Basshunter - Jingle Bells [Taiko]

posted
Total Posts
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Topic Starter
Gezoda
This beatmap was submitted using in-game submission on mercredi 24 décembre 2014 at 16:05:37

Artist: Basshunter
Title: Jingle Bells
Tags: Christmas Xmas LOL <(^^,)>
BPM: 140
Filesize: 4110kb
Play Time: 02:39
Difficulties Available:
  1. Futsuu (2 stars, 275 notes)
  2. Inner Oni (3,68 stars, 748 notes)
  3. Kantan (1,19 stars, 191 notes)
  4. Muzukashii (2,31 stars, 380 notes)
  5. Oni (3,15 stars, 562 notes)


Download: Basshunter - Jingle Bells
Information: Scores/Beatmap Listing
---------------
1st ranked mapset of 2015.

Checkmate.
Birdy
Now I'm craving some tacos.
Topic Starter
Gezoda
I'm so going to move to Finland and open a taco restaurant called TacoZoda now.
Kurosanyan
[General]
  1. Remove letterboxes and widescreen sup lel That's all, kudo pls
  2. Stop putting albums in Source field Gezo pls :(
  3. 01:32:936 - until 01:36:365 - Make the hitsound choice consistent on every diff?
  4. Most of the big white ticks fit to the beat better with a d imo. You're not following the beat on your mapset most of the time and I guess it's okay, but imo, those ones should follow it, else it sounds awkward. Though, maybe it doesn't fit to the pitch as well, so that's just a subjective suggestion.


[Kantan]
  1. For 16 stanza after 00:38:079 - you have no break. 00:50:079 (49) - d and remove 00:50:936 (50) - to put a break before the kiai maybe?
  2. 00:51:794 (51,52,53,54,55,56,57) - If 00:52:222 - is mapped, I think 00:53:079 - should be too. 00:53:508 (54) - Fits better as a d imo. And I think you should remove 00:54:794 (56) - since a break would fit here.
  3. 01:08:936 - Same thing about the 16 stanza without break, consider removing 01:21:365 (92,93) - ?
  4. 02:21:794 (165) - d? Should be a dkd again to fit the music instead of 2 kkd in a row.
  5. 02:31:222 (179,180,181,182,183) - Change into dkkkd/dkdkd?


[Futsuu]
  1. Why are there 1/3 doublets while more than 50% of the map feels like a Kantan? :( Gezo pls
  2. Add a d at 01:08:079 - or something? it's weird to have a d dK here imo.
  3. 01:26:079 (125,126,127) - Should be consistent with 01:22:651 (120,121) -
  4. 02:05:365 (189) - Remove or add one at 01:58:508 -
  5. 02:21:651 - Add a d for 1/3 consistency? >.>


[Muzukashii]
  1. 00:24:258 - Add a d for consistency with 00:31:115 (56) - ?
  2. 00:50:936 (107) - Remove? Because of the lack of break again >.>
  3. 00:57:365 (130,131,132) - kkd to follow the beat and pitch?
  4. 01:00:365 (139,140,141,142,143) - Do the same as 00:53:508 (116,117,118,119,120,121) - ? 01:01:222 (141,142) - Doesn't fit to the music imo.
  5. 01:05:079 (153) - Should be a k to follow the beat (there's only beat here). It's this way on every other diffs too.
  6. 01:16:222 (181) - Should be a k for consistency, beat, etc.
  7. 01:19:008 (190) - Remove and add a d at 01:20:294 - instead?
  8. 01:22:222 (200) - Remove for a break?
  9. 01:46:008 (262) - Remove? Doesn't really fit imo.
  10. 02:32:508 (378) - Would fit better at 02:29:079 - imo. It fits better to the pitch here and consistency with 02:35:936 (388) - . Maybe consider adding dons at 02:15:365 - and 02:22:222 - too.
  11. 02:38:079 (391,392,393,394,395) - k k d d D fits better to the pitch imo.


