Chiyoko - Baby Fantastic! -Short ver.- [Osu|Taiko]

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Topic Starter
Zweib

[R] wrote:

Suggestion

[Muzukashi]
I think this perfect :>
[Oni]
00:10:556 (61,62,63) - ddd ok
00:45:139 - k ok
00:58:473 - d ok
00:58:639 - k ok
00:59:556 - k ? keep
01:14:556 - k ?
keep
Thanks for modding :)
hvick225

Pururut wrote:

[hvick225's Harem]
00:01:473 (2) - nc
00:06:472 (5) - 重音落在滑条尾打起来有点不舒服
00:22:472 (9) - ^ 这个尤为严重
all fixed
Thanks for modding!
http://puu.sh/i2cSj/b233524979.osu
smallboat
一天一mod輪到你了

  1. Red words: Should be fixed.
  2. Blue words : Highly recommended suggestion.
  3. Black words : In my opinion.

[General]
  1. Fine,just the tags are consistent in mapset need to be fixed only.
[12q's Easy]
  1. 00:04:139 (5) - Too long combo,seems you missed a NC here.
  2. 00:57:473 (1) - Actually it can keep consistent distance,try to fix it.
  3. 01:03:806 (2) - 一個A開頭的會挑這個Nazi空隙間距最好還是修一下
  4. 01:18:973 (1,1) - You can use a bit rhythm make balance the diff spread gap :
[Normal]
  1. 00:13:139 (1,2,3) - Seldom 2 times stack in normal diff at nowadays,suggest stack one times better.
  2. 01:18:973 (1,1) - 這邊E和N diff 什麼節奏都不加,有被噴diff spread的風險會很大,給你一個節奏做參考來取平衡gap :
[Hard]
  1. 00:46:639 (6) - Missed a NC here?
  2. 00:54:639 (1) - Not so sure this so a lot slider reverse can be applied in hard diff,also can ask QAT.
[iMage's Insane] Cool set :3
  1. 00:04:806 (4,5,6,7) - This hitsound sounds like have a bit weird and loud,reduce to 50% better?
  2. 00:33:306 (5,1) - I think it keep consistent distance will played better imo (Sounds like no jump point here)
  3. 01:04:056 (5) - Compare with another ins diff,seems has no sound here?
  4. 01:09:389 (5) - Same above.
[hvick225's Harem] 好少看到維克的diff
  1. 00:06:473 (5) - 試試1/8? (00:22:472 (9) - 這都放1/8了,所以我想這邊也能放)
  2. 00:03:306 (7) - 照著這樣聽背景音樂好像忘了加whistle?
  3. 00:46:139 (5,6) - Recommened use ctrl+g will have a good flow better.
  4. 00:53:472 (6) - 可以加個NC來辨別這裡的big jump.
[Fantastic]
  1. 00:32:056 (6) - Maybe this 1/4 note jump can reduce a bit distance make catch easily (4.00x better?)
  2. 01:16:473 (2) - 可以再把這note拉遠一點,這樣距離好像會讀到1/4而不是1/2。
Meg

smallboat wrote:

一天一mod輪到你了

  1. Red words: Should be fixed.
  2. Blue words : Highly recommended suggestion.
  3. Black words : In my opinion.

[iMage's Insane] Cool set :3
  1. 00:04:806 (4,5,6,7) - This hitsound sounds like have a bit weird and loud,reduce to 50% better? ok
  2. 00:33:306 (5,1) - I think it keep consistent distance will played better imo (Sounds like no jump point here) changed a little
  3. 01:04:056 (5) - Compare with another ins diff,seems has no sound here? ok
  4. 01:09:389 (5) - Same above. ok
thank you for modding ;)
http://puu.sh/iaRBX.zip
Topic Starter
Zweib

smallboat wrote:

一天一mod輪到你了

  1. Red words: Should be fixed.
  2. Blue words : Highly recommended suggestion.
  3. Black words : In my opinion.

[General]
  1. Fine,just the tags are consistent in mapset need to be fixed only. fixed
[12q's Easy]
  1. 00:04:139 (5) - Too long combo,seems you missed a NC here.
  2. 00:57:473 (1) - Actually it can keep consistent distance,try to fix it.
  3. 01:03:806 (2) - 一個A開頭的會挑這個Nazi空隙間距最好還是修一下
  4. 01:18:973 (1,1) - You can use a bit rhythm make balance the diff spread gap :

