I've got to agree with Asphyxia, that 3/4 feels way too forced and doesn't work with how you mapped the other choruses. If anything, mix in the 3/4 with the way you mapped the other kiai's so it doesn't feel as spammy.
rip again.ghm12 wrote:
Are these lines okay, since they have different samples at the same time?
thanks forKalindraz wrote:
rip again.
do C2 and C1 use different hitsound files?ghm12 wrote:
Are these lines okay, since they have different samples at the same time?
Looks like they use, there are more than one soft-hitnormal, soft-hitclap and etc in the folder being used (soft-hitnormal2, soft-hitclap2 etc), and they sounds differentLoctav wrote:
do C2 and C1 use different hitsound files?ghm12 wrote:
Are these lines okay, since they have different samples at the same time?
I agree. I think the regular 1/2 rhythm that has been used in the other Kiai sections fits best here, rather than the 3/4s.Lust wrote:
[Final Reverberant Gonkanau]
- 03:00:031 (1,2,3,4,5,6,7) - These extended 3/4 sliders do not always follow the vocals quite as well as they should. It leads to some awkward rhythm accentuations while playing and listening. Asphyxia and others pointed this out before, and not enough adequate reasoning was provided. If you care to elaborate as to why you decided to keep them, that would be great! Same goes for all other instances where this occurs.
You want to fix that, too, before moving this forward to Qualified again.ghm12 wrote:
Are these lines okay, since they have different samples at the same time?
I think apparition's second DQ was only an hourCerulean Veyron wrote:
Is this the fastest dq recorded? If not, fml