Jerry wrote:

Hello, here's your mod as requested from the WWMTMBWDRWMTMSWHTOSRTOAHOMCF Taiko Queue

1. I feel like it's a waste that the "ガーリッシュ ナンバー" title in the BG cannot be seen on screen when playing the map, so I helped you push the title up. Just download the new BG here and replace the one that you currently have :3
   
   This is what it should look like

   
   
   > yes, it's nicer indeed! Thanks, Jerry.
   
   
2. Change the y-axis position of the BG in the Easy and Hard standard difficulties to 0! Now the BG gets pushed down when playing standard lol
   
   > I directly deleted the whole STD mapset lol. I think Taiko is already quite good imo. So this mapset will just go for Taiko :3.
   
   
3. Add Girlish Number into the tags

> alright added.

1. 00:04:108 - Add a big don here along with a big kat at 00:04:408 -. It starts the map off more nicely :3 > Ummm, I try to keep a low density at the very beginning until 00:05:008 - . Rejected here.
   
   
2. 00:37:708 (13) - Move this over to 00:38:008 -, it improves the flow for this part >yes, I agree.
   
   
3. 00:59:458 - Add a note here like what you did in Futsuu. The blank feels very weird to play imo and having a note here won't really change much because it's already very easy lol > yes, the gap is acceptable here. Changed.
   
   
4. 01:04:258 - ^ Same, add a note here like what you did in Futsuu > applied as well.

1. 00:50:608 (1) - End this spinner at 00:50:908 -? > I used to end it at 00:50:908 - , but the ticks of spinner count in quaver, so the spinner will have 4 ticks (feel more naturally than 3 ticks).

1. 00:10:508 (24) - I suggest removing this note, so that you can retain the consistency of the double note "jumpy rhythm" like before at 00:05:808 -, 00:07:008 - and 00:09:108 - > this part is mostly described as unnatural, so yeah I'd better remove it although I want to map some drum hits at the background.
   
   
2. 00:41:758 (4) - Move this note over to 00:41:808 -? It's more in line with the beat of the music imo > 00:41:758 - fits the vocal well and it should be consistent among the difficulties. No change.
   
   
3. 00:44:158 (14) - ^ Same for this, move to 00:44:208 -? > yeah you are right here since the vocal actually starts at 00:44:208 -, I did not notice that lol.
   
   
4. 00:50:608 (1) - Try ending this spinner at 00:50:908 - instead, it has a better feel to it :3 > well, same case at Futsuu.

** Based on the mod in Oni, I changed 00:59:208 (10,11,12) - to D K D in Muzukashii.

1. 00:32:808 (7,8,9,10,11) - How about changing this pattern to dkkdk? I feel that it flows better with the music > 00:32:908 - yes it falls on a drum kick and it should be a kat. 00:33:208 - I want this timing be consistent as a don since it matches the vocal pitch well with 00:33:408 - . So the latest pattern is dkkkd here.
   
   
2. 00:41:758 (5) - Currently, this d k d pattern feels really weird to play as it does not really match well with the flow of the music, I suggest moving this note to 00:41:808 - so that it's more solid with the beat of the music > I put the emphasis on both vocal and instrumental part as well. I still want to keep 00:41:808 - it mapped.
   
   
3. 00:44:158 (18) - ^ Same reasoning for this, try moving this note over to 00:44:208 - > this is a different case, so yes, same in Muzukashii.
   
   
4. 00:59:458 (14) - This note is not landing on any beat in the music at the moment. Move it to 00:59:508 - so that it lands on the vocal note there > I did put it wrongly . Some thing need to be changed here since kK in 1/3 is very hard to hit. The pattern at 00:59:508 (14,15,16) - is kD K now.
   
   
5. 01:27:358 (7) - ^ Same for this, the placement of the note makes no sense with the music, move it to 01:27:408 - so that it lands more solidly on the beat of the music > vocal falls on this timing actually, just notice that vocal and instrumental parts are not coherent LMAO.

That's all from me, good luck!

The whole mod is so moe. I like the style and format so much. Thanks!