[Oni]
  1. 00:46:651 (122) - d?
  2. 01:21:472 (277,278,279,280) - kddd for symmetry with the previous pattern and because 01:21:794 (280) - fits way better as a d?
  3. d on 01:24:365 (295) - for consistency? (this whole pattern is really tricky to play imo ;_;) Also same sugestion for the similar next parts.
  4. Remove 01:55:079 (406) - or add a note at 01:54:651 - ? The first suggestion would be the best one imo since it's always nice to have more emphasis on the start of a kiai and it would be consistent with the next patterns too. Also, there's no note here on the Inner, so I don't see why you wouldn't remove it.
  5. 02:11:508 (467,468,469,470,471) - Make it kinda similar as you did on Inner? This note 02:12:079 (470) - is awkward imo.


[Inner]
  1. Gibe creditz for monotone 1/8 suggestion plz (I think your patterns are still really tricky in comparison to k kkk k d though ;_;).
  2. 00:58:651 (239) - Should be a d like 00:51:794 (194) - . And 00:58:222 (235) - should be a k for the beat.
  3. 00:59:508 (242,246) - Should be dons too :(
  4. 01:36:365 (440) - You forgot the finisher on this diff.
  5. 01:46:651 (484) - d?
  6. 01:49:222 (500,501) - d k for the same reason as the previous suggestion?


That's all~
Topic Starter
Gezoda

Kurosanyan wrote:

[General]
  1. Remove letterboxes and widescreen sup lel That's all, kudo pls no
  2. Stop putting albums in Source field Gezo pls :(to see how much time it takes me to rank stuff the rule wil lbe amended before :(
  3. Most of the big white ticks fit to the beat better with a d imo. You're not following the beat on your mapset most of the time and I guess it's okay, but imo, those ones should follow it, else it sounds awkward. Though, maybe it doesn't fit to the pitch as well, so that's just a subjective suggestion. too many dons and people won't like it :(


[Kantan]
  1. For 16 stanza after 00:38:079 - you have no break. 00:50:079 (49) - d and remove 00:50:936 (50) - to put a break before the kiai maybe? i don't like it, i'd rather have a little bit of intensity so the kantan doesn't get too boring. the map almost relies only on 2/1 here which to me compensates enough for the break
  2. 00:51:794 (51,52,53,54,55,56,57) - If 00:52:222 - is mapped, I think 00:53:079 - should be too. 00:53:508 (54) - Fits better as a d imo. And I think you should remove 00:54:794 (56) - since a break would fit here. looking at how the song goes, i'd rather keep it as 3-1. and i moved 56 between 57 and 58 so it gets rhythm-wise consistent
  3. 02:21:794 (165) - d? Should be a dkd again to fit the music instead of 2 kkd in a row. 02:23:508 (169) - was changed to k afterwards.


[Futsuu]
  1. Why are there 1/3 doublets while more than 50% of the map feels like a Kantan? :( Gezo pls basshunter pls. added more notes (about 30).
  2. Add a d at 01:08:079 - or something? it's weird to have a d dK here imo. so the change doesn't get too violent, i added a note in kantan on the very first of the 4 kicks.
  3. 01:26:079 (125,126,127) - Should be consistent with 01:22:651 (120,121) - there's a slight difference, but the rhythm in itself is now consistent.


[Muzukashii]
  1. 02:32:508 (378) - Would fit better at 02:29:079 - imo. It fits better to the pitch here and consistency with 02:35:936 (388) - . Maybe consider adding dons at 02:15:365 - and 02:22:222 - too. applied everything but 02:22:222, because at that spot it follows a harder 1/3 rhythm.


[Oni]
  1. d on 01:24:365 (295) - for consistency? (this whole pattern is really tricky to play imo ;_;) Also same sugestion for the similar next parts. like 01:24:365 (295,296,297,298,299) - has been invert-colored
  2. Remove 01:55:079 (406) - or add a note at 01:54:651 - ? The first suggestion would be the best one imo since it's always nice to have more emphasis on the start of a kiai and it would be consistent with the next patterns too. Also, there's no note here on the Inner, so I don't see why you wouldn't remove it. gonna add it in inner then


