This is a BSS beatmap submission. Click here to view full beatmap information.
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Combo Commander
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This beatmap was submitted using in-game submission on Sunday, October 29, 2017 at 4:40:13 PM

Artist: Shawn Wasabi
Title: Marble Soda
Tags: wub bass trap melody pop nishizumi ayyri
BPM: 168
Filesize: 3196kb
Play Time: 02:41
Difficulties Available:

Download: Shawn Wasabi - Marble Soda
Information: Scores/Beatmap Listing
---------------
Image ~ Kantan (Nishizumi)
Image/Image ~ Futsuu (Ayyri)
Image ~ Muzukashii (Stingy)
Image ~ Oni (Stingy)
Last edited by Stingy on , edited 54 times in total.
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Combo Commander
455 posts
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No kudosu yet.
I have a bg for this uwu

henlo
Code:
osu file format v14

[General]
AudioFilename: Marble Soda.mp3
AudioLeadIn: 0
PreviewTime: 34382
Countdown: 0
SampleSet: Normal
StackLeniency: 0.4
Mode: 1
LetterboxInBreaks: 0
WidescreenStoryboard: 0

[Editor]
DistanceSpacing: 1
BeatDivisor: 4
GridSize: 32
TimelineZoom: 2.699999

[Metadata]
Title:Marble Soda
TitleUnicode:Marble Soda
Artist:Shawn Wasabi
ArtistUnicode:Shawn Wasabi
Creator:Stingy
Version:Nifty's Ra*mu*ne
Source:
Tags:
BeatmapID:0
BeatmapSetID:-1

[Difficulty]
HPDrainRate:4
CircleSize:3
OverallDifficulty:7
ApproachRate:9
SliderMultiplier:1.4
SliderTickRate:1

[Events]
//Background and Video events
0,0,"6uUsaNJ.jpg",0,0
//Break Periods
//Storyboard Layer 0 (Background)
//Storyboard Layer 1 (Fail)
//Storyboard Layer 2 (Pass)
//Storyboard Layer 3 (Foreground)
//Storyboard Sound Samples

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User avatar
Rhythm Incarnate
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here is your request

a
Code:
osu file format v14

[General]
AudioFilename: Marble Soda.mp3
AudioLeadIn: 0
PreviewTime: 34382
Countdown: 0
SampleSet: Normal
StackLeniency: 0.4
Mode: 1
LetterboxInBreaks: 0
WidescreenStoryboard: 0

[Editor]
DistanceSpacing: 1
BeatDivisor: 4
GridSize: 32
TimelineZoom: 2.699999

[Metadata]
Title:Marble Soda
TitleUnicode:Marble Soda
Artist:Shawn Wasabi
ArtistUnicode:Shawn Wasabi
Creator:Stingy
Version:Nishizumi's Kantan
Source:
Tags:
BeatmapID:0
BeatmapSetID:-1

[Difficulty]
HPDrainRate:8
CircleSize:4
OverallDifficulty:3
ApproachRate:6
SliderMultiplier:1.3
SliderTickRate:1

[Events]
//Background and Video events
0,0,"dongman-shaonv-weifeng-1920x1200.jpg",0,0
//Break Periods
//Storyboard Layer 0 (Background)
//Storyboard Layer 1 (Fail)
//Storyboard Layer 2 (Pass)
//Storyboard Layer 3 (Foreground)
//Storyboard Sound Samples

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Combo2 : 251,174,207
Combo3 : 163,237,234

