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This beatmap was submitted using in-game submission on Donnerstag, 16. März 2017 at 04:49:24

Artist: ONE OK ROCK
Title: Mighty Long Fall
Source: るろうに剣心 京都大火編
Tags: j-rock jrock cliff rurouni kenshin kyoto inferno taika-hen
BPM: 158
Filesize: 5902kb
Play Time: 03:48
Difficulties Available:

Download: ONE OK ROCK - Mighty Long Fall
Information: Scores/Beatmap Listing
---------------
awesome song... guess i'm starting to map a few more easier Oni diffs :thinking:
Last edited by Chromoxx on , edited 7 times in total.
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Rhythm Incarnate
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from discord
copy/paste sections skipped

Futsuu

Muzukashii

Oni
  • so consistent and polished, gj~
    I give up with this diff lol
Best of Luck~!!
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Spinner Sage
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Muzukashii
I think you should try to introduce some very subtle SV speedups so the player doesn't feel too overwhelmed when they move to Oni. Maybe 1.02 for the first two and 1.05 for the last? Or follow a scaling system like I mentioned below.

nothing wrong with the patterning or rhythms, good shit right there.


Oni
I feel like the SV's during the chorus on this diff is a bit too high, especially for your average player. Though I do agree having speedups there is a nice touch. Maybe have it scale for each chorus? 1.1 - 1.5 - 1.2

03:48:128 (419) - also maybe change this to a k? Probably very subjective but I think it's a nicer experience hitting a finisher when the previous note is a different color.

sexy diff

nothing wrong with lower diffs, gl with rank! :D
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Hey, mod req

Image


General


Disable Countdown and Widescreen support


Image


Kantan


01:39:963 - How about deleting this? So you emphasize more the voice like you were doing most of the diff, also noice 8/1 break :^)
03:45:280 - I think you forgot a finish there

Nothing much here ok_hand:


Image


Futsuu


02:00:659 - Move this to 02:01:039 - ? There isn't any noticeable sound, so I think it's better to move it there, since at least there is voice
02:10:533 - // Personal preference here; move it to 02:10:913 - to emphasize a bit more the drums and the break?
02:17:178 - I think it's better to remove the finish, since this part is pretty calm and there aren't too strong sounds lol
02:23:254 - // Same here, it's better to emphasize the big kats imo. But it's understandable here
02:29:330 - // ^^^
02:58:951 - // I have my doubts with the length of the slider, may confuse new players since there is a note right away of it, maybe decrease the length by 1/2?
03:08:634 - Move this note to 03:08:254 - ? So it has the same structure as the next patterns


Image


Muzukashii


HP:6.5? so it's a bit more linear lol

02:49:837 - // How about making this a K? For consistency lol
02:55:913 - // ^^^
03:26:102 - Change to k? Voice is really high

Not much to say for this diff, it's well structured and there aren't any weird notes


Image


Oni


00:52:115 - // This part with the finishers feels weird, make the D normal notes ?
01:22:305 - I think it's better to move this note 1/4 to the left so it lands on the voice rather on the weak percussion sound lol
01:34:552 - I was thinking, put a green line with a bit more volume? Since there are more sounds lol (75% should be fine)
02:02:178 - Move to 02:02:558 - and change to k? sounds better imo
02:10:722 (799,800,801,802,803) - I think these notes sound better as dons, If you wanna follow both voice and drums, I suggest changing to ddkkd


Solid map my friend :^)
Good luck :D
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Rhythm Incarnate
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Jonawaga wrote:
from discord
copy/paste sections skipped

Futsuu
  • 00:59:140 (125) - consider changing this or 00:56:482 - this because 00:56:102 - here, you ignore the strong drum in favor of the strong vocal here this is for variety and is carried out pretty consistently throughout all the kiais
  • 00:56:482 - here, so I think you should either map the drums or vocals consistently in both sections. as i stated earlier
  • 01:05:026 (142,143,144,145) - ^ depending on what you choose above you may need to reconsider other things such as this as stated earlier
  • 02:01:608 (293,294) - it's both the same vocal pitch, same amount of emphasis, and same drum type as the previous note, so consider making it match with it, like 02:01:608 (293,294,295) - ddk or something current pattern matches the drums tbh
  • that's enough w