[Inner]
  1. Gibe creditz for monotone 1/8 suggestion plz (I think your patterns are still really tricky in comparison to k kkk k d though ;_;). but it would be too easy
  2. 00:58:651 (239) - Should be a d like 00:51:794 (194) - . And 00:58:222 (235) - should be a k for the beat. 238 inverted to k as well
  3. 00:59:508 (242,246) - Should be dons too :(i'd rather have vocal-based kats on these notes
  4. 01:36:365 (440) - You forgot the finisher on this diff. oops
  5. 01:46:651 (484) - d? 483 inverted


That's all~
maire 6
OnosakiHito
[ Kantan]
  1. 00:43:222 (39,40,41) - Probably better to keep the d k d k beat and have here d k k instead.
  2. 00:44:936~00:50:936 - If you ask me, this is a radical change of what you have done before. I recommend to keep your previous pattern constellations up to 00:50. In case you wanted to prevent having too long patterns, I suggest following to this: Instead of the previous suggestion, you can just delete notes 00:43:651 (40,41) - , so it doesn't become to continuous. This solution might be even better when I think about it. In the kiai you can keep the continuous mapping then, and it would be more emphasized due to this.
  3. 00:57:365 (60) - Move to 00:56:508 as kat ?
  4. 00:58:651~01:05:508 - Same like before. Better keep it consistent instead of changing your patterns out of the sudden. It's one big section afterall.
  5. 01:07:865 - Recommending to delete this note. The big break is in my opinion really good placed. This note brings rather confusen than anything else.
  6. 01:17:508 - Have a d d k instead as you had before?
  7. 02:03:794- d k d same pattern like before? For consistency.
  8. 02:24:794 - Delete the last two kats here? Might a bit weird to you, so you might not like it. But having at least one rest moment would be appropriated if you ask me. Patterns are long, even though it is the kiai.


Mostly really simple Kantan. You had some great patterns here, such as the monotonical triplets or things like d d d dkd in the kiai. Nice.
And I like it that the HP is 6. In this way, people do not play the first notes and quit suddenly just for a rank.


[ Futsuu]
  1. 00:09:794 (8) - Recommending to delete this note. Do not have too many continuous 2/1 patterns.
  2. 00:16:651 (18) - You can delete this one as well for consistency. Don't need to worry about that upcoming alone standing kat. If you ask me, this fits pretty well here and gives a good fadeout of the kat into that bigger break.
  3. 00:29:508 (34,35) - Wups, snapping error.
  4. 00:43:651 (54) - Maybe delete this note? Dunno, either that or delete all tripplets. Though, this might be too much. At the end, trying to reduce the notes / having some break here would be nice. Like what I suggested in the Kantan. If you keep kk, it would be consistent with 00:49:651
  5. 01:08:294 - Recommending to delete the note. It's the same like in Muzukashii, so in this way, Muzu can carry the 4 dons.
  6. 02:00:365 - This might be too experimental, but try deleting this note? Kind would like to see some note reduce due to previous 1/3 pattern 01:58:651. Try to make it somewhet easy around it or delete it completely.
  7. 02:07:222 - ^
    {
  8. 02:15:365 (232) - This note should be deleted. 1/3 should stand alone, even though we have monotonically patterns. You can bound 1/3 with 1/1 in Muzu. But here, lower player will still have problems with this due to different snapping.
  9. 02:19:079 - Can be deleted to have a bigger rest moment. This kiai is kinda intense with these patterns and additional 1/3.
  10. 02:19:079 - ^
  11. 02:25:222 - delete?
    } Well, gave quick some suggestions. Maybe you will have better ideas for some rets moments and reduce of notes. But something like that would be good.
  12. Do same for the rest of the kiai.


[ Muzukashii]
In general you can use some of the deletion suggestions from Kantan. Not in the exact same way, but on similar timestamps. In this way I do not have to repeat my self. After all, it's the same song in all diffs.. In that meaning: Will just take care of the quality in Muzu.

