Hi, m4m requeset by us. My map for you to mod:
t/544369[Kantan]
! Is this a troll Kantan fgs? Those sliders are severely abused!
~ OD=3 is preferable in Kantan since you used OD=4 in Futsuu.
> 00:08:098 (10) - do you miss a Finisher here?
> 00:09:241 (11) - the gap btw it 00:10:383 (12) - is so unforgiving! Try leaving at least 1/1 gap for Kantan level player to react. End the slider at 00:10:098 - is good to go.
> 00:26:383 (37) - ^same case as above, same way to deal with it
> 00:41:241 (58) - This Finisher is quite questionable since it is the only one Finisher. In case you are intended to use Finisher, why does 00:36:669 (51) - not be a Finisher? Meanwhile, going backwards, according to stanza division, 00:27:526 (38) - should be another Finisher according to your mapping style.
> 00:43:526 - please have something mapped here.... Using a slider to cover whole 1.5 bars is not a wise choice apparently. You can try some easy 1/1 patterns to fill up the gap. For example: 00:43:526 (62) - [img]https://puu.sh/tDXtP/b94c9c39bf.png]
> 00:45:812 - Density problem develops here:
= 00:48:098 - there should be more notes put at this bar, sth like 'd k ddk' works well already. There is a potential stream in this bar, you should also reflect the intensity of the music by using appropriate density of notes. For the current one, it is far from a satisfactory density.
= 00:50:383 - another damn slider, why do you love using sliders? If you can put some notes to represent the music, please DO put notes instead of sliders. Sliders will just murder the music for covering the flaws. It is completely unnecessary to do so in this music, among all difficulties. At this timing 00:50:383 - , you may try this: 00:50:383 (76) -
There is a 3/2 pattern at the accompanimental part behind sfx. d k d is mapped according to the pitches. A slightly hard pattern can be used here since the BGM support it simply speaking. Maintaining a group of monotonous 1/2 patterns is killing.
= 00:52:098 - k can be put here if you adapt the above change. Putting a k here can promote a better density flow.
= 00:54:383 - seriously WTH. Just removing the slider, and putting a d k in 1/1 beat divisor are good to go, fgs.
> 00:54:955 - same principle mentioned above, fix it on your own.
> 01:08:098 - & 01:08:383 - how about adding K K here? There should be something mapped for the melody.
> 01:09:241 - another slider: end it at 01:09:526 - , I am tired of explaining it already
> 01:24:669 - the gap is too huge, esp.ly there's an obviously heard high pitch sfx present. k k k in 1/1 can be mapped here
> 01:27:526 - replace this slider with k k is good to go, similar case at 00:54:383 -
> 01:35:526 - omg another slider
> 01:40:669 - density issue again, fix it on your own
> 01:58:953 - Removing all objects after this timing is already fine. A big DON right here can end the song nicely.
[Futsuu]
! Check the notes in Kantan, some issues are duplicated.
Actually pretty much the same with Kantan....
[Muzukashii]
> 00:03:526 (7,13) - they can be Finish, player of Muzukashii level should be able to handle this pattern x x x X/
> 00:09:241 (20) - blah blah blah. You must be able to put appropriate notes pattern in ALL slider occupied timing.
> 00:26:383 - give you some concrete example instead of blah blah blah: 00:26:383 (88) -
00:27:526 - this is an optional D/d, just see what you are going to change in Kantan or what you wanna map.
> 00:44:669 - du du du
> 00:51:526 - those 1/4 sfx is quite oustanding here. I think you'd better state it out by using monochrome (don) triplet here, for the sake of density flow. It is following the same principle of 00:53:812 -
> From 00:54:955 - to 00:57:241 - , these patterns are strange. What are you trying to present? You give wrong foci on density on both drum hitsounds and melody imo. You may try this: 00:54:955 (240) -
= 00:55:955 - there's still melody right here, it should be mapped instead of 00:55:383 - which was wrongly emphasized.
= 00:56:098 - My suggestion keeps the simplest pattern here as they are very unique out of the whole section. They worth to be emphasized by emptying all unnecessary stuff. Keeping them clean and clear is already good to go.
> 00:57:526 - shift it 1/4 backwards to 00:57:455 - , so as to follow the 3/2 patterns starting from 00:57:241 -
> 01:03:526 - / 01:04:669 - I think these should be k considering the consistencies. Compare them with other 3rd beat and you will spot that only these two timings having don mapped, which is quite strange. (I think k suit the music there too!) Meanwhile, you should have some variation if you adapt it. I leave it for you.
> 01:13:241 - Another wrong emphasis here. Those 3/2 patterns should really spotted it out by simplifying the whole pattern in this bar. How about: 01:13:241 (324) -
= 01:13:812 - this note has the highest pitch and it also share the same drum kick with 01:14:002 - and 01:14:169 - , thus k are put for these 3 timings.
= 01:13:526 - is adjusted to d in order to give some spotlights on the above 3 kats.
! There are too many flaws and I think you need to re-consider what you want to focus/ express/ present precisely.
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I put a halt here....