Heyho, M4M from my side
[General]
I found the offset to be slightly off, imo it should be around 1904 so go double check that.
Also take a look at your volume settings, some parts are much calmer than the kiai for example but still both have 75% volume.
[Kaze]
00:03:316 (7,8) - k d for the higher pitch on 7
00:07:370 (24,25) - dk makes more sense to match the piano
00:21:357 (100) - A finisher would fit nicely here due to the cymbal crash and to build up tension before the longer patterns
00:27:641 (144,145,146,147) - While these play okay, I can't really hear 1/6 in the music. An alternative could be a simple kkddkkddk D pattern to map the the cymbal and to mark the beginning of a new part
00:29:465 (159) - 00:31:087 (173) - 00:32:911 (185,186) - 00:34:330 (195) - 00:35:952 (208) - 00:37:573 (220) - 00:39:397 (233) - 00:40:816 (246) -
You're using finishers quite inconsitently on these beats. Some contain cymbal crashes which are imo pretty notable also while playing but only three of them got a finisher to cover that.
00:41:830 - The guitar already starts here, you could cover that by adding a d.
How about a ddkd dk pattern here 00:49:330 (302,303,304,305,306,307) - and 00:52:573 (326,327,328,329,330,331) - ? I think it would match the guitar in the background much more.
Personal opinion: I think the density after 00:55:411 - is too high especially compared to the part before. The patterns are almost equally long and equally difficult while the music calms down quite a bit. It would be much better if you could emphasize that the song has become calmer to make a bigger contrast between the part before and the first kiai later. For example you mapped 00:56:019 (351,352,353,354,355) - as a dddkd which combines the vocals, the guitar, the bassdrum and the snare which makes it feel awkward and disconnected from the music. In that case a dk kd would be good imo, but go through that whole part and lower the density a bit. (this continues until 01:21:357 - )
01:27:235 (552) - k for the snare
01:30:884 (580,581,582,583) - Not sure about these 1/6 again, are you mapping the piano here? Else you could apply the suggestion at a similar spot from above for consistency.
01:59:668 (789,790) - 02:01:289 (801,802) - What are these for?
02:03:722 (820,821) - These play a little weird because the music didn't really change except for a snare variation which is overemphasized imo. My idea would be to replace the finishers with a kkdkd pattern which you can connect with the next pattern if you want.
02:16:695 (913,914) - Same here^
03:53:992 (1606,1607) - ^
05:18:316 (337,338) - ^
05:31:289 (440,441) - ^
02:45:681 - Like i stated for this part 00:55:411 - 01:21:357 - . Just look through that part again and reduce the density a little.
02:57:032 (1191) - k for the snare
04:06:965 (1699,1700,1701) - The snares start a bit earlier than you are currently mapping them and the finishers don't really seem to fit as well. How about mapping it like d k kkddkkdd(dddk)? The (dddk) would be for the deeper drums and the piano sound at the end.
04:20:546 (22,24) - These can be k as well as that would make a nice contrast to when the drums start playing again.
04:52:168 (141,142,143,144,145,146,147,148,149,150,151,152,153,154,155,156,157) - (kkkd)d(kkkd)d(kkkd)d(kkkd)dk? Ok no I'm just kidding please don't do that
05:45:276 (534) - K for the crash
That's all from my side. Good luck with your map.