Muzukashii
  • 00:59:710 (224) - switch to d as this is neither a kick like some of your k's like these 00:55:533 (205) - / 00:56:102 (208) - , or a strong vocal like some of your other k's like 00:58:761 (220) - this one, also doing this makes it more consistent with the twooo other times this pattern happens in this kiai if you look at the way i structured the kiai you'll notice that every pattern starts on a different color than the last one ends on, i'd like to keep up that structure for smoother flow, hence the kat here
  • 01:01:988 (235) - switch to d same reasoning as above same
  • 00:58:571 (219,220) - / 01:04:647 (247,248) - these are so similar in terms of lyrics and drums, so I think you should either consistently emphasize the vocals both times with kk or do the other which is kd the "love" is deeper than the "when" hence i mapped it differently, also good opportunity for variation
  • 01:01:988 (235) - the k here seems really forced after being a d 00:55:913 (207) - here and having nothing change from this, or the directly previous note you'll notice how i made the second repetition more kat heavy for variation and buildup while still keeping the patterning consistent
  • 01:11:862 (281) - / 01:11:862 (281) - d same weird reasoning as 00:59:710 (224) - here same as before
  • rest seems fine

Oni
  • so consistent and polished, gj~ thanks :D
    I give up with this diff lol
Best of Luck~!!

thx for modding! :D
Raphalge wrote:

Muzukashii
I think you should try to introduce some very subtle SV speedups so the player doesn't feel too overwhelmed when they move to Oni. Maybe 1.02 for the first two and 1.05 for the last? Or follow a scaling system like I mentioned below. speedups in the muzu are kind of weird, especially if they are that slow... the ones in the oni aren't like crazy to read SV changes, they are just slight speedups making the notes more spaced which is fairly easy at this bpm so it's fine

nothing wrong with the patterning or rhythms, good shit right there.


Oni
I feel like the SV's during the chorus on this diff is a bit too high, especially for your average player. Though I do agree having speedups there is a nice touch. Maybe have it scale for each chorus? 1.1 - 1.5 - 1.2 also something nardo mentioned, i made it go 1.1 > 1.15 > 1.2

03:48:128 (419) - also maybe change this to a k? Probably very subjective but I think it's a nicer experience hitting a finisher when the previous note is a different color. fits the drums better and i also feel like a k d D has a weirdly strong impact :o

sexy diff

nothing wrong with lower diffs, gl with rank! :D

thanks m8
Midnaait wrote:
Hey, mod req

Image


General


Disable Countdown and Widescreen support done


Image


Kantan


01:39:963 - How about deleting this? So you emphasize more the voice like you were doing most of the diff, also noice 8/1 break :^) nice idea
03:45:280 - I think you forgot a finish there oh yea ty

Nothing much here ok_hand:


Image


Futsuu


02:00:659 - Move this to 02:01:039 - ? There isn't any noticeable sound, so I think it's better to move it there, since at least there is voice i feel like the 2 triplets at the start emphasize the onset of the cymbal crashes here more than the other part would which could be contributed to the vocals, also it emphasizes the last dkd triplet better this way
02:10:533 - // Personal preference here; move it to 02:10:913 - to emphasize a bit more the drums and the break? current way emphasizes the vocals better
02:17:178 - I think it's better to remove the finish, since this part is pretty calm and there aren't too strong sounds lol onset of the new part warrants the finish imo
02:23:254 - // Same here, it's better to emphasize the big kats imo. But it's understandable here again here there's a clear transition so i'd like to keep the finisher to emphasize that
02:29:330 - // ^^^ same, wanna keep the finisher on the starting note here
02:58:951 - // I have my doubts with the length of the slider, may confuse new players since there is a note right away of it, maybe decrease the length by 1/2? nice idea
03:08:634 - Move this note to 03:08:254 - ? So it has the same structure as the next patterns moved the note on 03:02:178 - to 03:02:558 - instead so this part has a clear 1 2 1 2 variety structure


