Sup
Lower hit volume and get rid of the AI mod warnings plz
On top of the inconsistencies that I've mentioned in this mod, there're some places where hits are missing when they're there in the previous difficulty.
Kantan00:11:070 (7) - Forgetting a finisher?
00:16:924 (1,2,3) - I personally don't think it's necessary to have 1/1 here at the very quiet part. Doesn't really matter tho
00:25:705 (19) - You could move this to 00:27:656 - to make a similar 4/1 gap that you had at 00:33:509. Also possible to add a hit at 00:28:144 - to match the vocals. Same at other kiais.
00:38:387 - Considering you've mapped the beginning, I'd personally also try to map this break section too.
01:33:997 (43,44,45) - I think this would sound better if you ended the pattern with a d, similar to how you did it in the other difficulties.
02:16:924 (72) - You could possibly delete this since this is the only hit in the entire 3rd non-kiai that's not matched to the vocals.
02:53:022 (108,109) - Personally think Ctrl + G is more accurate to the pitch here, and then you could change 03:04:729 (114,115) - to d k perhaps.
02:56:924 (110,111) - You should probably make this consistent to 02:53:022 (108,109).
03:06:680 - I can't really think of anything good, but I found this section kind of bland because of the d k d k 2/1 patterns and the sole usage of k d d 1/1. If you could somehow make it more interesting, that'd be dope
04:24:241 (186) - This would sound good as a k to match to the high vocals imo.
04:30:095 (192) - Forgetting a finisher?
Futsuu02:09:119 (176,177) - Manipulating the rhythm from 02:02:290 - should be done to balance the difficulty curve at 02:08:144 (175,176,177).
02:52:046 (251) - Perhaps create a 4/1 break here, similar to how you left a larger rest moment in the Kantan diff.
02:59:851 (261) - ^
03:06:680 (270,271,272,273) - Nothing wrong with this, but perhaps you could move 03:07:046 (271) - to create less 2/1 breaks throughout the section. I think it'd make for a better flowing section.
03:13:022 (282) - Change to k? There's a high pitched melody so it'd be possible to create some variety.
04:00:826 (354) - ^ Would match nicely to the instrumentals and the vocals imo.
04:06:192 (363,364,365,366) - Personally think it'd be better to keep consistent with 03:58:387 (349,350,351,352).
Muzukashii00:28:631 (28) - Forgetting a finisher?
00:30:095 (31,32,33,34,35,36,37) - Changing 00:30:339 (32) - to k would keep consistent with the Futsuu and 00:22:534 (8). 00:31:314 (36,37) - Ctrl + G on these two hits would also sound awesome imo; I really liked how a k is matched at 00:31:558 - in the Kantan, Futsuu and Oni.
01:15:948 - Consider providing a 2/1 break somewhere in the middle of the kiai, similar to how you made a 4/1 gap in the Futsuu. Same in 3rd kiai.
01:46:680 (203) - Perhaps change to k like you had it in the previous two diffs.
02:51:070 - Again, consider providing a 2/1 break somewhere between here and the end of the 4th kiai.
04:14:485 (579) - This finisher is present in the Muzu-Inner Oni, but not in the first two diffs. Perhaps make it consistent?
03:37:900 - I'd probably also provide a 2/1 break somewhere in the 5th kiai to the end.
Oni00:20:826 - Comparing the Oni to the Muzu and the Inner Oni, I found the Oni to be too similar to the Inner Oni and too difficult compared to the Muzu. Tone down the difficulty in the patterns, and create a bit more 1/1 gaps, especially in the first half of this kiai.
01:08:144 (171,172,173,174,175,176,177,178) - I personally find these two kind of awkward with the 1/1 gaps after them; the 1/4 doesn't flow at the end of a pattern unless matched precisely, like at 01:10:339 (180,181,182) imo. Possible options could include adding hits at 01:08:875 - and 01:09:851 - or getting rid of the 1/4. However, an even bigger problem might be how the frequency of 1/1 gaps sharply increases in this section in comparison to the much longer pattern at 01:04:241. Same thing at similar spots.
01:11:558 (184,185,186,187,188,189,190,191,192,193,194,195,196,197,198,199,200) - Basically the same as the Inner Oni, if not harder. Same in other kiais, since difficulty curve is also an issue here.
01:54:485 (2,3,4,5,6,7,8,9,10,11,12,13) - This is denser than the Inner Oni.
03:05:705 (271) - Could be changed to k for variety and to match to the high vocals.
04:13:022 (149,150,151,152,153,154,155,156,157,158,159,160) - This part is suddenly much less denser, and too similar to the Muzu.
04:28:631 - ^
Nardo's Inner Oni01:01:802 - Reduce the volume? I felt like 80% volume was too loud for the whispers. Same at 02:17:900.
02:19:851 - Consider making some portions of this kiai slightly more difficult, as it's identical to the 2nd kiai.
02:57:168 (270,271,272,273,274,275,276,277,278,279) - Idk, but I found this pattern kind of weird, perhaps because of 02:57:656 (274,275,276) - which isn't really matched to the vocals while 02:53:753 (250,251,252) - 03:01:558 (297,298,299) - and 03:05:461 (321,322,323) - seem to be matched to the vocals.
Great diffs as usual
RebirthI realize that I've been calling the Rebirth diff the Inner Oni diff.
00:20:826 (4,5,6,7,8,9,10,11,12,13,14,15,16,17,18,19,20,21,22,23,24) - Not telling you to change it, but I liked the rhythm at
00:31:558 (64) - Similar to what I mentioned in the Muzu, it'd be cool if you could somehow get this to be a k.
00:52:412 (157) - Don't think there's a sound here, but even if there is, you should probably add hits at places such as 00:51:924 - and 00:51:192 - as the instrumentals are more audible here. I don't see a reason for placing additional 1/4 in this section without any sound that supports it.
02:02:900 (29) - Perhaps moving this to 02:02:656 - would make a more consistent 1/4 structure with a triplet at the first red tick of each measure, like you had at 02:04:485 (38,39,40) - and 02:06:436 (49,50,51).
02:17:656 (98,99) - Don't see anything bad with making this a triplet, like you did b4 the 2nd kiai.
03:08:631 (405,406,407,408,409,410) - Could be modified to be two triplets, since this is the only place where you skip the sound on a white tick at 03:09:119 - without anything significant to match to, in comparison to 03:06:924 (395,396,397,398) - matched to the melody and 03:20:826 (476,477,478,479,480,481) - matched to the vocals.
03:22:290 - Perhaps make this part more vocal-oriented? I found it kinda strange how you start to match exactly to the vocals from 03:28:631.
03:53:509 - I find it hard to follow how you're deciding when to make a part 1/4 and when to create a 1/2 gap in this ending section :/ I can't really suggest anything because you probably have reasoning behind everything you've placed, but it'd be dope if you could make the patterns a bit more organized and rhythms more consistent.
That's all