  1. 00:05:936 (5,6,7) - Oh well, maybe one suggestion about deletion: Have d k instead, to follow the vocal in a more appropriated way? Same can be done in Oni and Inner maybe. Dunno, d d k sounds okay, but doesn't feel right when listening to the vocal. Your call.
  2. 00:16:651 - Same like in Futsuu
  3. 00:20:936 - Well, actually would suggest 1~2 deletions as well, but not sure here. If Inner and Oni wouldn't be so "hard", we could done that. But I think better leaving it as it is, since else the spread would be in danger.
  4. 01:08:936~01:21:794 - Some removals recommended.
  5. 01:25:651 (210) - can be deleted
  6. 01:26:079 - Well.... either continue with that 3/4 snapping way, or keep it even as you do the whole time already. Makes really not a good look with such sudden changes.
  7. 01:32:508 - ^ with the deletion in case you change the whole section to 3/4 snapping.
  8. 01:46:222 - delete
  9. 01:53:079 - delete like in Futsuu the 00:16:651
  10. 02:05:079 - delete for consistency with 01:58:222
  11. 02:07:222 - I wonder why there is no 1/3 anymore?
  12. 02:22:222 - Actually when following the way you placed the rest moment, this should be filled with a note and 02:25:651 - kept blank. Since you did the second rest moment for the 4plet 1/3, you might wanna consider either deleting the 4 plet and add a note at said place or.... you just keep it. But would be odd with rest moments then. Your call, too.
  13. 02:35:936- See? You did the same here. Now the breaks are consistent.


[ Oni]
Oni needs in my opinion some more removals. the jump from Muzukashii to Oni is pretty high. You can see it for example here: 01:07:865~01:27:794 - Muzukashii provides mostly 1/2 + 1/2 patterns, followed by Futsuu which has of course less of them. But suddenly, their comes Oni with a few rest moments and a lot of 1/4 patterns. You should really reduce some of these 1/4. And in case there are parts which provide a lot of 1/4, you can try to have bigger breaks instead. Such breaks are able to compensate a lot of hard patterns, which lowers the difficulty of a map really much.

What I said above won't be seen in my mod. I will leave that part mostly to you, since you are an old mapper and know how things role.

  1. 00:41:079 (91) - Can be deleted. Would make the spread saver to Muzu when counting the amount of upcoming deletions.
  2. 00:47:936 - ^ (If not this, try deleting that 00:44:294 (108,109) - )
  3. 00:42:044 - Maybe use kkd instead? You know, kdd is always such a thing... hard to make it fit somewhere without making it feel/sound weird.
  4. 00:51:365 - Can be kept blank if you ask me to seperate the parts from each other in a more significant way.
  5. 00:58:222 - delete
  6. 01:58:222 - could be deleted
  7. 02:05:079 - ^
  8. 02:12:365 - From here, similar deletions can be made like ^


[Inner Oni]
  1. 00:23:936 (55,56,57,58,59,60) - I will leave this open for now and see what the other modders say. Maybe think about making it easier. The look of this is a bit questionable since the patterns are a bit clustered, yet might be okay.


Well, in general I'm okay with the Inner. Pattern wise some things could be changed if you ask me, but that is rather own preferences. Will leave that to upcoming modders as well and give some thought about it after a recheck.
You might want to add here and there some breaks as well. In general the spread to Inner is preatty high, but in my opinion that's fine. For experienced mappers (old BATs and some new one) it seems like it is okay to have a good spread between Kantan and Oni. Inner can be a bit out of the picture (of course not too much).


Also one general word about the set: Overall it is fine, dispite some stuff I have mentioned. Enjoyed Kantan up to Muzu a lot due to simple patterns they often provide. In Oni and Inner some refining in pattern might be possible. But maybe it's just me.
Topic Starter
Gezoda

OnosakiHito wrote:

[ Kantan]
  1. 00:44:936~00:50:936 - If you ask me, this is a radical change of what you have done before. I recommend to keep your previous pattern constellations up to 00:50. In case you wanted to prevent having too long patterns, I suggest following to this: Instead of the previous suggestion, you can just delete notes 00:43:651 (40,41) - , so it doesn't become to continuous. This solution might be even better when I think about it. In the kiai you can keep the continuous mapping then, and it would be more emphasized due to this. I tried the second solution but I fear it would break the flow I've done, so I preferred the first version.
  2. 01:17:508 - Have a d d k instead as you had before?


Mostly really simple Kantan. You had some great patterns here, such as the monotonical triplets or things like d d d dkd in the kiai. Nice.
And I like it that the HP is 6. In this way, people do not play the first notes and quit suddenly just for a rank.


