\o \o/ o/ M4M \o \o/ o/
My mods are heavily based on the relation of the notes to the music and how this is emphasized, feel free to deny everything if your mapping style doesn't follow my style of modding!
d - Small don (red note)
D - Big don (red note with a finish)
k - Small kat (blue note)
K - Big kat (blue note with a finish)
Black means something that I think needs changed
Orange is just a suggestion
Blue is a comment
All in all a nice easy mapset with a neat song! Thank you for the map and best of luck going for rank!
My mods are heavily based on the relation of the notes to the music and how this is emphasized, feel free to deny everything if your mapping style doesn't follow my style of modding!
d - Small don (red note)
D - Big don (red note with a finish)
k - Small kat (blue note)
K - Big kat (blue note with a finish)
Black means something that I think needs changed
Orange is just a suggestion
Blue is a comment
JuDa's Kantan
00:12:448 (7) - Change to d, the chime on this note is a lower pitch than the two before it, similar to 00:10:746 (6) -
00:34:576 (27) - Change to k? The piano key here is quite a bit higher than the rest of the ones you chose to map in this section. It is only a suggestion because I see that you might want to map this part as all d's to keep it simple
00:48:193 (42) - Add finish to this note, it is the start of the pre-kiai buildup and I think the emphasis the finisher would give it is good for this section change
01:27:342 (49) - Similar to my first suggestion, change to d
01:29:895 (53,54) - Ctrl+g these two notes, the higher chime is at 01:30:746 - and switching these two notes around makes the k map it which follows higher sounds a bit better
01:31:597 (55,56,57) - Change to d d k? The chimes here climb in pitch so I think that d d k would follow this rise in pitch better. This is only a suggestion because if you do not take the suggestion above this, d k d d d k might not play as well since you are following different tones
00:34:576 (27) - Change to k? The piano key here is quite a bit higher than the rest of the ones you chose to map in this section. It is only a suggestion because I see that you might want to map this part as all d's to keep it simple
00:48:193 (42) - Add finish to this note, it is the start of the pre-kiai buildup and I think the emphasis the finisher would give it is good for this section change
01:27:342 (49) - Similar to my first suggestion, change to d
01:29:895 (53,54) - Ctrl+g these two notes, the higher chime is at 01:30:746 - and switching these two notes around makes the k map it which follows higher sounds a bit better
01:31:597 (55,56,57) - Change to d d k? The chimes here climb in pitch so I think that d d k would follow this rise in pitch better. This is only a suggestion because if you do not take the suggestion above this, d k d d d k might not play as well since you are following different tones
JuDa's Futsuu
00:17:555 (2) - I feel like the finisher would be better on this note instead of 00:19:044 (4) - as it keeps the mapping consistent with 00:14:151 (7) - and it gives a big enough gap so that the finish on 00:20:959 (5) - has enough space to feel more powerful. This is only a suggestion because I recognize that the note you have it on also has a pretty prominent chime on it so you might not want to remove it
00:26:704 (3) - Change to a d, piano key played here is lower toned than the next note so the change to d k will follow this. (Like you have at 00:33:512 (3) - )
00:48:193 (4) - Add a finish to this note for same reason as suggested in kantan, it's the start of the pre-kiai buildup and there are cymbal crashes in the music so it would be a pitting point of emphasis!
00:53:725 (2,3) - Remove the finishes on these two notes, they are less significant sounding in the music and by removing them, 00:54:576 (4,5) - these two notes get a nice powerful feel to them
I really like this diff! It feels very nice to play
00:26:704 (3) - Change to a d, piano key played here is lower toned than the next note so the change to d k will follow this. (Like you have at 00:33:512 (3) - )
00:48:193 (4) - Add a finish to this note for same reason as suggested in kantan, it's the start of the pre-kiai buildup and there are cymbal crashes in the music so it would be a pitting point of emphasis!
00:53:725 (2,3) - Remove the finishes on these two notes, they are less significant sounding in the music and by removing them, 00:54:576 (4,5) - these two notes get a nice powerful feel to them
I really like this diff! It feels very nice to play
Muzukashii
00:07:342 (1) - Add a finish to this note, it's where the song first introduces the piano and the drums kick up a bit with the cymbal crashes so it would be a good point for the emphasis that a finisher gives
00:18:406 - I feel like your triplet should start here instead of at 00:19:257 (44) - since there is nothing in the music that supports a 1/4 pattern (infact, there is a break in the drums and piano at 00:19:257 (44) - ) but there is a drum fill at 00:18:406 -
00:23:725 (3) - Change to a K, the piano tone here is quite high compared to the previous note you have mapped and in making this change it would better follow this
00:24:363 (4) - - 00:37:980 - I think you should make this section a bit more dense, the Futsuu is currently much more dense than your Muzukashii. You have quite a few piano notes/vocals here to follow so it shouldn't be too hard
00:44:789 (31) - Since you don't have a triplet leading into this note I think it would be a good place to add a finish, the cymbal crashes are quite prominent and would give this section a nice kick
01:06:385 (50) - Move this note to 01:06:172 - ? It would better map the drum fill and give the player a bit more of a gap to prepare for the finish pattern ahead. This is only a suggestion because it's a Muzukashii diff and that might be simplifying it a bit much but I do still feel like it would map the drum fill better by mapping the start of it
01:07:129 (53,54) - I don't understand the finishes on these notes. I understand the ones after at 01:07:555 (55,56,57,58) - since they map the stressed vocals and buildup to the final half of the kiai but the first two notes don't have anything in the music that warrants the finishes
01:20:002 (103) - Same as the last time mentioned, move to 01:19:789 - ?