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256,192,41525,1,8,0:0:0:0:
256,192,41882,1,0,0:0:0:0:
256,192,42953,1,8,0:0:0:0:
256,192,43668,1,0,0:0:0:0:
256,192,44382,1,8,0:0:0:0:
256,192,44739,1,0,0:0:0:0:
256,192,45453,1,0,0:0:0:0:
256,192,45810,1,8,0:0:0:0:
256,192,46525,1,4,0:0:0:0:
256,192,47239,1,8,0:0:0:0:
256,192,47596,1,0,0:0:0:0:
256,192,48668,1,8,0:0:0:0:
256,192,49025,1,8,0:0:0:0:
256,192,49382,1,0,0:0:0:0:
256,192,50096,1,8,0:0:0:0:
256,192,50453,1,0,0:0:0:0:
256,192,51168,1,0,0:0:0:0:
256,192,51525,1,8,0:0:0:0:
256,192,51882,1,8,0:0:0:0:
256,192,52239,1,0,0:0:0:0:
256,192,52953,1,8,0:0:0:0:
256,192,53310,1,0,0:0:0:0:
256,192,54382,1,8,0:0:0:0:
256,192,54739,1,8,0:0:0:0:
256,192,55096,1,0,0:0:0:0:
256,192,55810,1,8,0:0:0:0:
256,192,56168,1,0,0:0:0:0:
256,192,56882,1,0,0:0:0:0:
256,192,57239,1,8,0:0:0:0:
256,192,57596,1,8,0:0:0:0:
256,192,57953,1,4,0:0:0:0:
256,192,58668,1,8,0:0:0:0:
256,192,59025,1,0,0:0:0:0:
256,192,60096,1,8,0:0:0:0:
256,192,60810,1,0,0:0:0:0:
256,192,61525,1,8,0:0:0:0:
256,192,61882,1,0,0:0:0:0:
256,192,62596,1,0,0:0:0:0:
256,192,62953,1,8,0:0:0:0:
256,192,63668,1,0,0:0:0:0:
256,192,64382,1,8,0:0:0:0:
256,192,65096,1,0,0:0:0:0:
256,192,65453,1,0,0:0:0:0:
256,192,65810,1,8,0:0:0:0:
256,192,66525,1,0,0:0:0:0:
256,192,67239,1,8,0:0:0:0:
256,192,67596,1,0,0:0:0:0:
256,192,67953,12,0,69382,0:0:0:0:
256,192,70810,5,0,0:0:0:0:
256,192,72239,1,8,0:0:0:0:
256,192,73668,1,0,0:0:0:0:
256,192,75096,1,8,0:0:0:0:
256,192,75810,1,8,0:0:0:0:
256,192,76168,1,8,0:0:0:0:
256,192,76882,1,8,0:0:0:0:
256,192,77239,1,8,0:0:0:0:
256,192,77953,1,8,0:0:0:0:
256,192,78668,1,8,0:0:0:0:
256,192,79025,1,0,0:0:0:0:
256,192,79739,1,0,0:0:0:0:
256,192,80096,1,8,0:0:0:0:
256,192,80810,1,4,0:0:0:0:
256,192,81525,1,8,0:0:0:0:
256,192,81883,1,0,0:0:0:0:
256,192,82596,1,0,0:0:0:0:
256,192,82954,1,8,0:0:0:0:
256,192,83668,1,0,0:0:0:0:
256,192,84383,1,8,0:0:0:0:
256,192,84740,1,0,0:0:0:0:
256,192,85454,1,0,0:0:0:0:
256,192,85811,1,8,0:0:0:0:
256,192,86168,1,8,0:0:0:0:
256,192,86525,1,0,0:0:0:0:
256,192,87240,1,8,0:0:0:0:
256,192,87597,1,0,0:0:0:0:
256,192,88311,1,0,0:0:0:0:
256,192,88668,1,8,0:0:0:0:
256,192,89383,1,0,0:0:0:0:
256,192,90097,1,8,0:0:0:0:
256,192,90454,1,0,0:0:0:0:
256,192,91168,1,0,0:0:0:0:
256,192,91525,1,8,0:0:0:0:
256,192,91883,1,8,0:0:0:0:
256,192,92240,1,4,0:0:0:0:
256,192,92954,1,8,0:0:0:0:
256,192,93311,1,0,0:0:0:0:
256,192,94025,1,0,0:0:0:0:
256,192,94383,1,8,0:0:0:0:
256,192,94740,1,8,0:0:0:0:
256,192,95097,1,0,0:0:0:0:
256,192,95811,1,8,0:0:0:0:
256,192,96168,1,0,0:0:0:0:
256,192,96883,1,0,0:0:0:0:
256,192,97240,1,8,0:0:0:0:
256,192,97597,1,8,0:0:0:0:
256,192,97954,1,0,0:0:0:0:
256,192,98668,1,8,0:0:0:0:
256,192,99025,1,0,0:0:0:0:
256,192,99740,1,0,0:0:0:0:
256,192,100097,1,8,0:0:0:0:
256,192,100454,1,8,0:0:0:0:
256,192,100811,1,0,0:0:0:0:
256,192,101525,1,8,0:0:0:0:
256,192,101882,1,0,0:0:0:0:
256,192,102596,1,0,0:0:0:0:
256,192,102953,1,8,0:0:0:0:
256,192,103310,1,8,0:0:0:0:
256,192,103668,1,4,0:0:0:0:
256,192,106525,1,8,0:0:0:0:
256,192,107596,1,8,0:0:0:0:
256,192,109382,1,8,0:0:0:0:
256,192,112239,1,8,0:0:0:0:
256,192,113310,1,8,0:0:0:0:
256,192,114382,1,8,0:0:0:0:
256,192,115096,1,8,0:0:0:0:
256,192,117953,1,8,0:0:0:0:
256,192,119025,1,8,0:0:0:0:
256,192,120810,1,8,0:0:0:0:
256,192,121525,1,8,0:0:0:0:
256,192,121882,1,8,0:0:0:0:
256,192,122596,1,8,0:0:0:0:
256,192,122953,1,8,0:0:0:0:
256,192,123668,1,8,0:0:0:0:
256,192,124382,1,8,0:0:0:0:
256,192,124739,1,8,0:0:0:0:
256,192,126525,1,4,0:0:0:0:
256,192,127239,1,8,0:0:0:0:
256,192,127597,1,0,0:0:0:0:
256,192,128311,1,0,0:0:0:0:
256,192,128668,1,8,0:0:0:0:
256,192,129382,1,0,0:0:0:0:
256,192,130097,1,8,0:0:0:0:
256,192,130454,1,0,0:0:0:0:
256,192,131168,1,0,0:0:0:0:
256,192,131525,1,8,0:0:0:0:
256,192,131882,1,8,0:0:0:0:
256,192,132239,1,0,0:0:0:0:
256,192,132954,1,8,0:0:0:0:
256,192,133311,1,0,0:0:0:0:
256,192,134025,1,0,0:0:0:0:
256,192,134382,1,8,0:0:0:0:
256,192,135097,1,0,0:0:0:0:
256,192,135811,1,8,0:0:0:0:
256,192,136168,1,0,0:0:0:0:
256,192,136882,1,0,0:0:0:0:
256,192,137239,1,8,0:0:0:0:
256,192,137597,1,8,0:0:0:0:
256,192,137954,1,0,0:0:0:0:
256,192,138668,1,8,0:0:0:0:
256,192,139025,1,0,0:0:0:0:
256,192,139739,1,0,0:0:0:0:
256,192,140097,1,8,0:0:0:0:
256,192,140454,1,8,0:0:0:0:
256,192,140811,1,0,0:0:0:0:
256,192,141525,1,8,0:0:0:0:
256,192,141882,1,0,0:0:0:0:
256,192,142597,1,0,0:0:0:0:
256,192,142954,1,8,0:0:0:0:
256,192,143311,1,8,0:0:0:0:
256,192,143668,1,0,0:0:0:0:
256,192,144382,1,8,0:0:0:0:
256,192,144739,1,0,0:0:0:0:
256,192,145454,1,0,0:0:0:0:
256,192,145811,1,8,0:0:0:0:
256,192,146168,1,8,0:0:0:0:
256,192,146525,1,0,0:0:0:0:
256,192,147239,1,8,0:0:0:0:
256,192,147596,1,0,0:0:0:0:
256,192,148310,1,0,0:0:0:0:
256,192,148668,1,8,0:0:0:0:
256,192,149025,1,8,0:0:0:0:
256,192,149382,1,4,0:0:0:0:
256,192,150096,1,8,0:0:0:0:
256,192,150810,1,0,0:0:0:0:
256,192,151168,1,0,0:0:0:0:
256,192,151525,1,8,0:0:0:0:
256,192,152239,1,0,0:0:0:0:
256,192,152953,1,8,0:0:0:0:
256,192,153668,1,0,0:0:0:0:
256,192,154025,1,0,0:0:0:0:
256,192,154382,1,8,0:0:0:0:
256,192,154739,1,8,0:0:0:0:
256,192,155096,1,0,0:0:0:0:
256,192,155810,1,8,0:0:0:0:
256,192,156525,1,0,0:0:0:0:
256,192,156882,1,0,0:0:0:0:
256,192,157239,1,8,0:0:0:0:
256,192,157953,1,0,0:0:0:0:
256,192,158132,12,0,161168,0:0:0:0:
User avatar
Rhythm Incarnate
760 posts
Offline
Earned 2 kudosu.
heyo o/ sorry for doubleposting