Image


Muzukashii


HP:6.5? so it's a bit more linear lol i usually use the same HP on muzu and oni since the oni should be a bit more of a challenge to pass

02:49:837 - // How about making this a K? For consistency lol would lose emphasis on 02:50:596 -
02:55:913 - // ^^^ ^
03:26:102 - Change to k? Voice is really high i actually like this pattern more tbh, changed in the other kiais too

Not much to say for this diff, it's well structured and there aren't any weird notes


Image


Oni


00:52:115 - // This part with the finishers feels weird, make the D normal notes ? sounds are very strong and feel underemphasized with normal notes
01:22:305 - I think it's better to move this note 1/4 to the left so it lands on the voice rather on the weak percussion sound lol this part is following percussion pretty strictly
01:34:552 - I was thinking, put a green line with a bit more volume? Since there are more sounds lol (75% should be fine) nice, added in all diffs
02:02:178 - Move to 02:02:558 - and change to k? sounds better imo nice, another way to distinguish the only japanese part in the choruses
02:10:722 (799,800,801,802,803) - I think these notes sound better as dons, If you wanna follow both voice and drums, I suggest changing to ddkkd changed 02:10:723 - to d to emphasize the echo through the dkkkd, but nice idea to distinguish this one since it's different


Solid map my friend :^)
Good luck :D

thanks for the mod man! :D
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Kantan

00:29:140 (35) - while it might be nice to diversify at the end of the section by having it earlier than the pattern used before, I think it would be good to have it at 00:29:710 - there's also the lead in to the next section with the vocals, and with the earlier note you just have more emptiness there
Highlight the cymbals in the song? In the kiai especially, with the gaps anticipation is accumulated, but it results to something that lacks eagerness, at 01:01:229 (84) - 01:07:305 (93) - 01:52:875 (156) - 01:58:951 (165) - 03:17:938 (65) - 03:24:014 (74) -
03:03:507 (45,46) - why dk though? Following 03:00:470 (40,41) - pattern seems to make more sense
03:37:685 - the gap between 03:36:166 (96) - 03:38:444 (97) - while still in a strong section in the music, I don't think the gap should be that big, having at least a note here to continue the song would be nice

Futsuu

01:08:634 (153) - seems to fit better to the song if a note is at 01:08:254 rather than here, you don't hear anything at 01:08:634
01:10:153 (158) - also I think it's better to move to 01:09:773 to leave 01:10:343 (159) - isolated, connects to 01:11:102 (160,161,162) - better, rather than have 2 consecutive 1/2 beats, with an awkward pause between. It also differs from 00:57:811 (121,122,123,124,125,126) - as the vocals extend over 01:10:343 (159) - while in the earlier one it does stop on that last 1/2 note
01:39:963 (233) - seems to stick out in the whole pattern, neither here nor there, though you could move it to a beat at 01:40:153 - you could just remove it entirely
01:58:760 (285) - similar to 01:10:153 (158)
02:02:747 (297,298,299) - well now because of the additional notes at 02:00:469 (290,291,292) - it seems harder to make 02:01:608 (294,295,296) - similar to the previous kiai, and to thus avoid the emptiness made at 02:02:368 - though maybe shift 02:02:937 (298) to 02:02:368 and then 02:03:507 (300) to 02:03:318 to tie up the whole section
03:23:823 (124) - similar to 01:10:153 (158)
03:28:000 (137,139) - similar to what I mentioned at 02:02:747 (297,298,299)

quite like the part before the last kiai with the finishes and all

Muzukashii

00:32:368 (111) - though progression, I really don't think a note here is necessary
00:44:520 (160) - same thoughts for this
00:47:558 (174) - here too, you could fill up at 00:48:507 and 00:48:697 to link up with 00:48:318 (177) to make a kkd pattern that fits with the song instead
00:50:596 (184) - similar thoughts
03:06:925 (110) - I think following the same pattern as previouslt 03:03:507 (95,96,97,98,99,100) - aligns nicely to the song
03:09:963 (122) - ^

Oni

00:48:413 - add a note?
03:18:223 (238) - still think it's quite excessive here to have this?
03:38:824 (383) - the dip in pitch here, change it to D instead?


