as a musician/artist, i notice that any time i'm finding inspirations like him, they leave a particular kind of admiring-envy. in this case, his extent of prowess in sound design looks brutal for people that aren't familiarized or comfortable or disciplined for it, and i'm probably among them since i only really can muster the energy to fixate more on melodically emotive/cathartic anchors. witnessing the joy creators find in their crafts really soothes that distant impression of unreachability, and it feels really "human" in a sea of culture that's both boiling over large swaths of ecosystems while forming frigid island chains, if that makes sense.
i think i might've either seen that video, but if i haven't then i've absolutely heard about it. it's been so long now, but when i visit it, i'm sure it'll be heartwarming.
i've not had entirely as consistently meaningful a range of thoughts/questions about common and weird name conventions, but i do find them interesting as well. wonderful music selections by the way ("hate devours its host" as a whole, especially), and i think i would have loved to discover these after qebrus, though my taste developed elsewhere by 2018 or so. i never quite let go of these kinds of idm and ambient instrumental songs, loosely speaking.
have you heard of a channel named "drillobite"?
that happened to be where i first
found a home to be sheltered and fed with
strange-for-the-time music, which
i sometimes loved dearly. i don't know if these would suit your profile, but
that's sort of where i look at this from.
i've had a particular relationship with title aesthetics and name aesthetics and number aesthetics, of course, but could never quite apply them or find them in the forms i seemed to want, so i ultimately stopped being all that deliberate about what i found meaning in, and would usually just settle for whatever sounded sweet as long as it didn't really bother me.