it is just awesome x_x
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Demetori - Crimson Belvedere ~ Eastern Dream
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60
Let there be fire.
Topic Starter
ummmmmm jaaaaaaaaaaa
Thanks Nyquill <3
Thanks Nyquill <3
yessssssssssssssssssssssssssssssssssssssssssssssssssssss
grats
grats
Congratulations :3
Congrats! 
this map is godly
this map is godly
jonathanlfj so pro!
Congratulations on your first approval.
Congratulations on your first approval.
gratsssssssssssssssssssssssssss
yes
yes
grats!!!
ahngjfdngkjnaejdsknkgad
gratzGratz!!! For your first approved maps
Sorry I'm late jona~. Add 1 mapper has app map. Congratz, jona~ ^^
congratz!
Demetori songs!!! gratz\=)/
This is actually really good, Congrats
Man, this is my most favorite track from the album. Good to see someone mapped it (and approved too)
Yo~~ Gratz jonathan :3/!!
I'm still waiting.jonathanlfj wrote:
and where is the sht storm
Gratz! :>
Congratulation!!!
gratz lfj B)
Topic Starter
Thanks everyone for the support~
asdsafgrsdfsdfagfg damn itUnitedWeSin wrote:
I'm still waiting.jonathanlfj wrote:
and where is the sht storm
Gratz! :>
congratz ~ I love this <3
jonathan too pro
Some thoughts.
I found the intro the oddest out of the entire thing.
It was anything but gradual and slow (how I always perceived the intro to be, anyway) so I was a little taken off by the AR9 spacing until - 00:46:990 -
I thought a couple of anti-jumps here and there would have been pretty awesome too.
Closer spacing could be brought in to some good effect since the mapping can make it as such that the guitar objects linger in an area for a while before branching out and making a gradual breaking when the rhythm gets heavier.
It really does get a whole lot better, especially when the map reaches the 225 BPM finale.
I thought I'd note a couple of particular points where the aesthetics were captured pretty well.
- 08:18:820 (1,2,3,4,5,6,7,1,2,3) - A favorite.
- 08:31:620 (1,2,3,4) - Probably as close to how a movement of drum-playing you can get. (Without left-right-left-right spam)
- 08:58:820 (1,2,1,2,1,2) - Might have been easy to visualize because of the complete resounding of the guitar at this point, but it just nailed the moment there. More impressed by the proximity because I've seen not-so-good examples with stretched out spacing that isn't enjoyable.
- 10:01:220 (1,2,3,1,2,3,1) - Personally, an appealing fail-proof way to bring the map to a closure.
Well done, and a belated congratulations.
I found the intro the oddest out of the entire thing.
It was anything but gradual and slow (how I always perceived the intro to be, anyway) so I was a little taken off by the AR9 spacing until - 00:46:990 -
I thought a couple of anti-jumps here and there would have been pretty awesome too.
Closer spacing could be brought in to some good effect since the mapping can make it as such that the guitar objects linger in an area for a while before branching out and making a gradual breaking when the rhythm gets heavier.
It really does get a whole lot better, especially when the map reaches the 225 BPM finale.
I thought I'd note a couple of particular points where the aesthetics were captured pretty well.
- 08:18:820 (1,2,3,4,5,6,7,1,2,3) - A favorite.
- 08:31:620 (1,2,3,4) - Probably as close to how a movement of drum-playing you can get. (Without left-right-left-right spam)
- 08:58:820 (1,2,1,2,1,2) - Might have been easy to visualize because of the complete resounding of the guitar at this point, but it just nailed the moment there. More impressed by the proximity because I've seen not-so-good examples with stretched out spacing that isn't enjoyable.
- 10:01:220 (1,2,3,1,2,3,1) - Personally, an appealing fail-proof way to bring the map to a closure.
Well done, and a belated congratulations.
Topic Starter
The reason why i didnt use many anti-jumps is because i am not very good at placing them, since jumps usually fill my head when mapping strong music like this xDFaust wrote:
Some thoughts.
I found the intro the oddest out of the entire thing.
It was anything but gradual and slow (how I always perceived the intro to be, anyway) so I was a little taken off by the AR9 spacing until - 00:46:990 -
I thought a couple of anti-jumps here and there would have been pretty awesome too.
Closer spacing could be brought in to some good effect since the mapping can make it as such that the guitar objects linger in an area for a while before branching out and making a gradual breaking when the rhythm gets heavier.
It really does get a whole lot better, especially when the map reaches the 225 BPM finale.
I thought I'd note a couple of particular points where the aesthetics were captured pretty well.
- 08:18:820 (1,2,3,4,5,6,7,1,2,3) - A favorite.
- 08:31:620 (1,2,3,4) - Probably as close to how a movement of drum-playing you can get. (Without left-right-left-right spam)
- 08:58:820 (1,2,1,2,1,2) - Might have been easy to visualize because of the complete resounding of the guitar at this point, but it just nailed the moment there. More impressed by the proximity because I've seen not-so-good examples with stretched out spacing that isn't enjoyable.
- 10:01:220 (1,2,3,1,2,3,1) - Personally, an appealing fail-proof way to bring the map to a closure.
Well done, and a belated congratulations.
and about the awkward intro that is pretty common on my maps; the start of a song always gives me the feeling of "how should i map this", so eventually you see some rather awkward things compared to later parts of the map where i get my "mapping intuition" up
Thanks for the detailed feedback! It was very informative and i shall refer to this when mapping in the future
oh and thanks for the praises really appreciate it \:D/
i didn't know someone actually mapped this until i saw it on main page, and it is JoJo!
Sorry for the bump but this is my fav Demetori piece, good map.
Sorry for the bump but this is my fav Demetori piece, good map.
lovely lovely lovely map, :3 was wondering where you got the picture from, i think it would make a sweet backround c: thanks!