Good Luck!
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hey
love this song <3
and this is my first taiko mod ~

general
00:53:349 - i think it would be great if you set the preview point at here ~

kantan
00:21:735 (24) - del clap? for make it consitent with other pattern that have same sounds?
00:29:140 (35) - there's no vocal/instrument that you should emphatize with circle (even though you want to make it consistent with 00:16:988 (19) - but in this case its different imo) so maybe just move the circle to 00:29:710 - for make it consistency again? or at 00:29:330 - for emphatize the intrument here?
00:34:267 (42) - im just feel clap on here it doesnt right imo,so maybe swap clap with (43) ?
01:01:229 (84) - finish here for cymbal
01:07:305 (93) - ^
01:10:723 (99,100) - swap clap?
01:18:697 (111) - clap here for emphatize the drum more?
01:19:457 (113) - finish here
01:33:507 - circle here? for make it consistency with previous pattern?
01:49:837 (152) - i think clap would be better for emphatize the word "though" here
01:58:951 (158) - finish here
02:10:723 - circle here since you put add circle at 01:19:077 -
02:38:444 (17,19) - swap clap cause when you put the clap on (17) im feel its not really good the hear it
03:04:647 - 03:05:026 - circle on these white tick for make it consitent with 03:01:229 (41,42,43)
03:17:938 (65) - finsih here
03:24:014 (74) - ^
03:28:191 (82,83) - swap clap (the reason same as before)

ok thats it from me gl ~
sorry for bad mod cause im still newbie on taiko ~

GL and have some starts ~
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Hey


Kantan

01:01:609 - Maybe add a note for the vocals here ? Could be a nice emphasis on them.


Futsuu

02:01:988 - I'd repattern this place to fit more with the vocals and not the drums there


Muzukashii

A bit of copypaste in the kiais but well ¯\_(ツ)_/¯
Nothing to say


Oni

bruh

Gl
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neonat wrote:
Kantan

00:29:140 (35) - while it might be nice to diversify at the end of the section by having it earlier than the pattern used before, I think it would be good to have it at 00:29:710 - there's also the lead in to the next section with the vocals, and with the earlier note you just have more emptiness there drum at 00:29:140 - has more emphasis than the previous repetitions + this allows for a nice break before the next section
Highlight the cymbals in the song? In the kiai especially, with the gaps anticipation is accumulated, but it results to something that lacks eagerness, at 01:01:229 (84) - 01:07:305 (93) - 01:52:875 (156) - 01:58:951 (165) - 03:17:938 (65) - 03:24:014 (74) - changed some where it fitted with the flow i created
03:03:507 (45,46) - why dk though? Following 03:00:470 (40,41) - pattern seems to make more sense flow/variation/more emphasis on 03:05:786 -
03:37:685 - the gap between 03:36:166 (96) - 03:38:444 (97) - while still in a strong section in the music, I don't think the gap should be that big, having at least a note here to continue the song would be nice the gap isn't really weird to me and the note wouldn't go well with what i'm following here

