1. Collab Oni (4.24 stars, 1284 notes)
2. Futsuu (2.34 stars, 486 notes)
3. Inner Oni (5.55 stars, 1632 notes)
4. Kantan (1.36 stars, 290 notes)
5. Muzukashii (3.08 stars, 912 notes)

Nyan wrote:

[General]

Unify tags. Copied all the tags from the Collab and applied them to the other difficulties and removed the double space!

Other diffs has "Swiss Folk Metal Melodic Death Pagan Celtic" (two spaces)
Muzukashii has "Swiss Folk Metal Melodic Death Pagan Celtic" (one space)
Collab Oni has "Swiss Folk Metal Melodic Death Pagan Celtic Lno" (two spaces)

[Kantan]

01:36:427 (1) - add a Finish Added it!
01:45:154 (11) - same as above Added this one also!

03:08:063 (17) - can add a Finish I added it in but it might be a little difficult so it may be taken out later

03:25:517 (1) - add a Finish Added!
03:42:971 (2) - ^ And this too!

[Futsuu]

00:47:336 (67,68) - can add a Finish like 00:38:608 (47,48) - Added them both in, though the one at 00:47:336 (67) - might be taken out later if it is too much of an issue

00:52:790 (79) - add a Finish Added!

01:01:517 (90) - can add a Finish Added!

01:36:427 (1) - add a Finish Done!

02:37:517 (105) - can add a Finish Added one for now

03:25:517 (1) - add a Finish Added!
03:42:971 (36) - add a Finish Added also!

[Mzukashii]

00:39:154 (94) - can add a Finish Whoops, I meant to add that before I submitted this

00:52:927 (149) - move to 00:52:790 - and make it D Yep, another mistake I forgot to fix

01:36:427 (325) - add a Finish Added!

01:43:790 (356,357,358) - Muzukashii usually not use 1/4 with different colors. BPM of this song is high enough, so make those to ddd I thought it might be a bit hard when I put it down, changed!

01:51:563 (390,391,392) - ddd This too!

03:25:517 (759) - add a Finish Added!

03:32:880 (790,791,792) - ddd Changed!

03:40:653 (824,825,826) - ddd This too!

[Collab Oni]

00:52:790 - add a big don or spinner Added a spinner here that finishes at 00:56:063 -

This is nice diff. Thank you!

[Inner Oni]

00:52:790 (184) - can be big don Changed to a D!

01:11:336 (9,10,11,12,13,14,15,16) - can be d k d d k d k d Aaaaah thank you! I spent a while trying to make this part different and couldn't find one and this works welll!

02:02:745 (428) - don Just a don on its own sounded weird so I changed it to a ddd!

This is also good diff. Thank you very much!

• 
  Harmony patterns are you strengths here. I love how you can find a way to fit a rhythm into it in an easy map like this.
  Finisher consistency is your weakness. You tend to leave open-ends with your finishers and some of the placement feels random.
  
  00:26:608 - Could be a finisher as there is a symbol crash here.
  
  00:39:154 - I would remove this finisher. There is nothing to emphasis here. The extended sound on vocals never really calls for a finisher, and there is no symbol crash either.
  00:39:699 - However you can add a finisher here as there is a symbol crash.
  
  00:48:427 - I might add a finisher here, just to keep it consistent with stanza finishers previously in this piece. It gives it a nice "completed" feeling when you hear it here.
  
  01:29:881 - Well deserved finisher could be placed here.
  01:32:063 - ^ There is a symbol crash and a hard down-beat on both of these places.
  
  01:47:336 - I might add finisher here to keep consistent usage of finishers like at 01:38:608 -
  
  02:07:517 - This is an unnecessary finisher. You are following vocals as your beat-harmony so there is no need to add any emphasis on that. (If there was a symbol crash or something other than your harmony to emphasis it would make more sense.)
  
  02:11:608 - Technically you can map this sound here without doing much to the difficulty. It's kind of borderline seeing as it's the only location with this type of pattern, but I think it would be okay considering the long break afterwords.
  
