1. Chromoxx' Nightmare Oni (6.16 stars, 2261 notes)
2. Predator (7.01 stars, 1897 notes)

Frim4503 wrote:

cant wait to see this complete

WISPG_G wrote:

Hello, alien

Musty wrote:

player point of view:

02:25:414 (7) - this note feels a bit too "extra" to be honest I see what you mean. mmm I changed the angle for 7 see if that makes it more interesting?
04:09:983 (1,2) - shouldnt this be 1/4 after ? Yea, you're right lol.

1. Do you have a source for the title? A news post on their official website shows Tales of The Destinies with "the" capitalized: http://puu.sh/tM7Vm/4736f3837e.png

1. 00:17:445 (1,2,3,1,2,3,1,2,1,2,1,2) - Are you sure about this grouping? Maybe 3 + 2 + 2 + 2 + 3 would be a more suitable grouping, similar to how the whistles complement the guitar in the song.
2. 00:20:745 (1,2) - This and similar parts don't seem to fall on the guitar notes in the song. I guess it's actually supposed to be a septuplet or something in the song. Can't really do much about it since osu! doesn't support that kind of snapping. There are 1/4 beat drums in the background, but I guess you probably want to follow those guitar sounds.
3. 00:29:628 (2,3) - How about swapping the position of these circles to have the rotation direction change at 00:29:495 (1) for extra contrast?
4. 00:43:195 (4,1) - The unstack triggers me just a little.
5. 00:47:695 (3) - Vocal here is 2/3 if you meant to map it.
6. 01:10:552 (1,2,3) - This jump angle going into (3) is pretty weird. Your pattern wouldn't fit in the play area? Why not try some spicy symmetry instead? http://puu.sh/tMaEt/f32b1e3f11.jpg
7. 01:47:014 (1) - I don't have a problem with the stream changing beat snap divisor since it fits the drum rhythm, but it might be appropriate in this case to change the rhythm structure here to better emphasize the musical phrasing: http://puu.sh/tMblm/2cdc3fe47b.jpg Same suggestion at 04:32:183
8. 01:48:514 (2,4,2) - These sliders skip over drums on the 1/3 ticks and end where there is nothing in the song. I would also like to suggest changing the pattern to put some extra emphasis on 01:48:814 (3) since the song moves to a half-time feel here, and this beat has a lot of power behind it in the song. Or I guess you could make it similar to 04:33:383
9. 01:50:614 (1,2) - Curious why you chose this rhythm. I think beats two and four deserve much more emphasis than you gave them. Maybe try one of these: http://puu.sh/tMcbb/7f838a7fe5.jpg (with direction change and higher SV on (2,2)) or http://puu.sh/tMc7f/9dc88ae3cd.jpg or http://puu.sh/tMc5e/945606b603.jpg
10. 01:57:814 (1,2,3,4) - Curious about this one too. Not really hearing anything on 01:58:014 but we have drum at 01:58:114
11. 02:23:014 (1,2,3,4,5,6,7,8,9,10,11,12,13,14,15,16,17,18) - Consider comboing this in groups of 6 as the music suggests.
12. 03:07:139 (5,6,7,8) - This is quite uncomfortable to play imo. I think you could maintain the symmetric pattern here and get smoother flow similar to how you did the previous phrase. Something like this might be cool: http://puu.sh/tMcVQ/497dd69e7b.jpg
13. 03:09:889 (1,2,3) - Intentional? I think it would make sense for (2,3) to swap positions.
14. 03:37:414 (1,2,3,4,5,6,7) - Song shifts to 1/4 beat divisor for this measure. Rhythms here should all be snapped to 1/4 beat snap divisor.
15. 03:41:014 - Starting here, your rhythm deviates from the song. I think timing might need to change as the song seems to be accelerating here. If you listen starting from 03:42:214 it sounds like 1/6 at much higher bpm.
16. 04:44:283 (2,3,4) - Should be 1/6.
17. 05:20:748 (4,5) - Some 1/6 would go well here since the run is quite prominent, building to 05:21:060 (1)

1. 01:12:091 (3,4) - I think these would be better with clap on head.
2. 01:33:439 (8) - I think this sounds better without the clap. Same with 04:18:608 (8)