[ Futsuu]
  1. 00:29:508 (34,35) - Wups, snapping error. HOW DID IT GET HERE
  2. 01:08:294 - Recommending to delete the note. It's the same like in Muzukashii, so in this way, Muzu can carry the 4 dons. 3 dons+one big kat* (tried to have a nice and smooth thing but either way blah
  3. 02:00:365 - This might be too experimental, but try deleting this note? Kind would like to see some note reduce due to previous 1/3 pattern 01:58:651. Try to make it somewhet easy around it or delete it completely. 02:01:651 (208) - is a better spot to delete to me
  4. 02:07:222 - ^ since there's nothing around for it I don't think it will be deleted
    {
  5. 02:19:079 - Can be deleted to have a bigger rest moment. This kiai is kinda intense with these patterns and additional 1/3. done
  6. 02:19:079 - ^ this is literally the same thing ono. wild guess it was 02:22:508 -
  7. 02:25:222 - delete? would feel empty to me
    } Well, gave quick some suggestions. Maybe you will have better ideas for some rets moments and reduce of notes. But something like that would be good.
  8. Do same for the rest of the kiai.


[ Muzukashii]
In general you can use some of the deletion suggestions from Kantan. Not in the exact same way, but on similar timestamps. In this way I do not have to repeat my self. After all, it's the same song in all diffs.. In that meaning: Will just take care of the quality in Muzu.

  1. 00:05:936 (5,6,7) - Oh well, maybe one suggestion about deletion: Have d k instead, to follow the vocal in a more appropriated way? Same can be done in Oni and Inner maybe. Dunno, d d k sounds okay, but doesn't feel right when listening to the vocal. Your call. did dkd instead, so there are notes on the 1/1 spots where there is a bell in the background.
  2. 00:20:936 - Well, actually would suggest 1~2 deletions as well, but not sure here. If Inner and Oni wouldn't be so "hard", we could done that. But I think better leaving it as it is, since else the spread would be in danger. let's just see if the other modders can
  3. 01:08:936~01:21:794 - Some removals recommended. tried as much as I did, ended up having a 1.5 beat break
  4. 01:32:508 - ^ with the deletion in case you change the whole section to 3/4 snapping. would be better off having it so it makes the 2/1 more notable
  5. 02:07:222 - I wonder why there is no 1/3 anymore? dunno what you're talking about
  6. 02:22:222 - Actually when following the way you placed the rest moment, this should be filled with a note and 02:25:651 - kept blank. Since you did the second rest moment for the 4plet 1/3, you might wanna consider either deleting the 4 plet and add a note at said place or.... you just keep it. But would be odd with rest moments then. Your call, too. the break here was intentional because it follows a rather complicated pattern
  7. 02:35:936- See? You did the same here. Now the breaks are consistent. i don't really know what you mean here, should i delete the note ?


[ Oni]
Oni needs in my opinion some more removals. the jump from Muzukashii to Oni is pretty high. You can see it for example here: 01:07:865~01:27:794 - Muzukashii provides mostly 1/2 + 1/2 patterns, followed by Futsuu which has of course less of them. But suddenly, their comes Oni with a few rest moments and a lot of 1/4 patterns. You should really reduce some of these 1/4. And in case there are parts which provide a lot of 1/4, you can try to have bigger breaks instead. Such breaks are able to compensate a lot of hard patterns, which lowers the difficulty of a map really much. done

What I said above won't be seen in my mod. I will leave that part mostly to you, since you are an old mapper and know how things role. *roll

  1. 00:41:079 (91) - Can be deleted. Would make the spread saver to Muzu when counting the amount of upcoming deletions. would rather keep the kat here since it's a snare
  2. 00:47:936 - ^ (If not this, try deleting that 00:44:294 (108,109) - ) ^ but applied the alternate suggestion
  3. 00:51:365 - Can be kept blank if you ask me to seperate the parts from each other in a more significant way. left the first note at least
  4. 00:58:222 - delete snare D:
  5. 01:58:222 - could be deleted same D:
  6. 02:05:079 - ^ ^
  7. 02:12:365 - From here, similar deletions can be made like ^
    did the followings : 02:15:508 - 02:28:365 - 02:38:233 - 02:38:651 -


[Inner Oni]
  1. 00:23:936 (55,56,57,58,59,60) - I will leave this open for now and see what the other modders say. Maybe think about making it easier. The look of this is a bit questionable since the patterns are a bit clustered, yet might be okay. the monocolour part between the dons are on purpose exactly for 2 reasons: 1. more predictable pattern, nothing too fancy and 2. not too hard, so people can enjoy it. I would've used 1/6 but in the end it would sound wrong because it isn't snapped this way.


