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Haruka Sora, Kotorii Yuuka, Kamishiro Misaki, Kiritani Hana

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Topic Starter
JUDYDANNY
This beatmap was submitted using in-game submission on 2018年11月16日 at 20:15:46

Artist: Haruka Sora, Kotorii Yuuka, Kamishiro Misaki, Kiritani Hana
Title: Noraneko Heart
Source: ノラと皇女と野良猫ハート
Tags: Taiko Nardoxyribonucleic eroge oujo queen to Kuroki Michi Patricia of End Yuuri Shachi Asuhara Yuuki 黒木 未知 パトリシア・オブ・エンド 夕莉 シャチ 明日原 ユウキ
BPM: 162
Filesize: 21092kb
Play Time: 04:15
Difficulties Available:
  1. Collab Oni (4.14 stars, 1289 notes)
  2. Futsuu (2.38 stars, 624 notes)
  3. Kantan (1.66 stars, 332 notes)
  4. Muzukashii (2.87 stars, 942 notes)
Download: Haruka Sora, Kotorii Yuuka, Kamishiro Misaki, Kiritani Hana - Noraneko Heart
Information: Scores/Beatmap Listing
---------------
THE・手作業紙芝居 I Tried to make taiko SB... Finally Completed!
これからはDiffを埋めます
Collab Oni : by Nardoxyribonucleic and me.
Taiko Story Board: Done! - me.

SB手打ち果てしなくダルかった... 二度と手打ちはしない、次回からはサポート機能ついてるやつで作ります
related maps
野良猫ハート with Storyboardhttps://osu.ppy.sh/s/598285

ネ!コ!https://osu.ppy.sh/s/650098
(JuDa's Kantan + ver. SV100) →https://puu.sh/xzfGO/648b24a794.osz

クライングハートhttps://osu.ppy.sh/s/687574
Nardoxyribonucleic
Hi JuDa, the Collab Oni is finished~

https://puu.sh/wi8o0.rar

Please add my name to tags, thanks :3
yuzu__rinrin
祝 ノラと皇女と野良猫ハート2発売
Topic Starter
JUDYDANNY

yuzu__rinrin wrote:

祝 ノラと皇女と野良猫ハート2発売
https://osu.ppy.sh/s/687574

Nardoxyribonucleic
Nice storyboard ヾ(๑>◡<)ノ"
Btw, remember to add my name to tags ;w;
Topic Starter
JUDYDANNY

Nardoxyribonucleic wrote:

Nice storyboard ヾ(๑>◡<)ノ"
Btw, remember to add my name to tags ;w;
Thanks!!! ヾ(๑>◡<)ノ"
added!
Smallwu
Hello! Mod as M4M request.
[General]
  1. Update to Pending Beatmaps?
  2. Nice StoryBoard woah.
SB Things

  • (All found in Collab Oni)
  1. I found that you maybe forgot to use log-jd and log-nardo in Collab Oni.

    ===

  2. How about add these, eh... harmony sentences? I don't know what it actually called.
    like 00:58:392 - (プライドで) , 01:16:170 - (放しはしない) , 01:26:540 - (キミだけに捧ぐ)
    It's just a reminder, I don't know if it's deliberately that you don't add them, because they are also lyrics.

    ===

  3. 01:32:651 - Make the blank longer, like 03:01:170, because I like 03:01:170 effect more than 01:32:651.
    In the case, the lyrics's shrink [01:32:744 - 01:32:929] won't be seen by players.

    ===

  4. 01:02:281 - 今を - I think it moves a little fast.
    01:03:392 and 01:03:948 - have loud drums, cymbals and other instruments, so the effect perfectly fits.
    Tbh, the effect you show is great, but not at here. The vocal is louder than before, but (I think) it's not enough.
  5. 02:30:799 - 果てまで - ^