all of these not serious nazis, so I helped 12q with fixing them :D
[Normal]
  1. 00:13:139 (1,2,3) - Seldom 2 times stack in normal diff at nowadays,suggest stack one times better. [/color]
  2. 01:18:973 (1,1) - 這邊E和N diff 什麼節奏都不加,有被噴diff spread的風險會很大,給你一個節奏做參考來取平衡gap :
    fixed
[Hard]
  1. 00:46:639 (6) - Missed a NC here? fixed NC
  2. 00:54:639 (1) - Not so sure this so a lot slider reverse can be applied in hard diff,also can ask QAT. keep it at the present, have no better idea
[Fantastic]
  1. 00:32:056 (6) - Maybe this 1/4 note jump can reduce a bit distance make catch easily (4.00x better?) fixed a little
  2. 01:16:473 (2) - 可以再把這note拉遠一點,這樣距離好像會讀到1/4而不是1/2。 fixed a little
thanks chuanye~ :D
hvick225

smallboat wrote:

[hvick225's Harem] 好少看到維克的diff
  1. 00:06:473 (5) - 試試1/8? (00:22:472 (9) - 這都放1/8了,所以我想這邊也能放) ok
  2. 00:03:306 (7) - 照著這樣聽背景音樂好像忘了加whistle? ok
  3. 00:46:139 (5,6) - Recommened use ctrl+g will have a good flow better. ok
  4. 00:53:472 (6) - 可以加個NC來辨別這裡的big jump. ok
Thank for modding~
http://puu.sh/ierN7/c673e92280.osu
Alepat
Hi! from Mid&Friends Taiko Modding Queue
Legend
(?) = suggestion
^^ = Same as above
d = red note
k = blue note

[Muzukashii and Oni]
Set volume 100% in all inherit points and Timing
modify all inherit points on x1,00 SV multiplier

[Muzukashii]
00:20:306 (33) - delete
00:26:806 (61) - ^^
00:53:473 (171) - move to 00:53:639 -

[Oni]
00:54:639 (232) - Remove finish, maintain note
00:55:139 (236) - d
00:55:806 (243,244,245) - ddk
00:56:056 (246) - delete
01:01:389 - add d
01:01:473 (32) - k
01:01:723 (34,35) - kk
01:02:056 (38) - delete
Topic Starter
Zweib

Alepat wrote:

Hi! from Mid&Friends Taiko Modding Queue
Legend
(?) = suggestion
^^ = Same as above
d = red note
k = blue note

[Muzukashii and Oni]
Set volume 100% in all inherit points and Timing are you serious D;
modify all inherit points on x1,00 SV multiplier

[Muzukashii]
00:20:306 (33) - delete hmm, keep
00:26:806 (61) - ^^ ^
00:53:473 (171) - move to 00:53:639 - do you mean move to 00:54:306 (4)

[Oni]
00:54:639 (232) - Remove finish, maintain note but music is strong here
00:55:139 (236) - d ok
00:55:806 (243,244,245) - ddk keep
00:56:056 (246) - delete ok
01:01:389 - add d keep
01:01:473 (32) - k fixed
01:01:723 (34,35) - kk fixed
01:02:056 (38) - delete
thanks for modding!
Emonal
剛好玩到就mod一下 ;)
01:00:139這個滑條可以放左上一些,不然玩的時候接起來很怪,應該和01:05:473這個滑條的距離對稱一下。
01:15:139(1,1,1,1)這裡的連打節奏聽起來怪怪的,建議不要放1/6還是改回1/4,然後連打改成二連+三連,圖如下

01:20:473這裡再放一個note比較順
over~
Nardoxyribonucleic
Hi, here is the M4M as requested.

[General]

Tags: Add "Visual Novel" , "Hanayome to Maou ~ Oushitu no Harem wa Gekokujou ~" (capitalization)
AIMod: Tags conflict with hvick225's Harem diff.

  • [Muzukashii]

    Disable widescreen support.