Well, in general I'm okay with the Inner. Pattern wise some things could be changed if you ask me, but that is rather own preferences. Will leave that to upcoming modders as well and give some thought about it after a recheck.
You might want to add here and there some breaks as well. In general the spread to Inner is preatty high, but in my opinion that's fine. For experienced mappers (old BATs and some new one) it seems like it is okay to have a good spread between Kantan and Oni. Inner can be a bit out of the picture (of course not too much).


Also one general word about the set: Overall it is fine, dispite some stuff I have mentioned. Enjoyed Kantan up to Muzu a lot due to simple patterns they often provide. In Oni and Inner some refining in pattern might be possible. But maybe it's just me.
additional breaks put regarding the mod, no real out-of-mod changes.
Nwolf
nya

[Kantan]

00:50:936 (50) - (I swear I hate this song) Delete this note to have a 4/1 break again and to have a break before the kiai. Gives it more emphasis or sth
01:58:222 (139) - Move this 01:57:365 - here to follow the vocals a bit, it its current position it sounds random. 01:57:794 (138) - This could be changed to a kat or sth after that
02:05:079 (148) - Move 02:04:222 - here
02:15:365 (158) - Move 02:14:508 - here
02:18:794 (163) - 02:17:936 -
02:22:222 (168) - 02:21:365 -
02:37:222 (189,191) - These could be deleted since this part is calmer compared to the rest of the kiai in other diffs too and it makes a difference to Futsuu

[Futsuu]

00:23:936 - Add a note here since Futsuu currently is a lot like Kantan here while Muzu has a 1/4 triplet here (also Muzu is similar to Oni might want to look at that) (00:30:794 (35) - btw)
00:46:008 (57,58) - You could delete these notes since they don't seem to contribute that much and are already missing 00:39:365 - here
01:29:079 (149) - Would prefer if this note was gone, seems to be too much compared to the rest of this part (yes I know kiai has this)
01:28:222 (147) - Also it might not hurt to have this as kat so you have more than one ddk triplet here

[Muzukashii]

00:44:294 (87,88) - As I have mentioned in chat, after the deletions of some notes in Futsuu there has to be at least one more 2/1 break in Muzu, in my eyes at least since Futsuu -> Muzu is bigger than Muzu -> Oni here. Delete these, also has the nice side effect of giving vocals room. 01:46:222 - Also refer to this
00:51:365 (107,108,109) - Oni lacks these. Delete, add note 00:50:936 - here
02:04:365 (299) - Why isn't this 02:04:079 - here

[Onion]

00:45:365 - to 00:47:936 - is mapped very weird. 00:46:222 (116) - You suddenly stopped following your kat rhythm here and 00:46:651 - 00:47:936 - lacks notes while 00:45:365 - 00:46:651 - seems to have too many. I don't care what exactly you do but do something (and fix the kat rhythm)
00:51:365 (137) - Delete to have space before kiai since the song is so lame that you don't even notice that kiai starts if you keep 1/1ing
00:59:186 (171,172) - Delete these notes too. I'm okay with 1/4 anywhere but it doesn't sound well here. You could add a don 00:56:829 - here to compensate. It would even follow song :3
01:46:972 (338) - Why. Whyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyy^4. Move it. Make a triple out of it. But no doublet
01:53:936 (367,368,369,370,371) - Previous diffs always had a break here and it doesn't seem like a bad idea for this diff tbh
02:19:508 (468,469) - Trade to follow kat rhythm more
02:25:651 (498) - Delete since this kiai is very similar to Inner and it would at least make a break here.
02:36:794 (548,549) - 02:37:365 (551,552) - ^

[Inner Onion]