  03:10:245 - Mappable finisher here. (symbol crash)
  03:12:427 - ^
  03:14:608 - ^ (You may want to remove the kat at 03:15:154 - to avoid difficulty jump.)
  03:16:790 - ^
  03:18:972 - ^
  03:21:154 - ^ (May remove next note for difficulty.)
  03:23:336 - ^ (May remove note.)
  03:24:427 - In tangent with the above suggestions, you could add a note here to give it that "completed" feeling for this segment.
  
  03:34:245 - Same as kiai before. Finisher could be used here for consistency.
  03:36:427 - ^
  
  03:51:427 - I might avoid this type of pattern in the middle of a stream for this map, mostly because nowhere else do you use the pattern-type so it creates quite a difficulty jump for the style you mapping with. You can simplify by just removing the kat at 03:51:427 - or keep at 1/1 stream going like you've used before.

• 
  There are no major problems or strengths for this map. It is quite well rounded and I like it.
  
  01:32:063 - Maybe use finisher here for consistency? There is a symbol crash in these parts like you've mapped before.
  01:34:245 - ^
  
  02:07:517 - No need for this finisher. You're beat is following the vocals so emphasis with a finisher is unnecessary and can feel forced.
  
  02:11:608 - Like in Kantan, this sound here is mappable with no problems. Especially in this difficulty.
  
  02:15:427 - I see what you are doing here, but it doesn't really need done. I mean, nothing wrong with it. I just find it sound a little funny. You can remove this and keep the other two kats just fine, if you choose.
  
  02:24:154 - (I wrote this part afterwords, but same suggestion as below.) Map similar to 02:23:063 - ?
  02:32:881 - You may be able to map this drum beat here like at 02:31:790 - , I don't think it adds anything dangerous. But I also am not a BN, so don't take my word for it.

• 
  Like Kantan, I your strength is in your harmony focus. Being able to bring in the best of the vocals without creating off-sounding beats is great.
  Your weakness may lay with the difficulty itself. It might need "beefed" up to create a smaller gap between Oni and Muzukashii challenges.
  
  Not a bad map. I think it could be amped up a bit by placing a few more 3-plet 1/4th ddd or kkk rolls where it calls for it.
  IE: at 02:11:199 - is just an example.
  But this may just be preference. It mostly feels like your difficulty gap from Muzukashi to Oni is pretty large. All in all I like the sound this has though so I have no complaints other than maybe that.

• 
  Your biggest strengths are that the two (or more) mappers who did this have quite similar styles and they almost seem to be the same mapper.
  The weakness is in the difference on ideas on how to map this. While it seemed as though it was the same mapper, it felt like they came at the map two different ways. While this isn't a bad thing, the transitions need to flow well. If you're going to stick with an off-beat type mapstyle (like in the intro), keep that style consistent even if you map the off-beats differently. If you want to drum-roll spam and stay away from vocals, do it for the entire segment (or as necessary). A good way to accomplish this might be to map the song at the same time over chat and consult with each other about how you think the pieces should work together. Mod your map together as you map it, for example.
  
  Who is the collaberating mapper? Maybe include their name in the title
  IE: Hashish Oni Collab - for example.
  
  Honestly it's a little tricky for me to mod this because I'm quite sure how YOU want the map to feel. Like I said, try having each other mod the map together and separately and see what you can come up with on your own. Overall I think it's okay, but the intro could use a look at for inconsistencies where off-beat patterns and non-offbeat patterns are concerned. Make sure you two/three/etc know how you want the map to feel and stick to that. Don't misunderstand, it's not a bad map. You just need to know what you're looking for in your map as a group and not just as individually, which is the feeling I get from the map overall. Worst case scenario, have the collaber(s) do his/her own map altogether and just include it in the set instead.

• 
  Biggest strengths here are definitely in the flow of the patterns and harmony. There is no inconsistencies or breaks in beat. You seem to know exactly which pieces call for which emphasis without question.
  Your weakness may lay in the complication of patterns. Some of the patterns felt maybe a little unnecessary or even forced? While others felt very smooth to play and listen to.
  