General
  • pull down the bg to 0,0,"dongman-shaonv-weifeng-1920x1200.jpg",0,130 to show entire of her head
  • please change the bg, i'm triggered ;w;
  • why do you use Normal custom1 hitsounds while you don't have any hitsound?
  • 00:29:382 - unused greenline, delete.
  • increase the volume hitsounds please, it sounds inaudible imo



Oni




Muzukashii




Futsuu

  • you should make this diff harder for closer gap to muzu, since the current gap looks like "Oni>>Muzu>>>>Futsuu>Kantan". try it by yourself :D
  • increase HP to 7 since it would be easily passed with hp4 *look on my diff it's HP 8



Nishizumi's Kantan

  • looks good for me


hope my mod helps you, good luck :D
User avatar
Combo Commander
401 posts
Offline
Nishizumi's Revised Mod
Nishizumi wrote:
heyo o/ sorry for doubleposting


General
  • pull down the bg to 0,0,"dongman-shaonv-weifeng-1920x1200.jpg",0,130 to show entire of her head
  • please change the bg, i'm triggered ;w;
  • why do you use Normal custom1 hitsounds while you don't have any hitsound? oops ;w;
  • 00:29:382 - unused greenline, delete. ye
  • increase the volume hitsounds please, it sounds inaudible imo ye



Oni




Muzukashii




Futsuu

  • you should make this diff harder for closer gap to muzu, since the current gap looks like "Oni>>Muzu>>>>Futsuu>Kantan". try it by yourself :D
  • increase HP to 7 since it would be easily passed with hp4 *look on my diff it's HP 8 I tried my best!~ hehe



Nishizumi's Kantan

  • looks good for me Me too ;^3c


hope my mod helps you, good luck :D
User avatar
Beatmap Nominator
388 posts
Offline
Earned 2 kudosu.
the thing about mexicans is that there's a stereotype that quite often we're fashionably late

this is definitely one of those times that stereotype is true


Nishizumi's Kantan
-make sure you turn on widescreen support across all 4 difficulties please thanks
-uh this difficulty is more of a kantan+, the difficulty across the entire song lacks sufficient use of 4/1 breaks, and major use of 2/1 breaks-in kantan it should be backwards, 2/1 main snapping is a characteristic of a futsuu. (i'm aware of the 3/1 breaks as well but they are not as common as 2/1 breaks either)
00:56:882 - 01:09:382 - this 2nd kiai is quite inconsistent imo, there's one main instrument in this kiai that plays over and over again (i.e. 00:58:668 - ) and you map it at this spot, then change what you're following throughout the entire rest of the kiai (i.e. 01:04:382 - ) where the exact same sound plays and you map it differently. variety in a kantan should be kept minimal, as repetition and simplicity are the key factors of what makes a kantan a kantan.
01:42:596 - (for the entire spread) this kiai is short and useless tbh it can be removed, it's kind of an unnecessary strobe due to it's length.


Futsuu
00:06:346 (13) - i know what drum hit you're trying to emphasize with this note but for consistency sake because this is a futsuu, keep the rhythms the same and move it to 00:06:525 - instead.
00:17:596 - there are so many things that play on this note, vocal and like 2 different instruments, a kat should be placed here to emphasize them
-breaks should be consistent across the easier difficulties, if the difficulties were oni/inner oni it wouldn't be a problem, but in kantan NEW players receive no break, while in futsuu somewhat experienced players do? it should be backwards if anything.
00:29:382 (1,2,3,4,5,6,7,8,9,10,11) - there's something about the way this mapped that really bugs me but i can't really figure out what, and because technically what you have plotted is correct there's no reason for me to discuss why it's bugging me
00:34:025 - there are again so many things going on from here to the start of the kiai that some of them need emphasis, by minimal the soda crack because it's very loud and apparent, and after all the song is called marble SODA
00:55:810 - more potential for emphasis on many different instruments (from here to 00:56:882 (1) - )
02:13:310 (31) - you can remove this note and leave the kat on the red tick to resemble a structure similar to that at 01:35:632 (35,36,37,38) - where you skipped that same drum beat
02:16:168 (38) - ^same


Muzukashii
00:30:275 (4,5,6) - no need to improvise triplets in a muzukashii
00:31:347 (9,10,11) - same^
00:34:025 - stingy these sounds are so loud why aren't you emphasizing any of them
00:45:274 (39,40,41) - again^^ in a muzukashii although 1/4 triplets are the main characteristic, the ones that are plotted should 100% match the music and not be improvised, which should be saved for oni difficulties and up.
00:56:703 (87,88,89) - ^
00:58:667 (4,5,6,7) - here you map that sound that i pointed out in the kantan as inconsistent, but you don't map the same thing at 01:04:382 - . whether it be a kantan or not, the same sounds shouldn't be massively different from each other as they so are right now
01:19:560 (19,20,21) - ...
02:03:668 - in the futsuu you have a volume change here but you don't have one here, keep those the same please
02:29:382 - another volume change but instead you have it here but not in the futsuu
final note, the last kiai also has improvised triplets as i've noticed, but i'm not going to point them out for the sake of linear density in this kiai.


