Twitterで譜面を貶されたとして「意見があるなら聞きます」という態度を取らず「面倒臭いから何が悪いか聞かなかったけど指摘があるなら聞く」みたいな態度を取ってましたけど何でそんなに偉そうなんですか？某BNが自分の譜面へ低評価をしたという発言に自分からリプをして某名言botに登録されていた話があると思いますが、どちらかというとそれが普通で自分がちゃんと頑張って作った譜面に対する評価への反応としてはいささか自分の譜面に対して思い入れがなさすぎると思いますし、一Mapperとしてその様な態度で譜面を作ってRankedさせるのは非常に腹立たしいですし、他のModderやBNの協力があって出来たRankedだという自覚がないように思います。偉そうになる原因については推測以上の事は何も言えないためココには書けませんけど、Rankedは様々な他人の協力があって出来たという事をちゃんと考えて自分の譜面への評価（ppが入るとかその他譜面自体には関係ない事への評価を除く）を見つめなおして欲しい限りです。

Well, as I said on Twitter I came to Mod Kudosu I wanted 5000 trillion pieces, so why not DQ?
Perhaps, I thought that assumptions are too different with _yu68 and I when thinking about what
is ranked, so I was not properly defaming this map rather than wanting to modify this Mod content
I am writing as I prove that. So even if the content of my pointed out is unacceptable, I'd like you
to think that "There is a way of thinking different from myself in the world, and that way of thinking
is one of the things that is generally accepted as a ranked way".


* Although some minor pointed out is also partly done, it is Map of Inner, so it may be done with your preference.
The biggest problem I think about this music score is that the part with a 1/8 pattern is noticeable when I see the whole score.
Evil stand out and the basis I say is not densely gathered at a level equivalent to this, even if the 1/8 to 1/6 notes, which
are more dense than 1/4, are not on par with this part (1/8 is used only in parts there, 1/6 is the longest one is 4,
and the front is around 1/4).

In addition, the zone where this 1/8 is located is the portion corresponding to the 5th measure and the first half of
the score from 00: 36: 027 -. If it is a conspicuous placement it is difficult to put it last, put it just before the central
rest zone, put it in chorus, dare to first at first, or put it in a place that makes sense in the composition of some music scores It seems
to be a trick to show beautifully the), but the current 1/8 will come after the music in the first half without following the above content.
It can only be said that it is a minus point when seeing the whole score.


However, this 1/8 tuple is certainly not changed as a real 16-minute long tuple if we use a reverse alluvial technique (I think that this is the
reason why this music is said to be pp music) Since it is easy on play, it may be considered that the degree of difficulty is balanced if it says
that it is a systematic SR calculation method bug.
However even if 1/8 is handled as a quarter of a quarter



Even if it is assumed that this 1/8 is regarded as a 1/4 longest tuple, inserting a long tuplet alternately repeating four consecutive four consecutive
phonetic styles will not cause d and It can only be said that it is floating compared with the arrangement of k. Those where the pattern is repeated like
ddkkddkk ~ or ddddkkkk ~ in the arrangement of d and k before and after (even if it contains ddkkd, kkddk etc. which is the shortest repetition pattern, it does
not contain 5/1/4) Even if you catch it as an easy placement of 1/4 it will not change. If you put a long complex in other parts as well 00: 41: 291
- It is recommended from the first half and the second half before the rest zone. I think that if you put it in front of the resting area and make the
complex difficult so far, you can suppress the float of 1/8.


That is what I felt when I saw (play) this area from the whole score.


Next is an indication about the fine arrangement within this arrangement.
These indications are written under the policy of whether it can be made a more useless
pattern under the premise that this arrangement is a sound pickup mapping.


The first thing I saw about this part is that the way to place 1/8 and 1/2 is a mystery.
For example, the fact that 00: 31: 916 - and 00: 34: 224 - is not 1/8 is strange in terms of sound intensity, and 00: 36: 387 (341, 342) - also the sound
is obvious that it is not 1/8 It may be because it is judged to be small, but I think that it is strange that 1/2 there is only part where the sound gradually
becomes smaller every 1/2.

