Hello! from your queue~
[Nepu's Kantan]
00:18:827 (25,29,33) - move to 00:18:527 - or 00:18:677 -
Though it is good as a pattern, it is unknown which sound is picked up.
It is recommended to move to a position along the sound easy to understand.
00:55:127 (71) - delete,
Unnecessary feel
I think that it is considerably better to express how to break down this triplet and enter kiai in one note.
01:18:827 (4,8,12) - move to 01:18:527 - or 01:18:677 -
It is the same as the first proposal.
[Futsuu]
00:15:527 (21) - delete.
for consistency, 00:14:927 -
00:17:777 (29) - delete
I think that there is a possibility that Futsuu player will be confused to put triplet and doublet at the same time in early BPM.
00:17:327 (27,28,29,30,31,32,33,34,35) -
00:20:177 (38) - same as ^
00:22:577 (46) - same as ^
00:24:977 (55) - same as ^
00:20:627 - add note.
Mistake?
It is better to add because consistency has collapsed and has gone away.
00:36:077 (84) - delete
Unnecessary feel
I think that it is effective to use five pairs at the place where you want to make the song the most prominent.
01:12:527 (191,193) - delete
Density is too high.
[Muzukashii]
00:18:377 (49,62,75,88) - delete.
By removing it there is a little break and vocal sounds clean.
01:18:377 (318,331,344,357) - delete,
same as ^
[Oni]
00:57:602 (275) - delete?
Since vocal is staccato, delete sounds better.
[Faillen Angel]
00:51:977 (286,287) - ctrl+g?
You can combine color reversal patterns.
00:50:627 (279,280,281,282,283,284) - ddkdk-d
00:51:827 (285,286,287,288,289,290) - kkdkd-k
01:03:677 (375,376,378) - delete
Unnecessary feel
It is better to erase it because it is unknown which sound is taken.
good luck~ :3
[Nepu's Kantan]
00:18:827 (25,29,33) - move to 00:18:527 - or 00:18:677 -
Though it is good as a pattern, it is unknown which sound is picked up.
It is recommended to move to a position along the sound easy to understand.
00:55:127 (71) - delete,
Unnecessary feel
I think that it is considerably better to express how to break down this triplet and enter kiai in one note.
01:18:827 (4,8,12) - move to 01:18:527 - or 01:18:677 -
It is the same as the first proposal.
[Futsuu]
00:15:527 (21) - delete.
for consistency, 00:14:927 -
00:17:777 (29) - delete
I think that there is a possibility that Futsuu player will be confused to put triplet and doublet at the same time in early BPM.
00:17:327 (27,28,29,30,31,32,33,34,35) -
00:20:177 (38) - same as ^
00:22:577 (46) - same as ^
00:24:977 (55) - same as ^
00:20:627 - add note.
Mistake?
It is better to add because consistency has collapsed and has gone away.
00:36:077 (84) - delete
Unnecessary feel
I think that it is effective to use five pairs at the place where you want to make the song the most prominent.
01:12:527 (191,193) - delete
Density is too high.
[Muzukashii]
00:18:377 (49,62,75,88) - delete.
By removing it there is a little break and vocal sounds clean.
01:18:377 (318,331,344,357) - delete,
same as ^
[Oni]
00:57:602 (275) - delete?
Since vocal is staccato, delete sounds better.
[Faillen Angel]
00:51:977 (286,287) - ctrl+g?
You can combine color reversal patterns.
00:50:627 (279,280,281,282,283,284) - ddkdk-d
00:51:827 (285,286,287,288,289,290) - kkdkd-k
01:03:677 (375,376,378) - delete
Unnecessary feel
It is better to erase it because it is unknown which sound is taken.
good luck~ :3