Applied all CTB changes, I won't change BPM on the CTB diffs because otherwise, it would mess up the entire structure of the mapping
Hello, it's a more strict check!No reply means applied
Cup
00:27:545 (1)- This could end on the red tick if you want to focus on vocals
01:16:799 (2)- I think this would sound better if it ended on the red tick, because of strong vocals there.
Grapes' Salad
This diff has a lower max combo than the Cup. While this is not too much of an issue because of GD leniency, it would be preferable that it is avoided. So in some points below there will be suggestions to add notes.
00:05:157 (1,3)- I suggest you either add the repeat or extend them to be 2/3 sliders, for consistency with the rest of your patterns and because the sounds aren't that weak. ( Made (1) a 2/3 and (3) a repeat )
00:11:426 (1,2)- This distance feels a bit ambiguous right now. So either reduce it or increase it to make your intention (dash or walk) clearer.
00:21:277 (4)- I suggest replacing this with a 1/3 repeat slider. It will cover the vocals and and will let you create a dash between 00:21:277 (4,1)- , which serves quite well to signal the pace change.
00:23:963 (3,4)- I think this would sound better if you mapped all the vocals in 1/2 ticks. So 00:23:963 (3)- should end on the red tick instead, and 00:24:859 (4)- could be replaced with a 1/2 slider. This will also let you add a dash between (4,1).
00:27:545 (4,5)- ^Similar stuff could be done here.
00:31:127 (3,4)- Personally I don't think this deserves the dash, so I would move stuff around, maybe like this ( Strong sound, needs a dash. Even I did dashes to that rhythm in my diffs)
00:42:769 (3)- The nearly vertical repeat slider plays a bit boring. Maybe you can move 00:41:874 (1,2,4)- to the right and then move 00:42:769 (3)-'s head to the right a bit too. ( Moved slightly )
00:53:515 (4)- Maybe you can replace this with a 1/2 slider, to cover the sound at the red tick but also because, if you move 00:54:411 (1)- around a bit, it will let you create a 1/2 dash - fitting since we're on the Kiai.
01:00:679 (4)- ^Same stuff
01:03:963 (4)- I'd more this a bit more to the left, to make the dashes around 01:04:262 (5)- a bit more different. The idea is that (5,1) is slightly larger than (4,5) to emphasize the downbeat better.
01:07:844 (1,2)- I'd make this dash a little bit shorter since we aren't on the Kiai anymore.
01:10:530 (4,5)- ^Same stuff
01:16:799 (3)- If you're following vocals, this should end on the red tick.
01:17:694 (1,2)- Feels a bit too large. I'd move (1) to the right a bit. ( moved (2) instead )
01:22:172 (6,1)- Similar stuff, but this one comes after an antiflow movement which makes it even harder. ( Reduced to Kiai dash )
Platter
00:02:620 (2,3)- I will insist that this dash doesn't really feel fitting, as 00:02:471 (1)- is a more important beat. Same for 00:03:515 (2,3)- . ( I don't like it but I did apply it. I personally think they're weak beats )
00:04:112 (6,1)- While this is within the x1.5 above trigger distance rule, it feels quite strong, so maybe I'd move the streams closer to it as a whole.
00:13:217 (4)- It doesn't really make sense that the distances to and from this are this similar, because (4) is stronger than (5). I'd move 00:13:217 (4,5,6,7)- to the right a bit, and adjust 00:14:112 (1)- accordingly to keep the Hdash. ( I made them the same distance for consistency instead )
00:23:963 (3,4,5,1)- The slider sort of gives the vibe that you're following vocals, so to me it would feel better if you followed the vocals in the 1/2 ticks instead.
00:27:545 (1)- Same as commented for the Cup. If this is following vocals it should end on the red tick.
00:35:605 (1,2)- I think you could make this dash larger, as it feels a bit short (in fact, I almost miss it because of dashing too much).
00:38:888 (2,3)- I get that you made this a larger distance because of the high pitched vocals, but it caught me a bit off guard because I didn't expect this on a calm part and based on the distance of the previous pattern. ( I'm putting emphasis on the vocal )
00:46:053 (4,1)- ^Same stuff. ( Same as before )
01:05:903 (2,4,5,6,7,8,3)- I wouldn't map the 1/6s following the violin here. In the whole 01:05:157 (1,2,3,4,5,6,7,8,1,2,3,4,5,1,2,3,4,5)- section, you only followed the violin in those two spots, which makes it feel quite inconsistent. ( Deleted 2 notes )
01:16:799 (2)- Should end on the red tick if you're following vocals.
Rain
00:01:575 (1,2,3,4,5,6)- This is the only part where the dash splits the notes in groups of 3 rather than 2 and 4. Make it consistent with the rest.
00:19:485 (1,2)- This dash feels a biiiit to large. Maybe you can move 00:20:381 (2,3,4)- to x:440.
00:23:515 (3,4)- This part feels like it's missing a dash, since on 00:23:068 (1,2,3,4,5)- there's are 3 places where the vocals are strong: 00:23:068 (1)- 's head, 00:23:366 (2)- and 00:23:366 (2,4)- . Maybe you could do something like this:
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00:26:799 (2,3)- ^Similar stuff here. Note the sounds you emphasized in the Platter.
00:30:679 (3,4)- ^Similar stuff here. ( Vocals are too ambiguous to me here, pattern stays )
00:32:471 (3,4)- ^Similar stuff here.
00:34:112 (3,4)- ^Similar stuff here.
00:37:097 (2)- The 1/6 dash doesn't really fit the pace of the section; I'd replace the slider with a circle. ( I disagree, it follows the vocal and give emphasis to the pattern )
01:08:291 (4,5)- Similar stuff as mentioned previously, there should be a dash between these. That way, you emphasize all vocals equally.
01:10:530 (1,2,3,1,2,3,4,5,6)- Similar stuff here, a dash every two notes would fit the vocals really nicely.
01:13:665 (3,4)- Similar stuff here.
01:15:157 (2,3)- Similar stuff here.
01:17:993 (2,3,1,2,3,4,5)- Some distances here don't fit your hitsounding. There should be a dash (or HDash for the strongest) every 2 notes here, as the finish hitsounds suggest.
01:21:277 (1,2)- Again, this should follow the 2-2-2 structure that you've used throughout this previous section.
01:23:068 (1,2,3,4,5,6,7)- Reduce the volume for this stream a bit, please.
01:25:754 (1,2,3,4)- Again, this breaks the 2-2-2 structure you've been using. Make it 6 circles instead and place the dashes consistently with your previous patterns.
01:25:306 (3,4)- Doesn't make sense that you have the finish hitsound with no distance at all. Even some antiflow like you did on 01:24:262 (2,3)- fits better here.