Kantan
00:29:140 (35) - while it might be nice to diversify at the end of the section by having it earlier than the pattern used before, I think it would be good to have it at 00:29:710 - there's also the lead in to the next section with the vocals, and with the earlier note you just have more emptiness there
Highlight the cymbals in the song? In the kiai especially, with the gaps anticipation is accumulated, but it results to something that lacks eagerness, at 01:01:229 (84) - 01:07:305 (93) - 01:52:875 (156) - 01:58:951 (165) - 03:17:938 (65) - 03:24:014 (74) -
03:03:507 (45,46) - why dk though? Following 03:00:470 (40,41) - pattern seems to make more sense
03:37:685 - the gap between 03:36:166 (96) - 03:38:444 (97) - while still in a strong section in the music, I don't think the gap should be that big, having at least a note here to continue the song would be nice
Futsuu
01:08:634 (153) - seems to fit better to the song if a note is at 01:08:254 rather than here, you don't hear anything at 01:08:634
01:10:153 (158) - also I think it's better to move to 01:09:773 to leave 01:10:343 (159) - isolated, connects to 01:11:102 (160,161,162) - better, rather than have 2 consecutive 1/2 beats, with an awkward pause between. It also differs from 00:57:811 (121,122,123,124,125,126) - as the vocals extend over 01:10:343 (159) - while in the earlier one it does stop on that last 1/2 note
01:39:963 (233) - seems to stick out in the whole pattern, neither here nor there, though you could move it to a beat at 01:40:153 - you could just remove it entirely
01:58:760 (285) - similar to 01:10:153 (158)
02:02:747 (297,298,299) - well now because of the additional notes at 02:00:469 (290,291,292) - it seems harder to make 02:01:608 (294,295,296) - similar to the previous kiai, and to thus avoid the emptiness made at 02:02:368 - though maybe shift 02:02:937 (298) to 02:02:368 and then 02:03:507 (300) to 02:03:318 to tie up the whole section
03:23:823 (124) - similar to 01:10:153 (158)
03:28:000 (137,139) - similar to what I mentioned at 02:02:747 (297,298,299)
quite like the part before the last kiai with the finishes and all
Muzukashii
00:32:368 (111) - though progression, I really don't think a note here is necessary
00:44:520 (160) - same thoughts for this
00:47:558 (174) - here too, you could fill up at 00:48:507 and 00:48:697 to link up with 00:48:318 (177) to make a kkd pattern that fits with the song instead
00:50:596 (184) - similar thoughts
03:06:925 (110) - I think following the same pattern as previouslt 03:03:507 (95,96,97,98,99,100) - aligns nicely to the song
03:09:963 (122) - ^
Oni
00:48:413 - add a note?
03:18:223 (238) - still think it's quite excessive here to have this?
03:38:824 (383) - the dip in pitch here, change it to D instead?
Good Luck!