mintong89 wrote:

Hello!
You requested the mod request from my queue, so here we go:

[Inner Oni]
Generally I feel the spread difficulty control of the diff is quite low. For example, at beginning you have just simple d k xxx k d k pattern. But after this part the difficulty suddenly changes to nonstop hard stream, and I think the "pre-chorus" stream should be more easier compare to "chorus" stream but I feel they're the same. So it would better if you add some note to beginning at the pre-end and try to reduce the stream part start at 00:15:264 - here.

00:03:264 (20) - D? I think the drum cymbal is a quite loud and K is sound too soft for it. If you change this it would be better change 00:03:451 (21) - this note to k too for more flavor.
00:04:014 - => 00:08:139 - At these three parts I would recommend you to switch between third part and second part, because generally first part and second part are same note and it's quite rigid in my option.
00:10:014 (55) - k? Same as above suggestion, too many same part of note will be little boring.
00:43:201 (282,283,284) - kkd? Mostly I think kdd is quite hard to press after the k note.
00:48:076 (317,318,319,320,321,322,323,324,325,326,327,328) - Same as above, kkd ddk kkd ddk would be better because kdd is quite hard to press after k note.
00:56:701 (358) - d? To be more symmetry with 00:55:014 (352,353,354) - these note. (d k k and then k d d)
00:57:264 - => 01:01:576 - I think these part could be more hard stream for Inner Oni player because generally I hear the rhythm of the song is able to make more hard stream but not just 5-note-stream.
01:38:514 - => 01:41:139 - Same as way above suggestion.

Removed some notes on 00:15:264 parts (by Underflow) and re-mapped 00:03:264 and 01:36:264 parts (by Anais).

[Oni]

00:14:139 (59) - K? The tone of this note is higher than other two D. I want to keep this now for consistency with other difficulties.

Nothing really need to mention. Just I think it would be better try to follow the drum but not just follow vocal rigidly just like how you map in Inner Oni, it would be more fun!

[Muzukashii]

00:15:639 (51,52,53) - I don't think actually this is a good rhythm for Muzukashii because the "blue-line-note" quite unnoticeable in my option. How about add a note 00:16:201 - at here? I would notice it was "red-blue-red line note" if you add it. Same with rest of the same part. Try to fix. but i am a bit worried about that because it was pointed out that notes are a bit many.

Futsuu and Kantan are fine for me.
Good Luck!

1. Collaborate with Anais.
2. Change pattern of first part in Inner Oni: Chat about changing his part

-Anhedonia- wrote:

:D Queue Request

Gen's Oni

1. Check Widescreen Support please no, because this mapset isn't using a storyboard
2. 00:02:701 (17,20) - Make those note k, because they are higher pitched than the other notes in that part stable pitching part here so no
3. 00:05:139 (27) - d → k , as d it feels very poor to play 00:05:139 (27,28) - are same pitch
4. 00:07:014 (34,35,36,37) - 1/6 when Inner didnt have any? lol consider deleting it for spread purposes then, could you to explain to me about this https://osu.ppy.sh/b/281558 ???
5. 00:13:014 (62,63,64,65) - ^ ^
6. 00:17:514 - add any note here, preferably d, because the real break from this pattern is 00:18:076 - , so it feels really awkward to stop here ???
7. 00:18:264 - ~ 00:39:264 - x_________x I'd really recommend to remap this section following synths/ or drums/ anything but vocals, because it plays REALLY awkward as it is right now. Remember that taikos are drums not vocaloids LOL?????????? lol really
8. 01:40:014 (440,441,442,443) - same as before
9. 01:46:951 (479,480,481,482) - ^
10. I dont know, after the 18 seconds timestamp i didnt want to look the map anymore. From kiai it feels a bit better because drums in the song are very close to how vocals are so it actually feels like you were following drums which is much better.

mintong89 wrote:

Hello!
You requested the mod request from my queue, so here we go:

[Gen's Oni]

01:31:764 - => 01:33:264 - How about D K D K D instead of D k D k D? You can hear the cymbal of the song is mostly same so I think it should be all emphasize.

It's quite a solid Oni! Nothing are really matter about. Just the big note is quite overused example like 00:43:764 - => 00:44:514 - these are no really need to emphasize on it but I guess it's ok because it not really affect is gameplay. Try to reduce some if you can.

IControl wrote:

iControl's Mod

Kantan

01:47:889 - add K matches with your other diff / Added k.

Futsuu

01:46:764 (197,198) - change to d k They don't all sound like the same note to me. So I would use d k to show the difference between the 2 notes / Keep for now.
01:47:889 - add K Matches your other diff / Added k.

Muzukashii

01:08:514 (225) - change to d 01:09:264 (228) - change to D These parts sound lower / I think current pattern is fit more the music.
01:42:264 (347) - Sounds lower here as well / Sorry, i don't think so. next one note is lower than this.
01:47:139 (2) - k 01:47:889 (4) - K The last note should be a finsher because it sounds like a strong ending to the song. at 01:47:139 (2) - it sounds higher than the previous note but not as strong as the finisher note so k would fit well here. * plz change this to all diff after this one if you agree with it / Keep for now.

Oni

00:07:482 (31) - remove I think its to early for triple patterns in this song lol / No change for consistency.
00:17:326 (73,74) - ctrl g 00:20:326 (86,87) - ctrl g I think the lady is alternating her voice from low to high here. I don't think dk is the right choice for all of these parts / No change because feeling like ↘↗.

00:29:326 (124,125) - ctrl g 00:33:826 (144,145) - ctrl g ^ Same as above.

01:34:014 (418,419) - d k These don't sound that strong to be finishers imo / I'll think about this.

Inner Oni

First off I would like to tell you this is coming from a mind set of someone who plays a lot of inner onis for ranks,no offence but this doesn't feel like an inner at all more like an oni with more doubles please keep this in mind when reading this Inner Oni mod

00:04:201 (24,25,26,27) - change to k d k These part feels over mapped and don't fit the song well imo please change them, there are more them in the begging part but I think this should be clear on what I'm talking about. / I know. i will fix that.
00:16:014 (86) - move to 00:15:920 - blue tic I think this part should be 4 to 5 notes streams and doubles only. No triples because it breaks the flow of doing doubles. Sorry if its not making scene but if you look at a ranked map with lots of doubles there are usually no triples in that part. / I'll think about this.
00:22:014 (126,127,128) - remap this part the the one i just made / Why?
00:26:045 - add d 00:26:139 (154,155) - change to k d or ctrl g I explained above, Also I recheck this part over if you agree with me and take out the triples by making them 4 to 5 note streams or doubles / Same as 00:16:014.

00:48:076 - try this This is inner oni so you could have harder stream patterns / No, balance would be broken.

00:57:264 (342,343,344,345,346,347,348,349,350,351,352,353,354,355,356,357,358,359,360,361,362,363,364,365,366,367,368,369,370,371,372,373,374,375,376) - consider making this part into a long stream 2 / Same as above.
01:07:201 (411) - change to d fits the pattern struct you had before / No change for consistency.
01:11:420 - add d A stream would be good here because it sounds very intense here / No change for consistency.
01:16:389 (475,476,477) - ctrl g 01:16:670 - add d 01:16:764 (479) - change to k ^ / Changed some pattern in 01:15:264 - 01:25:764
01:16:857 - add d 01:16:951 (481) - change to d 01:17:045 - add d ^ / Same as above.
01:22:857 - if you liked that other stream you could add it here 2 / Also
01:37:201 (606,607,608,609) - I still feel like these are over mapped Same as 00:04:201.
01:47:139 (663) - k 01:47:795 (665) - remove Matches well with your other diff / Keep for now.

*Overall I think the map set is ok but could use some more work before getting ranked. Hopefully my mod gave you some helpful suggestions

Good Luck!

1. Remove unused .osb files.
2. Fix that creator is wrong value.

IControl wrote:

iControl's Mod

Gen's Oni

00:02:889 (18,19) - change to k k Sounds higher imo and goes really well with the next patterns
00:15:639 (79) - change to k It sounds higher here and this part doesn't match well with the other diff. I'm not going to do all the work for your map but for this part in Oni for an reference i have to reconsider about consistent, becuase i almost use dd kk and kk dd about. so i won't change this

*Overall I think the map set is ok but could use some more work before getting ranked. Hopefully my mod gave you some helpful suggestions

Good Luck!

osu file format v14

[General]
AudioFilename: tiger.mp3
AudioLeadIn: 0
PreviewTime: 62889
Countdown: 0
SampleSet: Normal
StackLeniency: 0.7
Mode: 1
LetterboxInBreaks: 0
WidescreenStoryboard: 0

[Editor]
DistanceSpacing: 0.6
BeatDivisor: 4
GridSize: 32
TimelineZoom: 2.1

[Metadata]
Title:Horang Pungryuga
TitleUnicode:호랑풍류가
Artist:Narae
ArtistUnicode:나래
Creator:Sylphi
Version:Gen's Oni
Source:나와 호랑이님
Tags:My Tiger's O2Jam Light Novel Underflow Genocide PatZar Anais
BeatmapID:831732
BeatmapSetID:361884

[Difficulty]
HPDrainRate:6
CircleSize:3
OverallDifficulty:6
ApproachRate:9
SliderMultiplier:1.4
SliderTickRate:1

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//Storyboard Layer 1 (Fail)
//Storyboard Layer 2 (Pass)
//Storyboard Layer 3 (Foreground)
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PatZar wrote:

IControl wrote:

iControl's Mod

Gen's Oni

00:02:889 (18,19) - change to k k Sounds higher imo and goes really well with the next patterns
00:15:639 (79) - change to k It sounds higher here and this part doesn't match well with the other diff. I'm not going to do all the work for your map but for this part in Oni for an reference i have to reconsider about consistent, becuase i almost use dd kk and kk dd about. so i won't change this

*Overall I think the map set is ok but could use some more work before getting ranked. Hopefully my mod gave you some helpful suggestions

Good Luck!

thanks for mod :^)

update

osu file format v14

[General]
AudioFilename: tiger.mp3
AudioLeadIn: 0
PreviewTime: 62889
Countdown: 0
SampleSet: Normal
StackLeniency: 0.7
Mode: 1
LetterboxInBreaks: 0
WidescreenStoryboard: 0

[Editor]
DistanceSpacing: 0.6
BeatDivisor: 4
GridSize: 32
TimelineZoom: 2.1

[Metadata]
Title:Horang Pungryuga
TitleUnicode:호랑풍류가
Artist:Narae
ArtistUnicode:나래
Creator:Sylphi
Version:Gen's Oni
Source:나와 호랑이님
Tags:My Tiger's O2Jam Light Novel Underflow Genocide PatZar Anais
BeatmapID:831732
BeatmapSetID:361884

[Difficulty]
HPDrainRate:6
CircleSize:3
OverallDifficulty:6
ApproachRate:9
SliderMultiplier:1.4
SliderTickRate:1

[Events]
//Background and Video events
0,0,"2012_5_2_1336462055.jpg",0,185
Video,0,"Background.avi"
//Break Periods
//Storyboard Layer 0 (Background)
//Storyboard Layer 1 (Fail)
//Storyboard Layer 2 (Pass)
//Storyboard Layer 3 (Foreground)
//Storyboard Sound Samples

[TimingPoints]
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PatZar wrote:

@sylphi, probably, we should add (SQAURE MUSIQ) at artist name , or you call someone that pro at metadata

5urface wrote:

M4M for https://osu.ppy.sh/s/433022

General
The File size for your mapset is on the high end, consider going with a lower size of the video. I want to keep current video quality. Maybe it is no problem because osz file is limited 30MB now.
If possible go with a background with a resolution of 1366 x 768. While your chosen resolution is indeed rankable it is not optimal. I'll try to find other background.


Kantan
Set the Slider velocity to 1.4 for beginners.
00:40:576 (47) While these notes on a 1/2 beat might be okay on the Futsuu they are not on a Kantan. Move this back to 00:40:764 I'll think about this because voicals is there.
00:46:576 (54) same as above, move it back 1/2 beat Same as above.


Futsuu
00:40:576 (70) Not sure about this 1/2 beat note. While it is mapped well to the song it might be too hard for a Futsuu. It's up to you though. Same as Kantan. and i don't think it is difficult to play.
00:46:576 (79) ^ Same as above.
01:02:514 (104) K? No change because it is similar sound as prev notes.
01:47:139 (198) K I was changing that to K. but it was a bit awkward for me.


Muzukashii
00:09:639 (32) I think a d would fit better here No change for consistency. but i will consider about this.
00:23:889 (76) d? It is high vocal.
01:02:514 (199) A K might fight a little better here and as last note in the subsequent DDD patterns (like 01:13:764 (247,248,249) and 01:25:764 (297,298,299) etc.) as well Same reason as Futsuu.


Oni
This one is fine as is in my opinion


Inner Oni
01:47:139 (656) K would fit better Same as Futsuu


Considering everything I would say that once Gen's Oni has been fixed and modded again once or twice this mapset might be ready for a BN request.
I hope this mod helped and I wish you the best of luck with your map =)

5urface wrote:

M4M for https://osu.ppy.sh/s/433022

General
The File size for your mapset is on the high end, consider going with a lower size of the video.
If possible go with a background with a resolution of 1366 x 768. While your chosen resolution is indeed rankable it is not optimal.

