Thanks for great mod and star!Shoegazer wrote:
Sorry for taking so long. Most of these will be very minor nitpicks (almost always PR). This is going to be a very long mod regardless.SPOILER[Fear]
OD10 seems appropriate, I like it.
01:02:470 - Should be a single.
01:05:235 - Have this burst start at 3, and rearrange the burst to something like 32143. This will cause some rigidity, but I think it fits with the rest of the chart.
01:06:341 - Change to 332 for fluency maybe? Looks a little more aesthetically pleasing as well.
01:12:977 - Move this note to 1, this creates a very rigid transition. If it's moved to 1, the player can hit something like [12]32[134], which is generally more fluent.
01:18:230 - This pattern might be a bit too rigid, especially it's pretty early into the track. Something like this would be ideal I think.
01:24:590 - Change to [124] since the snare at 01:24:175 - is a [14], and I think it'd be better to accentuate sounds like that; even if it's subtle. Also gets rid of the minijack at 3. no change here, because I used [234] snare for the same sound here 01:25:004 - and here 01:23:898 -
01:44:636 - + 01:45:050 - Actually would like to see a minijack here (or 3 or 4), this section feels a bit underemphasised, or at least a bit too fluent. Would have to do some rearranging though, which might be difficult to do since your layering scheme seems quite concrete (kicks on either [12] or [34]). Something like this maybe?
01:46:848 - Would like to see a minijack here as well, but again it's a bit hard to rearrange. You could just Ctrl+H up to 01:48:230 - .
01:48:368 - Have the burst start at 4, for the reason in 1:05 or so.
02:00:396 - Move to [134]. Same sound as 01:59:981 - . Maybe move 02:00:534 - to [34] as well for comfortability.
02:00:949 - Move to [123], same sound as the snare before it.
02:01:087 - Move to [124], minijack would be on 3.
02:01:640 - Move to [234].
02:28:322 - This is a different snare hit from 02:28:184 - , maybe move 02:28:184 - to [14].
02:47:677 - I think this chord should have some reminiscence to 02:47:262 - at least. Maybe something like [13]?
02:51:686 - Move to [234], it's the same sound as 02:51:548 - with a heavier kick. Might be a touch bit too rigid though. As u said, it will be too rigid, no change.
02:56:249 - Shift to 4 to differentiate this from the snare before it. You'd have to rearrange the 1/4s after, [123]4[12] would do.
02:56:525 - Should be a double, [12] is ideal.
03:00:258 - Move to [23] to connect the triples before and after it better. I always was using [14] to connect those triples, so no change here to keep consistancy
03:05:096 (185096|3,185166|2,185235|1,185235|0,185373|2,185373|3) - Ctrl+H this for the same reasons at 2:47 or so.
03:13:668 - Move this chord and the consequent chord to [134] to differentiate it from the sound before it. I did something similar to 02:55:972 - like u suggested before to keep consistency
03:14:221 - Should be a double, [34] is ideal.
03:37:170 - Move to [34].
03:37:861 - Move to [34], the sound at 03:38:138 - is different and is a [23]. Additionally since this is a heavier sound, [34] would be more ideal since it requires more force than [23].
03:38:553 - Move this and the consequent chord to [12], since they are the same note and I think it'd be better as a minijack instead of avoiding a minijack here.
03:42:285 - Move to [12].
03:59:567 - Don't see why you didn't put in notes on sounds like this, especially when sounds like 04:02:332 - are generally more feint. This issue goes for the entire section.
04:42:009 - Move to [14], since the sound at 04:41:456 - is [14], and they are the same. Creates a nice transition into the minijack too.
04:43:944 - Move this to [23] for better transitioning into the [134].
04:46:571 - This can be a triple. its different than previous triple, no strong snare like before
04:47:124 - ^ same
04:50:304 - This should be the same as 04:49:889 - since they are the same sound. Ctrl+H 04:50:442 (290442|1,290511|2,290511|3,290580|0,290580|1) - to rearrange the patterns.
05:07:585 - ^
05:24:728 - Move this and the consecutive chord to [34], the snare is pretty different from the sounds before it.
05:28:737 - Should be [14], as it is the same chord before it, which is a [14]. There's some other issues with this too, so look at the point below for a better way to arrange it.
05:29:083 - Missing 1/4. You can rearrange the entire pattern to something like this.
05:37:585 - Move to [24] maybe? Gives a better transition to the next chord.
05:37:723 - Move to [134], as it is a different sound from 05:37:447 - .
05:37:861 (337861|1,337931|2,338000|0,338000|1,338000|3) - Ctrl+H.
Any pitch relevancy errors that I didn't pick up are either because I don't think there's a solid way of actually making them pitch relevant without messing up the structure entirely or I forgot about that. Mainly the former hopefully.
Fantastic map, deliberately very rigid in structure and that's something that I enjoy seeing because it speaks quite a bit about the mapper's intentions and is something that I've been wanting to do for a long time.
Not mentioned = fixed