    ===

  6. Also, I suggest you shrink 果てまで , [02:31:911 - 02:32:003] - in the section.
    In that case, player won't see it shrinking, because 02:31:911 - 02:32:096 - is blank.
    (lol the mistake is quite small)
  7. 今を - ^
[Collab Oni]
  1. 00:15:337 - Hmm idk, add a kat?
  2. 00:39:318 (1) - DON. I think Finisher fits much more. and can keep consistency with 02:08:207 (1).
  3. 00:40:985 - How about add a don? I found that you follow music at 00:39:318 - 00:41:911. No add at 00:39:503 because the cymbal is so loud that it covers the drum's sound.
  4. 00:41:725 (8) - Turn to don. (8) is bass drum, and (9) is snare drum - loud a lot. and do it can keep consistency.
  5. 01:09:874 (26,27) - Ctrl+G them? Yes I know that (26) is lower than (23) and (28), but the current pattern (sounds) a little strange imo. I think if you use k d here, the vocal will be emphasized much better.
  6. 01:17:188 (4) - kat? It sounds like (3), and (3) is kat. You also use kat at 02:46:077.
  7. 01:22:466 (27,28) - k d or d k because I cannot distinguish which is lower. Personal likes d k.
  8. 01:49:318 (23) - I don't know if you want to keep consistency with the vocals after here, so you use kat. If not, I suggest you use a don here because there's quiet.
  9. 01:56:170 (59) - don because it sounds lower than (58) and (59).
  10. 02:00:244 (79) - I'm not sure if you're following vocal in the section. If it is, turn kat to follow it.
  11. 02:06:077 - Add don. It will break the consistency, but follow drum is more important i think.
  12. 02:23:022 (22) - I think DON is not a good choice :3. How about use a triplet instead of using it?
  13. 02:39:503 (30,31) - Ctrl+G to follow vocal pitch.
  14. 02:54:318 (47) - Since there's no vocal, use don to emphasize (48).
  15. 03:01:170 (12) - Finisher? like other places do.
  16. 03:04:688 (35) - Sounds like you follow bass/guitar this section. How about kat then?
  17. 03:10:151 - Add a don?
  18. 03:28:022 (89,90) - d K. (89) because it sounds like (87) and (88), and they're both don. (90) because there's a unusual loud piano sound.
  19. 03:31:170 (1) - Finisher here is strange I think, because there's no any loud sound. The section is before (the last) Kiai, I think anything shouldn't be added if isnt needed. Also, the other diffs all use kat at here.
[Muzukashii]
  1. 00:39:318 (1) - Finisher here?
  2. 01:16:170 (44) - DON to follow drums. Not KAT but DON because (45)(46) drums sound higher than this. (because I thought you follow drums fully 01:16:170 - 01:17:837 - in the section.)
  3. 01:42:096 - 01:42:281 - Use ddd triplet? like 01:40:985 does.
  4. 01:49:688 (21,22,23,24) - d k d k or d k d k. Although they will make the 1/2 stream much disgusting, they follow the pitches perfectly, not only drums but vocals.

  5. 01:53:762 (39,40,41,42,43,44) - k k d k d K - (39, 40) to follow vocals. (41, 42, 43) to follow drums. (44) to follow drums , and it's loud a lot than (47) because there're many instruments.
  6. 01:55:059 (45,46,47) - d k D - The change above cause, but these mainly follow ringings.

  7. 02:08:207 (1) - Finisher like Collab Oni? Here I more like the Finisher's sound effect.
  8. 03:08:577 (36,37) - Ctrl+G, (37) sounds higher than (36).
  9. 03:20:614 (33) - kat sounds better. Because I saw these - 03:21:725 (37,38) - So I think you will allow the small difference owo.
  10. 03:22:651 (41,43) - Ctrl+G better? Although before this is dkkdd - To follow vocal.
  11. 03:24:133 (47) - don to follow vocal pitch.
  12. 03:28:022 (66,67) - d K - Reason quite same as Collab Oni, though it doesn't work here :(. Even so, I still suggest you use the pattern, it still sounds very good.
  13. 03:34:133 (14,15,16) - Finishers like Collab Oni?
  14. 03:45:429 (14,15) - Ctrl+G, will fit much the rhythm.
[Futsuu]
General Things
  1. You forgot to use Widescreen Support in this difficulty.
  2. How about OD4/HP6?
    OD4 is just a suggest, (I feel that) OD5 for Futsuu players is too high.
    HP6 is needed imo. Although this is full size, the Futsuu's notes amount isn't so many that needs to use HP5.
  1. 00:08:577 (7,8) - k d better. I suggest you move them both to 00:08:948 - The original place [00:08:577] shouldn't exist anything imo. There has nothing but a drum to follow. (Or, if you agree, I'd strongly suggest you add a kat at 00:08:577. )
  2. 00:26:170 - d k d bette I guess. k d will follow the ringings and drums in the same time.
  3. 01:43:577 (32) - How about Finisher? It sounds same as 01:43:022, and you do this in harder diffs.
  4. 01:55:244 (30,31) - k d. Reason same as 00:26:170's.
  5. 02:58:207 (34) - I guess you forgot Finisher , because you do it at 01:29:318 (37) and 03:54:503 (36).
  6. 03:25:059 (35) - I think here isn't loud enough to be a Finisher.
[Kantan]
  1. 00:55:429 (8) - How about Finisher? In the other diffs, here are all Finishers.
  2. 01:37:466 - Add a kat? I think it would sound better if here has :3.
  3. 02:24:318 (24) - How about Finisher? In the other diffs, here are all Finishers.
  4. 03:01:540 (3) - ^ , ^
  5. 03:48:948 (69) - Finisher? To keep consistency with 02:52:651 (30) and 01:23:762 (10).

    Oh My Peppy Those are few D:
    Sorry I don't know how to mod low SR diff well ;w;
[]
If there's anything you cannot understand, please feel free to ask me! (There're something hard to use text to explain.)
Hope my mod will help you, good luck with ranked!
qoot8123
Hello o/
taiko mod as request :)

