Hi from M4M here! :3
This is my first modding (if it's excluding my friends'), feel free to ignore if you don't agree!
Hope this will help you atleast one line XD
Good luck for ranking, I like your song!
This is my first modding (if it's excluding my friends'), feel free to ignore if you don't agree!
Futsuu
00:45:989 (73,74,75) - kkd to emphasize voca or kdk to follow high pitch.
01:12:785 (125) - k for sure.
01:06:960 (111,112,113,114,115,116) - kdk to emphasize hihat sound
01:09:290 (117,118,119) - ddk or kdk to follow vocal
01:12:785 (125,127) - k it's high pitch
01:23:562 (141) - k , to emphasize "pa-da-bum" sound and it's already a high pitch.
01:42:202 (173) - k to emphasize previous word.
01:43:368 (176) - k ^
02:00:843 (204) - k ^
02:11:037 (223) - K ? It's the sound you put K like 00:09:872 (14) and 00:19:193 (30)
02:20:649 (241) - k to emphasize previous word plus it's even higher pitch than previous one.
02:21:523 (243,244,245,246,247,248) - kdk or ddk , K at 02:23:270 (248) it's hihat sound that shoud be K that's for the consistency in 02:25:600 (252)
You should put note in 02:24:435 or 02:24:727
02:27:348 (256,258) - k , as I've told before.
02:38:125 (272) - k ^
03:09:290 (325) - how about K ? in my opinion.
01:12:785 (125) - k for sure.
01:06:960 (111,112,113,114,115,116) - kdk to emphasize hihat sound
01:09:290 (117,118,119) - ddk or kdk to follow vocal
01:12:785 (125,127) - k it's high pitch
01:23:562 (141) - k , to emphasize "pa-da-bum" sound and it's already a high pitch.
01:42:202 (173) - k to emphasize previous word.
01:43:368 (176) - k ^
02:00:843 (204) - k ^
02:11:037 (223) - K ? It's the sound you put K like 00:09:872 (14) and 00:19:193 (30)
02:20:649 (241) - k to emphasize previous word plus it's even higher pitch than previous one.
02:21:523 (243,244,245,246,247,248) - kdk or ddk , K at 02:23:270 (248) it's hihat sound that shoud be K that's for the consistency in 02:25:600 (252)
You should put note in 02:24:435 or 02:24:727
02:27:348 (256,258) - k , as I've told before.
02:38:125 (272) - k ^
03:09:290 (325) - how about K ? in my opinion.
Muzukashii
00:19:193 (43) - K, it's high pitch and you also put K in Futsuu
00:37:834 (84) - K ^
01:05:503 (154,155,156,157,158,159,160,161) - dkkkdkkd ? like this , 01:05:503 (154,155,156) to follow the vocal and change 01:07:542 (161) to d to emphasize next 1/4 k.
01:09:290 (168) - d , it isn't clap sound, it's drum sound.
01:11:037 (175,176,177,178,179,180,181,182) - all d's maybe ok, but you're also able to follow vocal like this.
01:13:368 (183) - Remove finisher, finisher at the beginning of stream is never a good idea.
01:15:115 (192) - K , it's the high pitch.
01:23:853 (212) - k ^
01:52:397 (280) - K ^
02:11:037 (337) - K, like the first line.
02:12:639 (341,347) - dkk is hard in muzukashii but it sounds better. (optional)
02:20:066 (359,360,361,362,363,364,365,366) - Like 01:05:503 (154,155,156,157,158,159,160,161)
02:23:853 (373) - Like 01:09:290 (168)
02:25:600 (380,381,382,383,384,385,386,387) - Like 01:11:037 (175,176,177,178,179,180,181,182)
02:27:931 (388) - Remove finisher ^
02:29:678 (397) - K, as I've told before
02:48:028 (445) - d, I can't hear any snare or clap sound and for consistency of prevoius pattern.
03:02:008 (489,490,491,492,493,499,500,501,502,503) - These notes sound good, but I'm not sure if they can be 1/4 in quintuplets, because at most, I only see triplets in muzukashii.
03:05:212 (1,2,3,4,5,6,7,8) - ddkkddkk, to follow vocal and have more fun.