Gen's Oni
It feels like this difficulty still needs more work to be one par with the rest of the mapset. It just doesn't flow as well and has some inconsistensies. Especially the unneccessary 1/6 patterns and the compared to the other Oni inconsistent breaks and occasional vocal mapping need work.

00:07:014 (34,35,36,37) Why the switch to 1/6? There is nothing in the music that would suggest this, the only reason for this being here is making this harder. I would simply go with 1/4 kkd here
00:13:014 (62,63,64,65) Same as above
00:17:701 (90,91) Why is this mapped for vocals instead of the beat like the rest of the map? It plays, feels and sounds awkward and inconsistent, please stick to one mapping style throughout the map
00:19:389 awkward break, add at least a single d here
00:20:701 (106,107) same as 00:17:701 (90,91)
00:22:014 same as 00:19:389
00:23:514 ^
00:29:701 (150,151) ^
00:31:389 ^
00:32:701 (166,167) ^
00:34:014 ^
01:04:576 feels like you could add a note here
01:34:764 (420) k would fit the mapped sound better
01:40:014 (440,441,442,443) 1/6 again, I would certainly change them here as well to a 1/4 pattern
01:46:951 (479,480,481,482) same thing

Please playtest this difficulty again and decide whether additional changes are neccessary to bring this difficulty in line with the rest of the mapset

Considering everything I would say that once Gen's Oni has been fixed and modded again once or twice this mapset might be ready for a BN request.
I hope this mod helped and I wish you the best of luck with your map =)

Surono wrote:

man.. u frek since changed ur Username.. back to Genocide please. nowadays you like son of <3tak

Edit:
oke he askd me to test his diff

Edit:
nice u make me mod this shiit diff

sry, Indonesian only..
* 00:00:639 (4,9,35) - hapus bisa? disini 00:01:576 (8,9,10,11,12) - udah berasa soundnya kuat. bagus2 aja buat diff penyimbang spread sama Oni si owner klo gw hapus, bagian itunya entar kek si ozzy ngebacot di meraing :V bad spread, anyway oni gw juga ga mw susah" juga sama pnya owner, jadi pas lah imo
* 00:04:201 - ini don bos, terlalu over penekenannya. 00:07:014 - trus ini bahh anjeg edan. kkddk 1/2 lah, biar ada variasi 1/2 sama kdddk sblumnya yg gw suruh ganti don kat uda oke, consistent sama 00:05:701 (29) - ,kkkd 1/6 uda pas buat gw :^)
* 00:06:076 (29,30) - swap bos. variasi dari kdddk sblumnya gurih dk uda pas, yang di bagian terakhirnya high pitch
* 00:10:201 - shit, 00:13:014 - kat kat don don kat cacat
* 00:19:389 - anjeg kosong, 00:14:889 (72,73,74,75,76,77,78,79,80,81,82,83,84,85,86,87) - sblumnya gini, nextnya brah kok polanya ga rapi. disamain lah padahal bagian itu gw copas akwkawakwakw, gimna ga rapi. tar gw pikir"in lagi
* pindah om ke kanan trus ganti kat. 00:26:889 - too bad this empty. jelas2 perkusi tinggi..

this fine, like his old style mapping.. but some parts is inconsistent and not neat on patterning.

00:15:264 - sampe 00:24:264 - boss buat pola yg rapi kek yg lu lakuin di kiai. sama yg 1/6 ga mutu :U gw cuma denger nada tinggi keras. bukan berbentuk 1/6 ye. dan part selanjutnya lu cocok2in dari mod gw biar rapi lagi

bye for good shiit diifff


SARUNG GAJAH~

osu file format v14

[General]
AudioFilename: tiger.mp3
AudioLeadIn: 0
PreviewTime: 62889
Countdown: 0
SampleSet: Normal
StackLeniency: 0.7
Mode: 1
LetterboxInBreaks: 0
WidescreenStoryboard: 0

[Editor]
DistanceSpacing: 0.6
BeatDivisor: 4
GridSize: 32
TimelineZoom: 2.1

[Metadata]
Title:Horang Pungryuga
TitleUnicode:호랑풍류가
Artist:Narae
ArtistUnicode:나래
Creator:Sylphi
Version:Gen's Oni
Source:나와 호랑이님
Tags:My Tiger's O2Jam Light Novel Underflow Genocide PatZar
BeatmapID:831732
BeatmapSetID:361884

[Difficulty]
HPDrainRate:6
CircleSize:3
OverallDifficulty:6
ApproachRate:9
SliderMultiplier:1.4
SliderTickRate:1

[Events]
//Background and Video events
0,0,"2012_5_2_1336462055.jpg",0,185
Video,0,"Background.avi"
//Break Periods
//Storyboard Layer 0 (Background)
//Storyboard Layer 1 (Fail)
//Storyboard Layer 2 (Pass)
//Storyboard Layer 3 (Foreground)
//Storyboard Sound Samples

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256,192,54639,1,0,0:0:0:0:
256,192,55014,1,0,0:0:0:0:
256,192,55389,1,0,0:0:0:0:
256,192,55764,1,8,0:0:0:0:
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256,192,61764,1,4,0:0:0:0:
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256,192,62514,1,4,0:0:0:0:
256,192,62889,1,8,0:0:0:0:
256,192,62982,1,8,0:0:0:0:
256,192,63076,1,0,0:0:0:0:
256,192,63264,1,12,0:0:0:0:
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256,192,66076,1,0,0:0:0:0:
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256,192,107889,1,8,0:0:0:0:

1. Spacing of 00:40:576 (47) and 00:46:576 (54) just feels so out of place, why break the spacing like this? The vocal here isn't that dominant. I think you should remove this and have notes on 00:40:014 and 00:40:764 and 00:41:139 instead for better instrument and vocal emphasis. You should try something similar with 00:45:264 (53,54,55,56).
2. 00:54:26 would fit better as d I think, it's nicer for emphasis if you only start with k on 00:56:514.
3. I think it sounds much better if you move 01:05:889 (74) to 01:05:139 and 01:04:389 (72) to 01:05:514 (73), it would emphasize vocal and instruments much better imo. you could even have a 5-note 1/1 pattern starting at 01:04:764 here if you really want to keep a note on 01:05:889. This applies to other patterns in the kiai as well, it just sounds weird if you have more notes mapped over long sounds and then a break after 01:04:764 when there should be notes.
4. 01:15:264 K, the pitch is higher than before. Also, you could have D finishes on 01:14:139 and 01:14:514, would emphasize the song nicely. If you think spacing is too close, you could also remove the note on 01:13:014.

1. Similar to Kantan, 00:40:576 (70) does not feel nice to play because you don't have anything much around that supports it. How about 00:40:576 d and k on 00:40:764. Then add k on 00:41:139 and change 00:41:514 to d. The result should look like this starting from 00:40:576. This would emphasize instruments and vocals nicely imo. Applies to 00:46:576 as well.
2. 01:03:264 (105) K, you have a higher pitch than before. Similar with 01:15:264.
3. I think it would be better to have the 1/2 between notes like 01:05:139 (110,111) instead of 01:04:389 (107,109). This is because there is a long sound in the music from 01:04:389, which is not between 01:05:139 (110,111), so I think it would make more sense to use the 1/2 here instead to fit the song better.
4. I think you could remove 01:13:201 and add a D on 01:14:139.

snowball112 wrote:

Heya, random mod, just a few suggestions

Kantan

1. Spacing of 00:40:576 (47) and 00:46:576 (54) just feels so out of place, why break the spacing like this? The vocal here isn't that dominant. I think you should remove this and have notes on 00:40:014 and 00:40:764 and 00:41:139 instead for better instrument and vocal emphasis. You should try something similar with 00:45:264 (53,54,55,56). I thought it is a bit awkward to catch rhythm for beginners. but i also thought it is no problem cuz there is higher vocal. but now, i don't know what correct is.
2. 00:54:26 would fit better as d I think, it's nicer for emphasis if you only start with k on 00:56:514. for emphasizing some sound.
3. I think it sounds much better if you move 01:05:889 (74) to 01:05:139 and 01:04:389 (72) to 01:05:514 (73), it would emphasize vocal and instruments much better imo. you could even have a 5-note 1/1 pattern starting at 01:04:764 here if you really want to keep a note on 01:05:889. This applies to other patterns in the kiai as well, it just sounds weird if you have more notes mapped over long sounds and then a break after 01:04:764 when there should be notes. There's always a difference between individuals. i think current is better.
4. 01:15:264 K, the pitch is higher than before. Also, you could have D finishes on 01:14:139 and 01:14:514, would emphasize the song nicely. If you think spacing is too close, you could also remove the note on 01:13:014. No change cuz it is lower than next vocal sound.

Futsuu

1. Similar to Kantan, 00:40:576 (70) does not feel nice to play because you don't have anything much around that supports it. How about 00:40:576 d and k on 00:40:764. Then add k on 00:41:139 and change 00:41:514 to d. The result should look like this starting from 00:40:576. This would emphasize instruments and vocals nicely imo. Applies to 00:46:576 as well. Same as Kantan.
2. 01:03:264 (105) K, you have a higher pitch than before. Similar with 01:15:264. Same as Kantan.
3. I think it would be better to have the 1/2 between notes like 01:05:139 (110,111) instead of 01:04:389 (107,109). This is because there is a long sound in the music from 01:04:389, which is not between 01:05:139 (110,111), so I think it would make more sense to use the 1/2 here instead to fit the song better. Not bad. i'll consider about this.
4. I think you could remove 01:13:201 and add a D on 01:14:139. No change

In Muzukashii, I think you should add notes in places like 00:17:701 and 00:20:701 etc. to have a nicer structure in this part. There is note in times past. it was just removed for reducing density.

Good luck

Every mapset is limited to one of each difficulty level per game mode.

Senritsu wrote:

Hello
You asked a mod on my q, but before i do that please chek this

Every mapset is limited to one of each difficulty level per game mode.

So you can't have 2 Onis there
Please decide one Oni to be removed from the set

After that i will finish my mod on other req and mod yours

..ooorr i dont know because it's still on proposal lols

either way i will edit this post for my mod later

Sheikah wrote:

Hi :3

Futsuu
00:41:139 - I think if you place one note here the rhythm of the song feel a lot better, imo it's feel awkward right now (like missing something). Sorry, i don't think so.
00:47:139 - ^ Same as above.

Muzukashii
01:45:076 - Add one note here for consistency with 01:40:576 - as you did in the Oni diff. It is better to not change if i consider consistency. it can split to 01:35:514 and 01:41:514 if considering the melody.

Sorry for the short mod, I'm trying to learn to mod Taiko, So I only can notice that.

1. I'm not really sure about having the video. If it was me i wont play with the video honestly. Its really rare to see a taiko mapset with a video. However, the file exceeds 24MB with the video, which is a warning on AIMod. So.. idk, im not similar with these stuff qwq If you wish to keep it i guess you have to make the file smaller..?
2. I-I leave the metadata to you. 나는 한국어를 이해할 수 없어. @_@

1. 00:13:201 (72) - why not change this to d? the pitch get lower there, and this part is similar with 00:07:014 (39,40) - , so having kd on this part suits the music well
2. 00:14:139 (77) - K? emphasizing the music that's getting kinda high, dont you think?
3. 00:52:951 idk why dont you add a d here. following the vocal here is better than giving breaks like you did. 00:53:326 is optional, and the suggestion goes same to 00:54:826
4. 01:35:514 (589,590,591,592,593) - ddkkk would suits the music better.. but if you insist i will consider changing 01:35:889 (593) - to k because the music rises there, not going down
5. 01:47:139 (656) - K, the reason is same as 00:13:201 (72) -
6. Overall it's a nice diff. Not much to comment about lols

Senritsu wrote:

sorry for the long wait
And sorry for the mistake on my post before lols I don't care.
[General]

1. I'm not really sure about having the video. If it was me i wont play with the video honestly. Its really rare to see a taiko mapset with a video. However, the file exceeds 24MB with the video, which is a warning on AIMod. So.. idk, im not similar with these stuff qwq If you wish to keep it i guess you have to make the file smaller..? Maybe there is no problem unless the video is exceeded 30MB. it was written as follows in ranking criteria: Try to keep osz files under 10MB, or 30MB if you include a video/storyboard. Videos and storyboards can generally be decreased in size by lowering the quality of the video or trimming/resizing storyboard elements.
2. I-I leave the metadata to you. 나는 한국어를 이해할 수 없어. @_@ I already checked metadata once by myself. maybe fine...

[Inner Oni]

1. 00:13:201 (72) - why not change this to d? the pitch get lower there, and this part is similar with 00:07:014 (39,40) - , so having kd on this part suits the music well Although this is lower sound than prev note. but it feels to be high pitch from different viewpoint.
2. 00:14:139 (77) - K? emphasizing the music that's getting kinda high, dont you think? It can be K D K or D K D. so i can't decide now.
3. 00:52:951 idk why dont you add a d here. following the vocal here is better than giving breaks like you did. 00:53:326 is optional, and the suggestion goes same to 00:54:826 Added on 00:52:951 only.
4. 01:35:514 (589,590,591,592,593) - ddkkk would suits the music better.. but if you insist i will consider changing 01:35:889 (593) - to k because the music rises there, not going down Changed to ddkkd.
5. 01:47:139 (656) - K, the reason is same as 00:13:201 (72) - Same as 00:14:139.
6. Overall it's a nice diff. Not much to comment about lols

dont kd yet. i will finish the other diff later. sick atm lol late. already give kudosu.