00:05:294 (5) - That overmap is not necessary
00:24:044 (56,57,58) - Is this really needed. I mean, if it was consistent across the whole map, okay (01:35:722 - ) but it isn't and it doesn't really play that interesting, except if you want to screw DT players a little bit. Just make it 1/4
00:27:472 (75,76,77) - ^
00:30:902 (94,95,96) - ^
00:34:330 (114,115,116) - ^
00:40:972 (135,136) - > : (
00:51:794 - to 00:53:508 - ~ 00:59:079 - to 01:01:222 - dat difference
01:03:472 (264) - Move 01:03:686 - here and maybe change the pattern to kkd or something, it sounds weird atm. Also you could follow the 1/4 in vocals.
01:44:615 (469,471) - This is a little bit too much. A big little bit.
01:46:329 (479,481) - ^
01:46:865 - Meanwhile this actually lacks a note.
01:53:794 (520,521,522,523,524,525,526,527) - Since I mentioned this in Oni too, do something with this if there are changes in Oni
02:04:508 (573,574) - Change to dk (01:57:651 (539,540) - )
02:07:508 (588,589,590,591) - Change to dk kd 02:00:651 (554,555,556,557) - . Also might want to change 02:07:222 (587) - this to don (all doublets like this are dd) or 02:06:651 (584) - to kat
02:39:222 (749) - Change to don since the note is as low as 02:38:794 (747,748) - and it sounds better this way


GOGO IT'S 24TH
Topic Starter
Gezoda

Nwolf wrote:

nya NBO U

[Kantan]

00:50:936 (50) - (I swear I hate this song) Delete this note to have a 4/1 break again and to have a break before the kiai. Gives it more emphasis or sth bit it would feel empty idk ;_; (in kuro's mod it was the exact thing

[Futsuu]

00:23:936 - Add a note here since Futsuu currently is a lot like Kantan here while Muzu has a 1/4 triplet here (also Muzu is similar to Oni might want to look at that) (00:30:794 (35) - btw)
00:46:008 (57,58) - You could delete these notes since they don't seem to contribute that much and are already missing 00:39:365 - here kind of buildup for the kiai
01:28:222 (147) - Also it might not hurt to have this as kat so you have more than one ddk triplet here put it on 148 - beCAUSE CONSISTENCUY

[Muzukashii]

00:51:365 (107,108,109) - Oni lacks these. Delete, add note 00:50:936 - here only the two last.

[Onion no]

00:45:365 - to 00:47:936 - is mapped very weird. 00:46:222 (116) - You suddenly stopped following your kat rhythm here and 00:46:651 - 00:47:936 - lacks notes while 00:45:365 - 00:46:651 - seems to have too many. I don't care what exactly you do but do something (and fix the kat rhythm) change nothing changed to have the same idea but with rhythmu
00:51:365 (137) - Delete to have space before kiai since the song is so lame that you don't even notice that kiai starts if you keep 1/1ing no u I KEEP, it has background drums so i added d at 00:51:151 (138) - (pastis time)
00:59:186 (171,172) - Delete these notes too. I'm okay with 1/4 anywhere but it doesn't sound well here. You could add a don 00:56:829 - here to compensate. It would even follow song :3 00:58:651 (170,171,172,173,174,175,176,177) - d ddk k ddk is k?
01:46:972 (338) - Why. Whyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyyy^4. Move it. Make a triple out of it. But no doublet i think i forgot to move that one
01:53:936 (367,368,369,370,371) - Previous diffs always had a break here and it doesn't seem like a bad idea for this diff tbh but here it's better to me because stuff

[Inner Onion GDI WOLF]

00:24:044 (56,57,58) - Is this really needed. I mean, if it was consistent across the whole map, okay (01:35:722 - ) but it isn't and it doesn't really play that interesting, except if you want to screw DT players a little bit. Just make it 1/4 i fced it dt your argument is invalid i wanted to have a tricky thing here, it's not that hard if you think about it. the only thing that makes it hard is possibly the fact that the notes are close together. it's very obvious here that there is in fact something as such so that's why it's 1/8 and not at the other spot you mentioned.
00:27:472 (75,76,77) - ^
00:30:902 (94,95,96) - ^
00:34:330 (114,115,116) - ^
00:51:794 - to 00:53:508 - ~ 00:59:079 - to 01:01:222 - dat difference brek tiem
01:46:329 (479,481) - ^ can i has this pattern ? i don't think it's way too much (considering break time afterwards)
01:46:865 - Meanwhile this actually lacks a note. 1/1 brek
01:53:794 (520,521,522,523,524,525,526,527) - Since I mentioned this in Oni too, do something with this if there are changes in Oni there are not
02:39:222 (749) - Change to don since the note is as low as 02:38:794 (747,748) - and it sounds better this way


