Hi, from request
What a nice song~ Nice difficulties too <3
General
Add "usagiuta" to the tags since it is the romanized version of the source name 兎唄. Also add "amamitou" (or is it "amamidou"?) I can't read the last kanji x.x for甘味党 and add "wataame" for 綿飴.
Mainly, I thought the audio volume was a bit much, specifically the 100% audio volume at the kiai and the high volume at the quiet parts. Perhaps reduce the audio volume by 10 or even 20% universally?
03:28:341 - This ending would look awesome with a kiai imo (but that's very subjective of me and it's a personal preference =_=).
Julie's Kantan
Change HP to 7 for a better HP curve.
00:27:890 (26,27,28,29,30,31) - Despite this being one of the quieter sections in the song, it's pretty close in difficulty to the kiai time imo. There are 2 three-hit 1/1 rhythms in a row here and it may be difficult (and aren't featured in the kiai). However, the biggest problem is that it's exactly the same rhythm - not colour pattern - as the Futsuu for more than 8 beats (that's just a rule I made myself), which isn't good in terms of the difficulty curve with the Futsuu. Maybe you could change 00:28:341 (27) to k and move it to 00:26:536 for a bit of a recovery time till the next 1/1 rhythm? You may want to change 00:26:085 (24) to k as well if you accept this suggestion. Same thing at 01:32:852 (26,27,28,29,30,31).
Also, adding a 4/1 gap somewhere around this area may not be a bad idea (00:37:814 (41) is a possibility).
00:43:228 (48,49,50,51,52) - Similar to the above, this section is close in difficulty to the kiai. Perhaps remove either 00:43:679 (49) or 00:44:581 (51)? Same at 01:48:191 (47,48,49,50,51).
00:47:739 (55,56,57) - The pitch sounds pretty similar to 00:40:521 (44,45,46), perhaps change to match? Same at 01:52:701 (54,55,56).
00:52:251 (63) - I'd remove this hit. First, as a personal preference, especially in the easier difficulties, I like it if there was not a hit in the middle of a buildup or transition into the chorus. I like to listen to the music here. But more importantly, I think that removing this hit would make a good 4/1 break since you have none. Although this is a slow BPM song, your mapping is very continuous (kinda boring) with a minimum of 2/1 snapping between each hit. Which isn't surprising because the song's vocals is on almost every 2/1 beat, but this is one of your opportunities to break that continuous feeling, since there are no vocals. Idk, this might just be me.
Same at 01:57:213 (62).
01:06:687 (83) - Change to k? The pitch is higher than the previous hit in the vocals, and it'll give a good contrast with the next hit. Same at 02:11:649 (83). Same at 03:11:198 (162).
01:40:070 (36,37,38,39) - This is easier than the section previous to this which sounded similar. 01:40:070 (36,37,38,39) is harder than 00:35:108 (36,37,38,39,40) and should be changed to at least match the rhythm. It is also possible to switch these two rhythms's places to make a nice increasing difficulty curve through the song.
02:12:551 (84,85,86) - This is another opportunity to create a 4/1 break rather than have a 1/1 rhythm. Not only for the same reasoning as
00:52:251 (63), but you have a 1.5/1 rhythm coming up at 02:14:356 (87,88) so you should provide beginners with a strong sense of preparation rather than a rushed one with the 1/1 rhythm you have right now. Remove 02:13:002 (85,86)?
02:26:536 (102) - You can change this to k to show the pitch change from the previous hit if you want to.
02:33:303 (111) - I've noticed you've been making your 1/1 patterns and some 2/1 patterns so that they form a nice contrast with a hit of high emphasis, and you've done very well on that. To keep consistency with that style maybe change this hit to d?
02:40:521 (120) - ^
02:51:348 (131) - I'd personally delete this hit
02:55:860 (137) - Change to d? It'll contrast with the next hit and match the pitch better.
03:34:205 - You could add a k for a difficulty increase from the start.
03:42:777 - I feel like you need a hit here. Perhaps a D.