Senritsu wrote:

Hello
You asked a mod on my q, but before i do that please chek this

Every mapset is limited to one of each difficulty level per game mode.

Doyak wrote:

[General]
* 제 맵의 노트 수와 Ozzy에게 추천받은 HP를 생각하면 Kantan: HP9, Futsuu: HP8, Muzukashii: HP7, Oni: HP6 정도는 되어야 할 것 같습니다. 특히나 오니는 노트 수가 이너오니보다 훨씬 적은데도 불구하고 어째서 HP는 더 낮은 5인지 잘 모르겠네요. 전부 조정했습니다. 추가로 Inner Oni쪽 OD가 6.5인게 맘에 안들어서 6으로 바꿨고요.
* Every diffs are increasing the volume since 00:57:264 - but imo, I don't see any intensity difference until it reaches to 01:01:764 - , so I doubt if it's a good way to represent the music. On Muzukashii+ diffs, the patterns themselves are changed a lot but I don't think it works properly when the song is really consistent with the previous part. 처음으로 노트 밀도가 적어지는 부분에서 이미 볼륨 자체가 50%까지 내려가는데, 그 상태를 그대로 유지하고 가다가 갑자기 80%까지 올라가면 볼륨 갭이 은근 클거라 생각해서 저렇게 변화를 준거긴 합니다. 근데 이제와서 보면 확실히 저 지점부터 키아이 전까지는 큰 변화가 없는것도 사실이기에 그냥 저 지점에서 50%랑 80% 중간값인 65% 한개만 두기로 했습니다.

[Kantan]
* 00:43:764 (50,51,52) - 다른 소리들에는 큰 변화가 없지만 보컬만큼은 50-51이 제일 크게 높아지는데 51을 캇으로 바꾸는 게 낫지 않을까 싶습니다. 전반적으로 동의 비중이 이쪽이 높기도 하고요. 일단은 개인적으로 듣기엔 51, 52번이 더 높은음으로 들리기에 그 두개만 k으로 바꿨습니다. 그나저나 다른 분들은 어떻게 생각하는지 잘 모르기에 일단 좀더 모딩을 받아보고 지켜보는걸로 하겠습니다.
* 01:05:514 - 보컬이 여기까지 고조가 되어있는데 01:04:764 (73) - 의 동 하나만으로 버티는 건 약간 무리가 아닐까 싶습니다. 그에 비해 01:05:889 (74) - 는 비록 새로운 가사의 시작이기는 하지만 상대적으로 많이 약한 감도 있고요. 차라리 http://puu.sh/sfNBY/e5ff2de5d0.png 이런 식으로 리듬을 짜는 편이 노래의 강조점을 잡아주기엔 더 낫지 않나 싶습니다. 뒤쪽들도 마찬가지고요. 01:13:764 (85) - 같은 건 피니시이기 때문에 강렬한 여운이 남아서 괜찮은 것 같습니다. 사실 고민이 좀 많이 되는 부분인데 01:12:264 (83,84) - 같은 경우에는 83보다는 84번의 소리가 더 높다고 생각되서 별로 상관없긴 한데, 01:06:264 (75) - 같은 경우는 주변에 비해서 낮은편이 아닙니다. 그래서 그런지 저런식으로 옮겼을 경우 어떻게 되도 좀 맘에 안들고 그러더군요. 그래도 일단은 지금보다는 플레이하기엔 낫다고 생각해서 말하신대로 바꿔봤고요. 다른거 생각난다 싶으면 그때가서 다른걸로 바꾸는걸로 하겠습니다.
* 01:45:264 (124,125,126,127) - 드럼 리듬이 01:46:764 - 를 기점으로 바뀌는데 전부 2/1짜리 동 피니시여서 좀 단조로운 느낌이 들었습니다. 1/1 피니시를 추가하기는 싫으실 것 같고, 대신에 01:46:764 (126) - 를 캇 피니시로 쓰는 건 어떨까 제안해봅니다. 저 경우에는 멜로디가 강한 부분에만 피니쉬를 두고 있어서 중간에 1/1 피니쉬를 두기엔 좀 애매하고, 그렇다고 그냥 노트로 추가하자니 커지고 작아지는 노트가 초보자들에게는 좀 거슬릴거라 생각해서 지금처럼 D으로 도배한거였습니다만, 흐음 글쎄요... 차라리 저중에서 음이 높아지는 부분인 125번을 K으로 두는게 나을것 같네요.

[Futsuu]
* 00:15:264 (26,27,28,29,30,31,32,33,34,35,36,37,38,39,40,41,42,43,44,45,46) - 와 00:27:264 (47,48,49,50,51,52,53,54,55,56,57,58,59,60,61,62,63,64,65,66,67) - 를 비교하면 몇 개의 노트를 제외하고는 완전히 똑같은데, 간단보다도 패턴이 더욱 반복적인 느낌이라 조금 아쉬웠어요. 그 조금 달라진 몇 개의 노트들은 오히려 00:17:514 (30) - 00:20:514 (35) - 00:23:514 (40) - 동동동 00:29:514 (51) - 00:32:514 (56) - 00:35:514 (61) - 캇동캇인데 특별한 규칙 없이 랜덤으로 쓰인 느낌이라 일관성이 떨어져보였고요. 전체적인 패턴을 바꾸지 않으실 거라면 전자도 캇동캇으로 써주면 일관성은 더 확보할 수 있지 않을까 생각합니다. 사실 자세히 들어보면 약간씩 차이를 줘도 될만한게 있어서 그부분에 차이를 주고, 나머지는 일관성 맞춰서 수정을 했습니다. 근데 사실 이게 막상 변화를 주려고 하면 줄게 그닥 없어요. 결국 난이도 특성상 어느정도 비슷한 패텬이 반복되는건 피할수가 없다 생각되네요.
* 00:46:576 (79) - 난이도를 걱정하신 건진 모르겠는데 간단처럼 d를 쓰는 게 보컬 높이에 더 맞다고 생각합니다. 이미 직전에 한 번 3/2 갭을 소개했기 때문에 색이 달라도 괜찮다고 생각해요. 무즈카시에서는 3/4을 색을 이리저리 바꿔가며 사용한 걸 생각하면... 단순 실수입니다. 수정했습니다.
* 01:00:264 (100) - 00:54:264 (90) - 과의 일관성이나 보컬/악기 음높이를 생각해도 d가 낫지 않을까요? 이쪽에 k가 전체적으로 너무 많은 느낌도 있고요. 글쎄요. 오히려 이런식으로 단순화 시킨 패턴에서는 다른 악기보다는 확실하게 들리는 멜로디쪽을 따라가는게 좋다고 생각하는데...
* 01:06:639 (113,114,115,116) - 01:18:639 (142,143,144,145) - 완전히 같은 음인데 패턴은 정반대로 쓰셨네요. 특별한 이유가 있나요? 정신이 없었나 봅니다. 일단 똑같이 수정했습니다 DX
* 01:31:764 (175,176,177,178,179) - 저에게는 맵 전체에서 가장 어색한 부분이었습니다. 01:31:764 (175,176,177) - 와 01:34:014 (178,179) - 는 음악적으로 완전히 다른 부분인데도 같은 2/1 패턴을 반복해서 사용했을 뿐 아니라, 01:34:014 - 01:34:764 - 의 소리는 전혀 강하지 않은데도 계속 피니시가 들어간 것도 이해가 되지 않았습니다. 저라면 K K K d k 를 추천하겠습니다. 나머지 상위 난이도들도 마찬가지입니다. 그냥 낮은 난이도에서는 178, 179번을 지우는쪽으로 갔습니다. 그리고 상위 난이도에서는 175, 176, 177번 위치에 있는 노트들은 이미 다 K입니다.

[Muzukashii]
* 00:23:889 (76) - 는 d가 되는 것이 00:24:264 (77) - 의 높은 보컬을 강조하는 데에 도움이 될 것 같고, 00:25:389 (81) - 는 80보다도 낮은 소리인데 d를 쓰는 게 더 어울리지 않을까 합니다. 왜 저게 k인지 저도 잘 모르겠네요. 뒤쪽에 비슷한 부분 포함해서 수정했습니다.
* 00:37:389 (117) - 도 비슷한 이유로 d, 그리고 00:38:139 (119,120) - 도 바꾸는 게 낫지 않을까요? 이부분은 보류로 두겠습니다. 사실 이부분을 d으로 두기에는 이전에 116번 노트보다는 음이 높아서...
* 00:42:639 (135,136,137) - 여기도 dkd가 음높이에는 더 맞을 듯하네요. 딱히 1/1들을 전부 k로 표현하려 했다거나 한 것도 아니고요. 사실 듣기에는 135, 136번보다 137번이 더 높은음같기에 차라리 둔다면 dkk쪽이 나을것 같네요.
* 01:07:764 (220,221,222,223,224,225) - 01:19:764 (270,271,272,273,274,275) - d k ddd k가 어떨까요? 근거로는 1. 3연타가 모조리 kkk밖에 없어 불균형한 점 2. 키아이에서 전반적으로 k가 높은 보컬을 표현하는 데에 쓰였지만 여기는 그렇지 않다는 점 3. 실제로 들리는 드럼 소리가 낮은 소리인 점 등이 있겠네요. 굳이 3연타를 k으로만 써야한다는 그런 미련은 없기에 일단 수정. 것보다 저렇게 바꾸는게 플레이하기에도 더 괜찮은것 같네요.
* 01:08:889 (226) - 도 d를 쓰는 게 01:09:639 (229,230,231) - 의 높은 보컬과의 패턴적 차이도 둘 수 있어서 낫다고 보입니다. 그리고 01:20:889 (276,277,278) - 랑은 일관성이 좀 떨어지네요. 마찬가지로 단순 실수입니다. 수정했습니다.
* 01:11:889 (239) - 마찬가지로 d. 사실 무즈카시에서만 왜 유독 보컬 없는 흰 틱에 k를 애용하시는지 잘 모르겠습니다. 다른 난이도들에서는 보컬 외에는 d를 더 많이 쓰쎴기도 하고요. dkk으로 변경
* 01:19:389 (269) - 01:07:389 (219) - 도 d가 어울린다고 생각되네요. 이부분도 보류로 두겠습니다. 사실 다음 노트가 있는 부분에 보컬이랑 비교하면 비교적 살짝 높은 음이기에...
* 01:35:514 - 무즈카시 정도 됐으면 굳이 길게 쉴 필요 없이 바로 채워가는 편이 덜 지루하다고 생각합니다. 오니에는 3연타로 시작했으니 여기는 1/2 k d k 정도로 가면 되지 않을까 싶네요. 일단은 dkk 두도록 하겠습니다.

[Oni]
* 00:01:764 - 를 기점으로 음악이 좀 달라지는 것이 무즈카시와 이너 오니에서는 표현이 되었는데 오니에서는 변화가 없네요. 이너 오니에선 긴 연타로 채워넣었으니 오니에서는 00:01:857 - 에 k를 추가하는 것으로 해결할 수 있지 않을까 합니다. 괜찮네요.
* 00:32:701 (140,141) - 는 00:20:701 (88,89) - 와 같이 kd로 하는 게 보컬 표현이 적절하다고 봅니다. 으헉 왜이리 이런게 잔실수가 많은건지, 수정했습니다.
* 00:47:889 (206,207,208,209,210,211,212,213,214,215,216,217,218,219,220,221,222) - 점진적으로 분위기가 고조되는데 실제로 패턴의 변화가 일어난 건 마지막 5연타 뿐이라 조금 아쉬웠습니다. 00:49:951 - 를 채우고 부족하다면 00:49:201 - 도 채워넣는 게 어떨지요. 일단 00:49:951쪽에만 추가는 했습니다만, 개인적으로는 좀 맘에 안드는 부분입니다. 생각같아선 다 채워넣고 싶긴 한데, 그경우엔 다른 부분 밀도도 생각해야 되는 상황이 되서...
* 00:53:889 - d를 쓰는 것이 00:54:264 - 를 강조할 수 있다고 봅니다. ddk k kdk으로 바꿔봤습니다.
* 00:56:139 (239) - 굳이 k로 변화할 이유가 없는 것 같네요. 드럼 소리에 맞춰서 이전의 d를 이어가는 게 나을 듯합니다. 뒤쪽에 들리는 벨소리(?) 비슷한거에 맞춰서 변화준거라...
* 01:22:389 (368,369,370) - 맵 전체에 유일무이한 aba 패턴인데 그냥 01:10:389 (306,307,308) - 처럼 쓰는 게 어떨까요? 사실 보컬음은 저게 더 잘맞는것 같긴 한데, 일리가 있는 말이긴 하네요. kkd 쓰기에는 강조가 안되는것 같아서 ddk으로 바꿨습니다.

[Inner Oni]
* 00:50:420 (316) - d가 어떨까요? 00:50:514 (317) - 가 워낙 특출난 소리이기 때문에 단독으로 k를 써줄 필요가 있다고 봅니다. 단순 실수라 수정했습니다.
* 원하시다면 01:45:732 - 01:46:482 - 를 채워넣는 것도 괜찮을 것 같습니다. 최고 난이도를 언더매핑하는 걸 안 좋아하는 븡들도 있고... (사실 01:45:920 - 01:46:670 - 에도 다 소리는 있지만 거기까지 하면 너무 길겠지만요) 마지막이니 저런식으로 변화를 주는것도 좋은것 같네요. 추가했습니다.