Since it is troublesome, since Virtuoso (Mrriichi Patch) who respected the policy of the entire score in the current time will be able to stretch later, if
there is any doubt as to whether there is a possibility in arranging the musical score or why it was arranged The details are at IRCMod (Not for Ranked, so it
may not be strictly a Mod) But I always wait.

The point which I was worried about when seeing the whole other is the same melody as kiai and kiai 00: 17: 060 - ~ 00: 26: 291 - (A) and 01: 07: 252 - ~ 01: 15: It is 328 - (kiai).


These parts make difficulty difference among the same melody in the first half (00: 17: 060) and the second half (00: 21: 676 -), but the difficulty gap is too violent. It is strange when
I saw it as an adjoining part of the same melody line clearly that it is full of 1/2 in the first half and only 3 or 4 half 1/2 sounds in the second half. (I think that the part
containing the same melody from 00: 41: 291 - is good)


Also, I feel a sense of incongruity when comparing A and kiai's Notes placement itself. In the second half of kiai the cymbal is ringing so the decision to make it difficult is
correct, but when comparing the first half of A and kiai it seems that kiai is easier (1/5 5: 00: 18: 791 - and 3 consecutive 01: 08: 982 - so it may not be a big difference from
the difficulty gap between the first half and the latter half of the original).


Also, there is not 1/4 in sudden five stations of 01: 10: 136 - corresponding to A, so why can not you understand why the first half of A and kiai are not so much like a quarter of
a similar skusca . For example, after 00: 20: 378 (166, 167, 168, 169, 170, 171, 172, 173, 174, 175, 176) - and 01: 10: 569 (47, 48, 49, 50, 51, 52, 53, 54, 55, 56, 57) of the connection
of the first half and the latter half, is not in the same Notes arrangement, it will be replaced by the total of A and kiai's notes as raising the degree of unity, so I will not say it in
detail, but should be the excitement of the song or the score I think that it is really unlikely that kiai and the place that should be an important point of a song or music which is the same
melody are arranged like this.


The last thing I was concerned about by looking at the whole was that the 1/2 note line (length of chunk of 1/2) of the rest area from 00: 50: 522 - is disagreeable is. I think that it is hard
to take a break if you break the rhythm that hits because it is only a half break. Or over map three quarters of 1/4 at moderate timing, and see, "I think that this rest area is repeat of the
same pattern and should be made in a comfortable way because the arrangement of the score is easy to see". Rhythm difficulty due to different lengths of notes is part of a fine degree of difficulty.

This is the point concerning the overall placement of notes above, but when I point out the way of global mapping, I saw the mapping which was prior to _yu68 says that sound picking was important,
listening to the sound of this music There was no impression that there was a difference in instruments clearly picking up sounds for each part or regularity melody contained in it.
In other words, as for what it says, the sound picking up of this score is forced to take off the sound of the instruments he wishes to take out on the spot, forcibly repeating it with the same
melody, forcibly it is a pattern, as if it is claiming that it is emphasis It is to be felt. (Perhaps, I think I will point out specific arrangements after this post)


If I can say something else, I will add it like P.S.
I do not do so because misiari's music score is far from _yu68's point of origin and it makes me feel that my pointlessness will be meaningful as I feel that it is far from my way of making music notation.
My Virutuoso (Mrriichi Patch) sometimes comes out when I am free. It is because importance is thin because I think that this time is the overall pattern.
I write in the box next to where I think that I think that the score is good.
Anyway, for now.


So, how about making 1:00 to 00: 31: 916 - normal, 00: 33: 070 - using the fact that the sound is going down, and how is it going to be 1/2 in the second half as well 00: 34: 224 - And 1/8 pattern ends with 00: 36: 387 - by 1/8