[Extra]
00:21:338 (2) - Doesn't 1/6 repeat sound better here? Even though I do like the transition that it approaches but I'll go with my gut instincts on this one
So they'll be some type of variation between 00:18:602 (4,1) - Really your call on what instruments you want to utilize
00:29:546 (2) - Couldn't this also be NC to have it's own specific part. I mean before was all NC on what I presume to be a trumpet like sound. Having it on (2) to have it's distinct part as well wouldn't be to shabby.
00:30:133 (1,2,3) - Only my perception as a player but this may be strange to some others. Maybe other mappers don't choose to do it the way you did. Most mappers approach this rhythm more on the lines of http://puu.sh/vWIpS/f7e6d5bd42.jpg but please do explain I would love to know your idea behind this. Especially taking into consideration all the other rhythms that was already implemented I'm surprised playing this part felt so bland because it was just chalked with sliders (Only at the parts mentioned)
00:34:041 (1,1) - Spacing feels more "natural" if this was swapped around with where 00:34:530 (1) - is at. Since I want more variation in between those 3 singlets because of the last sound itself at 00:34:725 - Especially if 00:34:970 (1,2) - are way higher spaced than the 3 that has the most staccato impact on them. I've seen it work both ways, up to you.
00:40:589 (2) - This feel like it doesn't have much impact. Yes I do hear a slight string sound in there but it just doesn't seem to have a strong purpose of being here. Especially which such a fast transition that was at 00:39:025 (2,3,4,1,2,1,2,3) - It seems like this part 00:40:589 (2,3,4) - was just meant to be played without some kind of way to blend them together. Even something broken down and probably not even good such as http://puu.sh/vWJ2A/a2af950083.jpg could do something since it ties together with the music and utilizes more of the components that the song has. I still like the quirkiness of it maybe that was the stretch beyond this map that I couldn't see yet.
00:43:422 (1,2) - Do you think people might confuse this for a stream? Maybe have this rhythm Ctrl+G at 00:42:934 (2,3) - I believe it'll be more suited to work together towards the end goal of having a slightly easier transition without losing what you had. Especially if it'll add variation with 00:44:497 (2,3,4) - because people played through that 5 note stream the first time. The 2nd time it'll be easier since it's expected.
00:47:625 (3,1) - Even though this feels like such a short widow of opportunity to hit these notes since it's unexpected. Fuck it I'll take it. It's lovely God damn swingy jazz music.
I mean I love the kiai. It really showed me how mapping these type of songs work. Good stuff
So they'll be some type of variation between 00:18:602 (4,1) - Really your call on what instruments you want to utilize
00:29:546 (2) - Couldn't this also be NC to have it's own specific part. I mean before was all NC on what I presume to be a trumpet like sound. Having it on (2) to have it's distinct part as well wouldn't be to shabby.
00:30:133 (1,2,3) - Only my perception as a player but this may be strange to some others. Maybe other mappers don't choose to do it the way you did. Most mappers approach this rhythm more on the lines of http://puu.sh/vWIpS/f7e6d5bd42.jpg but please do explain I would love to know your idea behind this. Especially taking into consideration all the other rhythms that was already implemented I'm surprised playing this part felt so bland because it was just chalked with sliders (Only at the parts mentioned)
00:34:041 (1,1) - Spacing feels more "natural" if this was swapped around with where 00:34:530 (1) - is at. Since I want more variation in between those 3 singlets because of the last sound itself at 00:34:725 - Especially if 00:34:970 (1,2) - are way higher spaced than the 3 that has the most staccato impact on them. I've seen it work both ways, up to you.
00:40:589 (2) - This feel like it doesn't have much impact. Yes I do hear a slight string sound in there but it just doesn't seem to have a strong purpose of being here. Especially which such a fast transition that was at 00:39:025 (2,3,4,1,2,1,2,3) - It seems like this part 00:40:589 (2,3,4) - was just meant to be played without some kind of way to blend them together. Even something broken down and probably not even good such as http://puu.sh/vWJ2A/a2af950083.jpg could do something since it ties together with the music and utilizes more of the components that the song has. I still like the quirkiness of it maybe that was the stretch beyond this map that I couldn't see yet.
00:43:422 (1,2) - Do you think people might confuse this for a stream? Maybe have this rhythm Ctrl+G at 00:42:934 (2,3) - I believe it'll be more suited to work together towards the end goal of having a slightly easier transition without losing what you had. Especially if it'll add variation with 00:44:497 (2,3,4) - because people played through that 5 note stream the first time. The 2nd time it'll be easier since it's expected.
00:47:625 (3,1) - Even though this feels like such a short widow of opportunity to hit these notes since it's unexpected. Fuck it I'll take it. It's lovely God damn swingy jazz music.
I mean I love the kiai. It really showed me how mapping these type of songs work. Good stuff
Keep up the good work
Sometimes motivational words no matter how small can push a person's spirit to new heights