Futsuu

01:08:634 (153) - seems to fit better to the song if a note is at 01:08:254 rather than here, you don't hear anything at 01:08:634 pattern is used to create consistent variation, rythm would become stale otherwise
01:10:153 (158) - also I think it's better to move to 01:09:773 to leave 01:10:343 (159) - isolated, connects to 01:11:102 (160,161,162) - better, rather than have 2 consecutive 1/2 beats, with an awkward pause between. It also differs from 00:57:811 (121,122,123,124,125,126) - as the vocals extend over 01:10:343 (159) - while in the earlier one it does stop on that last 1/2 note mapping the last part of the drum 5plet is more natural imo
01:39:963 (233) - seems to stick out in the whole pattern, neither here nor there, though you could move it to a beat at 01:40:153 - you could just remove it entirely there is the guitar sound though and it also makes for a natural 2/1 break point
01:58:760 (285) - similar to 01:10:153 (158) same
02:02:747 (297,298,299) - well now because of the additional notes at 02:00:469 (290,291,292) - it seems harder to make 02:01:608 (294,295,296) - similar to the previous kiai, and to thus avoid the emptiness made at 02:02:368 - though maybe shift 02:02:937 (298) to 02:02:368 and then 02:03:507 (300) to 02:03:318 to tie up the whole section would make the pattern a bit too long and play unnaturally imo, i added the extra triplet in the part before because of the crashing sounds that come here which weren't in the first kiai
03:23:823 (124) - similar to 01:10:153 (158) same
03:28:000 (137,139) - similar to what I mentioned at 02:02:747 (297,298,299) same

quite like the part before the last kiai with the finishes and all

Muzukashii

00:32:368 (111) - though progression, I really don't think a note here is necessary removed because inconsistent with how i mapped that part i guess
00:44:520 (160) - same thoughts for this
00:47:558 (174) - here too, you could fill up at 00:48:507 and 00:48:697 to link up with 00:48:318 (177) to make a kkd pattern that fits with the song instead
00:50:596 (184) - similar thoughts for these they actually do build up further and are implemented consistently in this part so i'd like to keep them
03:06:925 (110) - I think following the same pattern as previouslt 03:03:507 (95,96,97,98,99,100) - aligns nicely to the song the guitar at 03:07:305 - is stronger here so i'm starting the pattern on it instead of the note before, is also good for variety
03:09:963 (122) - ^ similar thing

Oni

00:48:413 - add a note? added on 00:48:223 - instead
03:18:223 (238) - still think it's quite excessive here to have this? not really imo
03:38:824 (383) - the dip in pitch here, change it to D instead? would lose emphasis on 03:39:204 -


Good Luck!

thx for modding!
-NanoRIPE- wrote:
hey
love this song <3
and this is my first taiko mod ~

general
00:53:349 - i think it would be great if you set the preview point at here ~ sounds a bit weird there imo.. i usually set the preview point when the chorus starts except for stuff like Itazura Fiction of Story in Everlasting Princess where the short part before adds something atmospheric

kantan
00:21:735 (24) - del clap? for make it consitent with other pattern that have same sounds? variety which is consistently implemented
00:29:140 (35) - there's no vocal/instrument that you should emphatize with circle (even though you want to make it consistent with 00:16:988 (19) - but in this case its different imo) so maybe just move the circle to 00:29:710 - for make it consistency again? or at 00:29:330 - for emphatize the intrument here? bass sound here is stronger than the other repetitions and it makes a good spot for a break toward the next section
00:34:267 (42) - im just feel clap on here it doesnt right imo,so maybe swap clap with (43) ? again, consistently implemented variety
01:01:229 (84) - finish here for cymbal made me contemplate, but i don't want to overuse finishers here, also don't really like them at the start of patterns either
01:07:305 (93) - ^ ^
01:10:723 (99,100) - swap clap? follows both drum and vocals well
01:18:697 (111) - clap here for emphatize the drum more? there is no snare there
01:19:457 (113) - finish here isn't a strong crash and a finish at the end of a 5plet is too much in a kantan
01:33:507 - circle here? for make it consistency with previous pattern? leaving a break here for transition into the next part
01:49:837 (152) - i think clap would be better for emphatize the word "though" here both drum and vocal are low here and dkk kkd would flow pretty badly
01:58:951 (158) - finish here same as earlier
02:10:723 - circle here since you put add circle at 01:19:077 - emphasizing this with a finish at the end instead of a 5plet because of the echoing nature of the vocals here
02:38:444 (17,19) - swap clap cause when you put the clap on (17) im feel its not really good the hear it the sound at 02:39:963 - is deeper and K K D flows more naturally
03:04:647 - 03:05:026 - circle on these white tick for make it consitent with 03:01:229 (41,42,43) leaving 4/1 breaks before the next pattern here
03:17:938 (65) - finsih here same as earlier
03:24:014 (74) - ^ same as earlier
03:28:191 (82,83) - swap clap (the reason same as before) same as earlier

ok thats it from me gl ~
sorry for bad mod cause im still newbie on taiko ~

GL and have some starts ~

thx for the mod and stars <3
Arrival wrote:
Hey


Kantan

01:01:609 - Maybe add a note for the vocals here ? Could be a nice emphasis on them. would fit but it would be too hard imo