Nardo's Futsuu
00:23:378 (36) - Although repetitive, it may sound nicer to change this to a k. First, the pitch of the instrumental melody is higher than the previous hit. Second, you can hear a new clap instrument used here (idk what instrument), which is suitable for a k imo. Same at 01:28:341 (181).
00:31:499 - This section up to 00:36:912 is exactly the same as the rhythm in the Muzukashii. The Futsuu might even be harder here due to the hit variations. If this poses an issue, perhaps some collaboration is needed with Canvas to fix this. Same thing for the section at 01:36:461.
00:32:175 (50,51) - This pair 1/2 rhythm sounds exactly the same as 00:33:980 (54,55). I'm guessing you changed the colours for variety and to match the extended vocals at 00:32:175. I'd personally still have it as d d mainly for simplicity for the difficult 1.5/1 rhythm and ease of playing. Your choice. Same at 01:37:137 (196,197).
01:08:491 (135) - Change to k? The pitch of the piano sounds higher than the next and previous hit.
02:23:829 (306,307,308,309) - This is definitely for variety, but it sounds better to be the same as 02:22:025 (301,302,303,304) imo. Well, it matches with the background instrumentals and having a d will be a good contrast to 02:25:183 (310).
03:12:551 (407,408,409) - It might just be me, but I found this kinda weird how the rhythm was specifically matched to the vocals, in the part that is a contrast to the kiai time. Perhaps remove 03:12:777 (408) for a rhythm similar to 03:15:709 (414,415,416)?
03:14:356 (411,412,413) - Same reasoning as above, but instead of removing stuff, how about moving stuff around like this: https://osu.ppy.sh/ss/4284707
Just thought that this might be better to have hits at 03:15:258 instead of here for a transition into the next mini-section with the emphasized piano. Also, the vocals are more beautiful at 03:15:258 imo
03:27:438 (436) - For the same reasoning as 00:23:378 (36), perhaps change to k? May work on 03:27:890 (438) instead.
Good job on this diff
Muzukashii
00:09:393 (1,2,3) - Using 00:13:002 (13,14,15) as a reference for comparison, the pitch of 00:09:844 (3) is much higher and more emphasized than 00:13:454 (15), So you should at least have 00:09:844 (3) as a K imo. You may also want to change 00:09:619 (2) to d.
00:16:611 (26,27,28) - ^ Change 00:16:837 (27) to d and 00:17:063 (28) to K?
00:23:153 (49,50) - Ctrl + G would match the pitch better and match the instrument at 00:23:378 with a k if you do so. Same with 01:28:116 (257,258) and 03:27:438 (655,656).
00:31:499 - I mentioned this in the Futsuu as well, but this section up to 00:36:912 is exactly the same as the rhythm in the Futsuu. The Futsuu might even be harder here due to the hit variations. If this poses an issue, perhaps some collaboration is needed with Nardo to fix this. Same thing for the section at 01:36:461.
00:53:604 (131,132,133) - k d k would match the pitch of the vocals better, although a bit repetitive. Same at 00:59:920 (153,154,155), and 01:00:822 (156,157,158). Especially the former, to keep consistency with 00:52:702 (128,129,130).
00:55:634 - Add a hit here? This is the only place in the kiai where a hit is not matched to the vocals so I felt a weird gap here.
01:07:589 (182,183,184) - This triplet and the triplet at the 01:08:717 (187,188,189) make the Muzukashii pretty similar to the more difficult difficulties in terms of rhythm. Perhaps delete the middle note of each of these triplets. To compensate for this loss of difficulty, you may want to add a hit at 01:09:619 instead.
01:58:566 (351,352,353) - k d k would match the pitch of the vocals better, like stated in the last kiai. Same with 02:04:882 (376,377,378) and 02:05:784 (379,380,381).
02:00:145 (357,358,359) - This rhythm might make it difficult to rank this. NOT SAYING THAT THIS IS UNRANKABLE, NOR AM I SAYING THAT YOU SHOULD REMOVE THIS. As you probably know, you should mainly have monocolour triplets in Muzukashiis. If you were to use rhythms like ddk, I'd save it for the last kiai. In fact, you have more ddk rhythms in the second kiai than the third, which is bad for the difficulty curve throughout the song. Basically, I'm suggesting that you should at least make the last kiai as hard as the second kiai, either by removing the ddks in the second kiai , or adding more of them in the third kiai.