Stefan wrote:

ドキドキこんにちは皆 > Konichiwa :>

[On(i)i]
00:10:308 (23,24,25,26,27,28,29,30) - kdddkkkD was more enjoyable to play, imo. Personally I fail to see the kddkddkD rhythm here. :l > well, I think kddkkddkD is more familiar lol. Its flow is better than kdddkkkD too.
00:33:508 - Sounds very odd to leave this spot out, I would at least set a d note here. > 00:33:408 - this drum kick supreme the vocal since it sounds extra loud comparing with vocal. I leave quite a huge gap for emphasizing the drum kick at 00:33:408 - and strong base drum at 00:33:808 - .
00:38:308 - ^ > basically they are the same, so same reply.

[Muzukas(c)hii]
00:26:008 (9,10,11,12) - That literally doesn't fit in the difficulty. At first this was also quite unexpecting because you limited your pattern to oo 1/3, at maximum. Remove 00:26:108 (10) - or to this pattern: https://derpovic.s-ul.eu/3Zt14TcK.png > 00:16:408 - / 00:21:208 - / 00:26:008 - the densities of notes actually build up gradually in three stages as shown in there 3 timings. Currently I will keep 00:26:008 - mapped as kkkk.
00:33:508 - and 00:38:308 - Thought about to add notes here? Although I see you prefer to follow the more present sounds I think the d notes will give a more consistent feeling to have the 1/1 snap. At least it felt for me easier to follow the music and the rhythm of the pattern. > I follow the instrumental part from 00:31:408 - to 00:41:008 - very concretely, so it's pretty much the same reply as in Oni's mod.

[Fu(h)tsuu]
00:38:208 (16) - I would keep the rhythm with the vocals. Move the note to 00:38:308 - . > special emphasizing the pattern at 00:38:208 (16,17) - , hence I prefer mapping to the drum kick this time.

> The uses of Spinner right here is still fine which has 3 ticks and there's a 1/2 gap btw it and next note. So far so good.

[Kantan()]
00:50:608 (1) - (this also applies to Futsuu) I am unsure about the lenght of the Spinner, we might even remove it from Kantan and replace it with a note? Futsuu isn't so dangerous but you should consider a change if you do that for Kantan. > The length of spinner is long enough and the gap between it and 00:51:808 - is sufficiently big. It's alright.

テ・テ・テ ( `・ω •́ )

1. 00:21:108 (10,11,12,13,14) - Note 13 sounds better as a don in my opinion due to it's similarity in pitch to note 12.
2. 00:21:708 (15,16) - Using control+g would be beneficial here because the note 16 ends on a lower pitch than note 15, so in relativity 15 should be a kat to emphasize the pitch of note 16.
3. 00:39:708 - Adding a don here like you did at 00:39:108 (38,39) keeps the consistency and sounds a bit better in my opinion. A don could also go at 00:40:308 for the same reasons.
4. 00:51:808 (1,2,3,4,5,6,7,8,9) - I think a rhythm like this at the kiai sounds quite nice while keeping the 1/6 double consistency (note some of the don/kat changes as well)
5. 01:01:408 (1,2,3,4,5,6,7) - The same goes here to^

1. 00:11:908 - You could add a kat here and then make note 17/18 a finisher don
2. 00:16:708 (9) - This note sounds better as a don, the pitch of the note here is lower than notes 8 and 10
3. 00:21:508 (10) - Same goes here^
4. 00:51:808 (1,2,3,4,5,6,7,8,9,10) - I think a rhythm like this at the kiai sounds a little bit better than what's currently there
5. 01:04:608 (9) - A kat could go here to compliment the vocal hit that occurs at this time

Taikocracy wrote:

M4M from discord PM

[Oni]

1. 00:21:108 (10,11,12,13,14) - Note 13 sounds better as a don in my opinion due to it's similarity in pitch to note 12. > this is a kind of variation, I can't think up of another pattern ~_~. dkdkk is fine though.
2. 00:21:708 (15,16) - Using control+g would be beneficial here because the note 16 ends on a lower pitch than note 15, so in relativity 15 should be a kat to emphasize the pitch of note 16. > for every on-beat at 00:12:208 - /00:17:008 - / 00:21:808 - / . .. I used k (or K in lower difficulties) to emphasize the strong and long lasting chord, but considering their pitches.
3. 00:39:708 - Adding a don here like you did at 00:39:108 (38,39) keeps the consistency and sounds a bit better in my opinion. A don could also go at 00:40:308 for the same reasons. > 00:39:108 (38,39) - there is melody here.... while 00:39:708 - is empty. Nothing should be put at 00:39:708 - , and the music just goes like that -.- .
4. 00:51:808 (1,2,3,4,5,6,7,8,9) - I think a rhythm like this at the kiai sounds quite nice while keeping the 1/6 double consistency (note some of the don/kat changes as well)
   
