"there are so many bubbled maps and you decide to rank something bubbled 5 hours ago, shame on you!!!"
For reference: I call all 1/2 notes 1/1, all 1/4 notes 1/2 etc. This is because I consider sakuzyo baka and this song 180 BPM even though officially it's not C:
Note: I might have screwed up and used 1/8 and 1/12 after all.
[General]
I honestly think that the volume is
incredibly low compared to the song, so I'd suggest increasing the hitsound volume in the loud parts by 20%. Maybe in some others too, that's up to you. Maybe we should do this in IRC tomorrow lel
--> Spinner doesn't really have to be that much louder. Try 30% for it anyway
02:04:042 - You've got two different volumes here. I'd go with 40%, then it's the same as 01:16:042 -
--> Please note this does not consider any potential increase in volume. If you increase volume, use the same between these two parts. Here I wouldn't increase volume though.
01:32:042 - On all diffs: Would be nice to remove this note, I think. It doesn't belong to the melody and gives all diffs a fitting break. Then the focus also stays on the melody.
[Kantan]
00:36:708 (52,54) - To make a slightly larger gap to Futsuu, I'd suggest to remove either both notes or only 54. Will also decrease the difficulty a little bit as there's four 1/1 doublets atm.
00:40:042 (56) - Feels like this would be nice as a big note, like 00:24:042 (33) - 00:16:042 (21) -
00:59:708 (83) - Even though it's following a present sound, I think it would fit the map much more nicely 01:00:708 - here (maybe as a kat) because then 00:56:042 (77,78,79,80,81,82) - these six notes form a clear pattern and the two doublets would be like the next stage of pattern-ness.
01:33:042 (20,21) - hmmm personally I think a slider/spinner works more nicely here to follow the harp insanity.
01:41:042 (33) - Higher pitch than 01:40:042 (32) - so consider kat. Next note is kat too, yes, but it's emphasized by being big.
02:02:708 (66,67) - Delete these notes. Would let the kiai end nicely on 02:02:042 (65) - and also break the 3/1 continuity here, giving more presence to these last notes in the 83 BPM section. If you lead into them with the same rhythm it feels boring imho.
[Futsuu]
00:17:042 - 00:19:042 - 00:21:042 - 00:23:042 - could all have notes added as the gap to Muzukashii is pretty big and small to Kantan. It's not as bad in other parts but I doubt they can even this out.
00:24:375 (42) - And theeen delete this, so upcoming unmapped melody notes like 00:29:375 - 00:30:375 - and especially 00:32:375 - become less noteworthy. Also gives a break after the, with the above change, more intense kiai.
00:36:042 (77,79) - Are both finishers, so 00:38:042 (81) - should be a finisher too, right?
00:40:042 (84) - Same as
Kantan00:50:542 (102) - This is literally the same as Muzukashii, so this should be deleted.
00:52:042 (106) - Consider changing this to don so the next kat 00:53:042 (107) - feels more special and the pitch change becomes noticeable.
01:02:375 - Picture here cause omg changesBasically, following the rhythm 00:57:708 (117,118,119,120,121,122) - here more and avoiding a 180 BPM 1/2 finisher 01:03:708 (135,136) - here because that's cruel for Futsuu.
01:16:708 (2) - Remove this note as it is not present 00:02:708 - here. This part needs to stay calm.
01:23:042 (13,14,15) - Probably a better idea to remove all these notes. Futsuu could use this one rest moment pretty nicely and these are, to me, very unimportant notes. If not removing all, delete most (14/15).
01:47:042 (58) - Consider changing this to kat, then the don becomes more noticeable.
01:58:042 (83,84,85,86,87,88,89) - pretty sad this isn't mapped like 01:44:042 (53,54,55,56,57) - .
02:06:572 - Missing note here? Other diffs are pretty much as intense as the similar parts.
02:11:632 (104) - Could be deleted. Then there's a break in Futsuu again and the upcoming kats are emphasized but it's not that important.
[Muzukashii]
00:15:875 (35) - This note is pretty unnecessary and just covers up 00:16:042 (36) - , could be deleted
00:40:042 (121) - Same as Kantan/Futsuu
01:01:542 - Add a note here, as there is one 00:57:542 (164) - here. Song feels a little undermapped after the 2/1 break.
01:09:292 (211) - Fits nicer 01:09:125 - here imo.
--> move 01:11:292 (219) - to 01:11:125 - here.
Remove 01:33:292 (269) - , Futsuu only has 1/1 notes here. Gap is too big
02:00:042 (358) - Should be a finisher, considering 01:58:042 (350,351,353) -
[Oni]
00:15:819 (43,44) - Same as Inner Oni
00:40:042 (156) - Blah
01:13:542 (310) - Would fit nicer as don to signal the fall in pitch.
01:33:292 (356) - Move 01:33:125 - to here so the notes are placed on the spots where the harp makes audible fast notes.
01:59:458 (475,476) -
What are these snapped to? The piano stays 1/6, it doesn't change 1/8->1/6[Inner Oni]
00:15:819 (46,47) - If these were gone, the start of the kiai was emphasized much better C:
00:40:042 (219) - Blah Blah
01:14:958 (443) - 01:15:125 (445) - for me this stream flows so much nicer if these are kats.
01:33:041 (486,487,488,489) - I really think you should change this into being 1/8 too. I get that you get an "accelerated" feeling or something, and that this is mapped to the harp; but then you would have to put 1/12 01:33:375 - and 01:33:708 - here. Which wouldn't be a good idea. So yeah keep 1/8 pls.
01:59:375 (652,653,654,655,656) -
Same as Oni. Remove 01:59:625 (655) - and change the rest into 1/6.
fuck I'm tired it's midnight
maybe ask Nardo for a rebub after you applied changes, maybe he considers the changes on lower diffs as a lot. Call me back~