1. 00:01:764 (9) - are you okay lol Dk is ugly to watch, altho it's playable. but please, if possible, don't. ;_;
2. 00:22:201 (95,96,97,98) - altho i understand the hitsounding of this pattern, it would be much better if this also starts with a k, like the other patterns are. like kkdk, maybe?
3. No problem on Oni, really. great job at hitsounding them

1. 00:38:139 (119,120,121) - kdk follows the pitch better?
2. 01:34:014 (324,325) - also applies on Oni and Inner Oni, what is this lols why dont you change it with spinner?

1. 01:46:014 (125) - for some reason, this is the only K appears on set. why not make this also D?

Senritsu wrote:

You know you're allowed to hit me if i promised you a mod and i dont do it

:'))

so no kd for this because you already gave me~

[Oni]

1. 00:01:764 (9) - are you okay lol Dk is ugly to watch, altho it's playable. but please, if possible, don't. ;_; lol it's just a mistake.
2. 00:22:201 (95,96,97,98) - altho i understand the hitsounding of this pattern, it would be much better if this also starts with a k, like the other patterns are. like kkdk, maybe? Well... i think this sound is lower pitch than around.
3. No problem on Oni, really. great job at hitsounding them Oh really? thanks XD

[Muzukashii]

1. 00:38:139 (119,120,121) - kdk follows the pitch better? You're right. changed!
2. 01:34:014 (324,325) - also applies on Oni and Inner Oni, what is this lols why dont you change it with spinner? I really don't see the necessity to add spinner there.

[Kantan]

1. 01:46:014 (125) - for some reason, this is the only K appears on set. why not make this also D? When it was D, Doyak said this is a bit repetitive. but now, you ask me the reason to use K here. / It makes me really confused. so I decide to wait more feedback about this.

That's all i think, sorry for the really short mod. I don't really like the idea on how Kantan and Futsuu are really the same on some parts, altho Muzu is kinda crowded. Like example on 00:05:514
Kantan : there is 4/1 breaks, which is really plenty

Futsuu : still some plenty breaks

Muzukashii : boom it's really crowded with 3/2

So what am i trying to say is, Futsuu needs to be harder in order to make the spread better. Reason why im not modding the Futsuu there is, i'm afraid if i start to ask you to change a thing, you will have to change the whole thing (the pattern is a bit similar to each parts), so i want you to figure things of yourself (i know you can ) If you ask my suggestion, you can add more 1/1 on those parts

No offense, but for me, your futsuu right now is like Kantan copypasted then added some notes and removed notes, and give 1/2 there.
Kiai part is good though, just need a little bit polishment
My understanding on spread might be wrong, but i judge on what i understand is right. So if you (or anyone else) want to correct me, then please do.

There is really no way to adjust spread with just changing some patterns in my opinion. basically, the rhythm of Kantan and Futsuu is too simple rhythm to make the changes, it definitely makes a similar situation if i try to change patterns. I think, in this case, the best way is remapping those difficulties from scratch.

good luck for rank
+ star for good structure and everything, i hope you rank this soon!

• 
  'op' can be added since this is an Opening theme
  'MVZ Production' is the name of production team, which can also be added.
  * 'SQUARE MUSIC LAB' could be added where the song is produced.'SQUARE MUSIC' could also be added as it is a part of the singer. As 'SQUARE MUSIC' is duplicated, just add the former is already fine.

Skylish wrote:

Hi, from my modding queue.

[General]

> If possible, you may add a romanized name for the Korean source in tag column. Finding other things which i will add to tags.
> Actually there are more to add at tag column (source: the BG video (official OP)you inserted):

• 
  'op' can be added since this is an Opening theme I'll consider about this.
  'MVZ Production' is the name of production team, which can also be added. Added
  * 'SQUARE MUSIC LAB' could be added where the song is produced.'SQUARE MUSIC' could also be added as it is a part of the singer. As 'SQUARE MUSIC' is duplicated, just add the former is already fine. Added

> Can you kindly explain why inserting a 'dummy.png. at .osb? What's the purpose of it? It's for video file.
> HP of Kantan and Futsuu could be lower to 8 and 7 respectively in order not to be too harsh on the combo requirement and to enhance the HP setting a bit, while you are having a HP=6 set in Muzukashii. Seeing this screenshot, probably you would understand why i have been using this setting.
[Kantan]

* Not really recommended on using SV=1.2 at Kantan because the BPM is not that high (defining high= BPM~240). SV=1.4 is recommended across the whole mapset. Meanwhile, you have to fix the SV manually in .osu (in case you do not notice that using AIMod will trigger a little bug at base SV in Taiko mode). Fixed with changing sv to 1.4.


** I see you are re-mapping, so I better stop right here....
Feel free to ask me for modding the remaining part as well

Doyak wrote:

[General]
[Gen's Oni]
* 00:04:014 (22,23,24,25,26) - 00:10:014 (50,51,52,53,54) - idk what made you use this pattern because 24,25 is just higher than 22,23. Why not something like ddkdk? sry, the sound is awful for me, and imo, kkddk suits well for me rather than ddkdk, kinda isn't my style.
* 00:07:014 (34,35,36) - I read your previous mod reply but what you only said is that "a ranked mapset has this too", which is never a valid reason (it only can be a reference). That mapset is a bit different case because these two hardest diffs are just 2 different Oni diffs, not Oni - Inner Oni spread.
Anyway what's more important here is your reasoning behind it. In my opinion, that sound is not like "omg this is unarguably the most intense sound here", it's just a high tone between regular melodies. Furthermore, you only have used 1/2s until here so a sudden 1/6 is not really expected too. 1/4 would be more than enough to emphasize that sound. Also please do consider that your diff is meant to be easier than Inner Oni, as the diff name shows it. Applies to all other 1/6s too.okay, first 00:07:014 (34,35) - is the peak of emphasis so i'd like to use 1/6 for better flow, second you want to replace this 1/6 into 1/4 right?, okay it could be as 1/4, but i think 1/6 is more better rather than 1/4, yesyes i know it should be a bit overmapped, but i think it isn't


* 00:20:701 (106,107) - 00:32:701 (168,169) - The vocal tone goes down, so why not kd like Oni or just dd? 00:20:889 (107) - the vocal, the peak of highest vocal at here.

* 00:39:639 - In this part, I wanna ask you what you wanted to represent with all these ddk. I don't see much of consistency, since the drum triplets always start at red ticks but your map has it on both white and red ticks. Is there any pattern for that? What I thought about this is "Oh is it following drums? Uh... no? vocal? then why random triplets here and there? Some fits the drum and some doesn't..."
For example, 00:39:732 - has no drum sound but you have a note here. What does this want to represent? Emphasizing 00:39:826 - this vocal? Then I might ask again, 00:40:295 - what about this note? Now drum? 00:47:982 - how about this? If this is representing vocal, then what does 00:48:451 (244,245,246,247,248) - do? I'm pretty sure it's drum again. Tell me, is there any logic other than just switching between vocals and drums randomly? dunno, i laughing so hard when i read this one lmao, my friend who is ex-BAT doesn't complain this part anyway LOOL. First, 00:39:639 (200,201,202,203) - this is FULLY and COMPLETELY follow 00:39:826 (202,203) - emphasis the vocal mixed with background instrument ( if you can hear the drum backgroun and yes if you don't ear problem you can hear that ), second 00:39:639 (200,201,202,203,204,205,206,207) - and 00:45:639 (228,229,230,231,232,233,234,235) - are same with the same consistency without changing colours, but you complained about consistency????./b]
>>I'm pretty sure it's drum again. Tell me, is there any logic other than just switching between vocals and drums randomly? -->> if you have really [b]PLAYED my maps these are ranked, you can talk to me again, i map with fully contrast pitching and follower the drums and vocal in one way.

* 01:31:764 (435,436,437,438,439) - Why not K D K D K? The melody is exactly like that. fyi, do you know Tambur in Indonesia?, i bet no, or do you know dragon dance? if yes i was a drummer of that one, and i practice with these sound and emphasis that should be and tempo, but you and Wafu those complained with my own style lmao im dying while i type this.

I know Taiko mappers kinda 'create' their own rhythms but I think it should be done in ways to represent/emphasize the music better. I don't see much of reasoning behind your map to overmap things, because you're basically ignoring actual sounds that exist in the music, and put random notes that represents nothing in the music. " i dont see much of reasoning behind your map", BUT i have a reason why i mapped this song, dont be so cocky that just you 're a BN, i was a BN/BAT too duh

not Genocide wrote:

" i dont see much of reasoning behind your map", BUT i have a reason why i mapped this song, dont be so cocky that just you 're a BN, i was a BN/BAT too duh

404 AccNotFound wrote:

An nyung ha sae yo :^)
Modding haru wa sso yo!

bunmyeong hangeulinde alabolsuga eopdda! DX


[ Kantan ]

00:41:514 (59) - 낮음음에서 갑자기 고음으로 가는 파트이기 때문에 d 이 좋다고 생각합니다. 확실하게 그렇네요. 일단 58번하고 같이 변경해줬습니다.
00:49:764 (71,72) - 여기 사이에 k 을 하나 더 넣어서 조금 더 분위기를 고조시키는 건 어떨까요? 이부분에 대해서는 좀 고민해보겠습니다. 확실히 곡 자체를 생각해보면 넣는게 더 좋을지는 모르겠지만, 일부러 만들어놓은 공백이기때문에...
00:57:264 (77,78) - ctrl g 낮은 난이도들에 한해서는 보컬에 맞춘 감이 더 강하기 때문에 그냥 적용했습니다.
01:01:764 (82) - 태! 평! 가! 할때 다 d 넣어도 괜찮을거같아요! 위에서 말한대로 일부러 만들어놓은 공백이기에 패스해두도록 하겠습니다.
01:13:389 (99) - 얘를 지우고 태 평 가 할때 위에처럼 d 넣으면 어떨까요? 만약 이 전 노트를 지우고 추가한다고 해도 패턴 자체가 좀 길어지는 듯한 느낌이 들게 되기에, 전체적으로 변경이 필요하게 됩니다. 확실히 강조를 할만한 음이긴 하지만, 키아이 부분을 들어보시면 노트를 둔 자리 자체가 저런 보컬보다는 다른쪽에 중점을 맞추고 둔 느낌이 강하기 때문에 굳이 그렇게까지 할필요는 없다고 보네요.
01:25:389 (117) - ^ 마찬가지 입니다. 설명은 생략하겠습니다.
01:28:389 (121) - ^ ^
01:39:264 (133) - K 쓰셔도 될거같아요? 음 자체가 높긴 하지만, 지금까지의 패턴을 보시면 넣을만한 자리는 아니라 봅니다.
01:47:514 (144,145) - 1/1 기준으로 왼쪽으로 한칸 옮기면 딱 맞을거같아요! 이건 개인적인 취향이라 어쩔수가 없네요. 전 이상하게 음이 이어지는 곳에서 끊는다면 뒤보다는 앞쪽을 끝는게 더 어울리는 듯한 느낌이 들어서...


[ Futsuu ]

00:18:639 (41) - k 딱히 바꿀 이유가 안보이네요. 보컬에 맞춰도 잘맞는것 같고, 뒤쪽에 들리는 음으로 맞춰도 잘맞는것 같아요.
00:25:389 (58) - d 개인적으로는 57이 58보다는 높은 음이라 저렇게 표현한거긴 합니다만, 좀 고민좀 해보겠습니다.
00:37:389 (86) - d 위와 비슷한 이유로 패스
00:40:389 (91,92,93,94) - 후츠으 난이도에서는 조금 어렵지 않을까요? 91을 지우거나 하는 식으로 조금 더 쉽게 고쳐보면 어떨까요? 사실 저는 저정도는 충분히 통과는 가능하다고 봐요. 오히려 저기있는 노트를 지우면 키아이쪽에서 난이도 갑자기 증가하는듯한 느낌이 들어서 그냥 냅두는게 나을것 같다는 생각이 들고요. 그래도 91번에 있는 음이 그렇게 확실한 음은 아니니 생각은 해보겠습니다.
00:46:389 (105,106,107,108) - ^ 마찬가지로 패스해두겠습니다.
00:49:764 (113,114,115) - KKK? 로 해도 괜찮을거같아요! 전체적인 패턴을 고려해봤을때 어울리는 큰캇은 아님...
01:13:764 (164,165) - 사이에 D 하나 더 넣으셔도 될듯요 Kantan과의 난이도 격차를 어느정도 줄이기 위한 것
01:25:764 (193,194,195) - 193 194 사이에 D 넣구 195를 없에서 연속되지않는 스트림을 만드는건 어때요? 일단 위에서 말한 부분을 수정을 안해서 일관성 문제가 생기네요. 게다가 지금상태로도 음을 인식하는데는 불편함이 없다고 봅니다.
01:28:764 (201,202,203) - ^ 위와 동일합니다.
01:39:264 (221) - K 이미 Kantan에서 설명했습니다.
01:42:264 (228) - ^ 마찬가지이므로 설명은 생략하겠습니다.