   > literally I strongly emphasize those strong real vocal and echo vocal by Finishers and normal notes. This channel should be kept very clean and clear since the BGM does not really support such 1/3 gimmicks for those vocal parts. (although it sounds quite catchy, it does not match, sorry to say so)
   
5. 01:01:408 (1,2,3,4,5,6,7) - The same goes here to^ > same reply then.

[Futsuu]

1. 00:11:908 - You could add a kat here and then make note 17/18 a finisher don > I am following the base drum set only for the introduction in Futsuu. I don't want to map those electronic guitar chords or the whole Futsuu will become achaoz chaos.
   
2. 00:16:708 (9) - This note sounds better as a don, the pitch of the note here is lower than notes 8 and 10 > change it to d for the sake of variation only, but not for the pitch (I am following the base drum set again right here and there along this session of vocal solo.)
   
3. 00:21:508 (10) - Same goes here^ > originally 1/3 douplet is already hard to hit in Futsuu (I think in this case it's acceptable though), kd does not make sense. kk is preferred, just like what we are used to using monochrome triplet in Muzukashii.
   
4. 00:51:808 (1,2,3,4,5,6,7,8,9,10) - I think a rhythm like this at the kiai sounds a little bit better than what's currently there
   
   > pretty much the same reply in Oni, yours is too complicated and does not match my originality I guess...
5. 01:04:608 (9) - A kat could go here to compliment the vocal hit that occurs at this time > the pitch of vocal and bass guitar also descend, no change.

Actually quite a catchy song, gl w/rank~

Invective wrote:

Hi, from my mod queue. > Take care!

mod

Nothing to note with Kantan/Muzu.

Futsuu
00:32:608 (3) - Move to 00:32:508? Given the relative simplicity of this section (this being a lower difficulty where you don't make use of all the available instrumental sounds), I think it's more intuitive to have the notes align to the vocal sounds.
00:35:008 (8) - Same as above, but to 00:34:908.


00:38:208 (16) - Move to 00:38:308? I'm sure this has already been brought up lol. In any case, moving it keeps it consistent with 00:33:508 (5) in which you skipped the snare on the preceding 1/3 tick in favor of the vocals.


> I think the instrumental part is more prominent here as this vocal part is a solo by a single singer. By mapping to the instrumental part, it's easier to be noticed by the players. (i.e. mapping to vocal may cause a chaos because vocal is a bit off-set if you compare it with the base drum set.)

> Then I shift 00:33:508 - to 00:33:408 - according to my own style and consistency, like what you mentioned in 00:38:208 (16) - : consistency issue.



Oni
00:10:308 (23,24,25,26,27,28,29,30) - The accents on the 1/3 ticks are pretty awkward (bar the first note). Consider aligning the kddkddk to the white ticks to match up with the instrumental sounds (so kkddkddk or dkddkddk if you want the first note to differ from the second based on the drum sound), or something with monocolor triples as those match the drums.

> a few modders also mentioned this point, I think I'd better change the colour here: 00:10:308 - kkddkkdK K . Be noticed that 00:10:408 - / 00:10:708 - / 00:11:008 - are melodies. They are meant to be the same colour in this case. 00:10:108 - it changes into k from d as well since there's a base kick (no one notice it?) in Muzukashii and Oni.
00:50:608 (50,51,52) - Ctrl+g? Same idea as above, matching the kats to the accented sounds. > well this is alright then and it (ddkkddK)can be a mirror pattern of my new 00:10:308 - pattern (kkddkkdK).

Nice set, gl with rank.

Hope it helps

1. 00:03:208 - add D ? vocal sounds on 00:03:508 - , the theory like 00:00:208 (1,2,3) - .
2. 00:06:808 - add k ? a bit shorter, comparing with others( kiai , verse 2nd)
   
   1. if added 6:808, how about add k on 00:09:508 - too? it plays better with music.
   00:12:208 (14,1) - , 00:17:008 (7,1) - , 00:21:808 (7,1) - change to (normal,finish) or (finish,finish) instead ?
   latter doesnt use the finish sounds too weird to me.
   formar object sounds not strong echo, but latter sounds strong, and instrumental needs the power on the latter place.
   