02:14:130 (413) - Remove this hit for a break. There is not a significant enough sound here either for it to be here in a Muzukashii.
02:17:063 (425) - How about moving this to 02:17:288? I feel like it flows better by matching to the piano rhythm.
02:25:634 - I personally feel that this is too long without a 1/1 break; you don't have a 1/1 break until 02:29:694, and the rhythm is very complex for a Muzukashii here.
02:54:732 - Add a hit here? You had a hit here to match the piano at 02:51:123 (530).
02:58:115 (549,550,551) - Again, k d k would match the pitch of the vocals better. Same at 03:04:431 (574,575,576), 03:11:649 (604,605,606) and 03:12:551 (607,608,609).
03:28:341 (660) - Change to K for emphasis.
03:35:108 (685,686,687) - Same thing as the first suggestion for this difficulty.
03:40:972 - Have a triplet somewhere around here. You had a triplet near the end of each instrumental section.
Lundle's Oni
00:12:326 (16,17) - At the end of every pattern (I split the patterns where there was more than a 1/2 gap) in the first section you end with a k d. It's totally fine, you're matching to the background instrumentals. But perhaps you could change the endings up a bit and Ctrl + G places like 00:12:326 (16,17) to match the instrumental melody's pitch? Same at 00:19:544 (50,51), 01:17:288 (287,288), 01:24:506 (321,322), 03:30:822 (826,827), 03:38:040 (861,862).
00:36:687 - Add a hit here? You had a hit at 00:34:882 (103) to match the vocals. Same at 01:41:649.
00:55:296 - You should add a hit here, or move 00:55:070 (184) here (change it to d, perhaps). I could notice the missed sound listening to this. How you had it in the third kiai was nice. Same thing at 02:00:258 and 02:07:476.
01:28:792 (341) - Either add a finisher here or remove it on 00:23:829 (70) to keep consistency.
01:29:243 - You could add slightly more hits in the quiet section here for a bit of difference from the first quiet section.
02:27:890 (592) - Change to k? The pitch of the previous and next hit is lower than this hit.
03:23:378 (797,798,799) - k d k would match the vocal pitch better.
03:27:438 (807) - This would sound good as a k to match that high sound in the instrumentals. Alternatively, you could change 03:27:890 (809) to k instead, since it has the exact same sound as 01:28:792 (341).
Oni
What are all these bookmarksssssssss
It wouldn't hurt to add 1/6 rhythms in the instrumental sections to match the melody It'd sound BEAUTIFUL https://osu.ppy.sh/ss/4290980
00:09:844 (3) - Same suggestion as the first suggestion in the Muzukashii. However, I don't recommend it as much as in the Muzukashii because there's so much more things that are going on in this difficulty.
00:17:063 (37) - ^
00:12:326 (16,17) - Ctrl + G would sound better if you want to match the instrumental pitch. Same at 00:19:544 (50,51), 01:17:288 (311,312), and 01:24:506 (347,348).
00:40:296 - As an Oni, you should probably have a hit here to match the vocals. Same at 01:45:258, but more optional.
00:43:454 (139,140) - Ctrl + G would sound better to match the vocals. Same at 01:48:416 (449,450).
Kiai time was very well made
02:07:025 (549,550) - Ctrl + G may sound better to match the k to the vocals on hit 550.
02:50:220 - Add a hit here? You're matching to the vocals in the next section, so as a transition it may be possible to add a hit. Also, the もしも is referring to the next section, and is not part of the previous.
03:18:867 (907,908) - Unless you were matching more to the piano, Ctrl + G would sound much better.
03:27:438 (936,937) - Ctrl + G to match the k on the clapping instrumentals at 03:27:438?