[Kantan]
  1. 00:02:281 (2) - if you want to make this part more consistent , you may move this note to 00:02:096 -
  2. 00:03:762 (3) - similar reason as above, you may change it to k
  3. 03:10:429 - ~03:16:355 - i think you can follow guitar more precisely like this(20 is finisher)
[Futsuu]
  1. 00:08:577 (7,8) - could move exchange and move 00:10:059 (2) - to 00:09:318 - to follow snare.
  2. 00:19:318 (9,10,11,12,13,14,15,16) - 1/2 doublet could put earlier than the current one, like this,if you agree this, 00:16:355 (2,3,4,5,6,7,8) - this pattern also needs to be revised in order to make consistent with later one.
  3. 00:22:281 (17,18,19,20,21) - ^(other part which has similar patterns also has same issue)
  4. 03:02:281 (7,8,9,10,11,12) - i think you can follow guitar like this
[Muzukashii]
  1. 00:12:466 (39) - this note could be removed.
  2. 00:39:874 (2,3,4) - use 1/1 snap is more clear for the song's rhythm. (other part has similar issue)
  3. 00:41:355 (5,6,7) - ^
  4. 01:01:355 - change to K and change 01:01:911 (73) - to d to follow vocal.(02:30:244 (41,42) - could keep original one, due to the difference of vocal's pronunciation)
  5. 01:03:762 (80,81,82,83) - consider song's pitch ,reverse the color would be better.
  6. 02:32:651 (3,4,5,6) - ^
  7. 03:24:133 (47) - change to d to follow vocal's pitch?
[Collab Oni]
  1. 00:19:133 (15) -,00:21:911 (29) - how about reverse the color,the former one's vocal seems soft and lower, later ones is higher.
  2. 01:03:762 (106,107,108,109) - same as muzu
  3. 01:11:725 (36) - the vocal's pitch of upcoming section is lower, you may change this note to d
  4. 02:32:651 (12,13,14,15) - consider song's pitch ,reverse the color would be better.
Good luck! :)
Nardoxyribonucleic

Smallwu wrote:

Hello! Mod as M4M request.
[General]
  1. Update to Pending Beatmaps?
  2. Nice StoryBoard woah.

[Collab Oni]
  1. 01:09:874 (26,27) - Ctrl+G them? Yes I know that (26) is lower than (23) and (28), but the current pattern (sounds) a little strange imo. I think if you use k d here, the vocal will be emphasized much better. Retained to follow the pitch changes of vocal.
  2. 01:17:188 (4) - kat? It sounds like (3), and (3) is kat. You also use kat at 02:46:077. Retained for some sort of variety. Also the latter part is mapped by JuDa.
  3. 02:23:022 (22) - I think DON is not a good choice :3. How about use a triplet instead of using it? I think the big note is synergistic to the upcoming 02:23:577 (25,26,27) -
  4. 02:54:318 (47) - Since there's no vocal, use don to emphasize (48). k here could contrast to the harmonic part at 02:55:799 (55,63) -
  5. 03:01:170 (12) - Finisher? like other places do. Remain unchanged. I think this one is a bit different from the other two due to its relatively calmer background.
  6. 03:04:688 (35) - Sounds like you follow bass/guitar this section. How about kat then? Keeping it as d would emphasize the higher-pitched guitar at 03:04:874 (37) -
  7. 03:10:151 - Add a don? Hmm, a bit unnecessary in my opinion.
  8. 03:31:170 (1) - Finisher here is strange I think, because there's no any loud sound. The section is before (the last) Kiai, I think anything shouldn't be added if isnt needed. Also, the other diffs all use kat at here. Removed finish.

[]
If there's anything you cannot understand, please feel free to ask me! (There're something hard to use text to explain.)
Hope my mod will help you, good luck with ranked!

qoot8123 wrote:

Hello o/
taiko mod as request :)

[Collab Oni]
  1. 00:19:133 (15) -,00:21:911 (29) - how about reverse the color,the former one's vocal seems soft and lower, later ones is higher. I think the current arrangement is fine as 29's pitch is relatively lower among 00:21:355 (27,29,30) -
  2. 01:11:725 (36) - the vocal's pitch of upcoming section is lower, you may change this note to d The cymbal sound is across 01:11:540 (35,36) - so double k could accompany it.
  3. 02:32:651 (12,13,14,15) - consider song's pitch ,reverse the color would be better. fixed
Good luck! :)
Thanks both for the mods~ :)

@JUDYDANNY: Please help me change the following :3
  1. 02:32:651 (12,13,14,15) - DD K K
  2. 03:31:170 (1) - Remove finish
Topic Starter
JUDYDANNY
updated. (2/3)
Done: Mod application (Diffs,SB).
WIP: reply comments.
yuzu__rinrin
お ま た せ
死ぬほど久しぶりに書きます。(真面目に書いたの多分一か月前)

[Collab Oni]
クラップとホイッスルで大体わかりましたが、間違えたらゴメン
  1. 00:35:799 (101,102) - ctrl+g
    Although I understand that vocal is important, I think about Drum, I think that there is a merit that there is k in 00:35:985 - .
    You can also get vocal firmly and make Drum conscious.

  2. 01:00:985 - change k
    一貫性を見ての配置と見ました。
    しかし、00:57:837 (79,80,81,82) - とは違い、音程は上がっているように聴こえるので差別化をすることでバリエーション豊かに見えると思います。

  3. 01:29:411 (71,72) - remove?
    01:29:318 - の余韻が欲しいなーと思いました。こうすることで01:29:688 - のデカイドンも気持ちよくたたけるかなと。
    Drumに合ってるので書くか迷いましたが書いておきました

  4. 01:39:874 (36,39) - add finish?
    It is a strong sound enough to put a finish.
    (It may be that it matches the SB flash.)