   00:31:408 (1) - , 00:33:808 (5) - , 00:36:208 (10) - , 00:38:608 (14) - , 00:39:808 (16) - remove finish all or some ?
   Instrumental dont need such a powerful, this is calm. Fullcovered the cymbals seems not good with plays the fantasic.
   
3. 00:41:008 - ~~~~ how about? (1) is 00:41:008 http://puu.sh/uKNxg/636e71846f.png
   
   1. 00:42:058 - move to 1/2 right + change to k , to make a consistent with the usual rhythm, acconpaniment sounds too.
      00:42:508 - remove , made a over dense.
   2. 00:43:408 - change to D? vocal isnt up to up, sounds down to down.
   3. 00:44:458 - move to 1/2 right.
      00:44:908 - remove
   4. 00:45:808 - , 00:46:708 (12) - , 00:47:608 (13) - change to finisher K? vocal sounds the highest around there.
4. 00:59:508 (7) - remove, it plays harder as Kantan user.
5. 01:00:508 - move to 1/1 right (01:00:808 - ) same reason^.
6. 01:04:308 - same, remove.
7. 01:05:308 - samre, move to 1/1 right.
   
8. 01:10:408 - , 01:11:608 - , 01:15:208 - , 01:16:408 - ,
   01:20:008 - , 01:21:208 - , 01:24:808 - , 01:26:008 - remove? the comparing with intro,,,,

1. 00:03:208 - not D? I think its same as before Dons.
2. 00:04:708 - add finish? D-k-D looks... too sad.. and check the Muzukashii suggestions too,
3. 00:10:108 - add k same as 00:07:708 - theory.
   00:14:608 - ~ 00:17:008 - Either, 1/3-2plet seems too over. not use the 1/3-doublet (A.) or divide the more (B.).
   
   • 
     A. 00:15:508 - remove, 00:15:808 - move to 1/3 left(+change k?) , 00:16:008 - remove. (+00:16:108 (5,6,7,8) - change to kddk?)
     B. 00:16:008 (6,7) - remove, 00:16:408 - change to d, 00:16:608 - add d.
   00:19:408 - ~ 00:21:808 - Either,
   
   • 
     A. 00:20:308 - remove, 00:20:608 - move to 1/3 left(+change k?), 00:20:808 -, 00:21:408 - remove. (+00:20:908 (5,6,7,8) - change kdkk?)
     B. 00:20:808 (6,7) - remove,
   00:24:208 - ~ 00:26:608 - Either.
   
   • 
     A. 00:25:108 - remove, 00:25:408 - move to 1/3 left(+change k?), 00:26:208 - , remove?
     B.00:25:708 (6,7) - remove,
4. 00:33:408 - move to 1/3 right...?
5. 00:38:208 - same
6. 00:35:608 - change to k?
   00:31:408 - , 00:33:808 - , 00:36:208 - , 00:38:608 - , 00:39:808 - same Kantan, remove the finish all?
   
7. 00:41:308 - remove?
8. 00:43:408 - D? same as Kantan.
9. 00:45:808 (15,16,17,18,19,20) - change to,, normal kd-kd-kk
10. 01:04:108 - remove , feels harder .
11. 01:08:908 - remove? similar as Kantan, calm down a bit.
12. 01:10:108 - , 01:11:308 - , 01:14:908 - , 01:16:108 - , 01:19:708 - , 01:20:908 - , 01:24:508 - , 01:25:708 -
13. 01:27:508 - ,01:28:108 - remove. harder.