[ Muzukashii ]

00:15:264 (50) - ~ 00:39:264 (122) - 이부분이 전체적으로 무즈카시이 치고는 조금 애매한거같습니다.저부분에 대해서는 별 방도가 없습니다. 지금 상태에서 몇개를 지워서 노트밀도를 줄여버리면 Futsuu하고 난이도 차이가 거의 안날뿐더러, Oni하고는 격차가 좀 벌어지게 됩니다. 그렇다고 보컬을 무시하고 1/2로 두기에는 뒤에 들리는 음이 소리가 그리 강하질 않기에, 플레이하기엔 불편할수도 있어도 플레이어가 어느정도 감수해줘야 하는 부분이라 생각해요.
00:40:951 (128,129,130,131) - ctrl g to follow melody line 보컬쪽 멜로디나, 뒤쪽에 들리는 멜로디를 따져봐도 좀 애매하긴 하지만 이게 맞다고 생각해요.
00:43:389 (138,139) - 1/2 기준으로 왼쪽으로 한칸? 어떤가요! 그것도 괜찮네요. 잠깐 고민좀 해보겠습니다.
01:04:482 (207) - delete 딱히 지워야 할 이유가 보이진 않네요. 난이도 상으로 봐도 그리 어려운것 갖진 않고...
01:16:482 (257) - ^ 위와 동일


[ Oni ]

제가 생각하기에는 완벽해요!! 감사합니다 (｀･ω･´)ゞ

00:14:139 (60) - K 이거 생각보다 지적하는 사람이 많네요. 그런데 이걸 하나 따지기 시작하면 다른 큰동, 큰캇을 쓴 부분에서도 똑같이 수정을 해야하는 상황이 오는데, 진짜 개인적으로는 뭔가 좀 소리가 거슬려서 웬만하면 그냥 두고 싶긴 합니다. 그러니 일단 이대로 유지해보고, 혹시 나중에 BN분들께 모딩받을떄 비슷한 내용이 온다면 그떄가서 토론해보는 쪽으로 하겠습니다.
00:17:701 (76) - d 그렇네요. 이쪽이 좀더 맞는듯 ._.
00:28:764 (123) - d 딱히 안바꿔도 곡엔 맞다고 생각되네요.
00:56:701 (243) - delete Muzukashii 난이도에서도 동일하게 둔 스트림이기도 하고, 사실상 곡에 안어울리는 어레인지는 아니기에 냅두겠습니다.
01:22:764 (373) - d 다음 노트에 있는 보컬하고 비교해보면 더 높은음 맞습니다.


[ Inner Oni ]

00:56:514 (336,337,338) - ddk or kdk 가 더 좋아보여요 잘 들어보시면 종소리 비슷한 느낌인게 앞에 2부분이 더 높은음입니다.
01:05:514 (396,397) - ctrl g? 보컬상에서는 397에 보컬이 없어서 d으로 뒀습니다.
01:05:889 (398,399,400) - ddk 하아 ↘ 늘↗ 오히려 "하아"부분에서 위에서 내려오는 느낌이라 kdd이 더 맞을거라 봅니다만
01:08:889 (420) - d 일단은 뒤쪽 비슷한 소리와의 일관성을 위해서 냅두겠습니다.
01:47:795 (661) - delete? 마무리가 약간 헷갈려요 없는 음에 둔건 아니라, 사실상 괜찮습니다. Inner Oni 답게 마지막부분을 좀 헷갈리게 두는것도 보는 제가 재밌ㅇ... 크흠



제가 손을 댈수가 없는 좋은 맵풀이었습니다!
모딩양이 적은점은 맵이 너무 완벽해서라구 생각해주시면 감사하겠습니다...^^ 시간내서 모딩해주셔서 감사합니다.
꼭 랭크되길 기원할게요~

1. K을 자주 쓰지 않습니다. 특히 피니시 K는 드물게 사용합니다.
2. 복잡한 1/1 패턴과 1/2 엇박을 지양합니다.
3. 특정 구간에 스피너 및 연속1/1 피니시D를 쓰는 것이 괜챃아 보입니다.

1. 좀 더 괜챃은 곳에 피니시를 배치하면 어떨까 합니다.
2. 1/1 노트를 더 배치해도 좋을 것 같습니다.

1. 보통 난이도와 동일한 의견입니다.

1. 오리지날 오니의 OD를 높혀주세요. (5 to 6)
2. 세 맵 중 하나라도 00:39:076:, 00:51:076:, 00:57:076:에 노트를 추가해도 될 리듬입니다. (전부 D 또는 K)
   Add a note to either three maps at 00:39:076:, 00:51:076:, 00:57:076:.
3. 오니 난이도가 3개 있습니다. 화룡점정 시리즈 처럼 普通/玄人/達人(보통/현인/달인)의 형태로 네이밍을 설정해도 될 것 같습니다. 물론 Oni는 표기해야 합니다.
   There is three maps of Diff Oni. It's fine about adding name 普通/玄人/達人(Normal/Kurouto/Tatsujin), like "Garyo Tensei" series. Of course, "Oni" must to notated.

Example wrote:

1. Oni (Normal)
2. Gen's Oni (Kurouto)
3. Oni (Tatsujin)

1. 높은 HP는 클리어 목적에 있어 초중반 구간을 의미없게 만들기 때문에 낮은 난이도에서 비추천합니다.
   이것은 기본모드나 매니아가 아닙니다!
   High HP Drain Rate can make low~middle range meaningless for clearing purpose, So it's not recommanded in low diff.
   This is not STD or Mania!
2. 전체적으로 OD를 한 단계씩 높여주는 것이 오리지날 다운 방법이라고 생각합니다.
   I think that it's the way like original taiko to increase the OD one step at every diff.

koseh wrote:

모딩 작성을 이렇게 하면 되는건가요? 네, 보통 자신이 생각하는걸 적어서 지적해보는게 모딩입니다. 이제 한가지 말해보자면 대문자로 D이나 K을 썼을경우 큰동이나 큰캇으로 인식할수도 있으니 모딩전에 미리 설명을 해두는게 좋을것 같네요.

Kantan

1. K을 자주 쓰지 않습니다. 특히 피니시 K는 드물게 사용합니다. 일반적으로 정식적으로 출시된 태고 시리즈라면 그랬을지도 모르겠지만, 오스 태고의 경우에는 이야기가 좀 많이 달라집니다. 사실상 매핑 자체가 자유롭다보니 표현방법도 이러저러 많이 변해서 꼭 본래 태고시리즈처럼 찍을 필요는 없습니다. 만약 피니쉬가 과도하게 사용되서 초보자들이 하기 힘들다면 이야기는 달라지겠지만, 현 상황에서는 그닥 문제가 안된다고 봅니다.
2. 복잡한 1/1 패턴과 1/2 엇박을 지양합니다. 상위 난이도들과의 격차를 봤을때 문제가 되는 부분은 아니라 봅니다. 이후 여러 사람들에게서 지적이 들어온다면 그부분은 수정하는 쪽으로 하겠습니다.
3. 특정 구간에 스피너 및 연속1/1 피니시D를 쓰는 것이 괜챃아 보입니다. 후자에 대해서는 저도 그렇게 하고 싶지만, 태고 모딩을 받다보면 알게되는 사실중 하나가, 연속적인 1/1 패턴이 길어지면 지적이 상당히 많이 들어옵니다. 어느정도야 고려를 해보겠지만 반드시 적용한다고 보기는 힘들것 같습니다. 그리고 스피너에 대해서 말하자면 전 표현할건 없는데 에코가 길게 이어지는 부분에 대해서만 찍는 경우가 대다수라서, 찍을만한 곳이 없어보이는 이 맵에서는 사용을 안하게됬네요.

Details

00:00:264:, 00:01:014:, 00:01:764 : 피니시 헤제 전 난이도에서도 같은 방식으로 표현되있고, 노트를 지우고 들어보시면 심벌소리가 있어 강조하기에는 충분하다고 봅니다.
00:02:514 추가 : 피니시 D 2/1패턴이라도 길어지는건 좀 그래서 비워둔 공간입니다. 이전 3개에 비하면 강한음도 아니기에 표현을 안한다고 불편함은 없을겁니다.
00:03:264 변경 : 피니시 헤제 특정 박자의 시작부분이라 두긴 했습니다만, 고민좀 해보겠습니다.
00:03:264 ~ 00:04:764 변경 : D DDD 멜로디에 맞춘 경우입니다.
00:06:264 ~ 00:07:764 변경 : D DDD 또는 K KKK 위와 동일
00:09:264 변경 : 피니시 헤제 위의 00:03:264와 동일, 실질적으로 심벌소리가 들리기도 하고요.
00:10:014 ~ 00:10:764 변경 : D DDD 위에서 설명했던거랑 같은 이유입니다.
00:12:264 ~ 00:13:764 변경 : D DDD 또는 K KKK 이것도 마찬가지이긴 합니다만, 맨 마지막의 노트의 경우에는 솔직히 좀 안맞는 감도 있어서 그부분은 고민을 해보겠습니다.
00:13:764 변경 : 피니시 헤제 강하게 들리는 멜로디의 강조입니다.

00:15:264 변경 : 피니시 헤제 위의 00:03:264와 동일
00:16:014:, 00:16:764 변경 : D D 아무래도 쉬운 난이도다 보니, 전체적으로 보컬에 맞춰서 찍은 경향이 있습니다. 그래서 이것도 전체적으로 봤을때 굳이 바꿀필요는 없다고 봅니다.
00:17:514 ~ 00:19:764 변경 : DDD D D 위와 동일한 사유입니다. 첫번째 노트에서 두번째 노트로 넘어갈때의 음이 살짝 올라가기에 그걸 표현하기 위해 첫번째 노트를 d으로 둔겁니다.
00:20:514 ~ 00:22:764 변경 : DDD D D 위와 동일, 설명은 생략하겠습니다.
00:23:514 ~ 00:24:264 변경 : KKK 위와 동일
00:25:014 변경 : D 확실히 보컬만 따져도 이건 좀 안맞네요, 다음 노트 포함해서 d k으로 변경했습니다.
00:25:764 ~ 00:25:764 변경 : 피니시 D 솔직히 피니쉬를 두기엔 좀 부족하다고 봅니다. d도 글쎄요... 이전 노트가 위치한 부분의 음이 여기보다 낮다는 생각은 안들어서 바로 위의 항목에서 설명한대로 바꿨습니다.

1. 00:27:264 ~ 00:37:764 이 구간 역시 00:15:264 ~ 00:25:764와 같거나 비슷하게
   비슷하게 하자면 예) "00:17:514 ~ 00:19:764:"부분이 DDD D D였으면 이 부분을 KKK K K으로. 위에서 설명한바 있어서 따로 설명은 생략하겠습니다.

00:39:264 변경 : 피니시 헤제 흐음, 어울리지 않는건 아니라 냅두겠습니다.
00:40:576 이동 : 00:40:764 가끔 한두번씩 오는 지적이긴 한데, 개인적인 느낌으로는 양쪽 어느부분도 괜찮다고 느껴져서... 이부분도 나중에 랭크될때 BN분들에게 의견을 물어보는걸로 하겠습니다.
00:41:514 ~ 00:42:264 변경 : DDD 또는 KKK 보컬 베이스 매핑
00:45:264 변경 : 피니시 헤제 00:39:264와 동일
00:46:576 이동 : 00:46:764 00:40:576와 동일
00:47:514 ~ 00:48:264 변경 : KKK 마찬가지로 보컬이나 멜로디 베이스라 패스
00:50:514 추가 : 피니시 D 패턴이 살짝 길어지는걸 끊어주기 위한 수단입니다.

00:54:264 변경 : D 보컬 베이스
00:55:014:, 00:58:014:, 01:01:014 제거 전체적인 난이도에서 저부분에 대해서는 밀도가 살짝 늘어나는 느낌이 있기에 비슷한 상황으로 만든 경우입니다. 저 노트가 있는걸로 초보자들이 하기에 난이도가 급격하게 올라가는것은 아니기에 그대로 두겠습니다.
01:02:139:, 01:02:514 추가 : 피니시 D 확실히 저부분엔 표현을 안하기에는 확실한 음이 있어서 두는게 좋겠지만, 개인적으로 키아이 들어가기 전에 큰동으로 3개 도배해서 벌써부터 밀도를 올릴필요는 없다고 봅니다. 어짜피 키아이 부분에서는 어느정도 밀도가 올라갈테니 쉬는 부분을 만들어주는것도 좋을것 같고요.