  1. 00:04:973 (12,13) - consider swapping these notes to d k ? This could follow the increasing pitch in a way better.
  2. 00:06:473 - this timing point could be removed since it is not in use.
  3. 00:06:806 (19) - this finish stands rather alone since you don't use big note at similar places like 00:08:139 (26,33) - . Consider using K as well for consistency ?
  4. 00:10:723 (39) - moving this note to 00:10:556 - would follow the beat better.
  5. 00:10:806 (40,41,43) - you may add finish as you did at 00:11:806 (42) - for emphasizing the stressed sounds.
  6. 00:18:139 (22) - k would be better since the vocal pitch is the same as 00:18:473 (24) -
  7. 00:19:139 (27) - consider deleting this note for a 2/1 break as this part is relatively calm ?
  8. 00:19:473 (28) - k would be better for the snare there.
  9. 00:22:306 (41,42) - swapping these notes to k d would follow the drop in vocal pitch.
  10. 00:23:639 (47,48) - similar to 00:04:973 (12,13) - , d K would be better.
  11. 00:24:139 (49) - D would mark the start of new stanza nicely imo.
  12. 00:24:306 (50) - move to 00:24:473 - and change to k for the snare ?
  13. 00:28:973 (71) - d would result in a smoother flow since the higher-pitched vocal at 00:29:139 (72) - could be highlighted.
  14. 00:29:806 (74) - same as 00:19:473 (28) -
  15. 00:31:639 - maybe add d for the beat there ?
  16. 00:32:139 (82,83,84,85,86,87,88,89) - try to change this pattern from dkkddkkK to K kkddkD to accompany the pitch drop ?
  17. 00:33:806 (91,95) - same as 00:19:473 (28) -
  18. 00:34:806 - It would be better to use constant SV in lower difficulties since beginners may find it hard to adapt SV changes.
  19. From 00:34:806 to 00:45:473 - As the music is rather soft, note density should be lowered considerably. Here is an example: (cursor at 00:39:806 - )
  20. 00:51:973 (166) - K would fit both the higher-pitched vocal and the stressed sound.
  21. 00:53:473 (173,178) - similar to ^ , big don would be nice.
  22. 00:57:473 (1) - same as ^
  23. 00:59:056 (9) - moving this note to 00:58:723 - would result in a smoother flow.
  24. 01:02:139 (25) - move to 01:02:639 - and add k at 01:02:389 - for the beat ?
  25. 01:03:806 (32,33,34,35) - try kd dk instead of kkd d ? This could help emphasize the vocal there. Then, you may change 01:04:806 (36) - to d since the pitch is lower.
  26. 01:06:806 (46,47,48) - d d k would match the snare at 01:07:139 -
  27. 01:09:722 (9) - same as 00:59:056 (9) -
  28. 01:12:472 (23) - k would be better for pattern consistency as 01:01:806 (23) -
  29. 01:13:805 (29) - same as 00:19:473 (28) -
  30. 01:14:639 (33) - deleting this note would make the vocal at 01:14:472 (32) - clearer.
  31. 01:15:805 (38,39) - swapping these notes to k d would fit the snare well.
  32. 01:16:306 (41) - move to 01:16:639 - so that it would cohere with 01:13:972 (30) -
  33. 01:19:139 (1) - this note could be deleted for a 2/1 break after the dense kiai.
  34. From 01:18:806 to 01:26:806 - the patterns here are rather loose imo. You may take this as an example: (cursor at 01:24:139 - , which is a big note)


That's all and good luck~ :D
Topic Starter
Zweib

Nardoxyribonucleic wrote:

Hi, here is the M4M as requested.

[General]

Tags: Add "Visual Novel" , "Hanayome to Maou ~ Oushitu no Harem wa Gekokujou ~" (capitalization)
AIMod: Tags conflict with hvick225's Harem diff.

  • [Muzukashii]

    Disable widescreen support.