Oni
okay, so i played this one and there's just one major problem i have with it-the spread from muzukashii to oni is technicality wise way to big. there's simple triplets in muzu but in the oni there's 11 note patterns? the SR is misleading, elementary oni players will not be able to FC this in simply a few tries. there's a few things you can do here, one being ramp the density of the oni way down to fit the spread of the muzukashii correctly, or make this difficulty and inner oni and then create an oni from scratch. i will be glad to relook at the oni when the density is fixed, but for now, so many things can change due to this issue it would be worthless for me to go through and correct every little bit of it.

good luck with the rank, the song is cool and i've been waiting for a taiko set of this for a while now
User avatar
Combo Commander
401 posts
Offline
Taikocracy's Revised Mod
Taikocracy wrote:
the thing about mexicans is that there's a stereotype that quite often we're fashionably late

this is definitely one of those times that stereotype is true


Nishizumi's Kantan
-make sure you turn on widescreen support across all 4 difficulties please thanks
-uh this difficulty is more of a kantan+, the difficulty across the entire song lacks sufficient use of 4/1 breaks, and major use of 2/1 breaks-in kantan it should be backwards, 2/1 main snapping is a characteristic of a futsuu. (i'm aware of the 3/1 breaks as well but they are not as common as 2/1 breaks either)
00:56:882 - 01:09:382 - this 2nd kiai is quite inconsistent imo, there's one main instrument in this kiai that plays over and over again (i.e. 00:58:668 - ) and you map it at this spot, then change what you're following throughout the entire rest of the kiai (i.e. 01:04:382 - ) where the exact same sound plays and you map it differently. variety in a kantan should be kept minimal, as repetition and simplicity are the key factors of what makes a kantan a kantan.
01:42:596 - (for the entire spread) this kiai is short and useless tbh it can be removed, it's kind of an unnecessary strobe due to it's length.


Futsuu
00:06:346 (13) - i know what drum hit you're trying to emphasize with this note but for consistency sake because this is a futsuu, keep the rhythms the same and move it to 00:06:525 - instead.
00:17:596 - there are so many things that play on this note, vocal and like 2 different instruments, a kat should be placed here to emphasize them
-breaks should be consistent across the easier difficulties, if the difficulties were oni/inner oni it wouldn't be a problem, but in kantan NEW players receive no break, while in futsuu somewhat experienced players do? it should be backwards if anything. lol oops GD
00:29:382 (1,2,3,4,5,6,7,8,9,10,11) - there's something about the way this mapped that really bugs me but i can't really figure out what, and because technically what you have plotted is correct there's no reason for me to discuss why it's bugging me
00:34:025 - there are again so many things going on from here to the start of the kiai that some of them need emphasis, by minimal the soda crack because it's very loud and apparent, and after all the song is called marble SODA
00:55:810 - more potential for emphasis on many different instruments (from here to 00:56:882 (1) - )
02:13:310 (31) - you can remove this note and leave the kat on the red tick to resemble a structure similar to that at 01:35:632 (35,36,37,38) - where you skipped that same drum beat okie
02:16:168 (38) - ^same I like this one though lol


Muzukashii
00:30:275 (4,5,6) - no need to improvise triplets in a muzukashii
00:31:347 (9,10,11) - same^
00:34:025 - stingy these sounds are so loud why aren't you emphasizing any of them
00:45:274 (39,40,41) - again^^ in a muzukashii although 1/4 triplets are the main characteristic, the ones that are plotted should 100% match the music and not be improvised, which should be saved for oni difficulties and up.
00:56:703 (87,88,89) - ^
00:58:667 (4,5,6,7) - here you map that sound that i pointed out in the kantan as inconsistent, but you don't map the same thing at 01:04:382 - . whether it be a kantan or not, the same sounds shouldn't be massively different from each other as they so are right now
01:19:560 (19,20,21) - ...
02:03:668 - in the futsuu you have a volume change here but you don't have one here, keep those the same please
02:29:382 - another volume change but instead you have it here but not in the futsuu
final note, the last kiai also has improvised triplets as i've noticed, but i'm not going to point them out for the sake of linear density in this kiai.


Oni
okay, so i played this one and there's just one major problem i have with it-the spread from muzukashii to oni is technicality wise way to big. there's simple triplets in muzu but in the oni there's 11 note patterns? the SR is misleading, elementary oni players will not be able to FC this in simply a few tries. there's a few things you can do here, one being ramp the density of the oni way down to fit the spread of the muzukashii correctly, or make this difficulty and inner oni and then create an oni from scratch. i will be glad to relook at the oni when the density is fixed, but for now, so many things can change due to this issue it would be worthless for me to go through and correct every little bit of it.

good luck with the rank, the song is cool and i've been waiting for a taiko set of this for a while now


Nishi says "applied and nerfed all".
User avatar
Tempo Trainee
14 posts
Offline
Earned 2 kudosu.
hello, mod as you requested owo

I only mainly searched for missing notes, some switches, etc. since some diff (like muzu and oni) felt a little undermapped owo;;!!

And sorry I only did small mod for muzu and oni, I also don't really know how to really mod futsuu/kantan diffs ^^''

Muzukashii
00:13:310 - possible d here
00:34:025 - i think a K could go here
00:40:453 - add k note
01:06:525 (36) - instead of d note, you can start the spinner in this spot, and end on 01:09:203 . From where it originally ended 01:09:382 , you can put a d or k note
01:13:132 - insert a d (fills the left out beat)
01:13:668 (18) - switch to k
01:14:025 - insert a k
01:16:525 - insert a k

Oni
00:40:275 - can add a d here and 00:40:453 - a k note
00:55:453 , 0055:632 - could add d notes
01:16:346 - k
01:16:435 - d
01:16:525 - d
01:18:132 (1) - possible slider here instead? the spinner seems a little out of place, but I may be wrong ^^
01:26:168 - either k or d note could work
02:37:953 - d or D (i suggest d)
02:38:489 - k or K (i suggest k)
02:39:025 start the spinner here, and end it in the same place it ends currently
User avatar
Combo Commander
401 posts
Offline
Taikonator wrote:
hello, mod as you requested owo

I only mainly searched for missing notes, some switches, etc. since some diff (like muzu and oni) felt a little undermapped owo;;!!

And sorry I only did small mod for muzu and oni, I also don't really know how to really mod futsuu/kantan diffs ^^''

Muzukashii
00:13:310 - possible d here no thanks ;w;
00:34:025 - i think a K could go here no me gusta :o
00:40:453 - add k note :o! okay!
01:06:525 (36) - instead of d note, you can start the spinner in this spot, and end on 01:09:203 . From where it originally ended ? ;w;01:09:382 , you can put a d or k note ? ;w;
01:13:132 - insert a d (fills the left out beat) Nice catch
01:13:668 (18) - switch to k The reason I say no is because I only want single-coloured triples
01:14:025 - insert a k okie
01:16:525 - insert a k no because want to stay only following one single sound

Oni
00:40:275 - can add a d here and 00:40:453 - a k note Did something~
00:55:453 , 0055:632 - could add d notes No thanks I think I want to follow the drums here
01:16:346 - k I'm not a fan of overmapping uwuwuwuwu
01:16:435 - d
01:16:525 - d
01:18:132 (1) - possible slider here instead? the spinner seems a little out of place, but I may be wrong ^^ Did somethiiing
01:26:168 - either k or d note could work Wanna follow drums here
02:37:953 - d or D (i suggest d) nuh
02:38:489 - k or K (i suggest k)
02:39:025 start the spinner here, and end it in the same place it ends currently
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Quality Assurance Team
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Earned 1 kudosu.
Time for some M4M. You asked me in IRC and I happened to have time. It's like getting a 777!


