newton- wrote:
from qgood luck!
- you space out 1/1 the same way you space out 1/2 most of the time, consider giving each of them distinct spacing :<
- 00:20:638 (1) - nazi nu I like the shape as it is
- 00:34:694 (1,2) - this sorta looks like 1/1 idk It doesn't the spacing between 00:34:694 (1,2) - and 00:35:408 (2,3) - is different
- 00:38:980 (1,2,3) - having this symmetrical would be cool made a symmetrical triangle
- 01:11:834 (1,2,3,4,5,6,7,8,1) - instead of having this switch between wide and sharp flow i feel that the acceleration pattern wouldve made more impact if the entire thing was wide flow 5th note is wide angle to emphasize it
- 01:23:262 (1,2,3,4,5,6,7,8) - same here maybe? also your sharp angle jumps dont feel arranged enough, maybe set 01:23:976 (3,4,5,6,7,8) - up into a hexgrid style triangle pattern Redid this pattern so that the wide angle is consistent with the previous pattern.
- 01:30:405 (1) - space this out from 5 a bit more, this deserves more emphasis imo fixed
- 01:31:476 (5,1) // 01:34:334 (5,1) - looks like 1/2 due to the thing like 01:31:298 (4,5) - It's fairly obvious from listening to the music that it's not a 1/2, and a stack indicates something new is happening. This makes listening to the music a bit more important, rather than making the song into a whack-a-mole
- 01:36:298 (7,8) etc - would be better to have these follow implied slider flow imo. sharp entry/exit takes away from the relaxing smooth factor of the song fixed
- 02:12:195 (3) // 03:02:911 (8) - ctrlg for circular flow? 02:12:195 (3) - this sliderhead is emphasized as well I wanted flow break for the nc 03:02:911 (8,1) -
- 03:34:697 (1,2) - also looks like 1/2 due to (4,1) NC indicates that 03:34:697 (1) - is right after 03:34:340 (9) - . also the linear build up to the jump is pretty obvious 03:32:554 (3,4,5,6,7,8,9) -
- 03:49:518 (2,3,4,5,6,7,8,9,10) - hexgrid would be cool here to better arrange them, you use a perfect hexgrid in lots of other places so might as well use it here )b
- 05:05:716 - i thought you were gonna go have the entire chorus mapped in symmetry to be special but i guess not :c. would have been better mapped that way to give it its own special flair and as a sort of gimmick thing imo but that's up to you ofcmy idea was to map the strong vocals in the kiai (listen closely, and you'll notice the symmetry stops when the vocals get softer) to foreshadow the paired jumps here: 05:17:901 (1,2,1,2,1,2,1,2,1,2,1,2,1,2,1,2) -
Thanks for the mod!~~