You're at school and I'm in the middle of a tropical storm, so as promised I'll be taking a look at your map again (not sure if this is worth kudosu, so just in case don't give me any)
As per usual, only accept suggestions you agree with. :3
[General]
Clean enough for me, the only things I'd end up commenting on here are pitch things, but those are based on perception and I'd feel that that'd be a waste of time. The structure used throughout the map is coherent and easy to follow in my opinion, and as I commented on before, 4/1 breaks are now more present, and 3/1 breaks are even more so.
[Futsuu]
Similar to the Kantan, not much for me to really say needs to be changed. (other than referring to the spread issue header )
[Muzukashii]
I'm a little uneasy about the spread from futsuu to muzukashii in terms of density, there's a 276 note difference between these two difficulties, nearly TRIPLE what the spread from kantan to futsuu is.
00:58:489 (3,4,5,6,7,8,9,10,11,12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28,29,30,31,32,33,34,35) - Personally not a big fan of this section, I can hear that your mapping to the bass hits that are happening underneath the main instrument, but I think it'd be easier to follow the main instrument playing on top. The rhythm of that instrument is less off beat than the bass hits, and are much easier to follow in my opinion. In the Oni as well, you've mapped a combination of the two, BOTH the instrument and the bass hits.
01:19:650 (20) - There's no musical support for this note, and the song is much calmer here than in other parts, so I don't think this note is needed. Similarly, 01:20:543 (24) - although somewhat supported musically, I would prefer it just be k k d for simplicity.
01:24:471 (18,23) - Emphasizing the rapper's syllables isn't necessary, and is kind of awkward to play as well, so I'd recommend deleting these notes.
01:32:507 (50) - Similar to 01:19:650 (20) -
01:35:364 (64,65) - :thinking: I don't think this double is necessary, but if you really would like to keep it, it's alright.
02:03:489 - Not sure if you intentionally missed the triplet placement or not here, but it's worth mentioning that a triplet could go here.
02:12:418 (28,29) - Not supported musically, and this last kiai isn't too intense either. I recommend deleting these two, k k d and then d d k sound nice enough without the triplet.
I'm kinda strict here about matching the music's triplets because I feel that this song supplies you with enough times for triplets, and in the oni, other complex(ish) patterns, so for a song like this I don't think improvisation of triplets or any patterns for that matter is a good idea.
[Oni]
00:33:310 (18,19,20,21) - Just a minor note that this was 4 kats in the muzukashii, and now it's 4 dons. :joy: Which one do you prefer?
02:29:918 (4,5,6,7) - I think that if you'd like the use 1/6 in this difficulty, you can also use it at places like 02:01:703 (33,34,35) - or 02:02:775 (38,39,40) - , because then 1/6 won't be like just a 1 time thing, it'll be present throughout the difficulty.
[The Spread Issue]
Back to the possible spread problem, I see that OnosakiHito has also mentioned it, but he was not able to come up with a recommendation because he didn't analyze it the way I'm supposed to. Looking at the pictures Ono has put in his post, the most probable solution would be to add notes to the futsuu to show a gradual increase in difficulty, as in my opinion he is right in saying that the Kantan and Futsuu are VERY similar to one another, so much so that it doesn't really feel like a difficulty increase. After messing around with the notes a little bit I came up with this rhythm for the futsuu, and Ayyri may change it as she wishes, or decline it outright:
I'll put a star on this, as half the set (Kantan and Oni) are very close to ready for bubble, but the other half still needs quite a bit of work. You may call me back when these issues are addressed.
I'll be back!~
As per usual, only accept suggestions you agree with. :3
[General]
- Be sure to check the kantan's tags, there seems to be a tag conflict happening there.
Clean enough for me, the only things I'd end up commenting on here are pitch things, but those are based on perception and I'd feel that that'd be a waste of time. The structure used throughout the map is coherent and easy to follow in my opinion, and as I commented on before, 4/1 breaks are now more present, and 3/1 breaks are even more so.
[Futsuu]
Similar to the Kantan, not much for me to really say needs to be changed. (other than referring to the spread issue header )
[Muzukashii]
I'm a little uneasy about the spread from futsuu to muzukashii in terms of density, there's a 276 note difference between these two difficulties, nearly TRIPLE what the spread from kantan to futsuu is.
00:58:489 (3,4,5,6,7,8,9,10,11,12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28,29,30,31,32,33,34,35) - Personally not a big fan of this section, I can hear that your mapping to the bass hits that are happening underneath the main instrument, but I think it'd be easier to follow the main instrument playing on top. The rhythm of that instrument is less off beat than the bass hits, and are much easier to follow in my opinion. In the Oni as well, you've mapped a combination of the two, BOTH the instrument and the bass hits.
01:19:650 (20) - There's no musical support for this note, and the song is much calmer here than in other parts, so I don't think this note is needed. Similarly, 01:20:543 (24) - although somewhat supported musically, I would prefer it just be k k d for simplicity.
01:24:471 (18,23) - Emphasizing the rapper's syllables isn't necessary, and is kind of awkward to play as well, so I'd recommend deleting these notes.
01:32:507 (50) - Similar to 01:19:650 (20) -
01:35:364 (64,65) - :thinking: I don't think this double is necessary, but if you really would like to keep it, it's alright.
02:03:489 - Not sure if you intentionally missed the triplet placement or not here, but it's worth mentioning that a triplet could go here.
02:12:418 (28,29) - Not supported musically, and this last kiai isn't too intense either. I recommend deleting these two, k k d and then d d k sound nice enough without the triplet.
I'm kinda strict here about matching the music's triplets because I feel that this song supplies you with enough times for triplets, and in the oni, other complex(ish) patterns, so for a song like this I don't think improvisation of triplets or any patterns for that matter is a good idea.
[Oni]
00:33:310 (18,19,20,21) - Just a minor note that this was 4 kats in the muzukashii, and now it's 4 dons. :joy: Which one do you prefer?
02:29:918 (4,5,6,7) - I think that if you'd like the use 1/6 in this difficulty, you can also use it at places like 02:01:703 (33,34,35) - or 02:02:775 (38,39,40) - , because then 1/6 won't be like just a 1 time thing, it'll be present throughout the difficulty.
[The Spread Issue]
Back to the possible spread problem, I see that OnosakiHito has also mentioned it, but he was not able to come up with a recommendation because he didn't analyze it the way I'm supposed to. Looking at the pictures Ono has put in his post, the most probable solution would be to add notes to the futsuu to show a gradual increase in difficulty, as in my opinion he is right in saying that the Kantan and Futsuu are VERY similar to one another, so much so that it doesn't really feel like a difficulty increase. After messing around with the notes a little bit I came up with this rhythm for the futsuu, and Ayyri may change it as she wishes, or decline it outright:
I'll put a star on this, as half the set (Kantan and Oni) are very close to ready for bubble, but the other half still needs quite a bit of work. You may call me back when these issues are addressed.
I'll be back!~