - Maybe remove this as there is no nothing here.
01:34:754 - While I find the 1/6 usage in general questionable for an Oni, I think three 1/6 quads so close to each other are just too much, creating a huuuuge difficulty spike (similar to Muzukashii's kiai end). something like this might be more lenient and more appropriate instead. Alternatively, adapt to 02:31:030 -
01:42:823 (459,460) - Could swap these two notes to let the vocals end on a lower note, as the vocals go down.
01:44:892 - I find this break very awkwardly placed, if there is no breaks in other, similar spots like 01:41:582 - (and possibly even 01:39:927 - 01:43:237 - ). I do however believe a break is very appropriate, considering Muzukashii only is 1/1 finishers and also to not make it as dense as Inner Oni.
Repeat for 2nd kiai
02:03:513 (564,565,566,567,568,569,570) - Doesn't seem to fit to drums that well. Try either ddkkddk or dkkkddk instead, this oxxoxxo rhythm only really occurs 03:02:478 - here.
02:29:789 (678,679,680,681) - doublets seem odd, maybe just move 02:29:892 (679) - to 02:29:996 -
[Inner Oni]
I KNOW I MENTIONED THIS LONG TIME AGO BUT please reconsider the SV. Keeping this at 1.4 SV for majority of the map (possibly you can use a few SV changes for more upbeat parts like 00:13:651 - or the finisher parts) makes it harder and more interesting to read, something that is hardly challenged in ranked maps.
00:24:616 (151) - Don't fully get why this isn't a kat. Snare rhythm stays and the melody actually needs this note too, not just 00:24:823 (152) - . To me it seems that it would help to emphasize both if this were a kat.
> 00:37:858 (246) - ^
00:38:478 (250,251,252,253,254,255,256,257) - cruel, I approve
monocolor section is love
01:10:341 (409) - Big kat just to annoy people and for score v2 please thanks
01:14:892 (428) - Should probably be a big don, considering Kantan/Futsuu and 01:21:513 (459) -
01:26:065 (479) - Not a big kat on purpose? I don't fully get why the big kat rhythm wasn't continued for this. I don't fully support the big kat rhythm to begin with, but breaking it seems even more weird.
weff
Topic Starter
tyvmNwolf wrote:
weff
[General]
I honestly believe that right now the hitsounds are too loud. I have music and sound balanced since I have osu and especially on this map the hitsounds dominated the song far too much. 80-85% should be sufficient enough. i feel like since the drums etc. in this song are all very loud 100% is fine, since it would be just lowering the volume for everything anyway people who have a problem with it can just adjust their game volume instead so it should be fine
[Kantan]
00:14:892 (15) - 00:22:341 (25) - to unify their rhythm I would suggest to move these two notes to 00:16:547 - / 00:23:168 - , it seems weird to have one triplet starting on the 3rd beat while the other starts on the first. current patterns are fine to me and make for good variation, not letting the repetitive part get stale
> 00:28:134 (33) - 00:35:582 (43) - ^ ^
01:10:341 - 01:13:651 - try adding notes in these spots. It doesn't make the Kantan too dense and it makes the following two notes flow nicer as they build a good rhythm (dk kd).
Following that, 01:13:237 (84) - to don simply to make that rhythm work
Additionally, 01:12:410 (83) - could possibly be removed to make 01:15:720 (87) - stand out more (strong drums). did some stuff here
01:16:547 - repeat stuff ye
01:29:789 (103) - Considering 01:26:478 (100) - is a big don too, I would suggest changing this too. This also makes this part not seem as undense compared to the previous part because finishers require more effort to play. yes
drum roll heavy Kantan nomnom
[Futsuu]
00:03:099 (5) - I think this is somewhat awkward to play, also rhythm-wise. To me it sounds like this drum sound would at least need 00:02:478 - to function good, but that would make the Futsuu too dense. However, having a note 00:02:478 - here and removing 00:03:099 (5) - can fit to snare and also to the melody (00:03:306 - ). If applied: Repeat in obvious spots. i feel like this plays fine tbh
01:27:306 (176) - I don't really get the placement of this note. Neither vocals nor drums suggest having a note there instead of 01:26:892 - here. Seems inconsistent with 01:23:582 (168,169) - (or it's inconsistent the other way around). I also do not think this is comparable to 01:30:616 - as the vocals and the other instruments here do differ quite a bit. moved
01:41:789 (198) - Try changing this to kat. It should fit to the vocals going up here, 01:42:203 (199) - seems to not achieve that as it comes too late imo.
> 01:48:410 (214) - ^ ye, applied in the last kiai too
01:43:444 (202,203) - Swap these? Emphasizing 202 over 203 seems weird, as both snare and vocals happen on 203. would result in the entire pattern chain becoming weird or repetitive if i made changes to account for it
> 01:50:065 (218,219) - ^
01:55:444 - Could add a don here for variation. nice
01:58:754 - ^
02:00:823 (244) - Move this 02:01:237 - here to fit this together with vocals and to also map the downbeat. ye
Repeat in 2nd kiai.