General
  • Kantan, Muzukashii and Oni's BG can be moved down a bit.
  • I see possible spread conflicts between Futsuu and Muzukashii. The note density (as well as pattern construction) between Kantan and Futsuu is very similar especially in the Kiais, just that Futsuu has some additional 1/2 while between Muzukashii and Futsuu there are big differences as Muzu contains way more 1/2 with some 1/4 and more alternation as well. I don't have a recommendation right now as in what to do as I didn't analyze everything, but it is something you may have an eye on especially if it may happen that other modders point it out.
    Image
    Image
    Image


Image Nishizumi's Kantan
  • 00:05:453 (6,13) - Move to 00:02:596 - . Both ways have a similar effect just that this change would avoid having an inconsistent look to 00:14:025 (17,18) - . You try to rise the amount of notes from stanza to stanza in both parts. However, with this change it would be more consistent.
  • 00:23:668 - and 00:29:382 - Try to use x0.90. This is purely optional and just a personal preference from myself which I would like to mention. It would go with the pace. No big harm to new players either.
  • 00:46:168 - You may consider having another k. Can imagine you left it out intentionally. I just wanted to mention it. Fits to the claps and the upcoming ones.
  • 01:07:596 (97,1) - Remove 97 and stretch the spinner to this point. It's a known technique in taiko to place before a spinner a note for better feedback of a certain sound which the spinner can't provide but when the distance is 1/1, spinner becomes rather detached from a note and sound and hence, feels like it is placed offbeat.
  • The spinner end might be a problem. You are missing the first beat from the first stanza of this part. Reconsider having a beat there by either shortening the spinner or maybe removing it. It would give you the possibility to place the notes 01:10:811 (1,2) - right by moving them one stanza forward.
  • 01:09:382 - and 01:15:096 - Try to use x0.80. Once again purely optional. This time suggesting a slower SV since this part is detached from previous one and hence player can get easily used to the change of SV. Not many notes either.
  • 01:31:882 - Same suggestion as before. Adding a k.
  • 01:45:096 - Try to use x0.75. Same goes for the next two greenlines. Optional suggestion again. The reason I suggest these SV changes is mainly because I feel like Kantans are missing these. Such difficulties lack of notes anyway which makes diversity hard, so having soft SV changes I see as good opportunity to counter this.
  • 02:17:596 - k. More appropriat for rise of density.
  • 02:23:311 (95) - Delete. Makes it consistent with 02:11:882 - while my suggested k on 02:17:596 - would be consistent with 02:29:025 (106) - .
  • 02:37:953 (119,1) - Remember the spinner issue I mentioned before? Here the spinner isn't detached that much. But I don't know if it is really appropriate to do that in Kantan. This is however my own opinion.

    Overall a solid Kantan since it is kept rather simple with similar patterns. But that's just fine.


Image Ayyri's Futsuu
  • 00:04:025 - Add a d. It should be consistent -beatwise- with previous one since you can't place a ddk at 00:06:525 - as there is no beat at all - and you follow the beat in general.
  • 00:09:739 - Similar as above.
  • 00:15:453 - Add a d. Once again, I'm just suggesting notes for consistency. This time it refers to 00:12:596 (23) - and especially 00:21:168 (39) - .
  • 02:13:668 (17) - Move to 02:13:846 - . Loos like this one is misplaced.
  • 02:25:096 (43) - Move to 02:25:275 - . As it looks these are not misplaced, but can't see a reason beside "difference" to have a change in placement. Doesn't fit imo since it doesn't follow the beat you follow every first section.
  • 02:36:525 (66) - Move to 02:36:346 - and add a d at 02:36:882 - . Beatplacement reasons as well as consistency.


Image Muzukashii
  • 00:24:739 - Try to use x0.90. This is purely optional and just a personal preference from myself which I would like to mention. It would go with the pace.
  • 00:56:168 - There is not another kiai needed as the actual chorus ended already. I would stick to what your GD mapper did.
  • 01:06:525 (1) - Recommending to shorten the slider and add notes starting from 01:09:382 -. Having no notes at the beginning of a stanza is quite questionable and makes upcoming patterns feel odd as one stanza was missed out.
  • 01:09:382 - Try to use x0.80. Once again purely optional. Just trying to follow the pace.
  • 01:13:310 (14) - Move to 01:13:221 - to have a better flow with the previous notes as well as following the sounds more accurately.
  • 01:45:096 - Try to use x0.75. Once again purely optional. Just trying to follow the pace.

    Fine Muzukashii. I don't have much to say.


Image Oni
  • 00:32:060 (12,13) - Change to dd. You started with a quite nice beatplacement of dons and suddenly stopped. I would suggest to just continue with it.
  • 00:32:775 - ddk for ^ reason. Making it more frequently gives it also a touch.
  • 00:33:310 (18,19,20,21) - dddd. Not sure if you like it, but it's just a consequence I draw out of this by using more and more dons till only ds are left. Makes 00:34:025 (22) - be more emphasized as well.
  • 00:44:739 (74) - Possible place for a D. Would make it more consistent with the other finishers as well.
  • 00:51:793 (112) - Possibly delete. You can keep it but it does play a bit akward with the 1/3 ahead. The none existence of 1/4 would support this at least I guess.
  • 01:30:453 (56) - Same as before.
  • 01:37:596 (96) - Same as before.
  • 01:43:578 (132) - Recommending to delete this note. You have no other pattern with a finisher behind 1/4 and there is no clear 1/4 either, so best to remove it and have a clean end of this part.
  • 02:29:382 - Very nice part you've mapped here!

    Fine Oni. Would suggest same SV and kiai changes like in the Muzukashii.