  Nothing. Absolutely nothing is wrong.
  Great map! This is the reason I'm giving you my star.

1. Bookmarks are useful when mapping but should be removed when finished, since they increase the filesize for a tiny bit (this does not apply to collab difficulties)
2. The beginning can be mapped, idk how you feel about this

1. HP should be way higher
2. 00:36:427 (27,28) - These 2 could use finishers to emphasize vocals
3. 00:46:245 (38) - ^
4. 01:10:245 - Up until this part you followed a rhythm (3 notes - stop - 3 notes - stop...) and so on, but you change it by putting now 5 notes, then 4 then 3 again? The rhythm should stay consistent specially in a Kantan
5. 01:38:608 (4) - Could use a finisher to emphasize vocal
6. 01:47:336 (14,17) - ^
7. Overall I think you work a bit more on consistency on non-kiai parts, specially considering they have the same rhythm and disregarding vocals (we are in a Kantan).

1. HP, bit higher
2. 01:32:063 (149) - Finisher to maintain the emphasis
3. 01:34:245 (152) - ^
4. Apart from few tweaks that should be done regarding colour swap (but who cares anyway, this is a metal song x), I'm gonna say the same about consistency in non-kiai parts (I like to be creative in kiais myself): keep the patterns consistent, if there is a rhythm that doesn't change, don't change the way you map unless it's minor changes like changing colours, but maintaining the rhythm itself.
5. I know you might be afraid to use 1/2s in this bpm, but I suggest few of them in the kiai

1. Apart from the suggestions on Kantan, I have found this difficulty pretty neat and consistent, you can be consistent and demonstrated me through this difficulty, try to apply it on easier difficulties!

1. 01:53:608 (63,64,65,66,67) - I think it sounds better as ddkkd
2. 02:39:699 (12) - this sounds like a k to me

1. 00:22:245 (26) - this should be a K (with finisher) to keep consistency
2. In the last kiai you could use more finishers in key points

Raiden wrote:

suuuuuuuuuuuuuuuuuuuuuuuuuuuuuup o/

awesome song \:D/ Yes! Eluveitie are amazing!

M4M iirc? if not just ignore this part Yep, I'll do it either tomorrow or the day after

[ General]

1. Bookmarks are useful when mapping but should be removed when finished, since they increase the filesize for a tiny bit (this does not apply to collab difficulties) Is the difference that much that I would have to remove them? I'd prefer to keep them in if possible
2. The beginning can be mapped, idk how you feel about this I don't think I'll map the intro, I like starting it where the guitar and drums join the music!

[ Kantan]

1. HP should be way higher No change. I went through all the Kantans I have that are 200+ BPM and nearly all of them had 4, so I'm going to stick with it
2. 00:36:427 (27,28) - These 2 could use finishers to emphasize vocals Changed, also changed 00:37:517 (28) - to a k
3. 00:46:245 (38) - ^ Changed also
4. 01:10:245 - Up until this part you followed a rhythm (3 notes - stop - 3 notes - stop...) and so on, but you change it by putting now 5 notes, then 4 then 3 again? The rhythm should stay consistent specially in a Kantan Spoke with you about this in PM!
5. 01:38:608 (4) - Could use a finisher to emphasize vocal Added, also on the one in the second Kiai
6. 01:47:336 (14,17) - ^ I didn't add these ones as I didn't want there to be too many finishers in such a short span of time on this diff
7. Overall I think you work a bit more on consistency on non-kiai parts, specially considering they have the same rhythm and disregarding vocals (we are in a Kantan). Spoke with you in PM about this

Side note: if you accept any of the suggestions related to colour swap (d -> k and viceversa) or Finisher use, you should apply to all difficulties to maintain consistency Okay!