03:12:202 (28) - k, it's the same sound like 03:11:911 (26)
03:16:863 (45) - k, to emphasize whistling sound.
03:21:523 (64) - k ^
03:23:562 (72,73,74,75,76,77,78,79,80) - I don't know what to do with these monochromatic notes, that's okay .. hopefully
00:37:834 (84) - K ^
01:05:503 (154,155,156,157,158,159,160,161) - dkkkdkkd ? like this , 01:05:503 (154,155,156) to follow the vocal and change 01:07:542 (161) to d to emphasize next 1/4 k.
01:09:290 (168) - d , it isn't clap sound, it's drum sound.
01:11:037 (175,176,177,178,179,180,181,182) - all d's maybe ok, but you're also able to follow vocal like this.
01:13:368 (183) - Remove finisher, finisher at the beginning of stream is never a good idea.
01:15:115 (192) - K , it's the high pitch.
01:23:853 (212) - k ^
01:52:397 (280) - K ^
02:11:037 (337) - K, like the first line.
02:12:639 (341,347) - dkk is hard in muzukashii but it sounds better. (optional)
02:20:066 (359,360,361,362,363,364,365,366) - Like 01:05:503 (154,155,156,157,158,159,160,161)
02:23:853 (373) - Like 01:09:290 (168)
02:25:600 (380,381,382,383,384,385,386,387) - Like 01:11:037 (175,176,177,178,179,180,181,182)
02:27:931 (388) - Remove finisher ^
02:29:678 (397) - K, as I've told before
02:48:028 (445) - d, I can't hear any snare or clap sound and for consistency of prevoius pattern.
03:02:008 (489,490,491,492,493,499,500,501,502,503) - These notes sound good, but I'm not sure if they can be 1/4 in quintuplets, because at most, I only see triplets in muzukashii.
03:05:212 (1,2,3,4,5,6,7,8) - ddkkddkk, to follow vocal and have more fun.
03:12:202 (28) - k, it's the same sound like 03:11:911 (26)
03:16:863 (45) - k, to emphasize whistling sound.
03:21:523 (64) - k ^
03:23:562 (72,73,74,75,76,77,78,79,80) - I don't know what to do with these monochromatic notes, that's okay .. hopefully
Oni
Wow, dat 1/8 notes, I guess it's too hard for this SR. People may think 3.52* is still Muzukashii.
00:04:630 (12) - k, too emphasize vocal and the next ddk
00:07:397 (22) - k, to emphasize high pitch.
00:09:290 (28) - k ^
00:12:639 (40,41,42) - If you want to make 1/8 notes, I suggest starting note at 00:12:494 , the hihat sound starts here. (If I were you, I would put kkddk at it)
00:13:950 (49) - k, like 00:09:290 (28)
00:19:047 - add d here, it also makes you able to change 00:19:193 (78) to K that sounds better and it's for consistency in other diffs.
00:22:834 (89) - You'd better move it to 00:22:542, also move 00:23:270 (90) to 00:22:979 (or just delete it)
00:26:329 (101) - k, to emphasize previous word.
00:27:785 (108) - d, to emphasize next kkk kkk.
00:31:717 (126,127,128,129) - Like 00:22:834 (89) and 00:23:270 (90)
00:34:193 (135,136,137,138,139,140) - Using your previous pattern is already good like this
00:37:688 - Add d, as I've told before
00:37:834 (153) - K ^
00:42:639 (171) - I want to add k here XD
00:47:445 - Maybe add k here ? I'm not sure.
00:51:086 - Add something here. It can be dk, kd, kk or dd. Only note at that point sounds strange in my opinion.
00:56:474 (225) - k ? To emphasize noise.
00:58:513 (231,232) - Ctrl+g, clear voice should be k and 00:58:804 (232) is drum sound that should be d.
01:03:173 (248) - k, it's a high pitch.
01:05:503 (256,257,258,259,260,261,262,263) - - Actually, I want to put dkkd but it's restricted by finisher, so I found the way to fix this like this if you also put k in 01:07:397 , it'll sound pretty nice! :3
01:07:979 (264,265,266,267) - kkdk, it's clap-drum-clap-clap
01:08:999 (269,271) - d, to prevent having too many k's and to emphasize each other sounds. Also k at 01:09:872 (267) for consistency in previous notes.