That's all. Love the ending too
説明が不十分なところやわからないところがあれば遠慮せずに PM してください。日本語で再び説明しますので
Good Luck on rank~ (ノ・ω・)ノ☆ Stolen from EdamaMe411 xD p/4705905/
What a nice song~ Nice difficulties too <3
General
Add "usagiuta" to the tags since it is the romanized version of the source name 兎唄. Also add "amamitou" (or is it "amamidou"?) I can't read the last kanji x.x for甘味党 and add "wataame" for 綿飴.
Mainly, I thought the audio volume was a bit much, specifically the 100% audio volume at the kiai and the high volume at the quiet parts. Perhaps reduce the audio volume by 10 or even 20% universally?
03:28:341 - This ending would look awesome with a kiai imo (but that's very subjective of me and it's a personal preference =_=).
Julie's Kantan
Change HP to 7 for a better HP curve.
00:27:890 (26,27,28,29,30,31) - Despite this being one of the quieter sections in the song, it's pretty close in difficulty to the kiai time imo. There are 2 three-hit 1/1 rhythms in a row here and it may be difficult (and aren't featured in the kiai). However, the biggest problem is that it's exactly the same rhythm - not colour pattern - as the Futsuu for more than 8 beats (that's just a rule I made myself), which isn't good in terms of the difficulty curve with the Futsuu. Maybe you could change 00:28:341 (27) to k and move it to 00:26:536 for a bit of a recovery time till the next 1/1 rhythm? You may want to change 00:26:085 (24) to k as well if you accept this suggestion. Same thing at 01:32:852 (26,27,28,29,30,31).
Also, adding a 4/1 gap somewhere around this area may not be a bad idea (00:37:814 (41) is a possibility).
00:43:228 (48,49,50,51,52) - Similar to the above, this section is close in difficulty to the kiai. Perhaps remove either 00:43:679 (49) or 00:44:581 (51)? Same at 01:48:191 (47,48,49,50,51).
00:47:739 (55,56,57) - The pitch sounds pretty similar to 00:40:521 (44,45,46), perhaps change to match? Same at 01:52:701 (54,55,56).
00:52:251 (63) - I'd remove this hit. First, as a personal preference, especially in the easier difficulties, I like it if there was not a hit in the middle of a buildup or transition into the chorus. I like to listen to the music here. But more importantly, I think that removing this hit would make a good 4/1 break since you have none. Although this is a slow BPM song, your mapping is very continuous (kinda boring) with a minimum of 2/1 snapping between each hit. Which isn't surprising because the song's vocals is on almost every 2/1 beat, but this is one of your opportunities to break that continuous feeling, since there are no vocals. Idk, this might just be me.
Same at 01:57:213 (62).
01:06:687 (83) - Change to k? The pitch is higher than the previous hit in the vocals, and it'll give a good contrast with the next hit. Same at 02:11:649 (83). Same at 03:11:198 (162).
01:40:070 (36,37,38,39) - This is easier than the section previous to this which sounded similar. 01:40:070 (36,37,38,39) is harder than 00:35:108 (36,37,38,39,40) and should be changed to at least match the rhythm. It is also possible to switch these two rhythms's places to make a nice increasing difficulty curve through the song.
02:12:551 (84,85,86) - This is another opportunity to create a 4/1 break rather than have a 1/1 rhythm. Not only for the same reasoning as
00:52:251 (63), but you have a 1.5/1 rhythm coming up at 02:14:356 (87,88) so you should provide beginners with a strong sense of preparation rather than a rushed one with the 1/1 rhythm you have right now. Remove 02:13:002 (85,86)?
02:26:536 (102) - You can change this to k to show the pitch change from the previous hit if you want to.
02:33:303 (111) - I've noticed you've been making your 1/1 patterns and some 2/1 patterns so that they form a nice contrast with a hit of high emphasis, and you've done very well on that. To keep consistency with that style maybe change this hit to d?
02:40:521 (120) - ^
02:51:348 (131) - I'd personally delete this hit
02:55:860 (137) - Change to d? It'll contrast with the next hit and match the pitch better.
03:34:205 - You could add a k for a difficulty increase from the start.
03:42:777 - I feel like you need a hit here. Perhaps a D.