  5. 02:23:299 - add d
    Since there are nothing 1/4 in this area 02:20:059 (9,10,11,12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28,29) - ,
    I think that the balance of the map will improve a little by putting it.

  6. 03:17:837 - ここはfinishにしたい。
    03:17:837 (27,31) - この位置のfinishは外せないと思います。

    まあ周辺がぶっ壊れるということで

    こんな感じ?かなーという一例です
    Drum意識ならk-kkd-ddk-d-K-dkk-Dでも通るとも思いました。

  7. 03:54:596 (77,78) - ....? same as 01:29:411 (71,72) -
WIP 1/4
Nardoxyribonucleic

yuzu__rinrin wrote:

お ま た せ
死ぬほど久しぶりに書きます。(真面目に書いたの多分一か月前)

[Collab Oni]
クラップとホイッスルで大体わかりましたが、間違えたらゴメン
  1. 00:35:799 (101,102) - ctrl+g
    Although I understand that vocal is important, I think about Drum, I think that there is a merit that there is k in 00:35:985 - .
    You can also get vocal firmly and make Drum conscious. 00:35:985 (102,103) - have the same lower vocal pitch so I think k d would be fine for highlighting the vocals as featured in this session.
  2. 01:39:874 (36,39) - add finish?
    It is a strong sound enough to put a finish.
    (It may be that it matches the SB flash.) Good idea.
  3. 02:23:299 - add d
    Since there are nothing 1/4 in this area 02:20:059 (9,10,11,12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28,29) - ,
    I think that the balance of the map will improve a little by putting it. fixed
WIP 1/4
Thanks for the mod yzrin~ :)

@JUDYDANNY: Please help me update again :3
01:39:874 (36,39) - add finish
02:23:299 - add d

Btw, I think you may consider the following as the difficulty setting for better progression:
Futsuu HP6 OD4
Collab Oni HP5.5-6 OD5.5-6
Topic Starter
JUDYDANNY
updated Futsuu, Oni (application: rinrin mod 1/4)
WIP: comments.
yuzu__rinrin
again

checked Muzu

modの書き方模索中...

[Muzukashii]
  1. 00:15:244 (47,48) - delete
    • : 大きな休みが取れると思いました、前のパターンは難しいわけではないですが、曲の変わり目ですので大きく開けたほうが展開もわかりやすいでしょう。
      : 私のマッピングスタイルの問題ですが、曲を聴かせる、という点でも効果的だと思います。00:14:874 - のピロピロ音を聴かせ、鳴り終わった後にノーツが来ると予測できる効果もあるかと思います。
  2. 00:31:911 (57,58,59,60) - move left 1/2, (58,59はctrl+g)
    わかりにくそうなのでimage https://puu.sh/zGLGK.jpg
    • : 00:27:466 - ~00:30:059 - の一貫性を保つためにこのような配置になっと思いますが、音取り的に無理があるのでは...?と思いました。
      : 00:31:725 - にはvocalがあり、00:32:096 - ~のは00:32:281 - にギターのディレイ、00:32:651 - にもvocalですね。
      : 配置は別として、00:32:281 (58,59) - はctrl+gしたほうがよさそうです。さっき言ったようにギターのディレイを拾うことができますし、00:32:281 (58,59,60,61) - kd-dkのような自然な流れに沿うこともできます。
  3. 01:02:466 (75,76) - 75delの76d?
    • : Muzuだから音程に合わせたほうが無難なのかなーとも思いほぼ主観ですが書きました。
      : 前の部分はコーラスがあり外せませんが、ここはもしかしたら削れるのでは...?「今を」の部分はvocalも少し力強いですし。。。
  4. 01:14:688 (38) - del?
    • : 削りながらも、シンメトリー配置ができそうです。
      01:12:281 (28,29,30,31,32) - kd-dkdに対し01:13:577 (33,34,35,36,37) - dk-kdkとのような感じにすることが可能です。
      : 確かに01:14:688 - の部分にはDrum類の音が鳴っていますが、kdkkD~とぬるっと入ってしまうためDのインパクトが多少なりとも落ちるのではないかと思います。なので外してDを目立たせる工夫をしてみてもよいと思いました。
  5. 01:49:503 - del?
    • : ここらへんは少し抑えたいなーという感じがするので。
      : vocal寄りのmappingのほうが好きなのでこちらの方の思考で言いますが、ここら辺での1/2はvocalなどをなぞり5連ほどまでで抑えて次につなげていったほうが良いかなと思いました。vo+drumは私も使いますが、Muzuなどの場合、簡単にしたい場所は一本でなぞったほうが削れますし。
  6. 01:52:466 (33) - or 01:53:207 (37) - del?(おすすめは後者)
    • : さっきの通りに近いです。
      : なぜ後者かというと01:53:762 - からの連符に備えるためのワンクッションが置けるためです。
  7. 02:06:355 (91) - del?
    • : ええ...めっちゃ削りたい...
      : メロディラインのxx-xを中心に拾いたいですね。そうすることでKがより強い音と判断することが可能だと思います。
  8. 02:31:355 (44,45) - del,change d
    • : same as 01:02:466 -
  9. 02:56:170 (41) - del
    • : 青線引いてるとこがvoに沿っている部分なのでそのところを強調させたいから消したいところ。
      : Drumも大して目立っているわけではないのでOniでとればいいレベルだと思います。(暴論)
  10. 03:12:466 (53,54,55) - del, add K?
    • : 03:11:725 (51,52) - K-K-って来たら普通の人はギター取りだと思ってK叩きたいです。
      : SBにもフラッシュも入れているのにddd-~とのような形で言葉が悪いかもしれませんが、曲の特徴を殺してるように感じます。あとこの部分には三連符が入るような音もありませんしギターに合わせるのが一番流れがよくなる変更だと思います。
  11. 03:57:096 -
    • パトとワイのキスシーン
[Futsuu]
  1. 03:12:281 (36,37) - ctrl+g
    • : 全体的にメロディ主体だしギターをとったほうがいいんじゃないかな?と思いました。
      : 03:12:466 (37,1) - でみると音程とか全く違うのに同じ色っていうのも少し変かなとも思いました。
  2. 03:37:096 -
    • わいも手放したくない
    正直気になったのこの部分だけだった
    あとは休憩取れてるし、変にいじると悪化しちゃうかもレベルでした。