01:03:264 변경 : 피니시 헤제 키아이 시작을 위한 강조
01:04:014 ~ 01:05:514 변경 : DDDDD or DDKKK
(01:05:139 추가 : 노트) 아무리 키아이라지만 다른 부분에 비해서 노트 밀도가 너무 올라가 전체적인 밸런스를 해칠수 있으므로 거절하겠습니다.
01:08:514 추가 : D 패턴을 한번 끊어주기 위함, 실질적으로 보컬이 한번 끝나는 부분이라 공백을 넣기엔 제일 적절하지 않나 싶습니다.
01:10:014 ~ 01:11:514 변경 : KKKKK or DDKKK
(01:11:139 추가 : 노트) 위에서도 같은걸로 설명했기에 생략하겠습니다.
01:14:139:, 01:14:514 추가 : 피니시 D 위와 동일
01:15:264 변경 : 피니시 헤제 일단 심벌소리가 있기도 하고, 다시 시작되는 느낌이기도 해서 냅두겠습니다.
01:17:139 추가 : 노트 (D,K 상관없음) 01:04:014와 동일
01:20:514 추가 : D 또는 K 01:08:514와 동일
01:23:139 추가 : D 01:04:014와 동일
01:25:389 변경 : K 이전 노트보다는 음이 낮다는 느낌이 강하긴 한데, 일단 생각해보겠습니다.
01:26:139:, 01:26:514:, 01:29:139:, 01:29:514 추가 : 피니시 D 노트 밀도 관련 문제로 패스
01:31:764 변경 : 피니시 D 좀 고민중인 부분이기도 합니다. 일관성에 안맞는것도 있어서...
01:32:139:, 01:32:889 추가 : 피니시 D 밀도 문제, 거절
01:33:264 변경 : 스피너 (~01:34:764:) 원래 저 지점에는 강하게 들리는 부분에 맞춰서 노트가 한두개정도 있긴 했습니다만, 이전 모딩에서 약간의 브레이크를 만들어주자는 의견이 나온적이 있어서 그걸 적용한 상황입니다. 확실히 빈 느낌인 나긴 하지만 개인적으로는 스피너 자체를 그닥 좋아하진 않아서...

01:36:264 변경 : 피니시 헤제, D
01:39:264:, 01:40:764 변경 : D
01:42:264 변경 : 피니시 헤제, D 이걸 포함한 위쪽의 3개는 이미 이전에 설명을 했기에 패스하겠습니다.
01:45:264 ~ 01:47:889 변경 : D D DDDD 또는 K K DDDD
(01:47:139 추가 : 노트) 이것도 마찬가지로 밀도문제로 수정 안하겠습니다.

Futsuu

1. 좀 더 괜챃은 곳에 피니시를 배치하면 어떨까 합니다. 피니시 관련해서는 죄송하지만 대부분 미리 거절해두겠습니다. 대부분이 Kantan과 동일한 의견이고, 몇몇개를 제외하고는 매핑 스타일하고 상당히 어긋나기에...
2. 1/1 노트를 더 배치해도 좋을 것 같습니다. 상황에 따르겠네요, 일단 난이도들의 분포도 생각을 해봐야해서... 설명이 없는 경우는 상위 난이도와의 노트밀도로 거절한 경우라 생각해두시면 될것같습니다.

Details

00:00:264:, 00:01:014:, 00:03:264 변경 : 피니시 헤제
00:03:639:, 00:06:639:, 00:09:639:, 00:12:639 추가 : 노트 (D,K 상관없음)
00:14:139 추가 : 피니시 노트 (D,K 상관없음)

00:17:139:, 00:20:139:, 00:23:139 추가 : 노트 (D,K 상관없음)
00:25:951:, 00:26:139 추가 : K 이건 일단 일종의 휴식을 위한 공간이긴 합니다만, 두번째 지정한 부분에는 노트 있어도 될법하긴 하네요. 일단 보류해두겠습니다.
00:26:514 변경 : 피니시 K 다른 난이도와의 일관성을 위해 냅두겠습니다.
00:29:139:, 00:32:139:, 00:35:139, 추가 : 노트 (D,K 상관없음)
00:37:951:, 00:38:139 추가 : K 00:38:139쪽은 생각해보겠습니다.

00:39:076:, 00:39:826 추가 : D 보컬은 있지만 글쎄요, 뭔가 좀 미묘하다는 느낌이 있긴 해서...
00:40:389 삭제 또는 이동 : 00:41:326 제거하는쪽으로 해봤습니다.
00:42:639 추가 : 노트 (D,K 상관없음) 노트를 추가하자니 뭔가 좀...
00:45:076:, 00:45:826 추가 : D 00:39:076랑 비슷한 느낌이라...
00:46:389 삭제 또는 이동 : 00:47:326 마찬가지로 삭제하는쪽으로 했습니다.
00:48:639:, 00:49:389 추가 : K 마찬가지로 좀 걸리는 부분이 있어서...
00:49:764 ~ 00:50:514 변경 : 피니시 DDD 일단 음 자체도 높은 편이라, d으로 두긴 뭐하네요. 피니쉬는 평소 스타일하고 좀 달라지는 부분이 있는것 같아 생각해봐야 할것 같습니다.

01:00:639:, 01:01:389 추가 : D 난이도 분포쪽 문제로 둘중 하나라면 추가할수 있겠지만, 둘다는 무리네요. 일단 좀 생각해보겠습니다.

이후 키아이부분에서의 노트추가에 답변이 없는 경우는 밀도문제라고 보시면 됩니다.

01:03:076 추가 : K 마찬가지로 매핑 스타일하고 좀 안맞는 감이 강해서 패스
01:03:639:, 01:05:889 추가 : 노트 (D,K 상관없음)
01:08:889 이동 : 01:09:076 이쪽은 보컬보다는 정박에 맞추는쪽이 인식하긴 쉬울거라 봅니다.
01:09:639:, 01:11:889 추가 : 노트 (D,K 상관없음)
01:14:139 추가 : 피니시 D 여기 추가하면 후반에 비슷한 음이 연속으로 나오는 부분에도 추가하게 되야하는데, 그 경우에는 패턴이 좀 길어지게 됩니다. 그런건 되도록 피하고 싶기에 그냥 냅두도록 하겠습니다.
01:15:076 추가 : K 01:03:076와 동일
01:15:639:, 01:17:889:, 01:20:139 추가 : 노트 (D,K 상관없음)
01:20:889 이동 : 01:21:076 01:08:889와 동일
01:21:639:, 01:23:889 추가 : 노트 (D,K 상관없음)
01:26:139 추가 : 피니시 D 01:14:139에서 이미 설명
01:26:889 삭제 확실히 강조를 할부분을 하고 저부분을 비우는게 나을수도 있겠지만, 이건 개인적인 취향이라 이유를 댈만한건 없네요.
01:29:139 추가 : 피니시 D
01:29:889 삭제 바로 위쪽 참조
01:32:139 추가 : 피니시 D
01:32:513 변경 : 피니시 K 이부분은 고민중입니다. 일단 모든난이도에서 같은 패턴이기에, 바꿀거면 전부다
바꾸는게 좋긴 합니다만...
01:32:889 추가 : 피니시 D
01:33:264 변경 : 스피너 (~01:34:764:)
(01:34:014:, 01:34:764 삭제) Kantan에서 설명, 확실하게 들리는 음이 있는데 삭제까지 하면서 넣고싶지 않은것도 있고요

01:35:889 추가 : 노트 (D,K 상관없음) 전체적인 느낌으로 봤을땐 현상유지가 제일 나을거라 봅니다.
01:36:264 변경 : 피니시 헤제
01:36:639:, 01:39:639:, 01:42:639 추가 : 노트 (D,K 상관없음) 이미 위쪽에서 설명함
01:45:264 ~ 01:47:889 변경 : D K KDDK 이것도 개인적인 취향인게 강해서, 일단 보류

Muzukashii

1. 보통 난이도와 동일한 의견입니다. 대부분의 설명이 Futsuu랑 같습니다.

Details

00:03:264 변경 : 피니시 헤제
00:04:576 추가 : 노트 (D,K 상관없음)
00:09:264 변경 : 피니시 헤제
00:10:576 추가 : 노트 (D,K 상관없음)
00:13:764:, 00:14:139 변경 : 피니시 헤제

00:15:264 변경 : 피니시 헤제
00:25:201:, 00:25:951 추가 : 노트 (D,K 상관없음)
00:27:264 변경 : 피니시 헤제
00:37:201:, 00:37:951 추가 : 노트 (D,K 상관없음)

00:39:076 추가 : 노트 (D,K 상관없음)
00:39:264 변경 : 피니시 헤제
00:45:076 추가 : 노트 (D,K 상관없음)
00:45:264 변경 : 피니시 헤제

00:51:264 변경 : 피니시 헤제 이건 왜 넣었던건지 모르겠네요. 하위난이도에서는 안넣었는데... 일단 상위 난이도 포함, 제 난이도에서는 전부 변경했습니다.
00:51:264 ~ 00:56:514 전부 변경 : D 전부 d으로 둬도 되긴 했는데, 일단 어느정도 보컬쪽에 맞춰서 변화를 준 경우입니다.
00:56:701 제거 Kantan에서도 언급했습니다만, 이건 그냥 단순히 갑작스러운 밀도변화를 피하기 위한 하나의 수단이기도 합니다.
00:57:264 변경 : 피니시 헤제

01:06:826:, 01:18:826 추가 : 노트 (D,K 상관없음)
01:33:264 ~ 01:34:764 변경 : 슬라이더 또는 전부 K 슬라이더를 넣기에는 확실하게 안맞는다고 생각합니다 (보컬을 생각하면 맞기야 하겠지만, 분위기 자체는 그닥). 그리고 자세히 들어보시면 가운데 소리가 살짝 내려갔다가 마지막 소리에서 올라가기에 지금 패턴은 적절하다고 봅니다.

01:46:576을 제거하거나 01:46:764의 피니시 헤제 멜로디쪽을 따라감, 피니시는 전체적인 난이도에서 그렇게 찍었기에 그대로 보류해두겠습니다.

Oni Common (Include Inner Oni)

1. 오리지날 오니의 OD를 높혀주세요. (5 to 6) 이건 동의하기가 좀 힘드네요. 오스에서는 일단 OD 6만 되도 판정이 좀 까다로워져서 일반적인 오니에 6을 설정하기에는 좀 그렇다고 봅니다.
2. 세 맵 중 하나라도 00:39:076:, 00:51:076:, 00:57:076:에 노트를 추가해도 될 리듬입니다. (전부 D 또는 K) 이부분에 대해서는 이전 난이도에서도 말했듯이, 단지 취향의 문제입니다.
   Add a note to either three maps at 00:39:076:, 00:51:076:, 00:57:076:.
3. 오니 난이도가 3개 있습니다. 화룡점정 시리즈 처럼 普通/玄人/達人(보통/현인/달인)의 형태로 네이밍을 설정해도 될 것 같습니다. 물론 Oni는 표기해야 합니다. 괜찮은 아이디어라 생각을 좀 해보긴 했습니다만, 오스 태고 하시는분들 중에는 이걸 처음으로 접하시는 분들도 있어서 난이도 구별이 살짝 안될지도 모른다는 생각도 들기에, 일단은 현상황 보류해두도록 하겠습니다.
   There is three maps of Diff Oni. It's fine about adding name 普通/玄人/達人(Normal/Kurouto/Tatsujin), like "Garyo Tensei" series. Of course, "Oni" must to notated.

Example wrote:

1. Oni (Normal)
2. Gen's Oni (Kurouto)
3. Oni (Tatsujin)

ETC for all diff (극히 개인적인 의견입니다. Very personal opinion.)

1. 높은 HP는 클리어 목적에 있어 초중반 구간을 의미없게 만들기 때문에 낮은 난이도에서 비추천합니다.
   이것은 기본모드나 매니아가 아닙니다! 이부분에 대해서 입니다만, 요즘 대부분의 맵들이 짧은 저 난이도 맵에서는 대부분 HP를 높게 설정합니다. 이유인즉슨, 전체적인 노트 갯수가 적으면 적을수록 거의 대부분을 다 틀려도 회복량이 상당히 높기에 클리어가 가능하다는 것 때문인데, 이부분은 모든 BN이나 QAT들이 체크하는 부분이기도 해서 어쩔수가 없습니다. 굳이 내린다면 1단계씩은 내릴수 있겠지만, 전 일단 저 의견에 어느정도 동의하는 바도 있어서 지금 상태를 유지하도록 하겠습니다.
   High HP Drain Rate can make low~middle range meaningless for clearing purpose, So it's not recommanded in low diff.
   This is not STD or Mania!
2. 전체적으로 OD를 한 단계씩 높여주는 것이 오리지날 다운 방법이라고 생각합니다. 솔직히 저도 그냥 다 5로 설정해두고 싶은 마음은 굴뚝같지만, 초보자들에게는 5도 판정이 좀 빡셀수가 있습니다.
   I think that it's the way like original taiko to increase the OD one step at every diff.

404 AccNotFound wrote:

An nyung ha sae yo :^)
Modding haru wa sso yo!