1. 00:03:208 - same futsuu, D?
2. 00:04:408 - change k, 00:05:308 - move to 00:04:708 - + finish?
   Intro 1/3-double is too over. can make more easy.
3. 00:05:808 - remove, 00:06:508 - change to d, 00:07:008 - remove
4. 00:10:308 (19,20) - change to d , 00:10:708 - change to k?
5. 00:11:608 - I think its not neccesarry.
6. 
   Verse finish, no finish suggestions are same(e.g. 00:12:208 -)
7. 00:15:408 - remove, 00:16:908 - move to 00:16:608 - .
8. 00:20:208 - remove,00:21:708 - remove.
9. 00:25:008 - remove, 00:26:508 - remove,
10. 00:28:108 - , 00:28:708 - can add k.
11. 00:30:808 (18,19) - change to (d,remove) its calmer, not well sound with full mapping.
    00:31:408 - , 00:33:808 - , 00:36:208 - , 00:38:608 - , 00:40:108 - same Kantan,Futsuu. remove the finish all?
12. 00:33:108 - , 00:35:508 - ,00:37:908 - add d, 00:35:608 - change k?
13. 00:43:408 - D?
14. 00:41:758 - consider to change the same rhythm 00:44:008 (13,14,15,16) - . Sounds not same, but it sounds not well different. I think its bettter to make a consistent.
15. 00:43:008 - remove? it sounds not well same as 2nd 00:45:408 - .
16. 00:44:808 - remove.
    
    00:46:408 - , 00:47:308 - , 00:49:708 (33,34,35,36) - remove over dense .
17. 00:45:808 - , 00:46:708 (12) - , 00:47:608 (13) - same Kantan, Futsuu. change to finisher K?
    
    similar as Kantan, Futsuu. 01:13:108 - , 01:17:908 - , 01:22:708 - , add finish. 01:19:008 (4,5) - ,01:28:008 - remove,
18. 01:27:508 - prefer to remove, 01:27:358 (6) - finish?
19. 00:55:008 - add d? its airy dense on kiai.
20. 00:56:108 - remove, its too weird. Not enough done the flow.
21. 00:59:008 - no add finish? and 00:59:208 (10) - remove and, 00:59:608 - move to 1/3 left?
22. 01:00:708 - add note?
23. 01:03:708 - add note?
24. 01:07:008 - can add.
25. 01:04:558 - remove...?
26. 01:09:408 (28,29) - remove,d?

1. 00:10:508 - remove, 00:10:608 (25,26,27,28,29,30) - dkddK-K?
   Verse finish, no finish suggestions are same(e.g. 00:12:208 -)
2. 00:15:808 - remove, over a bit such a part (verse).
3. 00:20:608 - same.
4. 00:25:408 - same.
5. 00:30:808 (24,25,26) - d-dd or d-kd? the percussion sounds low.
6. 00:32:808 - , 00:33:008 - remove. 00:33:108 - d, 00:33:508 - add d?
7. 00:35:208 - , 00:35:408 - remove. 00:35:808 - add k?
8. 00:37:608 - , 00:37:808 - remove. 00:37:908 - d, 00:38:308 - add d,
9. 00:38:508 - add d , 00:38:608 - , 00:39:208 - change to k?
10. 00:40:308 - add k, 00:40:408 - change to d?
11. 00:40:908 - can add k too.
12. 00:41:758 (5) - move to 00:41:808 - ?
13. 00:45:808 - , 00:46:708 (12) - , 00:47:608 (13) - same Kantan, Futsuu. change to finisher K?
14. 00:51:658 - remove.
15. 00:52:308 - add k, to avoid the airy on kiai dense.
16. 00:53:508 - same add k.
17. 00:54:408 - move to 00:54:708 - ?
18. 01:09:108 (32,34) - change to (k,remove)?
    

Volta wrote:

via m4m long time ago.
you suddenly have 2 version i ended up procrastinating it lol but i think v2 is better so i'll just mod those

[General]
disable widescreen support *slapped* > *Nowlf will bite you, but I still disable it

00:50:608 - you may resnap the preview point to here > re-snapped

Personal changes aside from your mod:

< 00:38:608 - change it into Finisher for stating a new start after vocal solo.

< 00:59:008 - / 00:59:508 - / 00:59:908 - change them into Finishers to state a new and independent melody except Oni

< 01:03:808 - / 01:04:308 - / 01:04:708 - same as above

[Kantan v2]
00:07:408 - maybe change to k to match the same pitch with 00:06:808 - , it also feels more interesting to me > on-beat d for emphasize and my focus is on d d k pattern there. 00:07:408 (5,6,7) -
00:39:208 - i think this would make a nice break spot. consider to delete it? > wise break here, changed.
01:17:608 - add K to make the length more consistent with 01:12:808 - and 01:22:408 - ? > nice spotted, added back a K.