00:18:406 - I feel like your triplet should start here instead of at 00:19:257 (44) - since there is nothing in the music that supports a 1/4 pattern (infact, there is a break in the drums and piano at 00:19:257 (44) - ) but there is a drum fill at 00:18:406 -
00:23:725 (3) - Change to a K, the piano tone here is quite high compared to the previous note you have mapped and in making this change it would better follow this
00:24:363 (4) - - 00:37:980 - I think you should make this section a bit more dense, the Futsuu is currently much more dense than your Muzukashii. You have quite a few piano notes/vocals here to follow so it shouldn't be too hard
00:44:789 (31) - Since you don't have a triplet leading into this note I think it would be a good place to add a finish, the cymbal crashes are quite prominent and would give this section a nice kick
01:06:385 (50) - Move this note to 01:06:172 - ? It would better map the drum fill and give the player a bit more of a gap to prepare for the finish pattern ahead. This is only a suggestion because it's a Muzukashii diff and that might be simplifying it a bit much but I do still feel like it would map the drum fill better by mapping the start of it
01:07:129 (53,54) - I don't understand the finishes on these notes. I understand the ones after at 01:07:555 (55,56,57,58) - since they map the stressed vocals and buildup to the final half of the kiai but the first two notes don't have anything in the music that warrants the finishes
01:20:002 (103) - Same as the last time mentioned, move to 01:19:789 - ?
Oni
00:07:342 (1) - Same as suggestion in Muzu, add a finish to this note
00:13:299 (31,32,33,34) - You could turn this into a dkddk pattern, it would follow the drum fill pretty nicely. It is only a suggestion because you might want to keep this Oni pretty simple, in which case disregard this suggestion (and all the others )
00:18:193 (55,56,57) - Same here! Could fill it out as a dkddk or a similar pattern
00:23:725 (3) - Same suggestion as in Muzu, change this to a K to better reflect the piano pitch increasing
00:24:363 (4) - - 00:37:980 -Also same as in Muzu, the Futsuu is more dense in this section than your Oni, that is a bit off. (It's also mapped the exact same as the Muzu, I feel like you could fill this out a bit more without making the section overwhelming or taking away from its calm nature)
00:44:789 (42) - You could add a finish to this note for the same reason suggested in the Muzu, or you could also turn it into a kdkkd pattern since the drums play a fill similar to it!
01:00:959 (36,37,38,39) - Another place where you could have a dkddk pattern!
01:05:853 (63,64) - This could also be a longer pattern from here until 01:06:491 (66) -
01:08:193 (75) - Make Inner Oni and map this 1/8?
01:14:576 (103,104,105,106) - Another place where you could have a 5-plet pattern!
01:19:470 (130,131,132,133) - Potential for longer pattern here also!
01:28:193 (31,32,33,34) - And here too!
01:33:087 (55,56,57,58) - Another one!
01:35:853 (9) - Could change this to a K? It would be a nice big finish to the map, but not everyone likes finishers at the end of their patterns so I guess it might not be the best idea
00:13:299 (31,32,33,34) - You could turn this into a dkddk pattern, it would follow the drum fill pretty nicely. It is only a suggestion because you might want to keep this Oni pretty simple, in which case disregard this suggestion (and all the others )
00:18:193 (55,56,57) - Same here! Could fill it out as a dkddk or a similar pattern
00:23:725 (3) - Same suggestion as in Muzu, change this to a K to better reflect the piano pitch increasing
00:24:363 (4) - - 00:37:980 -Also same as in Muzu, the Futsuu is more dense in this section than your Oni, that is a bit off. (It's also mapped the exact same as the Muzu, I feel like you could fill this out a bit more without making the section overwhelming or taking away from its calm nature)
00:44:789 (42) - You could add a finish to this note for the same reason suggested in the Muzu, or you could also turn it into a kdkkd pattern since the drums play a fill similar to it!
01:00:959 (36,37,38,39) - Another place where you could have a dkddk pattern!
01:05:853 (63,64) - This could also be a longer pattern from here until 01:06:491 (66) -
01:08:193 (75) - Make Inner Oni and map this 1/8?
01:14:576 (103,104,105,106) - Another place where you could have a 5-plet pattern!
01:19:470 (130,131,132,133) - Potential for longer pattern here also!
01:28:193 (31,32,33,34) - And here too!
01:33:087 (55,56,57,58) - Another one!
01:35:853 (9) - Could change this to a K? It would be a nice big finish to the map, but not everyone likes finishers at the end of their patterns so I guess it might not be the best idea
All in all a nice easy mapset with a neat song! Thank you for the map and best of luck going for rank!