[ Gen's Oni ]

00:07:014 (34,35,36,37) - Because star rating is 3.52 and bpm is little high, i think 1/6 is not suitable... you can make it with 1/4
00:13:014 (62,63,64,65) - ^
00:15:264 (76,77,78,79,80,81,82,83,84,85,86,87,88,89,90,91,92,93,94,95,96,97,98,99,100,101,102,103,104,105,106,107,108,109,110,111,112,113,114,115,116,117,118,119,120,121,122,123,124,125,126,127,128,129,130,131,132,133,134,135,136,137,138,139,140,141,142,143,144,145,146,147,148,149,150,151,152,153,154,155,156,157,158,159,160,161,162,163,164,165,166,167,168,169,170,171,172,173,174,175,176,177,178,179,180,181,182,183,184,185,186,187,188,189,190,191,192,193,194,195,196,197,198,199) - i can't understand what you want to express... both for these, i don't know why the modders don't like this part, i was talked with someone who he was BN too, and he told me it doesn't matter and you guys don't like this one lol


제가 손을 댈수가 없는 좋은 맵풀이었습니다!
모딩양이 적은점은 맵이 너무 완벽해서라구 생각해주시면 감사하겠습니다...^^
꼭 랭크되길 기원할게요~

[R] wrote:

why remove the video :'(

Kith190 wrote:

Hi NM as asked here

[General]
Shouldn't widescreen support be deselected? (in all diff) As far as i know, If there is a proper reason, it doesn't matter whether widescreen support is disabled. Actually, checked things related to storyboard in this map is all for showing 16:9 video properly and I think, it can be a proper reason to use it. Changed by some reasons.
Star spread between kantan futsuu and muzukashii is about 0.5 but between muzu and oni there is 0.8 and same for oni-inner... to me it is ok but someone could disagree. Well, I know why you worried. but you don't need to worry about it. Star rating is helpful in a measure for speculating overall difficulty but Itself may be not helpful for checking spread between difficulties. Actually, in ranked maps, there is many cases like what you said and they didn't get disqualified by reason of it.

[Kantan]
00:13:764 - change to k , the sound is a higher tone than here 00:13:389 - It's for consistency with other difficulties. but I'll think more about this.
00:45:264 (64,65,66,67,68,69) - i suggest to do the same thing as 00:39:264 (56,57,58,59,60,61) - Those parts has different pitch on vocals.
01:25:389 - change to k (?) It may be no problem because this has lower pitch than previous one.
01:28:389 - ^ Same as above.
01:30:264 - this is clearely a high sound, so k No change for consistency
01:46:014 - change o k To follow the melody, 01:46:764 (143,144) - also should be k. but I don't follow the melody here.

[Futsuu]
00:13:764 (31,32) - one of these 2 should be k, the first one shoud follow this note 00:07:764 - but the second one has a higher sound... so chose which one change Same reason as Kantan.
00:22:764 (52,58) - i suggest to make these as 00:22:764 (52,58) - ...?
and same thing untill here 00:39:264 - but it could become a bit repetitive so you chose Changed some patterns by referring to other difficulty.
01:01:764 (132,133,134) - here i think kdk would be nicer but not sure Hmm, I think it is not necessary to change because those are similar sound.

[Muzukashii]
00:02:514 - to me a k would fit better No change. Actual melody on 00:02:514 (9,10) matches to d k k d.
00:14:139 (48,49) - same ^ I tried but It sounds weird.
00:44:139 - maybe change to d Changed 00:42:639 (135,136,137,138,139,140) instead.
01:02:139 - change to k (?) Same as Futsuu.

[Oni]
00:22:764 - maybe a d would be better to play No change for consistency. Actually, there is no big difference to play.
00:52:951 (231) - what about placing k here and d here 00:53:326 - I'll think about this.
now I will give a suggestion that will change the kiai part a bit, so if you think that this could change the style of the map, do not follow it:
01:05:326 (282) - change to d It doesn't fit with vocals, in my opinion.
01:17:326 (343) - ^ Same as above.
01:05:139 (281,282) - control + g No change because it would break my style.
01:22:951 (374,376) - ^ Same as above

[Inner Oni]
Pretty cool!! It seems a different mapper btw Thanks XD

Good luck for rank!!! ;D Hope this was helpful

Kith190 wrote:

Hi NM as asked here

[General]
Shouldn't widescreen support be deselected? (in all diff)
Star spread between kantan futsuu and muzukashii is about 0.5 but between muzu and oni there is 0.8 and same for oni-inner... to me it is ok but someone could disagree.

[Gen's Oni]
I could be wrong but I've never seen a oni with 1/6 so I'd better call it Inner Oni or ate least Light Inner Oni how about https://osu.ppy.sh/b/281558 this?
btw
00:02:889 (18) - change to k (?)
00:05:139 - ^ 00:06:639 (33) - consistent with the another long tick like this.
00:29:326 - ^ the sound isn't that high and the vocal literally starts at 00:29:514 (157) -
01:11:139 - ^
and notthing else

Good luck for rank!!! ;D Hope this was helpful

osu file format v14

[General]
AudioFilename: tiger.mp3
AudioLeadIn: 0
PreviewTime: 62889
Countdown: 0
SampleSet: Normal
StackLeniency: 0.7
Mode: 1
LetterboxInBreaks: 0
WidescreenStoryboard: 0

[Editor]
DistanceSpacing: 0.6
BeatDivisor: 4
GridSize: 32
TimelineZoom: 2.1

[Metadata]
Title:Horang Pungryuga
TitleUnicode:호랑풍류가
Artist:Narae
ArtistUnicode:나래
Creator:Sylphi
Version:Gen's Oni
Source:나와 호랑이님
Tags:SQUARE MUSIC MVZ Production My Tiger's O2Jam Light Novel Underflow Genocide PatZar
BeatmapID:831732
BeatmapSetID:361884

[Difficulty]
HPDrainRate:6
CircleSize:3
OverallDifficulty:6
ApproachRate:9
SliderMultiplier:1.4
SliderTickRate:1

[Events]
//Background and Video events
0,0,"2012_5_2_1336462055.jpg",0,185
Video,0,"Background.avi"
//Break Periods
//Storyboard Layer 0 (Background)
//Storyboard Layer 1 (Fail)
//Storyboard Layer 2 (Pass)
//Storyboard Layer 3 (Foreground)
//Storyboard Sound Samples

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256,192,50139,1,4,0:0:0:0:
256,192,50514,1,12,0:0:0:0:
256,192,51264,1,8,0:0:0:0:
256,192,51639,1,0,0:0:0:0:
256,192,52014,1,0,0:0:0:0:
256,192,52389,1,0,0:0:0:0:
256,192,52764,1,0,0:0:0:0:
256,192,53139,1,0,0:0:0:0:
256,192,53326,1,8,0:0:0:0:
256,192,53514,1,0,0:0:0:0:
256,192,53889,1,0,0:0:0:0:
256,192,54264,1,0,0:0:0:0:
256,192,54639,1,0,0:0:0:0:
256,192,55014,1,0,0:0:0:0:
256,192,55389,1,0,0:0:0:0:
256,192,55764,1,8,0:0:0:0:
256,192,56514,1,0,0:0:0:0:
256,192,57264,1,8,0:0:0:0:
256,192,57639,1,0,0:0:0:0:
256,192,58014,1,8,0:0:0:0:
256,192,58389,1,0,0:0:0:0:
256,192,58576,1,8,0:0:0:0:
256,192,58764,1,8,0:0:0:0:
256,192,58951,1,0,0:0:0:0:
256,192,59139,1,8,0:0:0:0:
256,192,59326,1,0,0:0:0:0:
256,192,59514,1,8,0:0:0:0:
256,192,59889,1,0,0:0:0:0:
256,192,60076,1,0,0:0:0:0:
256,192,60264,1,8,0:0:0:0:
256,192,60639,1,0,0:0:0:0:
256,192,61014,1,8,0:0:0:0:
256,192,61389,1,8,0:0:0:0:
256,192,61764,1,4,0:0:0:0:
256,192,62139,1,4,0:0:0:0:
256,192,62514,1,4,0:0:0:0:
256,192,62889,1,8,0:0:0:0:
256,192,62982,1,8,0:0:0:0:
256,192,63076,1,0,0:0:0:0:
256,192,63264,1,4,0:0:0:0:
256,192,63639,1,0,0:0:0:0:
256,192,64014,1,8,0:0:0:0:
256,192,64389,1,0,0:0:0:0:
256,192,64764,1,8,0:0:0:0:
256,192,64951,1,0,0:0:0:0:
256,192,65045,1,0,0:0:0:0:
256,192,65139,1,8,0:0:0:0:
256,192,65326,1,0,0:0:0:0:
256,192,65514,1,8,0:0:0:0:
256,192,65889,1,0,0:0:0:0:
256,192,66076,1,0,0:0:0:0:
256,192,66264,1,8,0:0:0:0:
256,192,66451,1,0,0:0:0:0:
256,192,66545,1,8,0:0:0:0:
256,192,66639,1,8,0:0:0:0:
256,192,66826,1,0,0:0:0:0:
256,192,67014,1,8,0:0:0:0:
256,192,67201,1,8,0:0:0:0:
256,192,67389,1,0,0:0:0:0:
256,192,67576,1,0,0:0:0:0:
256,192,67764,1,8,0:0:0:0:
256,192,67857,1,0,0:0:0:0:
256,192,67951,1,0,0:0:0:0:
256,192,68045,1,0,0:0:0:0:
256,192,68139,1,8,0:0:0:0:
256,192,68326,1,0,0:0:0:0:
256,192,68420,1,0,0:0:0:0:
256,192,68514,1,8,0:0:0:0:
256,192,68701,1,8,0:0:0:0:
256,192,68889,1,0,0:0:0:0:
256,192,69076,1,8,0:0:0:0:
256,192,69264,1,4,0:0:0:0:
256,192,69639,1,0,0:0:0:0:
256,192,70014,1,8,0:0:0:0:
256,192,70389,1,0,0:0:0:0:
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256,192,70951,1,8,0:0:0:0:
256,192,71139,1,8,0:0:0:0:
256,192,71326,1,0,0:0:0:0:
256,192,71514,1,8,0:0:0:0:
256,192,71889,1,0,0:0:0:0:
256,192,72076,1,0,0:0:0:0:
256,192,72170,1,0,0:0:0:0:
256,192,72264,1,8,0:0:0:0:
256,192,72639,1,0,0:0:0:0:
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256,192,73014,1,8,0:0:0:0:
256,192,73201,1,0,0:0:0:0:
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256,192,73764,1,4,0:0:0:0:
256,192,74139,1,12,0:0:0:0:
256,192,74514,1,4,0:0:0:0:
256,192,74701,1,0,0:0:0:0:
256,192,74889,1,8,0:0:0:0:
256,192,74982,1,8,0:0:0:0:
256,192,75076,1,0,0:0:0:0:
256,192,75264,1,12,0:0:0:0:
256,192,75639,1,0,0:0:0:0:
256,192,75826,1,0,0:0:0:0:
256,192,76014,1,8,0:0:0:0:
256,192,76389,1,0,0:0:0:0:
256,192,76482,1,0,0:0:0:0:
256,192,76576,1,8,0:0:0:0:
256,192,76764,1,8,0:0:0:0:
256,192,76951,1,0,0:0:0:0:
256,192,77045,1,0,0:0:0:0:
256,192,77139,1,8,0:0:0:0:
256,192,77326,1,0,0:0:0:0:
256,192,77514,1,8,0:0:0:0:
256,192,77889,1,0,0:0:0:0:
256,192,78076,1,0,0:0:0:0:
256,192,78264,1,8,0:0:0:0:
256,192,78451,1,0,0:0:0:0:
256,192,78545,1,8,0:0:0:0:
256,192,78639,1,8,0:0:0:0:
256,192,78826,1,0,0:0:0:0:
256,192,79014,1,8,0:0:0:0:
256,192,79201,1,0,0:0:0:0:
256,192,79389,1,8,0:0:0:0:
256,192,79576,1,8,0:0:0:0:
256,192,79764,1,8,0:0:0:0:
256,192,79857,1,8,0:0:0:0:
256,192,79951,1,0,0:0:0:0:
256,192,80045,1,0,0:0:0:0:
256,192,80139,1,8,0:0:0:0:
256,192,80326,1,0,0:0:0:0:
256,192,80420,1,0,0:0:0:0:
256,192,80514,1,8,0:0:0:0:
256,192,80701,1,8,0:0:0:0:
256,192,80889,1,0,0:0:0:0:
256,192,81076,1,12,0:0:0:0:
256,192,81264,1,4,0:0:0:0:
256,192,81639,1,0,0:0:0:0:
256,192,82014,1,8,0:0:0:0:
256,192,82389,1,0,0:0:0:0:
256,192,82576,1,0,0:0:0:0:
256,192,82764,1,8,0:0:0:0:
256,192,82951,1,8,0:0:0:0:
256,192,83045,1,8,0:0:0:0:
256,192,83139,1,0,0:0:0:0:
256,192,83326,1,0,0:0:0:0:
256,192,83514,1,8,0:0:0:0:
256,192,83889,1,0,0:0:0:0:
256,192,84076,1,0,0:0:0:0:
256,192,84264,1,8,0:0:0:0:
256,192,84639,1,0,0:0:0:0:
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256,192,85201,1,0,0:0:0:0:
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256,192,86514,1,4,0:0:0:0:
256,192,86889,1,8,0:0:0:0:
256,192,86982,1,8,0:0:0:0:
256,192,87076,1,0,0:0:0:0:
256,192,87264,1,12,0:0:0:0:
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256,192,90076,1,0,0:0:0:0:
256,192,90264,1,12,0:0:0:0:
256,192,90639,1,0,0:0:0:0:
256,192,90826,1,8,0:0:0:0:
256,192,90920,1,8,0:0:0:0:
256,192,91014,1,0,0:0:0:0:
256,192,91201,1,0,0:0:0:0:
256,192,91295,1,0,0:0:0:0:
256,192,91389,1,8,0:0:0:0:
256,192,91764,1,4,0:0:0:0:
256,192,92139,1,8,0:0:0:0:
256,192,92514,1,4,0:0:0:0:
256,192,92889,1,8,0:0:0:0:
256,192,93264,1,4,0:0:0:0:
256,192,94014,1,0,0:0:0:0:
256,192,94764,1,0,0:0:0:0:
256,192,95514,1,8,0:0:0:0:
256,192,95701,1,0,0:0:0:0:
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256,192,95889,1,8,0:0:0:0:
256,192,96076,1,0,0:0:0:0:
256,192,96264,1,12,0:0:0:0:
256,192,96639,1,0,0:0:0:0:
256,192,97014,1,8,0:0:0:0:
256,192,97201,1,8,0:0:0:0:
256,192,97389,1,0,0:0:0:0:
256,192,97576,1,0,0:0:0:0:
256,192,97764,1,8,0:0:0:0:
256,192,98139,1,0,0:0:0:0:
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256,192,98889,1,8,0:0:0:0:
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256,192,100014,1,8,0:0:0:0:
256,192,100076,1,8,0:0:0:0:
256,192,100139,1,8,0:0:0:0:
256,192,100201,1,0,0:0:0:0:
256,192,100389,1,8,0:0:0:0:
256,192,100576,1,0,0:0:0:0:
256,192,100764,1,8,0:0:0:0:
256,192,100951,1,0,0:0:0:0:
256,192,101045,1,0,0:0:0:0:
256,192,101139,1,8,0:0:0:0:
256,192,101326,1,0,0:0:0:0:
256,192,101514,1,8,0:0:0:0:
256,192,101889,1,8,0:0:0:0:
271,189,101982,1,8,0:0:0:0:
256,192,102076,1,0,0:0:0:0:
256,192,102264,1,12,0:0:0:0:
256,192,102639,1,8,0:0:0:0:
256,192,103014,1,0,0:0:0:0:
256,192,103201,1,8,0:0:0:0:
256,192,103389,1,8,0:0:0:0:
256,192,103576,1,0,0:0:0:0:
256,192,103764,1,8,0:0:0:0:
256,192,104139,1,0,0:0:0:0:
256,192,104514,1,0,0:0:0:0:
256,192,104701,1,8,0:0:0:0:
256,192,104889,1,8,0:0:0:0:
256,192,105076,1,0,0:0:0:0:
256,192,105264,1,12,0:0:0:0:
256,192,105451,1,0,0:0:0:0:
256,192,105545,1,0,0:0:0:0:
256,192,105639,1,0,0:0:0:0:
256,192,105826,1,0,0:0:0:0:
256,192,106014,1,12,0:0:0:0:
256,192,106201,1,0,0:0:0:0:
256,192,106295,1,0,0:0:0:0:
256,192,106389,1,8,0:0:0:0:
256,192,106576,1,0,0:0:0:0:
256,192,106670,1,8,0:0:0:0:
256,192,106764,1,8,0:0:0:0:
256,192,106951,1,8,0:0:0:0:
256,192,107013,1,8,0:0:0:0:
256,192,107076,1,8,0:0:0:0:
256,192,107138,1,0,0:0:0:0:
256,192,107326,1,8,0:0:0:0:
256,192,107513,1,0,0:0:0:0:
256,192,107889,1,8,0:0:0:0:

