1. I get it. The song basically loops. But for the first half of the map to be identical to the second half note for note is embarrassing. The fact that it's bubbled even more. Yet, I'm hardly surprised.
   
2. Anyways, it's often very good practice to map the second loop of a song at least slightly different to make things interesting, but it is an absolute must for recurrences of the chorus (or in this case the kiai) so that what is the true climax of the song isn't reduced to the same emphasis as the first kiai.
   
3. Slightly more complex patterns, simple note additions, the same density but with different, equally nice sounding patterns, literally any difference helps make repetitions in songs not be as boring as they'd otherwise be.

1. 00:09:456 (43,44,45) - d d K? Just to make it more musically accurate.Every occurrence.
2. 00:10:567 - d? So as to not rob emphasis from the upcoming k notes.
3. 00:11:202 - It would not hurt at all to see you not use kdk ever this whole map. Not only does ddk kdk k play poorly as the player has to weirdly hit the same key a lot, but kdk is such a clunky pattern that implies more emphasis than the song actually has, similar to how one finds specific places where patterns like dkd and dkk fit more. In this case, I wouldn’t even use a triplet, since not much truly goes on.
   Adding to that, using k for every trumpet note is quirky, but very limiting. Making notes like
   00:11:361 (54) - 00:14:058 (72) - 00:16:598 (88) - All give way more emphasis to the actual melody instead if “it’s trumpet so k”. Consider both these points for the rest of the map.
4. 00:15:329 (79) - d? Keeping this note different from 00:15:488 - gives it way more emphasis.
5. 00:17:472 - Shouldn’t there be a triplet here to be consistent with 00:12:392 - ? Maybe a kkd since the pitch is rising this time.
6. 00:19:456 (105,106,107,108) - and 00:20:249 (112) - all d? I see you’re mapping to the claps, giving the Ks emphasis is much more impactful, while also lowering the amount of ddk here.
7. 00:22:154 - If this part is more intense due to the instrument change, why is 00:23:583 - less intense? There’s definitely some structure revamp to consider, where you should make up your mind about which parts should have more notes instead of going about it randomly.
8. 00:25:805 (150,151,152,153) - So these are the more intense sounds right? They need to stand out compared to the K before it. Whether it be ignoring the cymbal crash and mapping 00:25:646 (149) - as k or making 00:25:805 (150,151,152,153) - all D to give them the same identity, both work. Applies to every occurrence. If the latter, 00:27:710 (160,161,162) - should be kkk.
9. 00:28:503 - k k d d k d? I don’t get the crazy drop in density. This pattern claps and leads in nicely.
10. 00:30:091 (171,172,173,174,175,176,177) - Switching from mapping this as big notes to a stream is iffy, but I’ll take it as long as you make 00:30:488 (176) - k .
11. 00:30:726 - I’ll accept how you mapped this if you make it follow the melody a bit better, a bit like this:
    
    The kat at the very end is NOT a big note, as it doesn’t have any special emphasis unlike the huge sounding drum hits.
12. 00:36:916 (216) - k to fit the pitch raise? I don’t like how lightly mapped this is because of the big notes but I get the idea.
    
    And then it loops, which is where your remapping starts. Don’t overdo it THAT much, but it should NOT be hard to think of other ways to either spice it up or map it differently.

1. 00:15:488 (46) - Don’t really need a finisher here, nothing calls for it.
2. 00:25:646 - Similar to Ayyri’s diff, I think there’s a nicer way to give the 00:25:805 (99,100,101,102) - notes more emphasis.
3. 00:30:249 (118,119) - Though it’s Oni, a break from removing these notes wouldn’t be that bad. 00:29:932 - can have a don to make up for it if it matters to you. Also applies to kiai #2.
4. 01:18:980 - Chose to ignore the usual triplets here?
   
   You can also go ahead and modify some stuff in the loop. Even things like the note at 00:58:503 - are good. Not a huge change, but it’s a difference that the player has to look out for. Oni has a lot of freedom in this sense.

1. 00:08:821 (8,9) - Delete these notes as a break. It’s important to limit disproportionately long strings of notes.
2. 00:26:123 (74,79) - k for both of these? Should bundle them up.
3. 00:30:091 (88,89,90) - kkk? Just to differentiate it from the ddk in kiai. Then the same at 01:03:107 (88,89,90) - for consistency’s sake.
4. 00:38:662 (117) - Delete this as another break.
   
   I’m glad kiai gets harder to vary, but it creates a giant gap with Futsuu than needs to be taken care of. Additionally, you need a couple more breaks in it too.

1. 00:11:996 (8) - d? Lot’s to do besides k d k d k.
2. 00:20:884 (12) - What is this note for?
3. 00:31:361 - You can add a note here, there’s no reason to make islands like these.
4. 01:08:980 - No 1/2 note here? The others have it. If not (which I think I prefer), then the other ones should drop it too.
   
   As the song loops, you can change the notes in some of your 5plets.