01:10:164 (268) - d, to emphasize incoming k's
01:13:368 (286) - Remove finisher as I've told you before.
01:15:115 (295) - K, ^
01:17:300 (302) - k, to emphasize next k sound.
01:19:193 (313,314) - kk, high pitch.
01:19:630 (315) - k, ^
01:28:513 (366,367,368) - k, ^
01:33:610 (399) - d, as I've told before.
01:36:232 (408) - k, to follow vocal.
01:37:833 (413) - k, to emphasize next d.
01:37:833 (413) - Move it to 01:37:542 and add spmething at 01:37:834
01:42:348 (432) - d, to emphasize next kkk
01:46:863 (455) - k, to follow vocal
01:52:251 - d and change 01:52:397 (476) to K
01:53:853 (482,483,484) - kdk ? to follow the vocal.
02:02:008 (515,516) - k ? ^
02:04:775 (13) - k, ^
02:06:668 (21) - k, ^
02:12:785 (51) - k ^
02:13:367 (52,54) - Ctrl+G, to emphasize vocal.
02:13:950 (54) - k, ^
02:18:173 (72) - k, ^
02:20:066 (77,78,79,80,81,82,83,84) - - Like 01:05:503 (256,257,258,259,260,261,262,263)
02:22:979 (88) - k, as I've told before.
02:23:562 (90,92) - d, ^
02:24:435 (93) - k, ^
02:27:931 (112) - Remove finisher.
02:29:678 (121) - K, as I've told you before
02:31:863 (128) - k, to emphasize next k sound.
02:33:756 (139,140,141) - k, to follow vocal.
02:41:183 (181) - k, to emphasize whisting.
02:43:076 (192,193,194) - k, to follow vocal.
02:45:843 (208) - k, to emphasize vocal.
I think you know what to do with 02:48:173 (if you agree.) XD
03:02:445 (280) - d, to emphasize next k sound. ( You did this part very well, I almost cannot find any error. )
03:06:377 (302,303,304,305,306,307,308) - If you want to follow vocal, how about this ?
03:07:542 (311) - Remove finisher.
03:11:037 (327) - k, to emphasize whistling
03:11:620 (330) - k, ^
03:13:368 (343) - k, ^ and to follow vocal.
03:13:659 (344,345,346) - kkd or kdk, ^
03:14:387 (348,349,350) - ddk , k will follow the tuba sound.
03:15:261 (355,356) - Ctrl+G, to emphasize next whistling. 03:15:698 (357) that should be k.
03:16:717 (362,363,364) - dkk is still okay (I guess). I'd like to put ddk personally.
03:17:736 (369,370,371,372,373,374,375,376,377,378,379,380) - Hard to explain but I know that 1/4 has to end with k because of high pitch. I found that my best is this or that.
03:20:940 (390) - k, ^
03:21:377 (393) - choose kkk like previous part or dkk like this.
03:21:377 (393) - Ctrl+G, to emphasize vocal in 03:22:688 (402) that should be k.
03:23:125 (404,405) - Ctrl+G, ^
03:23:707 (408,409,410) - ddk, I guess.
00:04:630 (12) - k, too emphasize vocal and the next ddk
00:07:397 (22) - k, to emphasize high pitch.
00:09:290 (28) - k ^
00:12:639 (40,41,42) - If you want to make 1/8 notes, I suggest starting note at 00:12:494 , the hihat sound starts here. (If I were you, I would put kkddk at it)
00:13:950 (49) - k, like 00:09:290 (28)
00:19:047 - add d here, it also makes you able to change 00:19:193 (78) to K that sounds better and it's for consistency in other diffs.
00:22:834 (89) - You'd better move it to 00:22:542, also move 00:23:270 (90) to 00:22:979 (or just delete it)
00:26:329 (101) - k, to emphasize previous word.
00:27:785 (108) - d, to emphasize next kkk kkk.