[ Futsuu]

1. HP, bit higher Same as in the Kantan, I did a look through them all and they all seemed to have the same HP, so I will keep it as is
2. 01:32:063 (149) - Finisher to maintain the emphasis I don't know if kkD is a good idea in a Futsuu, so I am going to miss this one for now, but if it is brought up again I will add them both!
3. 01:34:245 (152) - ^ Same as above
4. Apart from few tweaks that should be done regarding colour swap (but who cares anyway, this is a metal song x), I'm gonna say the same about consistency in non-kiai parts (I like to be creative in kiais myself): keep the patterns consistent, if there is a rhythm that doesn't change, don't change the way you map unless it's minor changes like changing colours, but maintaining the rhythm itself. Spoke with you in PM about this!
5. I know you might be afraid to use 1/2s in this bpm, but I suggest few of them in the kiai I think I will keep the Futsuu kiai as it is for now, I don't think I can shoehorn 1/2 in there without it feeling a bit too unnatural for my likings

[ Muzukashii]

1. Apart from the suggestions on Kantan, I have found this difficulty pretty neat and consistent, you can be consistent and demonstrated me through this difficulty, try to apply it on easier difficulties!

Thank you kindly!

[ Collab Oni]

Loved this difficulty, not much to say about it Thank you also!

1. 01:53:608 (63,64,65,66,67) - I think it sounds better as ddkkd Changed! I agree
2. 02:39:699 (12) - this sounds like a k to me I'm going to keep this as a d, I feel that it flows nicer into the next little section (the break and then the d dk)

[ Inner Oni]

The difficulty is orgasmic anyway so feel free to disregard the mod :^) Thaaaaank you! I worked hard on this one so it's nice to have it complimented!

1. 00:22:245 (26) - this should be a K (with finisher) to keep consistency Changed it to a k, but without finisher, I like how it sounds and plays better without!
2. In the last kiai you could use more finishers in key points

I would have liked to add some more in there but where all the emphasis parts are, it seems they land on the end of streams and I don't really like ending streams with finishers. It is a good suggestion though!

I see you only have trouble mapping easier difficulties, this can be easily improved through consistency. I'll get the hang of it one day

THe higher difficulties were pure beauty to me Thank you very much!

Gogo rank ╭( ･ㅂ･)و

HashishKabob wrote:

Firstly I need to say. WOW these are some amazing maps! You earned a star from me for sure.
Now, on to the mod. Let me note that Bookmarks are okay for mapping, but once the map is complete you should remove them. Unless you have a collab difficulty, and use them to mark where the different mappers map different parts. Second person in a row to say this, I've never heard of this until now, but I guess I can remove them from all the diffs apart the collab.

[Kantan]

• 
  Harmony patterns are you strengths here. I love how you can find a way to fit a rhythm into it in an easy map like this.
  Finisher consistency is your weakness. You tend to leave open-ends with your finishers and some of the placement feels random. Yeah, I'm never too good with adding finishers well, I either add them too much or too little, so I'm glad to see a lot of the mods are focused on them!
  
  00:26:608 - Could be a finisher as there is a symbol crash here. Added!
  
  00:39:154 - I would remove this finisher. There is nothing to emphasis here. The extended sound on vocals never really calls for a finisher, and there is no symbol crash either. The idea I was going for here was to map the bottom end and the higher end of the guitar slide and to give that emphasis, but since there are already two finishers prior to it, I guess that was sort of a lost cause. Removed it and the one before it!
  00:39:699 - However you can add a finisher here as there is a symbol crash. Added!
  
  00:48:427 - I might add a finisher here, just to keep it consistent with stanza finishers previously in this piece. It gives it a nice "completed" feeling when you hear it here. I agree! Added!
  
  01:29:881 - Well deserved finisher could be placed here.
  01:32:063 - ^ There is a symbol crash and a hard down-beat on both of these places. I added both of these finishers, but that made the section a little too crowded, so I removed a note at 01:30:972 - and that seems to flow nicely
  
  01:47:336 - I might add finisher here to keep consistent usage of finishers like at 01:38:608 - Ooh, I would have added that if I noticed it! Thanks for pointing it out!
  
  02:07:517 - This is an unnecessary finisher. You are following vocals as your beat-harmony so there is no need to add any emphasis on that. (If there was a symbol crash or something other than your harmony to emphasis it would make more sense.) Removed it! It seemed to fit well in playing, but I'm all for mapping closer to the music!
  