GOGO IT'S 24TH
no it's not christmsa u bkaa
Nwolf
Did IRC

IRC log not available

Mostly convinced Gezo to change stuff he declined first, with a few more changes in Muzu/Oni/Inner

Merry Christmas~
Topic Starter
Gezoda
Things changed:

[Muzukashii]
  1. 00:51:365 - Moved to 00:50:936 -
  2. 00:54:794 - Deleted triplet

[Oni]
  1. 00:51:151 - Removed note

[Inner]
  1. 00:52:544 - Removed note
  2. 01:02:508 - Changed to kat
  3. 01:46:115 - Deleted note
  4. 01:46:865 - Added note


might have missed stuff
Nwolf
@next BAT: I forgot to do the tags and uhm I doubt " LOL <(^^,)>" should go in there :3
Dainesl
well Gezo just needs to take it out if it doesn't belong there, he knows this
Topic Starter
Gezoda
it's the album name apparently
Nwolf
....lol <(^^,)> *hides*
qoot8123
[General]
  1. Mp3 file is 320kbps, is that acceptable for qualified ?


[ Futsuu]

  1. 00:48:365 (63,64,65,66,67,68,69) - how about this? more fit the song imo, and there only have kat, so i think it would not impact the spread a lot


tag is reasonable so call me back then ^^
Topic Starter
Gezoda
Changed the MP3 file, but about the Futsuu suggestion, I don't think I will take it due to the rhythm used; I basically have the same root as in the 4 bars before.

waiting for Nardo's mod and then idk what happens, who rebubs and who qualifaiz in dis case ;_;
Nardoxyribonucleic
Let the Jingle Bass kick~

  • [Kantan]

  1. 01:34:697 (110) - k here could follow the high-pitched music there well. This could result in a nice contrast to the previous 01:31:222 (105,106,107) -
  • [Futsuu]

  1. 00:14:125 (13) - As the vocal pitch is really high, I would recommend k here. It would be more coherent to 00:07:268 (5) - too.
  2. 01:34:697 (160) - same as Kantan. It is noticeable that you are following the cymbals with d, but I think it'd be better to use k for the higher-pitched music.
  • [Muzukashii]

  1. 00:17:554 (27) - consider using k here as you did in Kantan and Futsuu ? k could accompany the special cymbal sound well imo.
  2. 01:34:697 (223) - same as Kantan. This could follow the decreasing pitch across 01:34:697 (223,224,225,226,227) - nicely.
  3. 01:51:411 (263) - k here to follow the background sound as you did at 01:44:554 (243) - ?
  • [Oni]

  1. 00:17:554 (32) - same as Muzukashii
  2. 00:33:411 (70) - I think this note could be deleted to emphasize the halt of music nicely.
  3. 00:46:482 (118) - d here could sound better imo.
  4. 01:34:697 (303) - same as Kantan
  • [Inner Oni]

  1. 00:33:411 (108) - same as Oni
  2. 01:14:875 - consider adding k here ? This could make a contrast to the previous 01:11:232 (293,294,295,296) -
  3. 01:28:590 - similar to ^ , d here would be great imo.
  4. 01:34:697 (431) - same as Kantan


That's all~ Good luck Gezo :D
Topic Starter
Gezoda

Nardoxyribonucleic wrote:

Let the Jingle Bass kick~

  • [Oni]

  1. 00:46:482 (118) - d here could sound better imo. wanted to have a k k d pattern as 1/2
  2. 01:34:697 (303) - same as Kantan here i'd rather follow the kicks

+ finisher at 69 to fit more the halt

That's all~ Good luck Gezo :D
wow so many accepted stuff
Nwolf
rebubbled
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