Hello from my Modding Queue!
General - This song is only 3 minutes and some seconds long, which is not enough for a single diff to be ranked. Add some breaks in the middle and make another diff or two, one of which Easy or Normal.
General - This map isn't hitsounded. I'll just assume you're going to do it later.
00:12:436 (4,5,6,7,8) - This classifies as a stream, so they should be spaced closer together. (Someone told me this in my Groove map, so I think it's legit advice.)
00:13:091 - Set the preview point here. The preview point should most of the time be the first chorus in the song, and if you put it at the end of the song like you did, it makes it tiring and repetitive to linger on the song in the menu (like when you select mods) or to wait for the match to start in a multiplayer room.
00:14:403 (1,2,3) - While this looks nice, and is a mechanic used in a lot of 2B and Aspire maps, but it's not very readable to a human player. Same with 00:17:026 (1,2,3), etc.
00:23:583 (1,2,3,4) - This spacing feels
too stuck together, given the intensity and rhythm of the part, as well as in contrast with 00:24:567 (1,2,1,2,3,4,5,6). I suggest a pattern where you jump back and forth between two points instead. Same with 00:26:206 (1,2,3,4), etc.
00:42:436 (4,5) - I suggest merging these two objects into one slider, because the front beat isn't as strong as the guitar backing at that part.
00:44:567 (1) - Good use of intensity in this part!
00:47:190 (1,2,3,4,5,6,7) - I suggest spacing 3-4 and 6-7 to emphasize the accents of the guitar part. I hear the "DAdadaDAdadaDA Daaaaa" in the music but don't see it in the map here.
02:29:813 (2,3,4,5,6,7) - I'm not quite fond of this jump pattern. You should shape this into a zigzag like the previous part or a "circle" like 02:31:124 (2,3,4,5,6,7). Unless it's your intention to make your map more unpredictable, redesign this. Same with 02:32:436 (2,3,4,5,6,7) - 02:33:747 (2,3,4,5,6,7) - 02:33:747 (2,3,4,5,6,7), etc.
02:52:436 (4,5,6,7,8) - Spaced streams, again.
03:14:075 (3) - NC. The start of the measure and the start of the final guitar riff justifies it, IMO.
Overall, well-mapped. Au revoir!