[Kantan]
  1. 02:50:614 - add k
    • : まずは音がもったいないのが一つ。
      : あとは01:21:725 - ,03:46:911 - との一貫性の問題が発生、どちらかに合わせたほうが〇
  2. 04:11:540 -
    • ぎゅーされたい
[]

FutsuuとKantan結構見たけどリズムもいじれないからめっちゃいい譜面だと思う。


4/4 mod done.
好みが分かれるMuzuだと思いますが、あとはノミネートするどうかだと思います()
らんくどするまでがましまろです

5/4
[Storyboard]
作ったこと一回もないし、どうなんだろう
01:04:503 - 辺りの「今を」の文字、01:04:318 - のフラッシュの時点で消しませんか?vocal伸びてる場所でもないのでノラを文字なしで見せてもいい感ある。
02:33:207 - 同じ感じ

[]
これくらい

あとはJudaとNardoのパートが分かればよかったかなw
これはforumにでも座標書いてくれれば後のmodderはやりやすい気がする
Topic Starter
JUDYDANNY
Updated,
.osb is included in the each .osu files.
【log-nardo】and【log-jd】 have been applied in the Collab Oni.
③Done rinrin's mod.
④Some minor changed myself.
⑤Done to reply the comment.

Moved to pending.
remove the [.osb] and redownload please~.


"Smallwu"
Hello! Mod as M4M request.
[General]
  1. Update to Pending Beatmaps?
  2. Nice StoryBoard woah.
[SB Things]

  • (All found in Collab Oni)
  1. I found that you maybe forgot to use log-jd and log-nardo in Collab Oni.
    :arrow: no add yet . If moving to pending, I'll do.
    :arrow: done on 2017 March 16
    ===
  2. How about add these, eh... harmony sentences? I don't know what it actually called.
    like 00:58:392 - (プライドで) , 01:16:170 - (放しはしない) , 01:26:540 - (キミだけに捧ぐ)
    It's just a reminder, I don't know if it's deliberately that you don't add them, because they are also lyrics.
    :arrow: hmm....... tried to add now, but I may delete them. Its not clean imo...
    ===
  3. 01:32:651 - Make the blank longer, like 03:01:170, because I like 03:01:170 effect more than 01:32:651.
    In the case, the lyrics's shrink [01:32:744 - 01:32:929] won't be seen by players.
    :arrow: changed some.
    ===

  4. 01:02:281 - 今を - I think it moves a little fast.
    01:03:392 and 01:03:948 - have loud drums, cymbals and other instruments, so the effect perfectly fits.
    Tbh, the effect you show is great, but not at here. The vocal is louder than before, but (I think) it's not enough.
    :arrow: um... no change for now.
  5. 02:30:799 - 果てまで - ^
    :arrow: same.
    ===