Nardo's Futsuu
00:23:378 (36) - Although repetitive, it may sound nicer to change this to a k. First, the pitch of the instrumental melody is higher than the previous hit. Second, you can hear a new clap instrument used here (idk what instrument), which is suitable for a k imo. Same at 01:28:341 (181).
00:31:499 - This section up to 00:36:912 is exactly the same as the rhythm in the Muzukashii. The Futsuu might even be harder here due to the hit variations. If this poses an issue, perhaps some collaboration is needed with Canvas to fix this. Same thing for the section at 01:36:461.
00:32:175 (50,51) - This pair 1/2 rhythm sounds exactly the same as 00:33:980 (54,55). I'm guessing you changed the colours for variety and to match the extended vocals at 00:32:175. I'd personally still have it as d d mainly for simplicity for the difficult 1.5/1 rhythm and ease of playing. Your choice. Same at 01:37:137 (196,197).
01:08:491 (135) - Change to k? The pitch of the piano sounds higher than the next and previous hit.
02:23:829 (306,307,308,309) - This is definitely for variety, but it sounds better to be the same as 02:22:025 (301,302,303,304) imo. Well, it matches with the background instrumentals and having a d will be a good contrast to 02:25:183 (310).
03:12:551 (407,408,409) - It might just be me, but I found this kinda weird how the rhythm was specifically matched to the vocals, in the part that is a contrast to the kiai time. Perhaps remove 03:12:777 (408) for a rhythm similar to 03:15:709 (414,415,416)?
03:14:356 (411,412,413) - Same reasoning as above, but instead of removing stuff, how about moving stuff around like this: https://osu.ppy.sh/ss/4284707
Just thought that this might be better to have hits at 03:15:258 instead of here for a transition into the next mini-section with the emphasized piano. Also, the vocals are more beautiful at 03:15:258 imo
03:27:438 (436) - For the same reasoning as 00:23:378 (36), perhaps change to k? May work on 03:27:890 (438) instead.
Good job on this diff
Muzukashii
00:09:393 (1,2,3) - Using 00:13:002 (13,14,15) as a reference for comparison, the pitch of 00:09:844 (3) is much higher and more emphasized than 00:13:454 (15), So you should at least have 00:09:844 (3) as a K imo. You may also want to change 00:09:619 (2) to d.
00:16:611 (26,27,28) - ^ Change 00:16:837 (27) to d and 00:17:063 (28) to K?
00:23:153 (49,50) - Ctrl + G would match the pitch better and match the instrument at 00:23:378 with a k if you do so. Same with 01:28:116 (257,258) and 03:27:438 (655,656).
00:31:499 - I mentioned this in the Futsuu as well, but this section up to 00:36:912 is exactly the same as the rhythm in the Futsuu. The Futsuu might even be harder here due to the hit variations. If this poses an issue, perhaps some collaboration is needed with Nardo to fix this. Same thing for the section at 01:36:461.
00:53:604 (131,132,133) - k d k would match the pitch of the vocals better, although a bit repetitive. Same at 00:59:920 (153,154,155), and 01:00:822 (156,157,158). Especially the former, to keep consistency with 00:52:702 (128,129,130).
00:55:634 - Add a hit here? This is the only place in the kiai where a hit is not matched to the vocals so I felt a weird gap here.
01:07:589 (182,183,184) - This triplet and the triplet at the 01:08:717 (187,188,189) make the Muzukashii pretty similar to the more difficult difficulties in terms of rhythm. Perhaps delete the middle note of each of these triplets. To compensate for this loss of difficulty, you may want to add a hit at 01:09:619 instead.
01:58:566 (351,352,353) - k d k would match the pitch of the vocals better, like stated in the last kiai. Same with 02:04:882 (376,377,378) and 02:05:784 (379,380,381).
02:00:145 (357,358,359) - This rhythm might make it difficult to rank this. NOT SAYING THAT THIS IS UNRANKABLE, NOR AM I SAYING THAT YOU SHOULD REMOVE THIS. As you probably know, you should mainly have monocolour triplets in Muzukashiis. If you were to use rhythms like ddk, I'd save it for the last kiai. In fact, you have more ddk rhythms in the second kiai than the third, which is bad for the difficulty curve throughout the song. Basically, I'm suggesting that you should at least make the last kiai as hard as the second kiai, either by removing the ddks in the second kiai , or adding more of them in the third kiai.