That's about it. I hope I could help a bit. Good luck!
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Combo Commander
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OnosakiHito's Revised Mod
OnosakiHito wrote:
Time for some M4M. You asked me in IRC and I happened to have time. It's like getting a 777!


General
  • Kantan, Muzukashii and Oni's BG can be moved down a bit. What? ;w;
  • I see possible spread conflicts between Futsuu and Muzukashii. The note density (as well as pattern construction) between Kantan and Futsuu is very similar especially in the Kiais, just that Futsuu has some additional 1/2 while between Muzukashii and Futsuu there are big differences as Muzu contains way more 1/2 with some 1/4 and more alternation as well. I don't have a recommendation right now as in what to do as I didn't analyze everything, but it is something you may have an eye on especially if it may happen that other modders point it out.
    Image
    Image
    Image I'm not really sure how to fix this... ^^; perhaps I'll wait for some time...


Image Muzukashii
  • 00:24:739 - Try to use x0.90. This is purely optional and just a personal preference from myself which I would like to mention. It would go with the pace. Okay :o Fixed with other SVs too.
  • 00:56:168 - There is not another kiai needed as the actual chorus ended already. I would stick to what your GD mapper did. Alright.
  • 01:06:525 (1) - Recommending to shorten the slider and add notes starting from 01:09:382 -. Having no notes at the beginning of a stanza is quite questionable and makes upcoming patterns feel odd as one stanza was missed out. Okay.
  • 01:09:382 - Try to use x0.80. Once again purely optional. Just trying to follow the pace.
  • 01:13:310 (14) - Move to 01:13:221 - to have a better flow with the previous notes as well as following the sounds more accurately. Oops. How did I miss this? Thanks!
  • 01:45:096 - Try to use x0.75. Once again purely optional. Just trying to follow the pace.

    Fine Muzukashii. I don't have much to say.


Image Oni
  • 00:32:060 (12,13) - Change to dd. You started with a quite nice beatplacement of dons and suddenly stopped. I would suggest to just continue with it. Ahhh I really don't want to but I'll do it anyway. Fixed other d issues as well.
  • 00:32:775 - ddk for ^ reason. Making it more frequently gives it also a touch.
  • 00:33:310 (18,19,20,21) - dddd. Not sure if you like it, but it's just a consequence I draw out of this by using more and more dons till only ds are left. Makes 00:34:025 (22) - be more emphasized as well.
  • 00:44:739 (74) - Possible place for a D. Would make it more consistent with the other finishers as well. Nah ;w;
  • 00:51:793 (112) - Possibly delete. You can keep it but it does play a bit akward with the 1/3 ahead. The none existence of 1/4 would support this at least I guess. I like this~
  • 01:30:453 (56) - Same as before.
  • 01:37:596 (96) - Same as before.
  • 01:43:578 (132) - Recommending to delete this note. You have no other pattern with a finisher behind 1/4 and there is no clear 1/4 either, so best to remove it and have a clean end of this part. There is the cymbal that I followed
  • 02:29:382 - Very nice part you've mapped here! aaa ;w; thank you so much

    Fine Oni. Would suggest same SV and kiai changes like in the Muzukashii.

That's about it. I hope I could help a bit. Good luck!
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Rhythm Incarnate
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OnosakiHito wrote:
Time for some M4M. You asked me in IRC and I happened to have time. It's like getting a 777!


Image Nishizumi's Kantan
  • 00:05:453 (6,13) - Move to 00:02:596 - . Both ways have a similar effect just that this change would avoid having an inconsistent look to 00:14:025 (17,18) - . You try to rise the amount of notes from stanza to stanza in both parts. However, with this change it would be more consistent. it looks inconsistent because it increases only one note. i think if i increase two notes from small break like 00:07:953 - it would ruin the structure. so better to keep this structure by rising one note
  • 00:23:668 - and 00:29:382 - Try to use x0.90. This is purely optional and just a personal preference from myself which I would like to mention. It would go with the pace. No big harm to new players either. oh is that allowed? ok if so
  • 00:46:168 - You may consider having another k. Can imagine you left it out intentionally. I just wanted to mention it. Fits to the claps and the upcoming ones.okay. added on second kiai too
  • 01:07:596 (97,1) - Remove 97 and stretch the spinner to this point. It's a known technique in taiko to place before a spinner a note for better feedback of a certain sound which the spinner can't provide but when the distance is 1/1, spinner becomes rather detached from a note and sound and hence, feels like it is placed offbeat. oh makes sense, deleted.
  • The spinner end might be a problem. You are missing the first beat from the first stanza of this part. Reconsider having a beat there by either shortening the spinner or maybe removing it. It would give you the possibility to place the notes 01:10:811 (1,2) - right by moving them one stanza forward. make spinner shorter until 01:09:025 -, remove note at 01:10:810 - and added don at 01:09:382 - and 01:12:239
  • 01:09:382 - and 01:15:096 - Try to use x0.80. Once again purely optional. This time suggesting a slower SV since this part is detached from previous one and hence player can get easily used to the change of SV. Not many notes either. changed to 0.90 instead, to make it easier and consistent with the first sv change.
  • 01:31:882 - Same suggestion as before. Adding a k. added
  • 01:45:096 - Try to use x0.75. Same goes for the next two greenlines. Optional suggestion again. The reason I suggest these SV changes is mainly because I feel like Kantans are missing these. Such difficulties lack of notes anyway which makes diversity hard, so having soft SV changes I see as good opportunity to counter this. changed to 0.80 instead. 0.75 looks too slow for kantan although it's only slightly difference.
  • 02:17:596 - k. More appropriat for rise of density.oops, true.
  • 02:23:311 (95) - Delete. Makes it consistent with 02:11:882 - while my suggested k on 02:17:596 - would be consistent with 02:29:025 (106) - . deleted. also revamped the structure of pattern on the last kiai.
  • 02:37:953 (119,1) - Remember the spinner issue I mentioned before? Here the spinner isn't detached that much. But I don't know if it is really appropriate to do that in Kantan. This is however my own opinion. i know, but it makes sense. deleted on the last note.

    Overall a solid Kantan since it is kept rather simple with similar patterns. But that's just fine.