1. 00:05:646 - What the heck, I wanted to suggest that when these beep boops kick in that the mapping could change and the diff that does it just had to be Jon’s. Nice!
   Ever thought of something like this? Since it seems you’re kinda scared of using 1/2 (which you prooobably should)
   
2. 01:22:788 (26,27,28) - You mapped this pretty easy compared to the k kkd etc. stuff you’d map in other occurrences. I’m not sure why exactly.
   
   This diff could also easily vary some doubles and other patterns as well.

OzzyOzrock wrote:

Nah, sorry. This is a veto.

[Oni]

1. 00:15:488 (46) - Don’t really need a finisher here, nothing calls for it.
2. 00:25:646 - Similar to Ayyri’s diff, I think there’s a nicer way to give the 00:25:805 (99,100,101,102) - notes more emphasis.
3. 00:30:249 (118,119) - Though it’s Oni, a break from removing these notes wouldn’t be that bad. 00:29:932 - can have a don to make up for it if it matters to you. Also applies to kiai #2. Again, like in the muzu, I think the clap sound in the music here needs to be mapped to, so i've kept it in,
   and removed the other.
4. 01:18:980 - Chose to ignore the usual triplets here? sheeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeit my b
   
   You can also go ahead and modify some stuff in the loop. Even things like the note at 00:58:503 - are good. Not a huge change, but it’s a difference that the player has to look out for. Oni has a lot of freedom in this sense.

[Muzukashii]

1. 00:08:821 (8,9) - Delete these notes as a break. It’s important to limit disproportionately long strings of notes. I think the clap sound is pretty important to map to here, so i'll be keeping (8) in.
2. 00:26:123 (74,79) - k for both of these? Should bundle them up.
3. 00:30:091 (88,89,90) - kkk? Just to differentiate it from the ddk in kiai. Then the same at 01:03:107 (88,89,90) - for consistency’s sake.
4. 00:38:662 (117) - Delete this as another break.
   
   I’m glad kiai gets harder to vary, but it creates a giant gap with Futsuu than needs to be taken care of. Additionally, you need a couple more breaks in it too. Hopefully I've accomplished this adequately by thinning out some of the doubles/triples that may not be all too necessary.

[Futsuu]

1. 00:11:996 (8) - d? Lot’s to do besides k d k d k.
2. 00:20:884 (12) - What is this note for? There is a consistent clapping sound in the music every 2 bars, starting on this note (00:20:884 (12,13,14,16,18,19,20) -) Also, removing this would leave an awkward 3/1 gap between notes. I'm pretty adamant in the logic of this note.
3. 00:31:361 - You can add a note here, there’s no reason to make islands like these.
4. 01:08:980 - No 1/2 note here? The others have it. If not (which I think I prefer), then the other ones should drop it too.
   
   As the song loops, you can change the notes in some of your 5plets.

[Kantan]

1. 00:05:646 - What the heck, I wanted to suggest that when these beep boops kick in that the mapping could change and the diff that does it just had to be Jon’s. Nice!
   Ever thought of something like this? Since it seems you’re kinda scared of using 1/2 (which you prooobably should)
   
2. 01:22:788 (26,27,28) - You mapped this pretty easy compared to the k kkd etc. stuff you’d map in other occurrences. I’m not sure why exactly.
   
   This diff could also easily vary some doubles and other patterns as well.

Overall, the spread isn’t bad; but parts like second kiai neglect it. I’ve stated my problems and hope you can find another reliable mod before calling me back.

OzzyOzrock wrote:

Nah, sorry. This is a veto.

[Kantan]

1. 00:05:646 - What the heck, I wanted to suggest that when these beep boops kick in that the mapping could change and the diff that does it just had to be Jon’s. Nice! owo thanks
   Ever thought of something like this? Since it seems you’re kinda scared of using 1/2 (which you prooobably should) fixed~
   
2. 01:22:788 (26,27,28) - You mapped this pretty easy compared to the k kkd etc. stuff you’d map in other occurrences. I’m not sure why exactly. fixed~ (I think)
   
   This diff could also easily vary some doubles and other patterns as well. Fixed~

Overall, the spread isn’t bad; but parts like second kiai neglect it. I’ve stated my problems and hope you can find another reliable mod before calling me back.

1. Fix metadata in Kantan

1. lacking power, Kiai times could have more triplets.
2. 00:32:313 -, 00:34:853 - Try adding dons.
3. 01:05:012 (4,7) - 01:15:170 (16,17) - 01:17:709 (19,20) - could have triplets as well.

1. 00:08:503 (3,4,1) - I recommend kdk here in order to follow the clap and melody.
2. 00:25:964 (23,24) - 00:27:234 (26,27) - I'd like to make triplet here rather than 00:27:869 (28,29,30) - to follow the strong sound.
   
3. 00:58:345 (21,22,23,24,25,26,27,28,29,30) - ^
4. 01:04:376 - As first kiai time has a note at the time, this point should not be empty. 01:06:916 - here too.
5. 01:14:535 -, 01:17:075 ^

1. 00:16:440 (36) - 00:49:456 (37) -Try moving those notes to 1/2 left. they will fit to the melody well.

1. 00:16:599 (53,54,55,56,57,58) - 00:49:615 (53,54,55,56,57,58) - These parts need more notes in order to keep appropriate density. e.g.:
   

1. Check Ozzy's mod first