Futsuu

02:01:988 - I'd repattern this place to fit more with the vocals and not the drums there would involve making the patterns longer and the current pattern length is more appropriate imo


Muzukashii

A bit of copypaste in the kiais but well ¯\_(ツ)_/¯ to this degree in the muzu it doesn't really become repetitive
Nothing to say


Oni

bruh bruhhhhhhhh

Gl

thx for modding! :D
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General
  • Not a fan of only Oni having a real difficulty spike at the last kiai. If you can spice every difficulty up at that part (and not just 1 note on futsuu or w/e) it'd be much better, imo.


Muzukashii
  • 02:18:697 - and 02:21:735 - dons here to fill it up a bit nicer? It also makes Futsuu not have any notes where Muzukashii doesn't.
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OzzyOzrock wrote:

General
  • Not a fan of only Oni having a real difficulty spike at the last kiai. If you can spice every difficulty up at that part (and not just 1 note on futsuu or w/e) it'd be much better, imo. the general kiai difficulty in the muzu already corresponds decently to the last kiai in the Oni imo, mapping anymore would go a bit over the top and the muzu doesn't really need a spike for variation imo


Muzukashii
  • 02:18:697 - and 02:21:735 - dons here to fill it up a bit nicer? It also makes Futsuu not have any notes where Muzukashii doesn't. added kats instead
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The difficulty spread is fair, with the simplicity of the set making a wider spread work well. Patterns are nice and play well.

Bubbled!
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moo


Kantan

01:13:381 (102) - Wanna explain to me why this is the only big note after the kiai beginning? Same sound as 01:01:229 (84) - 01:07:305 (93) - (in drums), vocals are veeeery similar at 1:01 too. Futsuu and higher diffs are consistent with them.
> Same in 2nd kiai and 3rd kiai

03:12:621 - Think it would be appropriate for the last kiai to start out more intense, especially considering the intense section that already starts before the kiai. Having a break here feels a little bit anti-climactic.

03:36:925 - Would add a kat here as well to avoid losing intensity.



Futsuu

00:16:988 (31) - Similar to Kantan, could be a kat to emphasize the hi-hat here.
> 00:41:292 (82) - ^ (?)

01:07:115 (149) - Maybe move this 01:06:735 - here and change to don to have the big don not connected with 1/2.
> 01:58:760 (285) - 03:23:823 (124) - ^



Muzukashii

00:53:444 - 00:54:963 (202) - could be made consistent either by adding a note in the gap, or by removing the note.

00:59:900 (224) - Move 00:59:520 - here and change to kat while 00:59:710 (223) - becomes a don? Fits vocals nice imo
> 01:12:052 (281) - ^
> 01:18:128 (309) - ^ and could potentially add a kat 01:18:507 - here.
01:06:071 (253) - Move 01:05:596 - here and same color changes. d k k _ d kkk seems nice to me, makes the snare triplet also more important than the.. whatever sound 01:05:976 - this is (I can hear it, just idk what it is)

Repeat in 2nd and 3rd kiai

02:37:305 (38,39) - change to d K? Seems awkward not follow the crash, and also that there is no big note on 02:37:685 - this spot. Yes, vocals are great, but I feel that they are not as prominent. D K would be a possible alternative too.
> 02:43:381 (48,49) - ^
02:49:837 (62) - missing a big kat (not connected to 1/2) and 02:53:634 (67) - missing a big don?
> 02:55:913 (74) - ^

03:10:628 (127) - Same as 01:06:071 - in the first/2nd kiai: Might be nicer if it wasn't a 1/4 triplet in Muzukashii, to emphasize the upcoming snare triplet. Could potentially add a kat 03:10:153 - here instead.