That's about it. I hope I could help a bit. Good luck!


thanks for the mod ono :D

Kantan
Code:
osu file format v14

[General]
AudioFilename: Marble Soda.mp3
AudioLeadIn: 0
PreviewTime: 34382
Countdown: 0
SampleSet: Normal
StackLeniency: 0.4
Mode: 1
LetterboxInBreaks: 0
WidescreenStoryboard: 1

[Editor]
DistanceSpacing: 1
BeatDivisor: 4
GridSize: 32
TimelineZoom: 0.5999999

[Metadata]
Title:Marble Soda
TitleUnicode:Marble Soda
Artist:Shawn Wasabi
ArtistUnicode:Shawn Wasabi
Creator:Stingy
Version:Nishizumi's Kantan
Source:
Tags:wub bass trap melody pop nishizumi
BeatmapID:1300236
BeatmapSetID:598830

[Difficulty]
HPDrainRate:8
CircleSize:4
OverallDifficulty:3
ApproachRate:6
SliderMultiplier:1.3
SliderTickRate:1

[Events]
//Background and Video events
0,0,"anime-girl-wind-breeze-1920x1200.jpg",0,0
//Break Periods
//Storyboard Layer 0 (Background)
//Storyboard Layer 1 (Fail)
//Storyboard Layer 2 (Pass)
//Storyboard Layer 3 (Foreground)
//Storyboard Sound Samples

[TimingPoints]
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23668,-111.111111111111,4,1,0,90,0,0
29382,-111.111111111111,4,1,0,100,0,0
35096,-100,4,1,0,100,0,1
57953,-100,4,1,0,100,0,0
69382,-111.111111111111,4,1,0,80,0,0
75096,-111.111111111111,4,1,0,90,0,0
80810,-100,4,1,0,100,0,1
103668,-100,4,1,0,80,0,0
105096,-125,4,1,0,80,0,0
115096,-125,4,1,0,85,0,0
120810,-125,4,1,0,90,0,0
126525,-100,4,1,0,100,0,1
149382,-100,4,1,0,100,0,0
158132,-100,4,1,0,90,0,0
159382,-100,4,1,0,80,0,0
160810,-100,4,1,0,70,0,0


[Colours]
Combo1 : 149,254,169
Combo2 : 251,174,207
Combo3 : 163,237,234

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256,192,130454,1,0,0:0:0:0:
256,192,131168,1,0,0:0:0:0:
256,192,131525,1,8,0:0:0:0:
256,192,132239,1,0,0:0:0:0:
256,192,132954,1,8,0:0:0:0:
256,192,133311,1,0,0:0:0:0:
256,192,134382,1,8,0:0:0:0:
256,192,134739,1,8,0:0:0:0:
256,192,135097,1,0,0:0:0:0:
256,192,135811,1,8,0:0:0:0:
256,192,136168,1,0,0:0:0:0:
256,192,136882,1,0,0:0:0:0:
256,192,137239,1,8,0:0:0:0:
256,192,137596,1,8,0:0:0:0:
256,192,137954,1,0,0:0:0:0:
256,192,138668,1,8,0:0:0:0:
256,192,139025,1,0,0:0:0:0:
256,192,140097,1,8,0:0:0:0:
256,192,140453,1,8,0:0:0:0:
256,192,140811,1,0,0:0:0:0:
256,192,141525,1,8,0:0:0:0:
256,192,141882,1,0,0:0:0:0:
256,192,142596,1,0,0:0:0:0:
256,192,142954,1,8,0:0:0:0:
256,192,143668,1,0,0:0:0:0:
256,192,144382,1,8,0:0:0:0:
256,192,144739,1,0,0:0:0:0:
256,192,145811,1,8,0:0:0:0:
256,192,146168,1,8,0:0:0:0:
256,192,146525,1,0,0:0:0:0:
256,192,147239,1,8,0:0:0:0:
256,192,147596,1,0,0:0:0:0:
256,192,148310,1,0,0:0:0:0:
256,192,148668,1,8,0:0:0:0:
256,192,149025,1,8,0:0:0:0:
256,192,149382,1,4,0:0:0:0:
256,192,150096,1,8,0:0:0:0:
256,192,151168,1,0,0:0:0:0:
256,192,151525,1,8,0:0:0:0:
256,192,152239,1,0,0:0:0:0:
256,192,152953,1,8,0:0:0:0:
256,192,153668,1,0,0:0:0:0:
256,192,154025,1,0,0:0:0:0:
256,192,154382,1,8,0:0:0:0:
256,192,155096,1,0,0:0:0:0:
256,192,155810,1,8,0:0:0:0:
256,192,156882,1,0,0:0:0:0:
256,192,157239,1,8,0:0:0:0:
256,192,157953,12,0,161168,0:0:0:0:
User avatar
Beatmap Nominator
388 posts
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Earned 2 kudosu.
You're at school and I'm in the middle of a tropical storm, so as promised I'll be taking a look at your map again :) (not sure if this is worth kudosu, so just in case don't give me any)
As per usual, only accept suggestions you agree with. :3


General
  • Be sure to check the kantan's tags, there seems to be a tag conflict happening there.


Kantan
Clean enough for me, the only things I'd end up commenting on here are pitch things, but those are based on perception and I'd feel that that'd be a waste of time. The structure used throughout the map is coherent and easy to follow in my opinion, and as I commented on before, 4/1 breaks are now more present, and 3/1 breaks are even more so. :)


Futsuu
Similar to the Kantan, not much for me to really say needs to be changed. (other than referring to the spread issue header :P)


Muzukashii
I'm a little uneasy about the spread from futsuu to muzukashii in terms of density, there's a 276 note difference between these two difficulties, nearly TRIPLE what the spread from kantan to futsuu is.
00:58:489 (3,4,5,6,7,8,9,10,11,12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28,29,30,31,32,33,34,35) - Personally not a big fan of this section, I can hear that your mapping to the bass hits that are happening underneath the main instrument, but I think it'd be easier to follow the main instrument playing on top. The rhythm of that instrument is less off beat than the bass hits, and are much easier to follow in my opinion. In the Oni as well, you've mapped a combination of the two, BOTH the instrument and the bass hits.
01:19:650 (20) - There's no musical support for this note, and the song is much calmer here than in other parts, so I don't think this note is needed. Similarly, 01:20:543 (24) - although somewhat supported musically, I would prefer it just be k k d for simplicity.
01:24:471 (18,23) - Emphasizing the rapper's syllables isn't necessary, and is kind of awkward to play as well, so I'd recommend deleting these notes.
01:32:507 (50) - Similar to 01:19:650 (20) -
01:35:364 (64,65) - :thinking: I don't think this double is necessary, but if you really would like to keep it, it's alright.
02:03:489 - Not sure if you intentionally missed the triplet placement or not here, but it's worth mentioning that a triplet could go here.
02:12:418 (28,29) - Not supported musically, and this last kiai isn't too intense either. I recommend deleting these two, k k d and then d d k sound nice enough without the triplet.
I'm kinda strict here about matching the music's triplets because I feel that this song supplies you with enough times for triplets, and in the oni, other complex(ish) patterns, so for a song like this I don't think improvisation of triplets or any patterns for that matter is a good idea.