  6. Also, I suggest you shrink 果てまで , [02:31:911 - 02:32:003] - in the section.
    In that case, player won't see it shrinking, because 02:31:911 - 02:32:096 - is blank.
    :arrow: keep for now.
    (lol the mistake is quite small)
  7. 今を - ^
    :arrow: keep for now.
[Collab Oni]
  1. 00:15:337 - Hmm idk, add a kat?
    :arrow: Seeme over power. Ease the dense there on purpose, no change.
  2. 00:39:318 (1) - DON. I think Finisher fits much more. and can keep consistency with 02:08:207 (1).
    :arrow: no change to emphasize the less power part, and 02:08 is nardo's part. not mine.
  3. 00:40:985 - How about add a don? I found that you follow music at 00:39:318 - 00:41:911. No add at 00:39:503 because the cymbal is so loud that it covers the drum's sound.
    :arrow: keep to make a single for vocal slar and calm dense.
  4. 00:41:725 (8) - Turn to don. (8) is bass drum, and (9) is snare drum - loud a lot. and do it can keep consistency.
    :arrow: avoid to monotone, prefer to need to make a variation with before. vocal seems high, I think it works well now.
  5. 01:22:466 (27,28) - k d or d k because I cannot distinguish which is lower. Personal likes d k.
    :arrow: changed to the alternative way.
  6. 01:49:318 (23) - I don't know if you want to keep consistency with the vocals after here, so you use kat. If not, I suggest you use a don here because there's quiet.
    :arrow: no change for following to the backgrounds.
  7. 01:56:170 (59) - don because it sounds lower than (58) and (59).
    :arrow: seems gap snare between to 1st, I want to take care this variation for playing.
  8. 02:00:244 (79) - I'm not sure if you're following vocal in the section. If it is, turn kat to follow it.
    :arrow: backgrouns goes on usual yet, seems too fast variation.
  9. 02:06:077 - Add don. It will break the consistency, but follow drum is more important i think.
    :arrow: I think its more important than breaking conistent.
  10. 02:39:503 (30,31) - Ctrl+G to follow vocal pitch.
    :arrow: fixed.
  11. 03:28:022 (89,90) - d K. (89) because it sounds like (87) and (88), and they're both don. (90) because there's a unusual loud piano sound.
    :arrow: want to make a different color with 03:27:281 - , for cut the background sounds.
[Muzukashii]
  1. 00:39:318 (1) - Finisher here?
    :arrow: no change, already mentioned.
  2. 01:16:170 (44) - DON to follow drums. Not KAT but DON because (45)(46) drums sound higher than this. (because I thought you follow drums fully 01:16:170 - 01:17:837 - in the section.)
    :arrow: background sounds up than 01:14:874 - . This is the most priority.
  3. 01:42:096 - 01:42:281 - Use ddd triplet? like 01:40:985 does.
    :arrow: no change for making a little rest, ease the dense, following the drum variation.
  4. 01:49:688 (21,22,23,24) - d k d k or d k d k. Although they will make the 1/2 stream much disgusting, they follow the pitches perfectly, not only drums but vocals.
    :arrow: dkdk or dkdk lol. making a hihat variation there, no change.
  5. 01:53:762 (39,40,41,42,43,44) - k k d k d K - (39, 40) to follow vocals. (41, 42, 43) to follow drums. (44) to follow drums , and it's loud a lot than (47) because there're many instruments.
    :arrow: following the background pitch, no change.
  6. 01:55:059 (45,46,47) - d k D - The change above cause, but these mainly follow ringings.
    :arrow: no change.
  7. 02:08:207 (1) - Finisher like Collab Oni? Here I more like the Finisher's sound effect.
    :arrow: no change, already mentioned.
  8. 03:08:577 (36,37) - Ctrl+G, (37) sounds higher than (36).
    :arrow: I dont think it needs to make a variation for broken the snare and bass guitar.
  9. 03:20:614 (33) - kat sounds better. Because I saw these - 03:21:725 (37,38) - So I think you will allow the small difference owo.
    :arrow: I dont think it needs to make a variation for broken the snare and bass guitar.
  10. 03:22:651 (41,43) - Ctrl+G better? Although before this is dkkdd - To follow vocal.
    :arrow: I dont think it needs to make a variation for broken the snare and bass guitar.
  11. 03:24:133 (47) - don to follow vocal pitch.
    :arrow: fixed.
  12. 03:28:022 (66,67) - d K - Reason quite same as Collab Oni, though it doesn't work here :(. Even so, I still suggest you use the pattern, it still sounds very good.
    :arrow: no change, already mentioned.
  13. 03:34:133 (14,15,16) - Finishers like Collab Oni?
    :arrow: no change, already mentioned.
  14. 03:45:429 (14,15) - Ctrl+G, will fit much the rhythm.
    :arrow: keep for the consistency.
[Futsuu]
  1. 00:08:577 (7,8) - k d better. I suggest you move them both to 00:08:948 - The original place [00:08:577] shouldn't exist anything imo. There has nothing but a drum to follow. (Or, if you agree, I'd strongly suggest you add a kat at 00:08:577. )
    :arrow: current seems better for avoid to long notes, practice for preparing to the drum rhythm.
  2. 00:26:170 - d k d bette I guess. k d will follow the ringings and drums in the same time.
    :arrow: keep for background sounds pitch.
  3. 01:43:577 (32) - How about Finisher? It sounds same as 01:43:022, and you do this in harder diffs.
    :arrow: no put for consistent with the rhythm as a single diff.
  4. 01:55:244 (30,31) - k d. Reason same as 00:26:170's.
    :arrow: keep for background sounds pitch.
  5. 02:58:207 (34) - I guess you forgot Finisher , because you do it at 01:29:318 (37) and 03:54:503 (36).
    :arrow: ahh... fixed lol.
  6. 03:25:059 (35) - I think here isn't loud enough to be a Finisher.
    :arrow: accompaniment sounds like 00:34:688 - . keep the consistent.
[Kantan]
  1. 00:55:429 (8) - How about Finisher? In the other diffs, here are all Finishers.
    :arrow: no change for avoid to make a hard and too much finishers as a single diff.
  2. 01:37:466 - Add a kat? I think it would sound better if here has :3.
    :arrow: keep for avoid to make a hard and make a gap with last part( increased dense).
  3. 02:24:318 (24) - How about Finisher? In the other diffs, here are all Finishers.
    :arrow: no change, already mentioned.
  4. 03:01:540 (3) - ^ , ^
    :arrow: no change, already mentioned.
  5. 03:48:948 (69) - Finisher? To keep consistency with 02:52:651 (30) and 01:23:762 (10).
    :arrow: lol, fixed.
    Oh My Peppy Those are few D:
    Sorry I don't know how to mod low SR diff well ;w;
[]
If there's anything you cannot understand, please feel free to ask me! (There're something hard to use text to explain.)
Hope my mod will help you, good luck with ranked!