  1. 00:04:973 (12,13) - consider swapping these notes to d k ? This could follow the increasing pitch in a way better.
  2. 00:06:473 - this timing point could be removed since it is not in use.
  3. 00:06:806 (19) - this finish stands rather alone since you don't use big note at similar places like 00:08:139 (26,33) - . Consider using K as well for consistency ?
  4. 00:10:723 (39) - moving this note to 00:10:556 - would follow the beat better.
  5. 00:10:806 (40,41,43) - you may add finish as you did at 00:11:806 (42) - for emphasizing the stressed sounds.
  6. 00:18:139 (22) - k would be better since the vocal pitch is the same as 00:18:473 (24) -
  7. 00:19:139 (27) - consider deleting this note for a 2/1 break as this part is relatively calm ?
  8. 00:19:473 (28) - k would be better for the snare there.
  9. 00:22:306 (41,42) - swapping these notes to k d would follow the drop in vocal pitch.
  10. 00:23:639 (47,48) - similar to 00:04:973 (12,13) - , d K would be better.
  11. 00:24:139 (49) - D would mark the start of new stanza nicely imo.
  12. 00:24:306 (50) - move to 00:24:473 - and change to k for the snare ? I followed guitar here which I think sounds cool
  13. 00:28:973 (71) - d would result in a smoother flow since the higher-pitched vocal at 00:29:139 (72) - could be highlighted.
  14. 00:29:806 (74) - same as 00:19:473 (28) -
  15. 00:31:639 - maybe add d for the beat there ?
  16. 00:32:139 (82,83,84,85,86,87,88,89) - try to change this pattern from dkkddkkK to K kkddkD to accompany the pitch drop ?
  17. 00:33:806 (91,95) - same as 00:19:473 (28) -
  18. 00:34:806 - It would be better to use constant SV in lower difficulties since beginners may find it hard to adapt SV changes.
  19. From 00:34:806 to 00:45:473 - As the music is rather soft, note density should be lowered considerably. Here is an example: (cursor at 00:39:806 - )
  20. 00:51:973 (166) - K would fit both the higher-pitched vocal and the stressed sound.
  21. 00:53:473 (173,178) - similar to ^ , big don would be nice.
  22. 00:57:473 (1) - same as ^
  23. 00:59:056 (9) - moving this note to 00:58:723 - would result in a smoother flow.
  24. 01:02:139 (25) - move to 01:02:639 - and add k at 01:02:389 - for the beat ? keep this, I feel it goes more naturally
  25. 01:03:806 (32,33,34,35) - try kd dk instead of kkd d ? This could help emphasize the vocal there. Then, you may change 01:04:806 (36) - to d since the pitch is lower.
  26. 01:06:806 (46,47,48) - d d k would match the snare at 01:07:139 -
  27. 01:09:722 (9) - same as 00:59:056 (9) -
  28. 01:12:472 (23) - k would be better for pattern consistency as 01:01:806 (23) -
  29. 01:13:805 (29) - same as 00:19:473 (28) -
  30. 01:14:639 (33) - deleting this note would make the vocal at 01:14:472 (32) - clearer.
  31. 01:15:805 (38,39) - swapping these notes to k d would fit the snare well.
  32. 01:16:306 (41) - move to 01:16:639 - so that it would cohere with 01:13:972 (30) -
  33. 01:19:139 (1) - this note could be deleted for a 2/1 break after the dense kiai.
  34. From 01:18:806 to 01:26:806 - the patterns here are rather loose imo. You may take this as an example: (cursor at 01:24:139 - , which is a big note) partially fixed, still follow the inst


That's all and good luck~ :D
all other not mentioned are fixed, thanks for modding!
Topic Starter
Zweib

Nardoxyribonucleic wrote:

Hi, here is the M4M as requested.

[General]

Tags: Add "Visual Novel" , "Hanayome to Maou ~ Oushitu no Harem wa Gekokujou ~" (capitalization)
AIMod: Tags conflict with hvick225's Harem diff.

  • [Muzukashii]

    Disable widescreen support.