Oni
00:33:310 (18,19,20,21) - Just a minor note that this was 4 kats in the muzukashii, and now it's 4 dons. :joy: Which one do you prefer?
02:29:918 (4,5,6,7) - I think that if you'd like the use 1/6 in this difficulty, you can also use it at places like 02:01:703 (33,34,35) - or 02:02:775 (38,39,40) - , because then 1/6 won't be like just a 1 time thing, it'll be present throughout the difficulty.


The Spread Issue
Back to the possible spread problem, I see that OnosakiHito has also mentioned it, but he was not able to come up with a recommendation because he didn't analyze it the way I'm supposed to. Looking at the pictures Ono has put in his post, the most probable solution would be to add notes to the futsuu to show a gradual increase in difficulty, as in my opinion he is right in saying that the Kantan and Futsuu are VERY similar to one another, so much so that it doesn't really feel like a difficulty increase. After messing around with the notes a little bit I came up with this rhythm for the futsuu, and Ayyri may change it as she wishes, or decline it outright: Image

I'll put a star on this, as half the set (Kantan and Oni) are very close to ready for bubble, but the other half still needs quite a bit of work. You may call me back when these issues are addressed.

I'll be back!~ :D
User avatar
Combo Commander
401 posts
Offline
Taikocracy's Revised Mod
Taikocracy wrote:
You're at school and I'm in the middle of a tropical storm, so as promised I'll be taking a look at your map again :) (not sure if this is worth kudosu, so just in case don't give me any)
As per usual, only accept suggestions you agree with. :3


General
  • Be sure to check the kantan's tags, there seems to be a tag conflict happening there.


Muzukashii
I'm a little uneasy about the spread from futsuu to muzukashii in terms of density, there's a 276 note difference between these two difficulties, nearly TRIPLE what the spread from kantan to futsuu is.
00:58:489 (3,4,5,6,7,8,9,10,11,12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28,29,30,31,32,33,34,35) - Personally not a big fan of this section, I can hear that your mapping to the bass hits that are happening underneath the main instrument, but I think it'd be easier to follow the main instrument playing on top. The rhythm of that instrument is less off beat than the bass hits, and are much easier to follow in my opinion. In the Oni as well, you've mapped a combination of the two, BOTH the instrument and the bass hits. ok
01:19:650 (20) - There's no musical support for this note, and the song is much calmer here than in other parts, so I don't think this note is needed. Similarly, 01:20:543 (24) - although somewhat supported musically, I would prefer it just be k k d for simplicity. There is a very clear pitch change for the ddd but I'll remove it anyway...
01:24:471 (18,23) - Emphasizing the rapper's syllables isn't necessary, and is kind of awkward to play as well, so I'd recommend deleting these notes. ugh ok
01:32:507 (50) - Similar to 01:19:650 (20) - I literally don't understand what this means
01:35:364 (64,65) - :thinking: I don't think this double is necessary, but if you really would like to keep it, it's alright.
02:03:489 - Not sure if you intentionally missed the triplet placement or not here, but it's worth mentioning that a triplet could go here. idk why it's not mapped
02:12:418 (28,29) - Not supported musically, and this last kiai isn't too intense either. I recommend deleting these two, k k d and then d d k sound nice enough without the triplet. there's literally a triplet whistle but I'll change anyway
I'm kinda strict here about matching the music's triplets because I feel that this song supplies you with enough times for triplets, and in the oni, other complex(ish) patterns, so for a song like this I don't think improvisation of triplets or any patterns for that matter is a good idea.


Oni
00:33:310 (18,19,20,21) - Just a minor note that this was 4 kats in the muzukashii, and now it's 4 dons. :joy: Which one do you prefer?
02:29:918 (4,5,6,7) - I think that if you'd like the use 1/6 in this difficulty, you can also use it at places like 02:01:703 (33,34,35) - or 02:02:775 (38,39,40) - , because then 1/6 won't be like just a 1 time thing, it'll be present throughout the difficulty. The 1/6 are supposed to all be removed...


The Spread Issue
Back to the possible spread problem, I see that OnosakiHito has also mentioned it, but he was not able to come up with a recommendation because he didn't analyze it the way I'm supposed to. Looking at the pictures Ono has put in his post, the most probable solution would be to add notes to the futsuu to show a gradual increase in difficulty, as in my opinion he is right in saying that the Kantan and Futsuu are VERY similar to one another, so much so that it doesn't really feel like a difficulty increase. After messing around with the notes a little bit I came up with this rhythm for the futsuu, and Ayyri may change it as she wishes, or decline it outright: Image

I'll put a star on this, as half the set (Kantan and Oni) are very close to ready for bubble, but the other half still needs quite a bit of work. You may call me back when these issues are addressed. I'll let Nishi and Ayyri do their thing.

I'll be back!~ :D
User avatar
Rhythm Incarnate
760 posts
Offline
No kudosu yet.
Taikocracy wrote:
You're at school and I'm in the middle of a tropical storm, so as promised I'll be taking a look at your map again :) (not sure if this is worth kudosu, so just in case don't give me any)
As per usual, only accept suggestions you agree with. :3


Kantan
Clean enough for me, the only things I'd end up commenting on here are pitch things, but those are based on perception and I'd feel that that'd be a waste of time. The structure used throughout the map is coherent and easy to follow in my opinion, and as I commented on before, 4/1 breaks are now more present, and 3/1 breaks are even more so. :)

I'll be back!~ :D


as you said pitch is only perception, so i think this fits the music well. and no need to change any color note because it would ruin the structure

thanks for re-checking my diff :D
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