02:14:130 (413) - Remove this hit for a break. There is not a significant enough sound here either for it to be here in a Muzukashii.
02:17:063 (425) - How about moving this to 02:17:288? I feel like it flows better by matching to the piano rhythm.
02:25:634 - I personally feel that this is too long without a 1/1 break; you don't have a 1/1 break until 02:29:694, and the rhythm is very complex for a Muzukashii here.
02:54:732 - Add a hit here? You had a hit here to match the piano at 02:51:123 (530).
02:58:115 (549,550,551) - Again, k d k would match the pitch of the vocals better. Same at 03:04:431 (574,575,576), 03:11:649 (604,605,606) and 03:12:551 (607,608,609).
03:28:341 (660) - Change to K for emphasis.
03:35:108 (685,686,687) - Same thing as the first suggestion for this difficulty.
03:40:972 - Have a triplet somewhere around here. You had a triplet near the end of each instrumental section.
Lundle's Oni
00:12:326 (16,17) - At the end of every pattern (I split the patterns where there was more than a 1/2 gap) in the first section you end with a k d. It's totally fine, you're matching to the background instrumentals. But perhaps you could change the endings up a bit and Ctrl + G places like 00:12:326 (16,17) to match the instrumental melody's pitch? Same at 00:19:544 (50,51), 01:17:288 (287,288), 01:24:506 (321,322), 03:30:822 (826,827), 03:38:040 (861,862).
00:36:687 - Add a hit here? You had a hit at 00:34:882 (103) to match the vocals. Same at 01:41:649.
00:55:296 - You should add a hit here, or move 00:55:070 (184) here (change it to d, perhaps). I could notice the missed sound listening to this. How you had it in the third kiai was nice. Same thing at 02:00:258 and 02:07:476.
01:28:792 (341) - Either add a finisher here or remove it on 00:23:829 (70) to keep consistency.
01:29:243 - You could add slightly more hits in the quiet section here for a bit of difference from the first quiet section.
02:27:890 (592) - Change to k? The pitch of the previous and next hit is lower than this hit.
03:23:378 (797,798,799) - k d k would match the vocal pitch better.
03:27:438 (807) - This would sound good as a k to match that high sound in the instrumentals. Alternatively, you could change 03:27:890 (809) to k instead, since it has the exact same sound as 01:28:792 (341).
Oni
What are all these bookmarksssssssss
It wouldn't hurt to add 1/6 rhythms in the instrumental sections to match the melody It'd sound BEAUTIFUL https://osu.ppy.sh/ss/4290980
00:09:844 (3) - Same suggestion as the first suggestion in the Muzukashii. However, I don't recommend it as much as in the Muzukashii because there's so much more things that are going on in this difficulty.
00:17:063 (37) - ^
00:12:326 (16,17) - Ctrl + G would sound better if you want to match the instrumental pitch. Same at 00:19:544 (50,51), 01:17:288 (311,312), and 01:24:506 (347,348).
00:40:296 - As an Oni, you should probably have a hit here to match the vocals. Same at 01:45:258, but more optional.
00:43:454 (139,140) - Ctrl + G would sound better to match the vocals. Same at 01:48:416 (449,450).
Kiai time was very well made
02:07:025 (549,550) - Ctrl + G may sound better to match the k to the vocals on hit 550.
02:50:220 - Add a hit here? You're matching to the vocals in the next section, so as a transition it may be possible to add a hit. Also, the もしも is referring to the next section, and is not part of the previous.
03:18:867 (907,908) - Unless you were matching more to the piano, Ctrl + G would sound much better.
03:27:438 (936,937) - Ctrl + G to match the k on the clapping instrumentals at 03:27:438?
That's all. Love the ending too
説明が不十分なところやわからないところがあれば遠慮せずに PM してください。日本語で再び説明しますので
Good Luck on rank~ (ノ・ω・)ノ☆ Stolen from EdamaMe411 xD p/4705905/