[Futsuu v2]

Personal changes aside from your mod:

< 00:10:108 - remove it, to balance the pattern at 00:07:108 -

< 00:45:808 - / 00:46:708 - / 00:47:608 - change them into K for a better consistency across the difficulties

< 00:50:608 - extend the spinner to 00:51:208 - , and remove the kat at 00:51:208 - . It is easier for Futsuu level player comparing with previous pattern.

00:25:608 - this is a bit controversial for futsuu imo. consider to remove it to make it more friendly > kept, I want a better progression of pattern development at the third repetition of similar melodies.
00:52:408 - consider to add make more balanced spread in the kiai > I feel like keeping it clean is better to fit the mapping channel here.
00:58:708 - same as ^ > same reply as above
01:02:008 - same as ^ > I only map the concrete vocal (01:02:308 - )but not echo vocal (01:01:708 - ) here, to keep the mapping channel clean.

[Muzukashii v2]
00:21:208 - change to d to reflect to the low drum better? > consistent k at 00:16:408 - / 00:21:208 - / 00:26:008 - , so no change
00:26:108 - it can fit the music, but i don't know the reason why it should make longer pattern than 00:16:508 -. actually i'd prefer to make it consistent with first sequence > I want to create a nice progression here, referring to Futsuu's 1/3 pattern.
00:48:408 - add d? to closer the gap with Oni > 00:48:208 - /00:48:808 - / 00:49:408 - emphasizes are on these D, unnecessary don will upset the structure here and there.

[Oni v2]
00:41:508 - change to k? it seems more intuitive imo, like you did at 00:43:908 - > 00:41:508 - dd here to state different patterns at 00:41:758 - / 00:44:208 - . Hence, no change.

Good luck!

Volta wrote:

recheck as requested, no kd.

[General]
remove 'number' from tag (redundant) > well spotted

[Futsuu]
00:04:708 - remove finish here to be more consistent with muzu and oni. Or add finish in muzu since in oni is 1/3 pattern > sure, it seems I mis-put it...
00:14:608 - might want to add finish here like at other difficulties
00:19:408 and 00:24:208 - same as ^

> ^ Fixed all

00:25:608 - i can accept the 1/3 but i feel like it would reflect the music better if moved to 00:25:908 - since the instrument sound at 00:25:308 - is stretched.
or
you can emphasis the drum like you did at muzu by rearrange the pattern like below: (cursor on 00:25:108 - )

>> (5) and (6) is possible to switch color if you think d-kk is hard

> My focus is on 00:25:608 (5) - , and I remain consistent at 00:16:408 (6,7,8) - / 00:21:208 (6,7,8) - / 00:26:008 (7,8,9) - in terms of structures.

[Muzukashii]
00:58:908 - consider to move to 00:58:608 - for better playability. note being too close with finisher might be very uncomfortable, especially for muzu level player

> 00:58:908 - Fixed along with your suggestion above. That dK in 1/3 is hard, and too hard for Muzukashii level player.

01:03:708 - consider to remove this note for various reasons.
> doesn't plays nicely since it leads to finisher note
> consistent with 00:54:108 -
> more balanced spread between futsuu and oni

> yes I agree with the strong rationale behind, 01:03:708 - is removed.

[Something Oni]
00:42:358 - maybe delete this note so it is more clean to follow the vocal. doesn't hear any prominent sound here > it can state the rhythm more clearly within 00:41:908 (6,7,8,9) - , leaving it 00:42:358 - blank seems weird to have a loosely packed pattern.
00:44:758 - same as ^ > same as above, and you can see that they are a pair of mirror patterns. No change
00:51:208 - small note like muzu would work and plays better imo > 00:51:208 (1) - I want to strongly emphasize the joining of real vocal here, with the accompaniments of small notes at 00:50:608 (50,51,52,53,54,55) - .

you may call me again after that~

alacat wrote:

Did you check official sound track ? I think the title should be added (TV size)


Link : http://www.neowing.co.jp/product/GNCA-1409

Ima wa Mijikashi Yumemiyo Otome (TV size)
今は短し夢見よ乙女 (TV size)

Skylish wrote:

Thanks for QATs' Metadata checks, and also you guys' gratz