  1. 00:04:973 (12,13) - consider swapping these notes to d k ? This could follow the increasing pitch in a way better.
  2. 00:06:473 - this timing point could be removed since it is not in use.
  3. 00:06:806 (19) - this finish stands rather alone since you don't use big note at similar places like 00:08:139 (26,33) - . Consider using K as well for consistency ?
  4. 00:10:723 (39) - moving this note to 00:10:556 - would follow the beat better.
  5. 00:10:806 (40,41,43) - you may add finish as you did at 00:11:806 (42) - for emphasizing the stressed sounds.
  6. 00:18:139 (22) - k would be better since the vocal pitch is the same as 00:18:473 (24) -
  7. 00:19:139 (27) - consider deleting this note for a 2/1 break as this part is relatively calm ?
  8. 00:19:473 (28) - k would be better for the snare there.
  9. 00:22:306 (41,42) - swapping these notes to k d would follow the drop in vocal pitch.
  10. 00:23:639 (47,48) - similar to 00:04:973 (12,13) - , d K would be better.
  11. 00:24:139 (49) - D would mark the start of new stanza nicely imo.
  12. 00:24:306 (50) - move to 00:24:473 - and change to k for the snare ? I followed guitar here which I think sounds cool
  13. 00:28:973 (71) - d would result in a smoother flow since the higher-pitched vocal at 00:29:139 (72) - could be highlighted.
  14. 00:29:806 (74) - same as 00:19:473 (28) -
  15. 00:31:639 - maybe add d for the beat there ?
  16. 00:32:139 (82,83,84,85,86,87,88,89) - try to change this pattern from dkkddkkK to K kkddkD to accompany the pitch drop ?
  17. 00:33:806 (91,95) - same as 00:19:473 (28) -
  18. 00:34:806 - It would be better to use constant SV in lower difficulties since beginners may find it hard to adapt SV changes.
  19. From 00:34:806 to 00:45:473 - As the music is rather soft, note density should be lowered considerably. Here is an example: (cursor at 00:39:806 - )
  20. 00:51:973 (166) - K would fit both the higher-pitched vocal and the stressed sound.
  21. 00:53:473 (173,178) - similar to ^ , big don would be nice.
  22. 00:57:473 (1) - same as ^
  23. 00:59:056 (9) - moving this note to 00:58:723 - would result in a smoother flow.
  24. 01:02:139 (25) - move to 01:02:639 - and add k at 01:02:389 - for the beat ? keep this, I feel it goes more naturally
  25. 01:03:806 (32,33,34,35) - try kd dk instead of kkd d ? This could help emphasize the vocal there. Then, you may change 01:04:806 (36) - to d since the pitch is lower.
  26. 01:06:806 (46,47,48) - d d k would match the snare at 01:07:139 -
  27. 01:09:722 (9) - same as 00:59:056 (9) -
  28. 01:12:472 (23) - k would be better for pattern consistency as 01:01:806 (23) -
  29. 01:13:805 (29) - same as 00:19:473 (28) -
  30. 01:14:639 (33) - deleting this note would make the vocal at 01:14:472 (32) - clearer.
  31. 01:15:805 (38,39) - swapping these notes to k d would fit the snare well.
  32. 01:16:306 (41) - move to 01:16:639 - so that it would cohere with 01:13:972 (30) -
  33. 01:19:139 (1) - this note could be deleted for a 2/1 break after the dense kiai.
  34. From 01:18:806 to 01:26:806 - the patterns here are rather loose imo. You may take this as an example: (cursor at 01:24:139 - , which is a big note) partially fixed, still follow the inst


That's all and good luck~ :D
all other not mentioned are fixed, thanks for modding!
Nardoxyribonucleic
剛剛寫好了w (no kd)
Please add "Nardoxyribonucleic" to tags, thanks.

http://puu.sh/iUcav.rar
Topic Starter
Zweib

Nardoxyribonucleic wrote:

剛剛寫好了w (no kd)
Please add "Nardoxyribonucleic" to tags, thanks.

http://puu.sh/iUcav.rar
神速;w;
Surono
`L_` ugh me here again.. dont kd meh

[Oni]
00:06:139 (29,30) - why not don? @_@ hmm imo.. this like to down pitch.. so well for me.... *violin low like some here.. 00:02:973 -
00:55:306 (287) - don? consistency with here 01:17:973 (450) - hmm? XD
okay start from kiai until end.. nice weehhehh =w= Gluck~
ak74
hi~棒哥,我来献上我的屎摸
[Muzukashii]
00:16:473 (17,18) - ctrl+g? 这样听起来和乐曲更契合
00:21:806 - 这里加两个1/2note? 听着挺空,可以考虑一下改成●●●●●●
00:27:806 (67,68,69,70) - 这里跟vocal会比较好吧,改成● ●
00:28:973 (72) - 这个改成k?
00:29:473 (74) - 建议改成D
00:30:639 (78,79) - ctrl+g
00:36:139 (102) - 总感觉这个note有点多余...
00:42:806 (119) - d
00:45:306 (129) - delete,这里的音好像不太重要
01:06:639 - 加个k 然后删掉01:06:806 (46) -
01:13:306 (27) , 01:15:472 (37) - 改成d
01:18:305 (51,52,1) - 这里还是跟一下vocal改成d?
01:21:806 (1) - 音高还是k

[Nardo's Oni]
00:12:139 (73) - 听instrument,这个强烈建议改成d
00:56:306 —— 00:57:139 这里我觉得加个转盘没问题
01:02:473 (333) - k?
01:04:639 (348) - d
01:05:889 (358) - delete,还是凸显一下vocal
01:19:306 (459) - 加个d,这里有音
01:21:973 (470) - ^

Good luck! :)
Nardoxyribonucleic

Surono wrote:

