Crowley wrote:

help the map is almost ranked and i still havent beaten my energy gap

Janpai wrote:

Also, I think using James Reid as the artist are kinda invalid though there's no much meta source. The vocals in the song are not his voice and I think Unknown Artist will be more acceptable.

-Nitrous wrote:

Before any debate here's the other version of the song by Akitoshi which James Reid actually sang.

Sonnyc wrote:

General.
00:24:960 - Why aren't you using a kiai here in your diffs? It has a strong sound, and having no fountains felt inconsistent with 00:48:000 - 00:55:680 -
// Applied

Easy.
00:15:360 (3) - Reducing 1/2 would fit the song better imo.
// Following the vocals seems better
00:39:840 (1) - Do you think this object to be necessary? Single combo object feels a little random to exist here imo.
// Trying to be consistent with this 00:16:800 (4) - since its audibly the same

Hard.
00:11:760 (3,4,5) - The jump placement felt quite random, but actually I'm not sure if the song was intensed here to call a jump.
// Applied. Reduced the distance of (4) to (5).

Looks fine enough.

1. 00:04:560 (3) - use a soft slider whistle instead, cuz it looks rly suitable on that, but better play with volume increase stuff
2. 00:32:160 (7,1) - learn how2stack properly bruh

1. 00:28:800 (1,2) - nice stacks bruh, fix that

1. 00:13:440 (1) - missing beat emphasize for the hitsound

1. 00:13:440 (1) - nice DS, but this one's 1x. rests are 0.9x

lit120 wrote:

yea

Trynna wrote:

Crowley thing

00:36:480 (1,2,1,2,3,1) - I'd recommend you to change 00:36:480 (1,2) - to a repeat slider such as 00:36:960 (1,2,3) - following the instrumental that have the same background sound and stuff creating a pattern with 4 equal notes supporting your previous patterns (refer to 00:32:640 (1,2,3,4) - and 00:34:560 (1,2,3,4) -), I feel like 00:36:480 (1,2,1) - is potentially baiting people to follow the vocal during the whole section since there's no transition and there's just 2 kick sliders following the vocal at all. I do understand that the NC thing on 00:36:960 (1) - should tell the player "hey something new is gonna happen ya kno" as already mentioned on Bakari mod but I wonder how much effective it's gonna be, the change is pretty sudden and can be avoided.

also 00:34:560 (1,2,3,4) - gets a bit intense since the background stream starts, maybe you can represent it by making the spacing a bit large when compared to 00:32:640 (1,2,3,4) -, it would create some less-boring patterns and a real reasoning why 00:36:480 - should also have a larger spacing when compared with the previous patterns aHhHhHhH im sorry but it is meant to be like that (( thanks for the minor suggestion anyways

g

davidminh0111 wrote:

Mod:
Hard:
-00:03:360 (3, 1): Please don't stack them // This shows how the sound stops and continues at the same pace
-00:17:760 (2, 3): You should seperate them out
-00:19:680 (2, 3) :^ // How the map overall is generally themed, I'm not removing it.
-00:40:800 (3, 4) :^
-00:42:720 (2,3): ^
-00:48:480 (2, 3): ^
-00:50:400 (2, 3):^
-00:56:160: ^
-00:58:080: ^

Stefan wrote:

So from what I could hear the chorus sounds sorta but the refrain definitely fits to James Reid's vocals. Just compare it with the music video and other songs of him and you will notice it actually is him.

Just as little reminder but it really shouldn't be rushed at all (okay, that was rude) about qualifying this map.

"ENERGY GAP JINGLE. Agency: Publicis Manila, Inc.: Managing Director Anna Testa; Chief Creative Officer Alistair Wood; Executive Creative Directors Alvin Tecson and Paolo Fabregas; Creative Director Migs Siojo; Associate Creative Director Nino Gupana; Senior Art Director Avery Alina; Art Director Macky Sanchez; Copywriters Irene Calma and Alex Gonzales; Division Head Chrissy Roa; Associate Business Unit Director Hannah Poblador; Account Director Antoi Almosa; Account Manager Mica Valencia; Strategic Planning Director Mapaul Manalo; Strategic Planner Xea Kho. Audio House: LoudBox. Composer/Arranger: Thyro Alfaro; Producer Jem Lim and Danise Talaba; Audio Engineer Corinne de San Jose"