  02:11:608 - Technically you can map this sound here without doing much to the difficulty. It's kind of borderline seeing as it's the only location with this type of pattern, but I think it would be okay considering the long break afterwords. I added it in and the SR went up by .01 and now it is an even number, so it's a win/win really
  
  03:10:245 - Mappable finisher here. (symbol crash) Added this one
  03:12:427 - ^ And this one
  03:14:608 - ^ (You may want to remove the kat at 03:15:154 - to avoid difficulty jump.) I'm going to decline this one, I would like to keep the gap here as a pattern break so the entire section isn't just dkd dkd dkd
  03:16:790 - ^ Added this one!
  03:18:972 - ^ And this one!
  03:21:154 - ^ (May remove next note for difficulty.)
  03:23:336 - ^ (May remove note.) I added both this and the one above it without removing any notes, it doesn't feel too awkward to play and if it becomes a problem later I can remove them, but I like the way it feels currently with you suggestion!
  03:24:427 - In tangent with the above suggestions, you could add a note here to give it that "completed" feeling for this segment. I don't want to add that note in at this particular point as the pattern is already quite long and I would rather not make it too dense just before the chorus
  
  03:34:245 - Same as kiai before. Finisher could be used here for consistency. Added!
  03:36:427 - ^ This one too!
  
  03:51:427 - I might avoid this type of pattern in the middle of a stream for this map, mostly because nowhere else do you use the pattern-type so it creates quite a difficulty jump for the style you mapping with. You can simplify by just removing the kat at 03:51:427 - or keep at 1/1 stream going like you've used before. I will deny this change as I feel that since it is the final part of the song with the most energy, the small variation adds a little bit of difficulty to keep on pace with it, and the rest of the kiai is simple enough that it isn't overcrowded with difficulty

[Futsuu]

• 
  There are no major problems or strengths for this map. It is quite well rounded and I like it. Thank you kindly!
  
  01:32:063 - Maybe use finisher here for consistency? There is a symbol crash in these parts like you've mapped before. Added!
  01:34:245 - ^ Added!
  
  02:07:517 - No need for this finisher. You're beat is following the vocals so emphasis with a finisher is unnecessary and can feel forced. A see what you mean, removed!
  
  02:11:608 - Like in Kantan, this sound here is mappable with no problems. Especially in this difficulty. Yes, added!
  
  02:15:427 - I see what you are doing here, but it doesn't really need done. I mean, nothing wrong with it. I just find it sound a little funny. You can remove this and keep the other two kats just fine, if you choose. I also see why you feel it sounds a bit funny. I could possibly reduce the volume of the note? Although I think that'd be a bit strange for that one note. I will keep it here as is until further discussion
  
  02:24:154 - (I wrote this part afterwords, but same suggestion as below.) Map similar to 02:23:063 - ? I understand the other suggestion, but I don't quite hear where that note would fit here alongside the music so I will miss this addition
  02:32:881 - You may be able to map this drum beat here like at 02:31:790 - , I don't think it adds anything dangerous. But I also am not a BN, so don't take my word for it. This section is already quite dense and the triplet here adds to it quite a bit. I am conflicted where I should add it or not but I think I'll air on the side of caution and keep it unmapped at the moment, but I would like to add it if the suggestion is brought up again.

[Muzukashii]

• 
  Like Kantan, I your strength is in your harmony focus. Being able to bring in the best of the vocals without creating off-sounding beats is great.
  Your weakness may lay with the difficulty itself. It might need "beefed" up to create a smaller gap between Oni and Muzukashii challenges. This is the issue I was concerned about. The jump from Muzu to Oni is nearly half a star higher than the other diffs, and if I beef the muzu then the Futsuu to Muzu will be too high. Hopefully it isn't too much of an issue, but it still is a bit scary
  
  Not a bad map. I think it could be amped up a bit by placing a few more 3-plet 1/4th ddd or kkk rolls where it calls for it.
  IE: at 02:11:199 - is just an example. I've added one or two more triplet ddd's and kkk's where applicable, hopefully it doesn't throw the SR through the roof.
  But this may just be preference. It mostly feels like your difficulty gap from Muzukashi to Oni is pretty large. All in all I like the sound this has though so I have no complaints other than maybe that.