`L_` ugh me here again.. dont kd meh

[Oni]
00:06:139 (29,30) - why not don? @_@ hmm imo.. this like to down pitch.. so well for me.... *violin low like some here.. 00:02:973 - It seems that k would result in a smoother flow.
00:55:306 (287) - don? consistency with here 01:17:973 (450) - hmm? XD A high-pitched sound occurs at 00:55:306 - , so k would be better.
okay start from kiai until end.. nice weehhehh =w= Gluck~
Thanks for your mod and comment~ :)

ak74qbz95xm8 wrote:

hi~棒哥,我来献上我的屎摸

[Nardo's Oni]
00:12:139 (73) - 听instrument,这个强烈建议改成d I think k would fit the strong cymbal more.
00:56:306 —— 00:57:139 这里我觉得加个转盘没问题 Yes, but it would be better to keep the break consistent with Muzukashii.
01:02:473 (333) - k? d would result in a smoother flow imo.
01:04:639 (348) - d Retained to fit the pitch of background instrument there.
01:05:889 (358) - delete,还是凸显一下vocal I think a triplet here would help cohere with the pattern at 01:01:139 -
01:19:306 (459) - 加个d,这里有音 You are right, but a 2/1 break would fit the calm music more imo.
01:21:973 (470) - ^ same as ^

Good luck! :)
Thanks for your mod~ :)
bananannian

I am pretty thorough, so don't be annoyed if I point out a lot of issues. A lot of times they are just my opinions, so feel free to object to them. :3

d = don
k = katsu
D = big don
K = big katsu


[General]
... Kinda regret taking this request now, I have pretty much nothing to say. Mapset's very polished, especially the Oni. :3

[Muzukashii]
00:01:473 (1) - You sure you don't want this to be K? To me, it sounds kinda weird without the finish, but up to you.
00:23:639 (48) - change to d for better emphasis on 00:23:806 (49), vocal's high note
00:35:806 (100,101,102) - I would not map this part to the bells synth in the background, but to the vocals instead (since you've been mapping to the vocals a lot so far); I suggest changing this to dd
00:53:306 (161) - change to d for better emphasis on 00:53:473 (162), as well as distinguishing between vocals' different pitch at 00:53:139 (160)
01:15:889 (40) - I would personally add d here to lead in to 01:15:973 (40) for the vocals, as well as add a bit more intensity towards the end of the kiai

[Nardo's Oni]
00:01:473 (1) - like Muzu, you sure you don't want this to be K?
00:22:306 (126,127,128,129,130,131) - I would actually prefer this to be ddd ddk for two reasons:
1. 00:22:806 (131) would then be k, matching vocal's high note as well as being consistent with 00:23:139 (134,136,140)
2. The entire phrase starting from 00:21:806 would have increasing density of k notes, leading into 00:24:139 (142), the start of the next phrase.
01:01:639 (327,328) - reverse, change to kd; k would match vocals, while d would match the slight pause in the guitar
01:12:305 (409,410) - ^
[]

And that's about it! Nicely done, I like both your difficulties a lot. Hope you find this mod helpful, and good luck beatmapping! :3
Nardoxyribonucleic

bananannian wrote:


I am pretty thorough, so don't be annoyed if I point out a lot of issues. A lot of times they are just my opinions, so feel free to object to them. :3

d = don
k = katsu
D = big don
K = big katsu


[General]
... Kinda regret taking this request now, I have pretty much nothing to say. Mapset's very polished, especially the Oni. :3

[Nardo's Oni]
00:01:473 (1) - like Muzu, you sure you don't want this to be K? It is not as stressed as 00:04:139 (15) - , so k would be enough imo.
00:22:306 (126,127,128,129,130,131) - I would actually prefer this to be ddd ddk for two reasons: changed to ddd kdk instead.
1. 00:22:806 (131) would then be k, matching vocal's high note as well as being consistent with 00:23:139 (134,136,140)
2. The entire phrase starting from 00:21:806 would have increasing density of k notes, leading into 00:24:139 (142), the start of the next phrase.
01:01:639 (327,328) - reverse, change to kd; k would match vocals, while d would match the slight pause in the guitar I think d k would result in a smoother flow since the distribution of kats is more even.
01:12:305 (409,410) - ^ same as ^
[]

And that's about it! Nicely done, I like both your difficulties a lot. Hope you find this mod helpful, and good luck beatmapping! :3
Thanks for your mod~ :)

Update: http://puu.sh/j0av3.rar
Topic Starter
Zweib
@ak74qbz95xm8 bananannian and Nardo
I'm so sorry for late replying orzzzzz

I don't know why I didn't receive any reminder in my mailbox.

I'll give a feedback asap. Thank you all!
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