1. 01:48:486 - from here these kdk triplets sounds a little repetive and you know, a repetitive melody doesn't need repetitive mapping so alternating between kdk and kkd until 01:56:266 - would fit better imo
2. 01:56:266 (352,353,354) - also this one is pretty different so dkd would be nice

1. 01:12:830 (11) - 01:15:053 (31) - these notes aren't neccesary imo and feels strange while playing

xfraczynho wrote:

Last part, this is good

[Oni]

1. 01:48:486 - from here these kdk triplets sounds a little repetive and you know, a repetitive melody doesn't need repetitive mapping so alternating between kdk and kkd until 01:56:266 - would fit better imo
2. 01:56:266 (352,353,354) - also this one is pretty different so dkd would be nice Both fixed

[Inner Oni]

1. 01:12:830 (11) - 01:15:053 (31) - these notes aren't neccesary imo and feels strange while playing To be honest, the "hand-switched" patterns are pretty awesome imo as it makes that part much more interesting and challenging

nothing else here, these diffs are pretty goodd, call me back~

684,277.842093077101,4,1,0,10,1,0
135159,304.568527918782,4,1,0,60,1,0
135615,342.857142857143,4,1,0,60,1,8
135957,375,4,1,0,60,1,8
136144,422.535211267606,4,1,0,60,1,8
136355,535.714285714286,4,1,0,60,1,8
136622,600,4,1,0,60,1,0

DarkVortex wrote:

The best I found was this. Also Daedalus is this song (click)

• [Kantan]

1. 00:57:919 and 00:58:197 - add k to form a 1/1 kkd and connect the 2/1 chains ? This would cohere with the upcoming long chain starting from 01:02:920 - as these parts have constant intensity.
2. 01:13:478 - similar to ^ , you may add d here for the same purpose.

• [Futsuu]

1. 00:58:197 and 00:58:336 - add k to make a 1/2 kkd ? It would be better to use more 1/2 patterns as Muzukashii has plenty of them.
2. 00:59:308 - maybe add k here to cohere with 00:54:863 - ?
3. 01:02:642 - 01:02:781 - 01:04:031 - 01:05:699 - 01:05:837 - similar to 00:58:197 - , adding d here could reduce the difficulty gap with Muzukashii.
4. 01:08:755 - 01:08:894 - consider adding k and d respectively to connect the 1/1 patterns together ? This would accompany the guitar in a way better.
5. 01:10:005 - add d and change 01:09:866 (159) - to k ? same as ^
6. From 01:11:811 to 01:29:593 - similar to the first half, you may take this as an example to increase note density: (cursor at 01:20:702 - )

• [Muzukashii]

1. 01:05:629 - 01:06:740 - it would be better to add k here for a better spread as Oni contains multiple 1/4 patterns in this part.
2. From 01:11:811 to 01:29:593 - similar to Futsuu, it would be better to add more 1/2 notes like this as Oni remains hard here: (cursor at 01:16:257 and 01:25:147 - respectively)

• [Kantan]

1. 01:13:478 - as mentioned in the previous post, you may add d here to make this part less underwhelming.

• [Futsuu]

1. 01:04:031 - 01:05:837 - 01:08:894 - adding d here could reduce the difficulty gap with Muzukashii.

• [Muzukashii]

1. 01:05:629 - 01:06:740 - it would be better to add k here for a better spread as Oni contains multiple 1/4 patterns in this part.

Nardoxyribonucleic wrote:

A quick recheck here. (no kd)

• [Kantan]

1. 01:13:478 - as mentioned in the previous post, you may add d here to make this part less underwhelming.

• [Futsuu]

1. 01:04:031 - 01:05:837 - 01:08:894 - adding d here could reduce the difficulty gap with Muzukashii.

• [Muzukashii]

1. 01:05:629 - 01:06:740 - it would be better to add k here for a better spread as Oni contains multiple 1/4 patterns in this part.