Oni

01:07:305 (398) - could make this a big note to be slightly consistent with lower diffs and following 00:55:153 (317) -
01:58:950 (720) - 03:24:014 (282) - ^

03:47:558 (416,418) - could be big notes for a... big finish hurhurhurhuruhrurhuasdehlkaslodf vgasiaztsodzfc
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Nwolf wrote:
moo


Kantan

01:13:381 (102) - Wanna explain to me why this is the only big note after the kiai beginning? Same sound as 01:01:229 (84) - 01:07:305 (93) - (in drums), vocals are veeeery similar at 1:01 too. Futsuu and higher diffs are consistent with them.
> Same in 2nd kiai and 3rd kiai added them

03:12:621 - Think it would be appropriate for the last kiai to start out more intense, especially considering the intense section that already starts before the kiai. Having a break here feels a little bit anti-climactic. considering the already long pattern leading up to the D i think it's more appropriate to have a break here, the long buildup pattern to the finisher gives it enough emphasis imo

03:36:925 - Would add a kat here as well to avoid losing intensity. sure



Futsuu

00:16:988 (31) - Similar to Kantan, could be a kat to emphasize the hi-hat here.
> 00:41:292 (82) - ^ (?) changed both, made 00:41:862 - d tho to avoid awkward double kat flow

01:07:115 (149) - Maybe move this 01:06:735 - here and change to don to have the big don not connected with 1/2.
> 01:58:760 (285) - 03:23:823 (124) - ^ yes fixed all



Muzukashii

00:53:444 - 00:54:963 (202) - could be made consistent either by adding a note in the gap, or by removing the note. 00:54:963 - the drums here are 1/4 whereas the others are 1/2 which is why i have the note here and not on the last one

00:59:900 (224) - Move 00:59:520 - here and change to kat while 00:59:710 (223) - becomes a don? Fits vocals nice imo
> 01:12:052 (281) - ^
> 01:18:128 (309) - ^ and could potentially add a kat 01:18:507 - here.
01:06:071 (253) - Move 01:05:596 - here and same color changes. d k k _ d kkk seems nice to me, makes the snare triplet also more important than the.. whatever sound 01:05:976 - this is (I can hear it, just idk what it is) followed the main idea of these suggestions , kiais ended up getting slightly buffed through this though

Repeat in 2nd and 3rd kiai

02:37:305 (38,39) - change to d K? Seems awkward not follow the crash, and also that there is no big note on 02:37:685 - this spot. Yes, vocals are great, but I feel that they are not as prominent. D K would be a possible alternative too. changed to d K
> 02:43:381 (48,49) - ^ yes
02:49:837 (62) - missing a big kat (not connected to 1/2) and 02:53:634 (67) - missing a big don?
> 02:55:913 (74) - ^ added finishers on 02:44:520 (51,53) - and deleted the one on 02:47:558 - instead, wanna focus more on the D K D K finishers

03:10:628 (127) - Same as 01:06:071 - in the first/2nd kiai: Might be nicer if it wasn't a 1/4 triplet in Muzukashii, to emphasize the upcoming snare triplet. Could potentially add a kat 03:10:153 - here instead. i feel like having the triplet there plays more interestingly and the snare is emphasized through the k after the triplet so it still feels different, didn't change the triplet in the other kiais either



Oni

01:07:305 (398) - could make this a big note to be slightly consistent with lower diffs and following 00:55:153 (317) -
01:58:950 (720) - 03:24:014 (282) - ^ the crash at 00:55:153 - is more intense and it's more intuitive to read due to the SVs there, i don't want to spam end of 1/4 finishers everywhere, i just did it on the most intense crashes

03:47:558 (416,418) - could be big notes for a... big finish hurhurhurhuruhrurhuasdehlkaslodf vgasiaztsodzfc would take away emphasis from 03:48:318 -

thx for modding!
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Rhythm Incarnate
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When will they finally learn to stop randomly mixing languages in their songs : (
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