1. Changed 1/6 patterns on Gen's Oni by mapper's request: p/6085960
2. Removed storyboard files (It's not necessary anymore)
3. Adjusted background position due to above thing.
4. Disabled Widescreen Support due to above thing.

Kisses wrote:

Kantan

1. 01:04:389 (85) - move to 01:05:139 ? I think it would fit the vocals better. Same for 01:10:389 (94) - 01:16:389 (103) - 01:22:389 (112) - Much better.

futsuu

1. 00:56:514 (123) - change to d? It's not the same as the vocal pattern at 00:52:764 (116,117,118) It's still high pitch though.

Oni

1. 00:03:264 (14,15,20,21,26,27,33,34) - how about adding variations to these? They all have slightly differences in sounds. Some patterns (include Muzu's) changed.

[]
That's all I could find, I hope this mod was useful, GL!

Gabe wrote:

Interested in pushing this forward?

1. 01:09:264 (302) - I'm suggesting you to change this don for a kat, it fits better with your current pattern and by looking at the Muzu and the Inner Oni, you added a kat in here as well. Some consistency is always welcomed.

1. 00:52:951 (324) - This note should be a kat since it has the same intonation as 00:52:576 (322) -

Gabe wrote:

Alright!


General

The folder is clean, and every settings are alright.
Nothing to suggest on the Kantan, Futsuu, Muzukashii and Gen's Oni

Oni

1. 01:09:264 (302) - I'm suggesting you to change this don for a kat, it fits better with your current pattern and by looking at the Muzu and the Inner Oni, you added a kat in here as well. Some consistency is always welcomed. Changed

Inner Oni

1. 00:52:951 (324) - This note should be a kat since it has the same intonation as 00:52:576 (322) - Changed

Nothing else to point out. Call me back!

Gabe wrote:

hi mom!

Skylish wrote:

Hi, from my modding queue. Sorry for super delay.

[General]

> Please provide some metadata prooves for us who can't read Korean ;w;. I did search them but they are all in Korean. https://namu.wiki/w/%EB%82%98%EC%99%80% ... 4%EB%8B%98 Fix the romanised title. (Thanks for your helps, Doyak)

Reference

http://square-musiq.com/MEMBERS (Screenshot: https://sylphi.s-ul.eu/jbutkDUo.png)
http://square-musiq.com/DISCOGRAPHY/view/118083 (Screenshot: https://sylphi.s-ul.eu/ZUx1XKC8.png)

> '상록수' I saw these Korean characters appeared in other ranked mapsets, why would you take them away from yours? I forgot to add it.

[Inner Oni]

> 00:08:889 - / 01:41:982 - a polychrome triplet could follow the consistency better. Imo a spamming of kat or Kat here sound pretty odd. How about using kdk at 00:08:889 - ? Changed to d kdkkd K d k.

> 00:20:326 - change to d for a better flow? (too many kats are used in a single time which is evitable) same principle at 00:26:139 -

> 00:48:545 - remove it for a clearer k kdd for 'sa ra hum' at 00:47:889 - / 00:48:639 - ? Changed.

> 00:54:826 - missed a note for the vocal comparing with 00:52:576 - Added.

> 00:59:139 - / 00:59:326 - swap them to match the pitch flow and drum kick position Changed both to k.

! In Kiai a lot of kdd is used monotonously. I think they could have more variations, like kdk at 01:09:639 - ,for example. Please review them thoroughly to see whether some changes could be made first, with kdk / kkd / other patterns which can present the flow of music, pitch and notes pattern better.

> 01:00:357 - may add a don to continue the usage of 5-plets Added k. It might be more balanced pattern, in my opinion.

> 01:01:295 - change to kat to improve the flow?

> 01:01:576 - obvious drum kick before Finisher, kat worthy for sure.

> 01:08:420 - you can add a note (don) to link the notes up to form a 7-plets like 01:20:420 - Added

> 01:08:701 - change to d? You can see a similar suggestion at 00:20:326 -

> 01:27:264 - / 01:30:264 - Finisher? Hmm, okay.

> 01:45:264 - / 01:46:014 - They are so worthy for Finishers usage, firstly, streams overwhelming them seems to be a waste. Secondly, they have different melodies following but they share the exactly same pattern. Differences are expected.

For example, 01:45:264 (1) -



[]

I will mod the remaining part when I am back, I have to go now. As there are a lot of estimated changes related to structures, I am going to pop the bubble now.

Skylish wrote:

Continued mod, NO KDS

[General]

> For Sylphi, all difficulties: 01:27:264 - / 01:30:264 - Finisher? Added finish.

[Kantan]

> 00:50:514 - I know your usage of gap, but this timing contains a very prominent vocal climax note, better not miss it. Added kat.

[Futsuu]

> 00:48:639 - 'sa ru hum' again, k k d suit more than just _ _ d, that's too blend for Futsuu. It'd be a nice progression from k _ d 00:47:889 - Added note. isn't it a bit long compared to other pattern btw?

> 01:42:264 - missed a Finish, it should be as same as 00:09:264 - Fixed

[Muzukashii]

> 00:51:264 - too blend 1/1 spamming here, either putting some 1/2 or emptying some spaces for a better expression. I'd prefer some spaces for a more obvious progression upcoming at 00:57:264 - Added some notes. it might be better than previous thing.

> 01:04:389 - / 01:10:389 - / ... / I saw some triplets, great! However, 01:05:139 - / 01:11:139 - / ... / they have stronger dynamic in vocal imo, and they derserve triplets more than the places you put. Relevant representation should be worked on those strong vocals. 01:05:326 - emptiness right here sounds really odd. Moreover, flow could be enhanced a bit. Mapped notes to the most of vocals on kiai time. but hmm... probably more changes need.

[Oni]

> 00:43:576 (187,188,189,190) - their colours are reversed, aren't they lol? How about kd k d? No, 186th and 188th notes are definitely higher sound than 187th. Considering vocals on 188th, 189th and 190th, the last 3 notes you mentioned can be d k k but well... Anyway, I don't agree this opinion.

> Refer to the mentioned parts in Kiai in Muzukashii's mod. Consider shifting, or even adding extra foci on those strong vocals. Changed minor things due to the changes on Muzukashii.

[]

Obvious flaws are seen in Gen's Oni. I will recheck on Inner Oni again when you reply to the mods above.

Call me back when you are ready. I will let Gabe bubble it, and I will qualify it when it is bubbled.

Skylish wrote:

Continued mod, NO KDS

[General]

> For Sylphi, all difficulties: 01:27:264 - / 01:30:264 - Finisher?

[Gen's Oni]

> 00:16:764 (84,85,86,87,88,89) - be consistent with nn nn n structures cooresponding to the upcoming two phrases. Re-work on them please.

> 00:18:826 - imo triplet could be used for the 3rd phrase at 00:21:826 - (this will be mentioned soon), just keep n n right now instead of nnn.

> 00:22:014 - weird empty space, a note is expected. Maybe fixing with the suggestion given above

> 00:24:264 - / 00:36:264 - oh boi those Finishers are very noisy, how about just put Finishers at heads and tails, and the isolated notes ONLY?

> 00:27:264 - Finisher?

! 00:27:264 - review the structures there, I find they are so inconsistent without a proper reason lol.

> 00:48:264 - / 00:49:014 - welp according to your mapping sense they could be Finishers.

! 00:51:264 - cmon geno, why 1/1 spamming with so much don ;w;

> 00:55:201 - missed a note to display the vocal

> 01:02:701 - a nn nn n structure is expected, and supported by the music, like what you did in the previous sections so far.

> 01:04:576 - fill it up for the vocal part please. Check 01:10:576 -

> 01:07:576 - / 01:19:576 - Emptying it can create a better separation within vocal part and intensed instrumental part.

> 01:21:076 - unnecessary Finisher, remove it

> 01:23:889 - the density suddenly drops down while the music is so intense continously, rework rework rework.

> 01:26:701 - / 01:29:701 - same as 01:02:701 -

> 01:30:826 - imo 5+1 is better than 3+3 for a greater emphasis on the separating feeling upcoming, linking to the Finisher at 01:31:764 -

> 01:41:326 - how about shifting it to 01:41:701 - for a better gap and flow contributing to the melody.

> 01:46:670 - remove it to show the imptance of 01:46:764 -

[]

Obvious flaws are seen in Gen's Oni. I will recheck on Inner Oni again when you reply to the mods above.

Call me back when you are ready. I will let Gabe bubble it, and I will qualify it when it is bubbled.

osu file format v14

[General]
AudioFilename: tiger.mp3
AudioLeadIn: 0
PreviewTime: 62889
Countdown: 0
SampleSet: Normal
StackLeniency: 0.7
Mode: 1
LetterboxInBreaks: 0
WidescreenStoryboard: 0

[Editor]
DistanceSpacing: 0.6
BeatDivisor: 4
GridSize: 32
TimelineZoom: 2.1

[Metadata]
Title:Horangpungnyuga
TitleUnicode:호랑풍류가
Artist:Narae
ArtistUnicode:나래
Creator:Sylphi
Version:Gen's Oni
Source:나와 호랑이님
Tags:상록수 SQUARE MUSIQ MVZ Production My Tiger's O2Jam Light Novel Underflow Genocide PatZar
BeatmapID:831732
BeatmapSetID:361884

[Difficulty]
HPDrainRate:6
CircleSize:3
OverallDifficulty:6
ApproachRate:9
SliderMultiplier:1.4
SliderTickRate:1

[Events]
//Background and Video events
0,0,"5.jpg",0,50
Video,0,"25.mp4"
//Break Periods
//Storyboard Layer 0 (Background)
//Storyboard Layer 1 (Fail)
//Storyboard Layer 2 (Pass)
//Storyboard Layer 3 (Foreground)
//Storyboard Sound Samples

[TimingPoints]
264,375,4,1,0,80,1,0
51264,-100,4,1,0,50,0,0
58014,-100,4,1,0,55,0,0
58764,-100,4,1,0,60,0,0
59514,-100,4,1,0,65,0,0
60264,-100,4,1,0,70,0,0
61014,-100,4,1,0,75,0,0
61764,-100,4,1,0,80,0,0
63264,-100,4,1,0,80,0,1
93264,-100,4,1,0,80,0,0


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