[Collab Oni]

• 
  Your biggest strengths are that the two (or more) mappers who did this have quite similar styles and they almost seem to be the same mapper.
  The weakness is in the difference on ideas on how to map this. While it seemed as though it was the same mapper, it felt like they came at the map two different ways. While this isn't a bad thing, the transitions need to flow well. If you're going to stick with an off-beat type mapstyle (like in the intro), keep that style consistent even if you map the off-beats differently. If you want to drum-roll spam and stay away from vocals, do it for the entire segment (or as necessary). A good way to accomplish this might be to map the song at the same time over chat and consult with each other about how you think the pieces should work together. Mod your map together as you map it, for example.
  
  Who is the collaberating mapper? Maybe include their name in the title
  IE: Hashish Oni Collab - for example.
  
  Honestly it's a little tricky for me to mod this because I'm quite sure how YOU want the map to feel. Like I said, try having each other mod the map together and separately and see what you can come up with on your own. Overall I think it's okay, but the intro could use a look at for inconsistencies where off-beat patterns and non-offbeat patterns are concerned. Make sure you two/three/etc know how you want the map to feel and stick to that. Don't misunderstand, it's not a bad map. You just need to know what you're looking for in your map as a group and not just as individually, which is the feeling I get from the map overall. Worst case scenario, have the collaber(s) do his/her own map altogether and just include it in the set instead. I will speak with Lno about all of this and I will update this when we have went over some things!

[Inner Oni]

• 
  Biggest strengths here are definitely in the flow of the patterns and harmony. There is no inconsistencies or breaks in beat. You seem to know exactly which pieces call for which emphasis without question.
  Your weakness may lay in the complication of patterns. Some of the patterns felt maybe a little unnecessary or even forced? While others felt very smooth to play and listen to. I thank you kindly for the compliments, and I know some of them are a bit overdone (Pattern starting at 01:05:336 - is the first one that comes to mind) but I feel that some of them (especially the longer ones) add nice little lumps of difficulty here and there, despite some of them being a little out of place.
  
  Nothing. Absolutely nothing is wrong.
  Great map! This is the reason I'm giving you my star.

Again, thank you for the mod and my apologies for leaving it for so long, I have been fair busy for the past while. Thank you also for the star! It means a lot to receive one!

1. d is don note
2. k is kat note
3. D is big don note
4. K is big kat note

• 
  
  Good?

• 
  
  00:35:063 (79,80) - move to 1/2 left & 00:34:921 - change to d.because,00:35:067 - I hear emphasized sound.
  
  00:36:284 - move to 00:36:424 - & change to k? If you think strange,00:36:288 - add d.because,00:36:431 - I hear emphasized vocal sound
  
  00:38:345 - move to 1/2 left.You can try it.
  
  00:45:017 - same as 00:36:284 -
  
  01:52:929 - I think no need this notes.It works better to vocal smoother.
  
  02:05:601 - add d? but,option so yourself
  
  03:16:647 - move to 03:16:914 - because,03:17:342 - I hear same sound.so I think 1/2-dkd-kd is good.

• 
  
  Ai mod check plz. 03:48:427 - Two notes have overlapped.
  
  00:36:284 - same as Muzukashii
  
  00:38:345 - same as Muzukashii
  
  00:45:017 - same as 00:36:284 -
  
  03:55:322 - add k & 03:55:587 - add d. I think kkk ddd is very good.03:44:335 (10,11,12,13,14,15,16,17,18) - kkk ddd k d k→ 03:55:245 (95,96,97,98,99,100,101,102) - kkk ddd k ddk (good flow?)
  
  really good map></

1. set this. (.osu)
   0,0,"helvetios.jpg",0,80
2. change to HP5.0 or higher in Kantan and Futsuu.

