General:01:21:688 - Not a must, but consider using another Kiai here. It would work without as well, but since the tone in this whole section becomes higher and your note density(+ pattern constellation) is still the same, you only have the possibility to emphasize this part with the kiai(SV change would be also possible, but fits not well in this song I guess) - same goes for the lower difficulties.
Notes:00:22:842 (107,108,109) - Mh, might be me since I'm used to this pattern, but I feel like
kkd would fit better here. As 1/2 it would be a
d d due to the background sound, but since you mapped with 1/4, kkd would possibly represent this 1/4-sounding better (tbh, I don't know how to call these sounds in english).
Huh kkd is taking the percussion route while kdd is closer to the melodic parts, which I was going for. Let's have a bait-and-switch here to make this 6★ more legit then. (hey00:34:188 (170,173) - Or only (170) you might want to change to
don. If I'm not wrong, you mapped to the contrabass. Its tone becomes deeper up to the end, where it is really deep, so the constellation I suggest might fit here well. Additional changing 00:35:342 (176) - to
kat would make the last part look like the reversed pattern of the previous one.
The thing has a name!? And *checks Wikipedia* yes it is the contrabass there. Anyway if you explain it that way it would be an awesome pattern, but I would contend that (153)~(160) also take the reversed form for symmetry.Everything is pretty solid. I like the map. I like the style. Has an TNT feeling, but better. I also like how you kept the patterns similar, but still with small changes. I can see your experience which you gained from TNT. Great map!