[Muzukashii]
01:08:892 (234) - To make this slightly easier to play, could be a kat. Also highlights the dons more. would take away emphasis from the other kats
01:14:892 (254) - y u no big not, inconsistent with Kantan/Footshoe done
01:40:134 (324,325) - 01:41:789 (328,329) - I would suggest to change these to DK/KD for similar reasons as Futsuu, to repeat: For the first, highlights snare and vocal start; for the second, has a don on the snare but emphasizes 01:42:616 (330,331) - more. current pattern is more interesting imo and goes well with the dun dun dun dun thing in the background
> Repeat this in all relevant spots if applied, starting with 01:43:444 (333,334) - .
02:04:341 (402) - Highly advice to remove this note. This is a huge difficulty spike and the Futsuu lacks something comparable. While I find the spread quite interesting with its big gaps, I think this is just too much. ye
> 02:59:892 (547) - 03:01:547 (557) - are the same, kinda. these are ok imo, just 3 monocolor triplets in a row isn't too hard tbh
02:25:651 - Considering other spots like this which have kats, is this missing a note? added
[Inner Oni]
I KNOW I MENTIONED THIS LONG TIME AGO BUT please reconsider the SV. Keeping this at 1.4 SV for majority of the map (possibly you can use a few SV changes for more upbeat parts like 00:13:651 - or the finisher parts) makes it harder and more interesting to read, something that is hardly challenged in ranked maps. 1.5 just looks a lot cleaner to me and fits the intensity of the song very well
00:24:616 (151) - Don't fully get why this isn't a kat. Snare rhythm stays and the melody actually needs this note too, not just 00:24:823 (152) - . To me it seems that it would help to emphasize both if this were a kat. melody is the same pitch as 00:24:410 -
> 00:37:858 (246) - ^
00:38:478 (250,251,252,253,254,255,256,257) - cruel, I approve <3
monocolor section is love <3
01:10:341 (409) - Big kat just to annoy people and for score v2 please thanks i feel like the dddd in front of it is already enough emphasis, big kat would feel a bit weird for me
01:14:892 (428) - Should probably be a big don, considering Kantan/Futsuu and 01:21:513 (459) - ye
01:26:065 (479) - Not a big kat on purpose? I don't fully get why the big kat rhythm wasn't continued for this. I don't fully support the big kat rhythm to begin with, but breaking it seems even more weird. had it for better emphasis on the next D but it works well with this too i guess so i made it big
weff
diff
osu file format v14
[General]
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AudioLeadIn: 0
PreviewTime: -1
Countdown: 0
SampleSet: Normal
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[Editor]
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DistanceSpacing: 1
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[Metadata]
Title:Story In Everlasting Princess
TitleUnicode:Story In Everlasting Princess
Artist:Yokomin feat. Yuzuki Yukari
ArtistUnicode:Yokomin feat. 結月ゆかり
Creator:Chromoxx
Version:oko's Oni
Source:
Tags:Okoratu Okorin Vocaloid Loudrock Projects A Place Where You Hope C86 Album VOCALOUD
BeatmapID:1189462
BeatmapSetID:527735
[Difficulty]
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//Background and Video events
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//Break Periods
//Storyboard Layer 0 (Background)
//Storyboard Layer 1 (Fail)
//Storyboard Layer 2 (Pass)
//Storyboard Layer 3 (Foreground)
//Storyboard Sound Samples
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did all the things except calling it Oko's because i hate having one o in caps and one in lowercase, which is why all gds i ever made got ranked as "oko's" lol
more specifically, did the thing with more rest moments for melody in the beginning,
simplified the odd 1/6 patterns, avoided 1/4 into 1/6 altogether in this diff
made first kiai rest moment structure more consistent
adapted for a different rest moment structure for the 2nd kiai as it has different ways of handling vocals
adapted for the other way i handled 1/6 in 1:35
the one pattern that didn't fit drums so well is ddkkddk now
the double was moved to just be a triple
also removed the one note that didn't have anything there
I like [ A v a l o n ]'s mania map tbh
Topic Starter
Same, it's what inspired me to map this c:Nwolf wrote:
I like [ A v a l o n ]'s mania map tbh
[Muzukashii]
- 01:23:168 - Just to semi-tie into Futsuu's simplicity, this part could be a little more peppered with notes, like 01:25:444 - k here or something. Very slight but it just bugged me since normally the spread gap is pretty big xd
Topic Starter
fixed, added a d at 01:29:168 - tooOzzyOzrock wrote:
[Muzukashii]I'm not German, sorry.
- 01:23:168 - Just to semi-tie into Futsuu's simplicity, this part could be a little more peppered with notes, like 01:25:444 - k here or something. Very slight but it just bugged me since normally the spread gap is pretty big xd
: )
Qualified!
Qualified!
so when u ar pipol rank PIANO MAP? > : (Chromoxx wrote:
Same, it's what inspired me to map this c:Nwolf wrote:
I like [ A v a l o n ]'s mania map tbh
avalon pp maps., but not really cuz many sloww song demmm., I lik some indon piano maps cuz pp. wwoo i talkin pp
btw gratz.
he's still ranking maps what a madman
He is still a proficient mapper.
Gratz bro
Congratz
Battle wrote:
he's still ranking maps what a madman