"qoot8123"
Hello o/
taiko mod as request :)

[Kantan]
  1. 00:02:281 (2) - if you want to make this part more consistent , you may move this note to 00:02:096 -
    :arrow: keep, I want to use this rhythm lower frequency.
  2. 00:03:762 (3) - similar reason as above, you may change it to k
    :arrow: same.
  3. 03:10:429 - ~03:16:355 - i think you can follow guitar more precisely like this(20 is finisher)
    :arrow: no change to make a consistent with the... like 01:14:874 (17,18) - , but changed around there to make a blank.
[Futsuu]
  1. 00:08:577 (7,8) - could move exchange and move 00:10:059 (2) - to 00:09:318 - to follow snare.
    :arrow: no change for following the background pitch up.
  2. 00:19:318 (9,10,11,12,13,14,15,16) - 1/2 doublet could put earlier than the current one, like this,if you agree this, 00:16:355 (2,3,4,5,6,7,8) - this pattern also needs to be revised in order to make consistent with later one.
    :arrow: change alternative way on 00:31:725 - instead. No change for following the drum part on 16:355.
  3. 00:22:281 (17,18,19,20,21) - ^(other part which has similar patterns also has same issue)
    :arrow: same as 1st part.
  4. 03:02:281 (7,8,9,10,11,12) - i think you can follow guitar like this
    :arrow: hm.... changed to focus more snare there.
[Muzukashii]
  1. 00:12:466 (39) - this note could be removed.
    :arrow: seems good.
  2. 00:39:874 (2,3,4) - use 1/1 snap is more clear for the song's rhythm. (other part has similar issue)
    :arrow: um.... no changes... for truly beats.
  3. 00:41:355 (5,6,7) - ^
    :arrow: same.
  4. 01:01:355 - change to K and change 01:01:911 (73) - to d to follow vocal.(02:30:244 (41,42) - could keep original one, due to the difference of vocal's pronunciation)
    :arrow: prefer to keep the D as usual following the background pitch.
  5. 01:03:762 (80,81,82,83) - consider song's pitch ,reverse the color would be better.
    :arrow: Okay~~~
  6. 02:32:651 (3,4,5,6) - ^
    :arrow: Okay~~~
  7. 03:24:133 (47) - change to d to follow vocal's pitch?
    :arrow: fixed~
[Collab Oni]
  1. 01:03:762 (106,107,108,109) - same as muzu
    :arrow: Okay~~~
Good luck! :)

"yuzu__rinrin"
お ま た せ
死ぬほど久しぶりに書きます。(真面目に書いたの多分一か月前)

[Collab Oni]
クラップとホイッスルで大体わかりましたが、間違えたらゴメン
  1. 01:00:985 - change k
    一貫性を見ての配置と見ました。
    しかし、00:57:837 (79,80,81,82) - とは違い、音程は上がっているように聴こえるので差別化をすることでバリエーション豊かに見えると思います。
    :arrow: 伴奏音がまだ上がりきってないので通常運行にして溜めます
  2. 01:29:411 (71,72) - remove?
    01:29:318 - の余韻が欲しいなーと思いました。こうすることで01:29:688 - のデカイドンも気持ちよくたたけるかなと。
    Drumに合ってるので書くか迷いましたが書いておきました
    :arrow: 2ndパートのNardo'sの部分と違ってドラムが鳴ってるので残します
  3. 03:17:837 - ここはfinishにしたい。
    03:17:837 (27,31) - この位置のfinishは外せないと思います。

    まあ周辺がぶっ壊れるということで

    こんな感じ?かなーという一例です
    Drum意識ならk-kkd-ddk-d-K-dkk-Dでも通るとも思いました。
    :arrow: k-kkd-ddk以下略のような形にしました

  4. 03:54:596 (77,78) - ....? same as 01:29:411 (71,72) -
    :arrow: same.
[Muzukashii]
  1. 00:15:244 (47,48) - delete
    • : 大きな休みが取れると思いました、前のパターンは難しいわけではないですが、曲の変わり目ですので大きく開けたほうが展開もわかりやすいでしょう。
      : 私のマッピングスタイルの問題ですが、曲を聴かせる、という点でも効果的だと思います。00:14:874 - のピロピロ音を聴かせ、鳴り終わった後にノーツが来ると予測できる効果もあるかと思います。
    :arrow: hm..... try to changed.
  2. 00:31:911 (57,58,59,60) - move left 1/2, (58,59はctrl+g)
    わかりにくそうなのでimage https://puu.sh/zGLGK.jpg
    • : 00:27:466 - ~00:30:059 - の一貫性を保つためにこのような配置になっと思いますが、音取り的に無理があるのでは...?と思いました。
      : 00:31:725 - にはvocalがあり、00:32:096 - ~のは00:32:281 - にギターのディレイ、00:32:651 - にもvocalですね。
      : 配置は別として、00:32:281 (58,59) - はctrl+gしたほうがよさそうです。さっき言ったようにギターのディレイを拾うことができますし、00:32:281 (58,59,60,61) - kd-dkのような自然な流れに沿うこともできます。
    :arrow: リズムが崩れるので幾分迷いましたが直しました、futsuuも少し修正
  3. 01:02:466 (75,76) - 75delの76d?
    • : Muzuだから音程に合わせたほうが無難なのかなーとも思いほぼ主観ですが書きました。
      : 前の部分はコーラスがあり外せませんが、ここはもしかしたら削れるのでは...?「今を」の部分はvocalも少し力強いですし。。。
    :arrow: no change, この物量ならsnareで統一しておきたい
  4. 01:14:688 (38) - del?
    • : 削りながらも、シンメトリー配置ができそうです。
      01:12:281 (28,29,30,31,32) - kd-dkdに対し01:13:577 (33,34,35,36,37) - dk-kdkとのような感じにすることが可能です。
      : 確かに01:14:688 - の部分にはDrum類の音が鳴っていますが、kdkkD~とぬるっと入ってしまうためDのインパクトが多少なりとも落ちるのではないかと思います。なので外してDを目立たせる工夫をしてみてもよいと思いました。
    :arrow: fixed