00:31:717 (126,127,128,129) - Like 00:22:834 (89) and 00:23:270 (90)
00:34:193 (135,136,137,138,139,140) - Using your previous pattern is already good like this
00:37:688 - Add d, as I've told before
00:37:834 (153) - K ^
00:42:639 (171) - I want to add k here XD
00:47:445 - Maybe add k here ? I'm not sure.
00:51:086 - Add something here. It can be dk, kd, kk or dd. Only note at that point sounds strange in my opinion.
00:56:474 (225) - k ? To emphasize noise.
00:58:513 (231,232) - Ctrl+g, clear voice should be k and 00:58:804 (232) is drum sound that should be d.
01:03:173 (248) - k, it's a high pitch.
01:05:503 (256,257,258,259,260,261,262,263) - - Actually, I want to put dkkd but it's restricted by finisher, so I found the way to fix this like this if you also put k in 01:07:397 , it'll sound pretty nice! :3
01:07:979 (264,265,266,267) - kkdk, it's clap-drum-clap-clap
01:08:999 (269,271) - d, to prevent having too many k's and to emphasize each other sounds. Also k at 01:09:872 (267) for consistency in previous notes.
01:10:164 (268) - d, to emphasize incoming k's
01:13:368 (286) - Remove finisher as I've told you before.
01:15:115 (295) - K, ^
01:17:300 (302) - k, to emphasize next k sound.
01:19:193 (313,314) - kk, high pitch.
01:19:630 (315) - k, ^
01:28:513 (366,367,368) - k, ^
01:33:610 (399) - d, as I've told before.
01:36:232 (408) - k, to follow vocal.
01:37:833 (413) - k, to emphasize next d.
01:37:833 (413) - Move it to 01:37:542 and add spmething at 01:37:834
01:42:348 (432) - d, to emphasize next kkk
01:46:863 (455) - k, to follow vocal
01:52:251 - d and change 01:52:397 (476) to K
01:53:853 (482,483,484) - kdk ? to follow the vocal.
02:02:008 (515,516) - k ? ^
02:04:775 (13) - k, ^
02:06:668 (21) - k, ^
02:12:785 (51) - k ^
02:13:367 (52,54) - Ctrl+G, to emphasize vocal.
02:13:950 (54) - k, ^
02:18:173 (72) - k, ^
02:20:066 (77,78,79,80,81,82,83,84) - - Like 01:05:503 (256,257,258,259,260,261,262,263)
02:22:979 (88) - k, as I've told before.
02:23:562 (90,92) - d, ^
02:24:435 (93) - k, ^
02:27:931 (112) - Remove finisher.
02:29:678 (121) - K, as I've told you before
02:31:863 (128) - k, to emphasize next k sound.
02:33:756 (139,140,141) - k, to follow vocal.
02:41:183 (181) - k, to emphasize whisting.
02:43:076 (192,193,194) - k, to follow vocal.
02:45:843 (208) - k, to emphasize vocal.
I think you know what to do with 02:48:173 (if you agree.) XD
03:02:445 (280) - d, to emphasize next k sound. ( You did this part very well, I almost cannot find any error. )
03:06:377 (302,303,304,305,306,307,308) - If you want to follow vocal, how about this ?
03:07:542 (311) - Remove finisher.
03:11:037 (327) - k, to emphasize whistling
03:11:620 (330) - k, ^
03:13:368 (343) - k, ^ and to follow vocal.
03:13:659 (344,345,346) - kkd or kdk, ^
03:14:387 (348,349,350) - ddk , k will follow the tuba sound.
03:15:261 (355,356) - Ctrl+G, to emphasize next whistling. 03:15:698 (357) that should be k.
03:16:717 (362,363,364) - dkk is still okay (I guess). I'd like to put ddk personally.
03:17:736 (369,370,371,372,373,374,375,376,377,378,379,380) - Hard to explain but I know that 1/4 has to end with k because of high pitch. I found that my best is this or that.
03:20:940 (390) - k, ^
03:21:377 (393) - choose kkk like previous part or dkk like this.
03:21:377 (393) - Ctrl+G, to emphasize vocal in 03:22:688 (402) that should be k.
03:23:125 (404,405) - Ctrl+G, ^
03:23:707 (408,409,410) - ddk, I guess.
Hope this will help you atleast one line XD
Good luck for ranking, I like your song!