1. looks fine. good map. :3
2. 00:22:245 (26) - add Finish. you put finisher on 00:20:063 (13) -.
3. 00:24:427 (37) - finish.
4. 01:20:199 add k to follow the drum.?
5. 01:46:381 add d. ^
6. 02:11:608 (501) - Finish would be good accent imo.
7. 03:59:063 (572,573,574,575,576,577,578) - 1/6s are not needed here. change to 1/4.

1. 00:17:881 (1) - add Finish for emphasis.
2. 00:44:063 (1) -, 01:36:427 (1) -, 03:25:517 (1) -, 03:42:972 (1) -, ^
3. 03:24:290 (43) - same as Inner Oni.

1. 02:37:517 - maybe you can add a .9 SV here so it transitions more smoothly

1. 01:49:517 - you can try using a finish here
2. 01:50:608 - ^
3. 02:05:472 - change to d?
4. 03:38:608 - same as 01:49:517
5. 03:39:699 - ^
6. 03:53:881 - hmm this part just felt a little too empty, how about like this http://puu.sh/jRtb3/200a681a33.jpg

1. 02:15:427 - can delete this to be the same as 02:11:336 (68,69) -

1. 02:37:517 - I don't think we should use SV change on kantan

Jona wrote:

[Collab Oni]

1. 00:23:745(30,31,32,33,34,35) - kkddkd (Just a suggestion, but I think it fits better than the current pattern) No, but I changed it to kkkddk
2. 00:28:108 - ^ ^
3. 01:22:108(18,19,20) - dkd No, it doesn't fit imo.
4. 01:40:108 - d Yeah
5. 01:40:245 - k ^
6. 03:29:199 - d ^
7. 03:29:336 - k ^

God damn, we really need more taiko maps like these
GL, hope to see this ranked!!

Jona wrote:

Hey Grimbow! Mod as requested through PM

Pretty long song, skipped kantan and futsuu (at suck at modding those anyway ). Sorry about that!

[Muzukashii]

1. 01:00:699 - Add note Going to leave this blank, following the drums at this part
2. 01:18:290(241,242,243,244) - kkdk I like that! Changed
3. 01:41:336 - Add note? Following the vocals here and I think this break fits in well with the flow of the map
4. 03:30:427 - ^ ^
5. 03:43:790 - d

Following the drums here and the k feels more appropriate when I tried them both out

[Collab Oni]

1. 02:45:836(39,40,41) - k k k Changed it to k k, I am following the guitar here and k k k doesn't seem to follow the pitch of it as well as just k k
   
   [Inner Oni]
   
   1. 00:41:063 - Add d? There's nothing significant in the music here so I'm going to skip adding this note
   2. 01:40:654 - k I don't like the way that the k kdk ddk feels to play in this part so I'll keep it as a d, but I do like the suggestion
   3. 01:58:245 - You should shorten this stream, sounds a bit off. Maybe something like this would work better? http://puu.sh/k4keC/5b6108ac4c.png I've been waiting on someone bringing this up! Thank you I liked your suggestion but it felt a bit too plain so I took a bit of creative liberty and changed it to look like this
   4. 02:24:972 - k I like it! Changed!
   5. 02:31:517 - This feels wierd because of the triple behind it (triple ending on a don, and the stream starting on a don right after). Consider changing this stream to something that starts with a k for better flow. I didn't think this felt weird at all, but I guess it varies from person to person All the other permutations that I tried made this feels too uh.. 'blocky', for lack of a better word. I tried kdk ddkdddk, ddk ddkdddk, kdd kdkdddk and kdk kdkdddk and none of them felt like they played as well as the ddk ddkdddk there is currently so I am going to pass on this change
   6. 02:39:699 - k Following the drums here and the bass kick here is pretty heavy so I'm going to keep it as a d
   7. 02:56:472(30,31,32) - dkd Going to keep this as kdd kdd to match the drums here. I did like your suggestion and I would have changed it if I wasn't trying to follow the drums note for note here

God damn, we really need more taiko maps like these
GL, hope to see this ranked!!