  5. 01:49:503 - del?
    • : ここらへんは少し抑えたいなーという感じがするので。
      : vocal寄りのmappingのほうが好きなのでこちらの方の思考で言いますが、ここら辺での1/2はvocalなどをなぞり5連ほどまでで抑えて次につなげていったほうが良いかなと思いました。vo+drumは私も使いますが、Muzuなどの場合、簡単にしたい場所は一本でなぞったほうが削れますし。
    :arrow: 違うところを代わりに削りました、01:47:837 -。
  6. 01:52:466 (33) - or 01:53:207 (37) - del?(おすすめは後者)
    • : さっきの通りに近いです。
      : なぜ後者かというと01:53:762 - からの連符に備えるためのワンクッションが置けるためです。
    :arrow: 違うところを代わりに削りました、01:54:318 -
  7. 02:06:355 (91) - del?
    • : ええ...めっちゃ削りたい...
      : メロディラインのxx-xを中心に拾いたいですね。そうすることでKがより強い音と判断することが可能だと思います。
    :arrow: かなり迷いましたが周辺の配色を変えることで変化つけることで削りました

  8. 02:31:355 (44,45) - del,change d
    • : same as 01:02:466 -
    :arrow: same 1st.
  9. 02:56:170 (41) - del
    • : 青線引いてるとこがvoに沿っている部分なのでそのところを強調させたいから消したいところ。
      : Drumも大して目立っているわけではないのでOniでとればいいレベルだと思います。(暴論)
    :arrow: 2ndkiaiだけにあるドラムパートの変化なのでこのまま残します
  10. 03:12:466 (53,54,55) - del, add K?
    • : 03:11:725 (51,52) - K-K-って来たら普通の人はギター取りだと思ってK叩きたいです。
      : SBにもフラッシュも入れているのにddd-~とのような形で言葉が悪いかもしれませんが、曲の特徴を殺してるように感じます。あとこの部分には三連符が入るような音もありませんしギターに合わせるのが一番流れがよくなる変更だと思います。
    :arrow: ギターのピッチ考えてこのままdへ落とします
  11. 03:57:096 -
    • パトとワイのキスシーン
    :arrow: りんりんと皇女とりん猫ハート
[Futsuu]
  1. 03:12:281 (36,37) - ctrl+g
    • : 全体的にメロディ主体だしギターをとったほうがいいんじゃないかな?と思いました。
      : 03:12:466 (37,1) - でみると音程とか全く違うのに同じ色っていうのも少し変かなとも思いました。
    :arrow: kkdで落としたまま、Muzu同様。
  2. 03:37:096 -
    • わいも手放したくない
    :arrow: は~なし、は、し・な・い

    正直気になったのこの部分だけだった
    あとは休憩取れてるし、変にいじると悪化しちゃうかもレベルでした。

[Kantan]
  1. 02:50:614 - add k
    • : まずは音がもったいないのが一つ。
      : あとは01:21:725 - ,03:46:911 - との一貫性の問題が発生、どちらかに合わせたほうが〇
    :arrow: ただのミスでした add lol
  2. 04:11:540 -
    • ぎゅーされたい
    :arrow: 猫になるりんりん氏
[]

FutsuuとKantan結構見たけどリズムもいじれないからめっちゃいい譜面だと思う。


[Storyboard]
作ったこと一回もないし、どうなんだろう
01:04:503 - 辺りの「今を」の文字、01:04:318 - のフラッシュの時点で消しませんか?vocal伸びてる場所でもないのでノラを文字なしで見せてもいい感ある。
02:33:207 - 同じ感じ
:arrow: fixed too
[]
好みが分かれるMuzuだと思いますが、あとはノミネートするどうかだと思います()
らんくどするまでがましまろです
これくらい

あとはJudaとNardoのパートが分かればよかったかなw
:arrow: 実は前々から準備はしてました、用意ができるまで.osuの編集を4回入れるのが面倒だっただけです
これはforumにでも座標書いてくれれば後のmodderはやりやすい気がする

Thanks for mod! :)
BanchoBot
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